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Game Developer Index 2012 Swedish Games Industry’S Reports 2013 Table of Contents
GAME DEVELOPER INDEX 2012 SWEDISH GAMES INDUSTRY’S REPORTS 2013 TABLE OF CONTENTS EXECUTIVE SUMMARY 2 WORDLIST 3 PREFACE 4 TURNOVER AND PROFIT 5 NUMBER OF COMPANIES 7 NUMBER OF EMPLOYEES 7 GENDER DISTRIBUTION 7 TURNOVER PER COMPANY 7 EMPLOYEES PER COMPANY 8 BIGGEST PLAYERS 8 DISTRIBUTION PLATFORMS 8 OUTSOURCING/CONSULTING 9 SPECIALISED SUBCONTRACTORS 9 DLC 10 GAME DEVELOPER MAP 11 LOCATION OF COMPANIES 12 YEAR OF REGISTRY 12 GAME SALES 13 AVERAGE REVIEW SCORES 14 REVENUES OF FREE-TO-PLAY 15 EXAMPLE 15 CPM 16 eCPM 16 NEW SERVICES, NEW PIRACY TARGETS 16 VALUE CHAIN 17 DIGITAL MIDDLEMEN 18 OUTLOOK 18 SWEDISH AAA IN TOP SHAPE 19 CONSOLES 20 PUBISHERS 20 GLOBAL 20 CONCLUSION 22 METHODOLOGY 22 Cover: Mad Max (in development), Avalanche Studios 1 | Game Developer Index 2012 EXECUTIVE SUMMARY The Game Developer Index maps, reports and analyzes the Swedish game devel- opers’ annual operations and international trends by consolidating their respective annual company accounts. Swedish game development is an export industry and operates in a highly globalized market. In just a few decades the Swedish gaming industry has grown from a hobby for enthusiasts into a global industry with cultural and economic importance. The Game Developer Index 2012 compiles Swedish company accounts for the most recently reported fiscal year. The report highlights: • Swedish game developers’ turnover grew by 60 percent to 414 million euro in 2012. A 215% increase from 2010 to 2012. • Most game developer companies (~60 percent) are profitable and the industry reported a combined profit for the fourth consecutive year. • Job creation and employment is up by 30 percent. -
EA Supercharges Its Partner Program with New Titles from Independent Mobile and Social Game Developers
EA Supercharges Its Partner Program with New Titles from Independent Mobile and Social Game Developers EA Partners Expands to Chillingo and Playfish to Help Independent Developers Publish on Fast-Growing Digital Platforms REDWOOD SHORES, Calif.--(BUSINESS WIRE)-- Electronic Arts Inc. (NASDAQ:ERTS) today announced that Chillingo and Playfish™ will offer publishing services to the fast-growing mobile and social gaming platforms to the independent development community. Following the successful and award-winning EA Partners program, EA will be expanding its partnership programs for Chillingo and Playfish furthering the delivery of fresh content to platforms such as the Apple App StoreSM, Google Android™ and Facebook®. Since its establishment in 2003, EA Partners has built a reputation for working with top-notch independent game developers, promoting both creativity and innovation amongst its global partners. Current partner titles include Epic Games and People Can Fly (Bulletstorm™), Crytek (Crysis®2), Valve (Portal 2), 38 Studios (Kingdoms of Amalur: Reckoning), Spicy Horse (Alice: Madness Returns™), Grasshopper Manufacture (Shadows of the Damned™), Paramount Digital Entertainment (Rango The Video Game), Trap Door (Warp), Funcom (Secret World) and Vanguard Games (Gatling Gears). EA partner studios also include Insomniac Games, Starbreeze Studios and Respawn Entertainment with forthcoming titles. "The EA Partners program has proven to be a phenomenally successful model. It is an all around win-win situation. The program allows EA to partner with some of the world's best console, PC and digital developers while providing those independent developers with a global distribution/publishing partner," said Bryan Neider, EA Games Label COO and General Manager of EA Partners. -
