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Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
SATURDAY, FEBRUARY 14 11:30 A.M. Unnameable Books 600
Performance Poetry, Pedestal Magazine, New Verse of the Union (Spuyten Duyvil Press). Her work is forthcoming fronted by East Village-based musician Mallory Feuer. SATURDAY, News); set to music (David Morneau’s Love or has recently appeared in such places as The Awl, Boston Two years of consistent performing in and around New FEBRUARY 14 Songs); on the silver screen (2005 indie flick Review, and The Brooklyn Rail. York followed, with several major shifts to the band’s Love and the Vampire); in print (Soft Skull Press’ lineup and sound. 11:30 A.M. The Bandana Republic: A Literary Anthology by 1:05 p.m. Brian Fitzpatrick The CD spins onward, with “How Will I Grow” Unnameable Books Gang Members and Their Affiliates, and Harper Perennial’s It http://thefanzine.com/author/brianfitz/ and “Say it Ain’t So,” two songs about a destructive All Changed in an Instant: More Six-Word Memoirs by Writers Brian Fitzpatrick lives and teaches in relationship, with a whirlwind of confrontational, 600 Vanderbilt Ave. Famous & Obscure). She and Jack Cooper run Poets Wear Prada. Washington, D.C., where he writes poetry nightmarish lyrics over dense, complex musical (bet. Prospect Place/St. Marks Avenue) Her elegiac poem “In Loving Memory,” illustrated by Edward and comedy pieces. His work has appeared arrangements. If the first three tracks were a weather Odwitt, was released in 2011. in print and online in places like Rattle and report to alert us of a hurricane of troubled dreams Prospect Heights, on D.C.’s Pink Line Project and Fanzine. B. -
APPEAL US Don't Know! Conference on Artistic Research - 2021-10-02
APPEAL US www.open-frames.net/appeal_us don't know! conference on artistic research - 2021-10-02 15 principles of Black Market International, Michaël La Chance 2 ou 3 chose que je sais d'elle, Jean-Luc Godard 30 minuten, Arjen Ederveen 55 stars, tattooman 56 stars, tattooman 8 1/2, Federico Fellini A Buttle of Coca-Cola, Interview with John Cage A la recherche du temps perdu, Marcel Proust A Voice And Nothing More, Mladen Dolar Accuracy & Aesthetics, Deborah MacPherson Ademkristal, Paul Celan Against Method, Paul Feyerabend Aliens & Anorexia, Chris Kraus All Movies, by Toni Queeckers ALTERMODERN, Nicolas Bourriaud An Anthology of Optimism, Peter de Buysser & Jacob Wren Apparatus for the Distillation of Vague Intuitions, Eve Andree Laramee APPEAL US , all contributors Apur Sansar, Satyajit Ray Arm en Rijk , prof. Davis S. Landes At Land, Maya Deren Bin Jip / 3-Iron (movie), Kim Ki-duk Black Mass, John Gray Body Pressure, Bruce Nauman (1974) Calimero, C in China Call of Cthulhu, HP Lovecraft Canopus in Argos : Archives, Doris Lessing Case Study Homes, Peter Bialobrzeski Catalogue of Strategies, Mieke Gerritzen ea Cheap lecture, Jonathan Burrows Clara et la pénombre , José Carlos Somoza Cornered (1988) , Adrian Piper De man zonder eigenschappen, Robert Musil De Princes Op De Erwt, Hans Christian Andersen Dear Wendy, Thomas Vinterberg / Lars von Trier Decreation, William Forsythe / Anne Carson Deep Democracy of Open Forums, Arnold Mindell Der Mann Ohne Eigenschaften, Robert Musil Der Spiegel im Spiegel, Michael Ende DIAL H–I–S–T–0–R–Y (1997), Johan Grimonprez Die Gesellschaft der Gesellschaft (2 vols), Niklas Luhmann Disfigured Study, Meg Stuart APPEAL US - http://www.open-frames.net/appeal_us_II/ - Page 1/4 Dodes'kaden ( 1970), Akira Kurosawa Don't Stop Me Now, Queens Don't Stop Me Now , Worldclock Environmental Health Clinic, Natalie Jeremijenko Erotism: Death and Sensuality, Georges Bataille Espèces d'espaces, Georges Perec Flight of the Conchords, HBO series Francis Alys (Contemporary Artists), Francis Alys Franny and Zooey, J.D. -
