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The Delius Society Journal Spring 2000, Number 127
Delius Journal 127.qxd 10-04-2000 09:18 Page 1 The Delius Society Journal Spring 2000, Number 127 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £20 per year UK students: £10 per year USA and Canada US$38 per year Africa, Australasia and Far East £23 per year President Felix Aprahamian Vice Presidents Roland Gibson MSc, PhD (Founder Member) Lionel Carley BA, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon Handley MA, FRCM, D Univ (Surrey) Richard Hickox FRCO (CHM) Rodney Meadows Robert Threlfall Chairman Lyndon Jenkins Treasurer and Membership Secretary Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos GL56 9BU Tel: (01386) 700175 Secretary Anthony Lindsey 1 The Pound, Aldwick Village, West Sussex PO21 3SR Tel: (01243) 824964 Delius Journal 127.qxd 10-04-2000 09:18 Page 2 Editor Roger Buckley 57A Wimpole Street, London W1M 7DF (Mail should be marked ‘The Delius Society’) Tel: 020 7935 4241 Fax: 020 7935 5429 email: [email protected] Assistant Editor Jane Armour-Chélu 17 Forest Close, Shawbirch, Telford, Shropshire TF5 0LA Tel: (01952) 408726 email: [email protected] Website: http://www.delius.org.uk email: [email protected] ISSN-0306-0373 Delius Journal 127.qxd 10-04-2000 09:18 Page 3 CONTENTS Chairman’s Message........................................................................................... 5 Editorial................................................................................................................ 6 ORIGINAL ARTICLES Delius and Verlaine, by Robert Threlfall............................................................ 7 Vilhelmine, the Muse of Sakuntala, by Hattie Andersen................................ 11 Delius’s Five Songs from Tennyson’s Maud, by Christopher Redwood.......... 16 The ‘Old Cheshire Cheese’Connection, by Jane Armour-Chélu.................... 22 Delius and the American Connections, by George Little.............................. -
56Th Annual Report 2008
International Association of Music Libraries, Archives and Documentation Centres United Kingdom and Ireland Branch International Association of Music Libraries founded 1953 Archives and Documentation Centres www.iaml-uk-irl.org United Kingdom and Ireland Branch founded 1953 President’s report Liz Hart 2 Courses and Education Christopher Cipkin 3 Conference Graham Muncy 5 Brio Rupert Ridgewell 6 Concert Programmes Project Rupert Ridgewell 7 Cecilia Susi Woodhouse 8 Outreach Tom Kearns 9 Trade & Copyright Richard Chesser 9 Website and listserv Antony Gordon 10 Dublin 2011 Planning Committee Antony Gordon 11 Music Libraries Trust Edith Speller 11 Documentation Malcolm Jones 12 Publications Ann Keith 12 Encore! Malcolm Jones 13 Prizes 13 IAML(UK & Irl) Executive Committee 2008 14 Committees 2008 15 Working Groups 2008 15 56th Annual Report Membership 16 Affiliations to other organisations 16 2008 IAML (UK & Irl) Annual Report 2008 1 that currently proposed legislation (p.13). And in 2011 the Branch hosts President’s Report – would shift the balance unjustifiably the IAML International Conference in Courses and Liz Hart against user interests in favour of Dublin – the first report of its Planning Education Committee – rights holders, seriously stifling future Committee appears on page 11. Christopher Cipkin We live in interesting, not to say innovation, and have joined with them challenging times. The economic in making the strongest representations This year Peter Linnitt retired as Branch It gives me great pleasure, in my final downturn in 2008 can only be expected to the relevant bodies. Treasurer after five years unstinting year as Chair of ‘C & E’, to report on to increase the financial strictures service organising and managing our yet another very active year. -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’. -
Etruscan Concerto