2016-11-25 Starbreeze Indielabs Signs Keokens Deliver Us the Moon
Starbreeze IndieLabs signs its second title with KeokeN Interactive’s “Deliver Us The Moon” STOCKHOLM, SWEDEN (November 25, 2016) Starbreeze AB, an independent creator, publisher and distributor of high quality entertainment products, today announced its second Starbreeze IndieLabs project, where the company have entered into an agreement with Dutch studio KeokeN Interactive to publish the title “Deliver Us The Moon”. Starbreeze will invest 500 000 USD to bring the game to PC and other platforms. Starbreeze will be able to recoup 120% its investment, where after Starbreeze will retain 50% of the revenues after distribution fees. KeokeN will retain 100% of the Intellectual Property (IP). Deliver Us The Moon is set in the near future where the earth's resources are nearly depleted. The nations of the world have come together to create the Worldwide Space Agency (WSA). Under the banner of the WSA, astronauts were sent to the moon to conduct research aimed at securing the future of mankind. Sadly, due to bickering between countries, no solution has been agreed upon. Now, with man's absolute last resources, you, a brave astronaut gone rogue, take the great step to the moon in a do-or-die secret mission to save humanity. During your adventure your only companion will be a small robot named ASE, the all seeing eye. Together, you will traverse the moon, explore abandoned facilities and perhaps even uncover some secrets and hidden agendas with the information you gather. Only by working together will you be able to stand a chance in succeeding on delivering the moon! "We met Koen and Jordy from KeokeN Interactive at E3 in Los Angeles earlier this year. -
The Limits and Strengths of Using Digital Games As "Empathy
United Nations Mahatma Gandhi Institute Educational, Scientific and of Education for Peace Cultural Organization and Sustainable Development WORKING PAPER 2017 - 05 | DECEMBER 2017 THE LIMITS AND STRENGTHS OF USING DIGITAL GAMES AS “EMPATHY MACHINES” Matthew Farber, Ed.D., University of Northern Colorado Karen Schrier, Ed.D., Marist College Mahatma Gandhi Institute of Education for Peace and Sustainable Development / UNESCO Working Paper: The Limits and Strengths of Using Digital Games as “Empathy Machines” THE LIMITS AND STRENGTHS OF USING DIGITAL GAMES AS “EMPATHY MACHINES” United Nations Mahatma Gandhi Institute Educational, Scientific and of Education for Peace Cultural Organization and Sustainable Development UNESCO MGIEP United Nations Educational, Scientific and Cultural Organization | Mahatma Gandhi Institute of Education for Peace and Sustainable Development 35 Ferozshah Road, ICSSR Building,1st Floor, New Delhi- 110001, INDIA. December, 2017 © UNESCO MGIEP Author: Matthew Farber, Ed.D., Assistant Professor, University of Northern Colorado Karen Schrier, Ed.D., Associate Professor, Director of Games & Emerging Media, Marist College The opinions expressed in this publication are those of the authors and are not necessarily endorsed by UNESCO MGIEP. UNESCO MGIEP is not responsible for discrepancies, if any, in data and content. Any communication concerning this publication may be addressed to: UNESCO MGIEP [email protected] Printed in India THE LIMITS AND STRENGTHS OF USING DIGITAL GAMES AS “EMPATHY MACHINES” Matthew Farber, Ed.D., University of Northern Colorado Karen Schrier, Ed.D., Marist College Mahatma Gandhi Institute of Education for Peace and Sustainable Development / UNESCO Working Paper: The Limits and Strengths of Using Digital Games as “Empathy Machines” Mahatma Gandhi Institute of Education for Peace and Sustainable Development / UNESCO Abstract This working paper grapples with questions related to the intersection of digital games and empathy. -