Marie Menken. Andy Warhol, 1965. Frame Enlargement. Photo Courtesy
Top: Marie Menken. Andy Warhol , 1965. Frame enlargement. Photo courtesy of Anthology Film Archives. All rights reserved. Bottom: Marie Menken. Arabesque for Kenneth Anger, 1961. Frame enlargement. Photo courtesy of Anthology Film Archives. All rights reserved. 58 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/grey.2009.1.36.58 by guest on 26 September 2021 Myth, Matter, Queerness: The Cinema of Willard Maas, Marie Menken, and the Gryphon Group, 1943–1969 JUAN A. SUÁREZ The Gryphon group has had an uneven reception history: well-known and well-regarded in experimental film circles during its active years—the mid- 1940s to the late 1960s—it suffered an eclipse in succeeding decades and now seems poised for a return, as recent publications, conferences, and film programs begin to assess Gryphon’s place in the history of avant-garde cinema. The group’s core members were Marie Menken and her husband, Willard Maas. Among those who worked under the Gryphon imprint are Ben Moore, Charles Boultenhouse, John Hawkins, and Charles Henri Ford. And on the outer edges of the collective were Gregory Markopoulos and Stan Brakhage. Maas claimed them as members and they allowed their work to be connected with the group but did not feel strongly committed to it. 1 The list of Gryphon’s friends and collaborators makes up an impressive cross-section of the postwar avant-garde, and includes filmmakers Norman McLaren, Maya Deren, Kenneth Anger, and Andy Warhol, poet and film - maker Gerard Malanga, critic Parker Tyler, Living Theater founders and directors Julian Beck and Judith Malina, the British poet George Barker— a protégé of T.S. -
Anthology Film Archives 104
242. Sweet Potato PieCl 384. Jerusalem - Hadassah Hospital #2 243. Jakob Kohn on eaver-Leary 385. Jerusalem - Old Peoples Workshop, Golstein Village THE 244. After the Bar with Tony and Michael #1 386. Jerusalem - Damascus Gate & Old City 245. After the Bar with Tony and Michael #2 387. Jerusalem -Songs of the Yeshiva, Rabbi Frank 246. Chiropractor 388. Jerusalem -Tomb of Mary, Holy Sepulchre, Sations of Cross 247. Tosun Bayrak's Dinner and Wake 389. Jerusalem - Drive to Prison 248. Ellen's Apartment #1 390. Jerusalem - Briss 249. Ellen's Apartment #2 391 . European Video Resources 250. Ellen's Apartment #3 392. Jack Moore in Amsterdam 251, Tuli's Montreal Revolt 393. Tajiri in Baarlo, Holland ; Algol, Brussels VIDEOFIiEEX Brussels MEDIABUS " LANESVILLE TV 252. Asian Americans My Lai Demonstration 394. Video Chain, 253. CBS - Cleaver Tapes 395. NKTV Vision Hoppy 254. Rhinoceros and Bugs Bunny 396. 'Gay Liberation Front - London 255. Wall-Gazing 397. Putting in an Eeel Run & A Social Gathering 256. The Actress -Sandi Smith 398. Don't Throw Yer Cans in the Road Skip Blumberg 257. Tai Chi with George 399. Bart's Cowboy Show 258. Coke Recycling and Sheepshead Bay 400. Lanesville Overview #1 259. Miami Drive - Draft Counsel #1 401 . Freex-German TV - Valeska, Albert, Constanza Nancy Cain 260. Draft Counsel #2 402, Soup in Cup 261 . Late Nite Show - Mother #1 403. Lanesville TV - Easter Bunny David Cort 262. Mother #2 404. LanesvilleOverview #2 263. Lenneke and Alan Singing 405. Laser Games 264. LennekeandAlan intheShower 406. Coyote Chuck -WestbethMeeting -That's notRight Bart Friedman 265. -
Catalogobim2014.Pdf