Special Issue Nation(Alism), ,Dentity and Video Gaming Edited by Lisa Kienzl and Kathrin Trattner
8QWLWOHG3HWH/LQIRUWK3L[DED\ 6SHFLDO,VVXH 1DWLRQ DOLVP ,GHQWLW\DQG9LGHR*DPLQJ HGLWHGE\ /LVD.LHQ]ODQG.DWKULQ7UDWWQHU ,VVXH ,QWURGXFWLRQ7KRXJKWVRQWKH(QWDQJOHPHQWRIWKH&RQFHSWVDQG1RWLRQVRID 1DWLRQ1DWLRQDOLVPDQG,GHQWLW\LQ5HODWLRQWR9LGHR*DPHVDQG*DPLQJ&XOWXUH E\/LVD.LHQ]ODQG.DWKULQ7UDWWQHU DUWLFOH *ORU\WR7UXPSODQG&ULWLFDOO\3OD\LQJ%RUGHU*DPHV E\0HOLVVD.DJHQ UHSRUWV 5RXQG7DEOH'LVFXVVLRQRQNation(alism), Identity and Video GamingZLWK0HJDQ &RQGLV0DULMDP'LGæJDOY\WŐ*HRUJ+REPHLHUDQG6RXYLN0XNKHUMHH E\.DWKULQ7UDWWQHUDQG/LVD.LHQ]O 3OD\LQJ$PHULFD$Q,QWURGXFWLRQWR$PHULFDQ&XOWXUHWKURXJK9LGHR*DPHV E\0LFKDHO)XFKVDQG6WHIDQ5DELWVFK 5HVHDUFK5HSRUWRQ&XUVHWKH)LHQGV7KHLU&KLOGUHQ7RR&XOWXUDO+HULWDJHDQG 6XEYHUVLRQRI)LFWLRQDO7URSHVLQBloodborne E\6DUDK=DLGDQ5LFKDUG3LOEHDPDQG(OLQ&DUVWHQVGRWWLU LQWHUYLHZV ,QWHUYLHZZLWK0LUD:DUGKDQLQJVLKIURP6WRU\7DOH6WXGLRVRQWKH,QGRQHVLDQ+RUURU *DPHPamali E\.DWKULQ7UDWWQHU ,QWHUYLHZZLWK'p\IRXODK6DQL%DK7UDRUHRQWKH7RJROHVH*DPHOrigin – the Rise of Dzitri E\/LVD.LHQ]O UHYLHZV We. The Revolution, a Review. 9LYHOD5pYROXWLRQRU'HDWKDQG$OO+LV)ULHQGV E\.HYLQ5HFKHU Kingdom Come: Deliverance.$%RKHPLDQ)RUHVW6LPXODWRU E\(XJHQ3ILVWHU Playing America. An Introduction to American Culture through Video Games Michael Fuchs and Stefan Rabitsch Abstract This research report sketches one of our current projects – a textbook which approaches America (an imaginative construct more so than a geographic location) through video games. Thus, the intended outcome of this project is a ready-to-use primer to the -
The Last of Us Honored with 10 Awards Including Game of the Year at 17Th Annual D.I.C.E
THE LAST OF US HONORED WITH 10 AWARDS INCLUDING GAME OF THE YEAR AT 17TH ANNUAL D.I.C.E. AWARDS Top Honors Celebrating the Creative Accomplishments in Interactive Entertainment Also Went to Bioshock Infinite, Grand Theft Auto V, Plants vs. Zombies 2, and More LAS VEGAS – Feb. 6, 2014 – Suspense, horror, and surreal worlds dominated the 17th Annual D.I.C.E. Awards, the video game industry’s most prestigious honors. Naughty Dog’s dystopian, post-apocalyptic reimagining of the zombie thriller, The Last Of Us, stole the show with 10 awards, including Outstanding Achievement in Story, Outstanding Innovation in Gaming, Adventure Game of the Year, Outstanding Achievement in Game Direction and the industry’s top honor, Game of the Year. The evening’s other big winners included Irrational Games’ provocative alternate-historical FPS, Bioshock Infinite, which took home Action Game of the Year and Outstanding Achievement in Original Music Composition. PopCap’s runaway mobile hit Plants vs. Zombies 2 won both Casual Game of the Year and Mobile Game of the Year, while EA Canada’s FIFA 14 continued the FIFA franchise’s run of five consecutive wins with Sports Game of the Year. Brothers – A Tale of Two Sons, Starbreeze Studios’ touching, story-driven adventure, took home the hardware for Downloadable Game of the Year. Wargaming’s multiplayer online game World of Tanks took home the honor for the D.I.C.E. Awards’ newest category, Online Game of the Year. “Tonight’s big winner, The Last of Us, is a prime example of how today’s modern video game studios expertly blend art, game play, and storytelling to transcend the traditional notion of video games,” said Martin Rae, president, Academy of Interactive Arts & Sciences. -