2 . Sobre la bIM / about bIM del 20 de noviembre al 20 de diciembre ca t á l o go 2014 EDUNTREF Denegri, Andrés. Catálogo BIM 2014 / Andrés Denegri y Gabriela Golder.- 1a ed.- Sáenz Peña: Universidad Nacional de Tres de Febrero, 2015. 280 p.; 23x15 cm. ISBN 978-987-1889-59-4 1. Artes Visuales. I. Golder, Gabriela II. Título CDD 778.5 © Catálogo BIM 2014 / Denegri, Andrés y Golder, Gabriela © de esta edición UNTREF (Universidad Nacional de Tres de Febrero) para Eduntref (Editorial de la Universidad Nacional de Tres de Febrero). Reservados todos los derechos de esta edición para Eduntref (UNTREF), Mosconi 2736, Sáenz Peña, Provincia de Buenos Aires. www.untref.edu.ar Primera edición mayo de 2015. Hecho el depósito que marca la ley 11.723. Queda rigurosamente prohibida cualquier forma de reproducción total o parcial de esta obra sin el permiso escrito de los titulares de los derechos de explotación. Impreso en la Argentina. 4 . Sobre la bIM / about bIM So- Palabras del rector / Words from the chancellor . 9 bre aníbal Y. Jozami Sobre la BIM / about BIM . 11 la andrés Denegri y Gabriela Golder BIM about BIM PREMIO / introducción / introduction . 15 aWARD jurados / jury . 17 NORBERTO GRIFFa a la obras seleccionadas / Selected works . 21 CREACIÓn AUDIOVISUAL LATINOAMERI- CANA Pro- exposiciones / exhibitions . 71 GRA- Proyecciones / Screenings . 109 ma- actividades especiales / Special activities . 257 ciÓn Programme 6 . Sobre la bIM / about bIM So- BRE la BIM A B O U T B I M BIM 2014 PalabraS del rector / WordS From the chancellor Por / by aníbal Y. -
La Machine Bolex
La machinE BOlEx Exposition itinérante 2017-2020 LES hOriZONS amatEurS en Auvergne-Rhône-Alpes, Bourgogne-Franche-Comté et Suisse du cinEma conçue par l’Université de Lausanne et la Cinémathèque des Pays de Savoie et de l’Ain Toutes les informations sur www.letelepherique.org AIDE À LA VISITE Auteurs SOMMAIRE Nicolas Dulac Vincent Sorrel Stéphane Tralongo Chargé de cours à l’Université de Montréal, il prépare une Cinéaste et chercheur FNS Junior à l’Université de Docteur ès Lettres et arts, il est Premier assistant à la thèse de doctorat sur les appareils Bolex et leur place Lausanne, coauteur avec Jean-Louis Comolli de Cinéma, Section d’histoire et esthétique du cinéma de l’Université dans l’histoire du cinéma amateur en cotutelle avec mode d’emploi (Verdier, 2015), il enseigne l’écriture et de Lausanne. l’Université de Lausanne. la réalisation du cinéma documentaire à l’Université de p. 5 Introduction p. 20 Universalité Grenoble-Alpes. Partenaires p. 6 Précision p. 24 Mobilité Fondation Bolex Oulevay p. 10 Synchronisme p. 26 Automatisme Exposition réalisée grâce au programme de coopération territoriale européenne INTERREG V France-Suisse 2014-2020 - Fonds Européen de Développement Régional dans le cadre du projet EntreLACS avec le soutien de p. 14 Exploration p. 30 Horizons p. 16 Expérimentation p. 32 Références Remerciements Richard Authier, Ludivine Barro, Tatiana Berseth, Thomas Bissegger, Katia Bonjour, Michel Brouard, Gilbert Coutaz, Michel Dind, Chloé Hofmann, Camille Huygen, Pierre- Emmanuel Jaques, Achilleas Papakonstantis, Louis Pelletier, Jean-Claude Piguet, Sophie Pujol, Alexandra Schmidt 2 3 INTRODUCTION Les mots du poète pour qualifier la caméra portative adressée à l’amateur évoquent un cinéma léger, libéré des contraintes et des pesanteurs – techniques, économiques, corporatives – de la production professionnelle de films. -
Experimental Films by Jodie Mack
May – Jul 2018 Projection Series #10 Glitch Envy: Experimental Films by Jodie Mack govettbrewster.com The Govett-Brewster Art Gallery/Len Lye Centre’s state-of-the-art 62-seat cinema encourages audiences to experience the films of Len Lye and the wider world of local and international cinema. We welcome you to see historical experimental film, contemporary artists’ moving image and regular film festival programming. At the heart of the Len Lye Centre’s cinema programme is the Projection Series, our regular film programme surveying the landscape of historical and contemporary fine art filmmaking. Cover: Len Lye Centre Cinema Unsubscribe #3: Glitch Envy 2010 Photo: Patrick Reynolds P / 2 Govett-Brewster Art Gallery