Intro by the Admin
The Sierra Chest Newsletter: Issue 2, May 2009 Intro by the admin Dear Sierra fans, Another busy month of construction on the Sierra Chest. Most notably “Gabriel Knight 3: Blood of the Sacred, Blood of the Damned” has been inserted. And while that took far more time than expected, the result is great! More info about that on the next page. We also worked a bit on King’s Quest, and fully inserted “Lost in Time” by Coktel Vision. Some general stuff, such as a load of box arts have been added and it is now also possible to access the fanbased Empire Earth servers through the Chest. Also our friends at UnityHQ, member of the Sierra Gateway and fanbased home of the No One Lives Forever forums and servers, have a small request for you. It is a pleasure to say that, after some 200 uploaded videos on the Sierra Chest’s Youtube channel over the past half a year, we finally nailed an honor! The video “Gabriel Knight 3: Fiction versus Reality” was among the most watched videos in the video gaming category in France on April 26th. It was a small honor, which lasted only a day, but it was an honor nonetheless, so it is gratifying to see things are beginning to fall in the public spotlight. The video combines real locations with Gabriel Knight 3 gameplay and then shifts towards the vampire story during the 2nd half of the video, all guided by music of W. A. Mozart’s Requiem. With the number of subscribers to the Sierra Chest Youtube channel increasing by about 50% over the past month alone, we are confident more fans will find their way to the site and the Sierra Gateway forums (http://www.sierraforums.com). -
Starbreeze Annual Report 2019 Contents 3 About Starbreeze 22 YEARS of GAMES DEVELOPEMENT
Anual Report 2019 Contents Page Introduction About Starbreeze & The Year in Brief 4 CEO message 6 Significant events during the year 2019 7 Market 8 Operations The PAYDAY IP 14 Game developement process 18 Employees and organization 20 The share and shareholders 24 Corporate Governance & Board of Directors Report Corporate governance statement 28 Board of Directors and auditors 36 Senior management 38 Financial review 40 Financial report Contents 42 Board of Directors report cont. 43 Consolidated financial statement 46 Parent company financial statement 50 Auditor’s report 87 Starbreeze Annual Report 2019 Contents 3 About Starbreeze 22 YEARS OF GAMES DEVELOPEMENT Vision: To create, develop and publish excit- ing, gameplay focused and community centric games. ● One of the first independent game developers in northeren Europe, founded in 1988. ● Independent games developer and publisher of computer games. ● Listed on Nasdaq Stockholm. employees127 in five countries PAYDAY - Starbreeze own IP Net sales 2019 Per business area Per platform 2 % 1% 4% 21% 45%52% 79% 96% Publishing Starbreeze Games Console PC Digital Retail VR Tech & Operations Other 4 About Starbreeze Starbreeze Annual Report 2019 Starbreeze Annual Report 2019 About Starbreeze 5 CEO message FULL FOCUS ON PAYDAY On December 6, 2019, we had a successful conclusion to the through cost savings and efficiency improvements among company reconstruction and arrangements with all creditors staff, purchasing and local use. had been reached. We are now devoting our full focus to the core business – creating games based on PAYDAY first. After the end of the financial year, a directed share issue of In October, we released new content for PAYDAY 2, which SEK 51.3 million was carried out as part of the company’s ful- was well received by our community and has resulted in the filment of the Reconstruction Plan to finance the operations. -
TAG, It's You! a NEW SPIN on an OLD GAME
Student Life Magazine The University of Advancing Technology Issue 5 SUMMER/FALL 2009 03 TAG, IT’S YOU A New Spin on an Old Game S N A P I T 50 D IGITAL DREAMS DO COME TRUE a Western Short FILM Destined for Greatness 24 Rise to The Surface Three Students Build a Multi-Touch Computer $6.95 SUMMER/FALL T.O.C. • • • LOOK FOR THESE MICROSOFT TAGS 04 TAG, IT'S YOU! A NEW SPIN ON AN OLD GAME TA B L E O F CON T E N T S GEEK 411 ISSUE 5 SUMMER/FALL 2009 ABOUT UAT 10 WE’RE TAKING OVER THE WORLD. JOIN US. 32 GET GEEKALICIOUS: T-SHIRT SALE 41 THE BRICKS (OUR AWESOME FACULTY) 49 THE MORTAR (OUR AWESOME STAFF) INSIDE THE TECH WORLD FEATURE 6 BIG BRAIN EVENTS STORIES 26 DEADLY TALENTED ALUMNI 35 WHAT'S YOUR GEEK IQ? 36 GO PLAY WITH YOUR DOTS 24 RISE TO THE SURFACE 38 WHAT’S HOT, WHAT’S NOT ThE RE STUDENTS BUILD A MULTI-TOUCH COMPUTER 42 DAYS OF FUTURE PAST 45 GADGETS & GIZMOS GEEK ESSENTIALS 12 GEEKS ON TOUR 18 DAY IN THE LIFE OF A DORM GEEK 30 LET THE TECH GAMES BEGIN 40 YOU KNOW YOU WANT THIS 46 HOW WE GOT SO AWESOME 47 WE GOT WHAT YOU NEED 22 GEEKILY EVER AFTER 54 GEEKS UNITE – CLUBS AND GROUPS HWTOO W UAT STUDENTS FELL IN LOVE AT FIRST SHOT STORIES ABOUT REALLY SMART PEOPLE 8 INVASION OF THE STAY PUFT BUNNY 29 RAY KURZWEIL 34 GEEK BLOGS 50 COWBOY DREAMS 20 DAVID WESSMAN IS THE MAN UAP T ROFESSOR DIRECTS FILM 16 LIVING THE GEEK DREAM 33 INTRODUCING… NEW GEEKS 14 WE DO STUFF THAT MATTERS 2 | GEEK 411 | UAT STUDENT LIFE MAGAZINE 09UT A 151 © CONTENTS COPYRIGHT BY FABCOM 20092008 LOOK FOR THESE MICROSOFT TAGS THROUGHOUT THIS S ISSUE OF GEEK 411 N AND TAG THEM A P TO GET MORE OF I THE STORY OR T BONUS CONTENT. -
The Darkness 10
Darkness_360_ManInt_TCad.qxp 5/21/07 4:06 PM Page 2 Table of Contents Background 2 Main Menu 4 Options 5 Controls 6 Playing the Game 8 Weapons 9 The Darkness 10 Darklings 12 Xbox LIVE® 15 Credits 19 Warranty 25 Product Support 29 Register with Us! 29 1 Darkness_360_ManInt_TCad.qxp 5/21/07 4:06 PM Page 4 affair. Who could blame her? She was just another trophy to him, Background another thing to own. Well, Paulie finds out. There isn’t much you can hide from him. Paulie waits until they are “in the act” to show Ja c k i e E s t a c a d o his wife that he doesn’t like being made for a fool. He especially doesn’t like anyone messing with his things. Paulie strung the guy As a child, Jackie lost his parents and was consigned to an orphan- up and tortured him to death in front of his wife. You see, she really age. The children’s home was a difficult place to grow up and Jackie loved the guy and Paulie knew it. She was never the same after that. and his childhood sweetheart, Jenny, spent most days wishing for a That’s the kind of guy Paulie is. Look at him the wrong way and you place to belong…a family. One day, Jackie’s wish came true. He was might end up with a hole in your head… or worse. taken in by Paulie Franchetti and indoctrinated into the ways of the mob. But the life was a harsh one and Jackie grew up to be an Captain Edward Shrote enforcer and hit man for his “Uncle”. -
Brothers: a Tale of Two Sons”