Projection Series P / 3 Curator's Foreword Archive Fervor Paul Brobbel Len Lye Curator, Jennifer Stob, Govett-Brewster Art Gallery Texas State University Projection Series #10 marks three years of our Projection Series, “Imagine an eye unruled by man-made laws of perspective, an eye reintroduced to the Govett-Brewster's programme with the opening of unprejudiced by compositional logic,” wrote Stan Brakhage in 1963.1 the Len Lye Centre in 2015. It is fitting that we celebrate with a programme For more than fifty years, that idea was foundational for Brakhage’s dedicated to the films of Jodie Mack whose work exemplifies the energy, gaze-obsessed artistry. Thanks to his films andMetaphors on Vision, exploration and sheer thrill that we've come to know through the legacy of his manifesto that opens with those lines, Brakhage’s imagination has Len Lye. Glitch Envy is the first survey of Mack's work presented in Aotearoa become equally foundational for film art at large. -
San Francisco Cinematheque Program Notes
San Francisco Cinematheque Program Notes 1997 From the collection of the n z m o Prelinger v .Library t p San Francisco, California 2007 San Francisco Cinematheque 1997 Program Notes San Francisco Cinematheque 480 Potrero Avenue San Francisco, California 94110 Telephone: 415 558 8129 Facsimile: 415 558 0455 Email: [email protected] www.sfcinematheque.org San Francisco Cinematheque Director Steve Anker Associate Director Joel Shepard Associate Director/ Curator Irina Leimbacher Interim Managing Director Elise Hurwitz Program Note Book Producer Targol Mesbah Program Note Editors/ Coordinators Jeff Lambert Irina Leimbacher Steve Polta Smith Patrick Board of Directors Stefan Ferreira Oliver Marina McDougall Kerri Condron Sandra Peters Linda Gibson Julia Segrove-Jaurigui Elise Hurwitz Laura Takeshita Wendy Levy Program Co-Sponsers Castro Theatre San Francisco International Gay and Cine Accion Lesbian Film Festival National Asian American San Francisco International Film Telecommunications Association Festival (NAATA) San Francisco Museum of Modern Art New Langton Arts The Spiros Vyronis Center for the Pacific Film Archive Study of Hellenism Proyecto Contrasido por Vida Temenos, Inc. Roxie Theatre Verba Buena Center for the Arts San Francisco Art Institute Guest Curators and Co-Curators Robert Beavers Eduardo Morell and Mark Wilson Bruce Cooper Bruce and Amanda Posner Kathy Geritz Charlotte Pryce Jerome Hiler Janelle Rodriguez Ed Jones Daniel Schott and Charles Lofton Wendy Levy and Jay Rosenblatt Jerry Tartaglia Aline Mare Timoleon Wilkins -
Capital Campaign Brochure
COMPLETION PROJECT Leading up to its 50th anniversary, Anthology Film Archives is undertaking a capital campaign to restore, upgrade, expand — and complete — its century-old East Village courthouse building to better meet the needs of the film-going public, visiting students and scholars, and its expanding collections and programs. MISSION Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a special emphasis on indepen- dent, avant-garde, and classic cinema. Fueled by the conviction that the index of a culture’s health and vibrancy lies largely in its margins, Anthology strives to advance the cause and protect the heritage of a kind of cinema that is in particular danger of being lost or overlooked. OUR WORK For nearly 50 years, Anthology has been committed to the preservation and restoration of work by the most important American independent and experimental filmmakers. To date, Anthology has preserved more than 1,000 works through modern preser- vation techniques — both photochem- ical and digital. Visited regularly by scholars, curators, writers, students, and aspiring filmmakers, Anthology works to make important titles accessible to the general public through screenings, archival loans, on-site research, and online access. Anthology’s programming is among the most diverse of any repertory cinema in the United States, encom- passing its Essential Cinema series, as well as premieres, revivals, retro- spectives, and survey screenings IMAGES FROM FILMS of contemporary and classic works “I am awed by what Anthology Film Archives PRESERVED BY ANTHOLOGY (TOP TO BOTTOM): MESHES of cinema from around the world. -