DIGITAL BROS INVESTS IN DEVELOPMENT WITH THE RIGHTS OF THE INTELLECTUAL PROPERTY “Brothers: A Tale of two sons” Through its subsidiary 505 Games, Digital Bros has acquired the intellectual property of successful videogame “Brothers: A tale of two sons”, that enchanted critics and audiences worldwide Milan, 16 January 2015 – The Digital Bros Group, reference major player in the global games entertainment field, announces today that it has acquired from Starbreeze – through its subsidiary 505 Games – the rights of the intellectual property of the critically-acclaimed, and multi-award-winning Brothers: A Tale of Two Sons. Originally published by 505 Games digitally on PC, Xbox 360 and PS3, “Brothers: A Tale of Two Sons” was developed by Starbreeze Studios with creative direction from acclaimed film director Josef Fares and went on to amass 13 Game of the Year awards and sell over 800,000 units worldwide, registering revenues for €3 million. Digital Bros acquires the rights for Brothers from Starbreeze Studios, with whom they already have a partnership on the internationally successful Payday 2 franchise, which launched in August 2013 in digital and physical retail form, and has since generated over €42 million revenues since launch, with over 9 million units sold worldwide and more than 8 million additional items of downloadable content. The value of the investment to acquire the IP rights of “Brothers: A tale of two sons” is USD 500,000. “We’re incredibly pleased to have secured this deal with our longterm development partner, Starbreeze Studios..” stated Raffaele Galante, Chief Executive Officer of Digital Bros – “This acquisition reflects a precise strategy to own the property and the control of our IPs (Intellectual Properties), in particular those we’re sure will contribute significantly to the world of interactive entertainment. -
UK Video Games Heterogeneous Not Homogeneous
©iStockphoto.com/waxwaxwax UK video games Heterogeneous not homogeneous February 2019 Published by Edison Investment Research UK video games Heterogeneous not homogeneous Technology 26 February 2019 Over the past two to three years, we have seen the re-emergence of a listed small- and mid-cap games sector in the UK and Europe, with a wave of IPOs supported by a period of sustained outperformance of the industry UK and European companies majors against a backdrop of healthy equity markets. The more recent mentioned in this report reversal of performance of the sector has been equally dramatic and CD Projekt (CDR.WA) largely indiscriminate. Mixed trading results from the industry majors reflect, in our view, the re-basement of expectations from unrealistic highs, Codemasters (CDM.LN) as well as disruption from digital distribution and recurring monetisation EVR Holdings (EVRH.LN) models. The small-cap games sector mainly comprises companies with Frontier Developments (FDEV.LN) business models designed to exploit this new model, and trading for the Game Digital* (GMD.LN) most part has been robust. The dynamic nature of the market will continue Gfinity (GFIN.LN) to create disruption, offering opportunities and risks, but we believe the Immotion Group (IMMO.LN) small-cap European sector now offers exposure to a number of well-run, Keywords Studios* (KWS.LN) innovative businesses and good execution will generate significant value. MAG Interactive (MAGIN.ST) Mercia Technologies* (MERC.LN) A global industry offering double-digit growth Modern Times Group (MTGb.ST) In 2018, western markets represented c 44% of global games revenues estimated Paradox Interactive (PDXI.ST) at $138bn, with 51% of revenues on mobile devices.