1 Jonas Mekas Serpentine Gallery, London, 5 December 2012–27
1 Jonas Mekas Serpentine Gallery, London, 5 December 2012–27 January 2013 An Exhibition Review by Laura Busetta, Sapienza University, Rome Jonas Mekas turned ninety on 25 December 2012, and the sixty-year career of the Lithuanian-born artist, poet and filmmaker has been at the centre of several events, talks, screenings and exhibitions organised in London and Paris. The Centre Pompidou in Paris and the BFI Southbank in London both presented screenings of Mekas’s older and recent works, and the London Serpentine Gallery programmed a series of seminars and films, coinciding with a central solo show on the life and work of the filmmaker. The Serpentine Gallery presents different elements of the filmmaker’s personal story—such as photographs, printed stills, videos, writing, documents, a selection of poems translated from the Lithuanian, a display of Bolex cameras and even a copy of Mekas’s passport—which are put together in an extensive collage. Entering the first room, the visitor suddenly faces what we can describe as a visual representation of the double identity of the filmmaker. Displayed on the wall is a series of eighty photographic prints, each made up of three 16mm frames extracted from the world premiere of Mekas’s new feature-length film, Outtakes From The Life of a Happy Man (2012), which forms the heart of the exhibition. The installation is titled My Two Families, and is divided into two groups: on the left there is a selection of portraits of Mekas’s family, and on the right several images of his collaborators, friends and acquaintances: “family one is my home family: Hollis, Dana, Sebastian; family two is my friends in film”, as it is written in the description of the installation. -
16 Aug 19 26 Sep 19
16 AUG 19 26 SEP 19 1 | 16 AUG 19 - 26 SEP 19 49 BELMONT STREET | BELMONTFILMHOUSE.COM It’s amazing to think that in the last intro I rather skited over Once Upon A Time... in Hollywood. It was released on the second last day of the July/August schedule. It’s not that it became an afterthought... there were just so many other films to write about. A common problem here! In this brochure, it begins its first full week of release. A few more weeks of hype has allowed Twitter to dissolve into reappraisals of Tarantino’s back catalogue, which can only suggest one thing - Once Upon A Time... in Hollywood might be worth the hype, especially if you are shuffling around the likes of Jackie Brown and Pulp Fiction to accommodate it in QT’s Top 5. If your memory needs refreshing or you have a few you’ve not yet managed to see, we’re hosting a Tarantino mini-season in Kino Bar with four of his own, plus two he gave away, From Dusk Till Dawn and Natural Born Killers. Pain and Glory marks the return of another director with a long legacy, Pedro Almodóvar, and his semi-autobiographical film sees a terrific Antonio Banderas plays an aging film director in creative malaise, reflecting upon his life, career and memories. We’ve also got a few outrageously interesting documentaries this month. Stand-outs include Hail Satan?, in which ‘Satanists’ rally for progressive values and the separation of Church and State in the USA; Gaza, a deeply moving film documenting normal lives in a distinctly un-normal, war-torn state; and the film nerd’s dream Memory: The Origins of Alien.