476 3222 PEGGY GLANVILLE-HICKS etruscan concerto TASMANIAN SYMPHONY ORCHESTRA As a still relatively young nation, Australia could composing that they had no option but to go be considered fortunate to have collected so away. Equally true, relatively few of our few notable dead composers! For most of the composing women flourished ‘abroad’ for long, 20th century, almost every composer we could though Tasmanian Katharine Parker (Longford- claim was very much alive. Yet, sadly, this did born and Grainger protégée) did, and Melburnian not stop us from losing track of some of our Peggy Glanville-Hicks is the notable other. Peggy Glanville-Hicks 1912-1990 most talented, who went away and stayed Indeed, Edward Cole’s notes for the 1956 away, as did Percy Grainger and Arthur Benjamin American first recording of her Etruscan Etruscan Concerto [15’17] (the only Australian composer blacklisted by Concerto make the unique claim: ‘Peggy 1 I. Promenade 4’05 Goebbels), or returned too late, like Don Banks. Glanville-Hicks is the exception to the rule that 2 II. Meditation 7’26 And we are now rediscovering many other women composers do not measure up to the 3 III. Scherzo 3’46 interesting stay-aways, like George Clutsam (not standards set in the field by men.’ Caroline Almonte piano just the arranger of Lilac Time), Ernest Hutchinson, John Gough (Launceston-born, like Talented Australian women of Glanville-Hicks’ 4 Sappho – Final Scene 7’42 Peter Sculthorpe) and Hubert Clifford. generation hardly lacked precedent for going Deborah Riedel soprano Meanwhile, among those who valiantly toiled abroad, as Sutherland, Rofe and Hyde all did for away at home, we are at last realising that a while, with such exemplars as Nellie Melba 5 Tragic Celebration 15’34 names like Roy Agnew, John Antill and David and Florence Austral! Peggy Glanville-Hicks’ Letters from Morocco [14’16] Ahern might not just be of local interest, but piano teacher was former Melba accompanist 6 I. -
CHAN 9757 Front.Qxd 26/7/07 12:10 Pm Page 1
CHAN 9757 Front.qxd 26/7/07 12:10 pm Page 1 CHAN 9757 CHANDOS CLIFFORD BAINTON Symphony 1940 Symphony No. 2 Vernon Handley Vernon Handley CHAN 9757 BOOK.qxd 26/7/07 12:19 pm Page 2 Hubert Clifford, Sir Henry Wood and John Gough in the ruins of Queen’s Hall, 16 July 1941 © BBC Archive Picture Edgar Bainton with his daughter Helen Studios Ltd Post 3 CHAN 9757 BOOK.qxd 26/7/07 12:19 pm Page 4 Edgar Bainton (1880–1956) premiere recording Australian symphonies Symphony No. 2 in D minor (1939–40) 27:21 in d-Moll • ré mineur 1 Andante, molto tranquillo – 5:37 While Australia had an active history of evidence in the ‘old country’. Or, you might say, 2 Allegro vivace – 1:46 composition in the second half of the not impeded by the stuffiness of their former nineteenth century, the development of a milieu. What perhaps tends to be forgotten, 3 Più allegro – 0:37 symphonic tradition was largely dependent on certainly in the Australian context, is that when, 4 Maestoso più lento – 1:18 the emergence of high-class orchestras, and did say, Fritz Hart was working, more than one third 5 Molto vivace, scherzando – 2:29 not fully start to develop until the 1920s and of the population of Australia were in fact 6 Poco più mosso – 3:58 beyond. During this time there was a flow of immigrants. So this common heritage was surely 7 Allegro vivace – 1:15 talent to and from Australia. Many composers felt as something peculiarly Australian. -
British and Commonwealth Symphonies from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH SYMPHONIES FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KATY ABBOTT (b. 1971) She studied composition with Brenton Broadstock and Linda Kouvaras at the University of Melbourne where she received her Masters and PhD. In addition to composing, she teaches post-graduate composition as an onorary Fellow at University of Melbourne.Her body of work includes orchestral, chamber and vocal pieces. A Wind Symphony, Jumeirah Jane was written in 2008. Symphony No. 1 "Souls of Fire" (2004) Robert Ian Winstin//Kiev Philharmonic Orchestra (included in collection: "Masterworks of the New Era- Volume 12") ERM MEDIA 6827 (4 CDs) (2008) MURRAY ADASKIN (1905-2002) Born in Toronto. After extensive training on the violin he studied composition with John Weinzweig, Darius Milhaud and Charles Jones. He taught at the University of Saskatchewan where he was also composer-in-residence. His musical output was extensive ranging from opera to solo instrument pieces. He wrote an Algonquin Symphony in 1958, a Concerto for Orchestra and other works for orchestra. Algonquin Symphony (1958) Victor Feldbrill/Toronto Symphony Orchestra ( + G. Ridout: Fall Fair, Champagne: Damse Villageoise, K. Jomes: The Jones Boys from "Mirimachi Ballad", Chotem: North Country, Weinzweig: Barn Dance from "Red Ear of Corn" and E. Macmillan: À Saint-Malo) CITADEL CT-601 (LP) (1976) Ballet Symphony (1951) Geoffrey Waddington/Toronto Symphony Orchestra (included in collection: “Anthology Of Canadian Music – Murray Adaskin”) RADIO CANADA INTERNATIONAL ACM 23 (5 CDs) (1986) (original LP release: RADIO CANADA INTERNATIONAL RCI 71 (1950s) THOMAS ADÈS (b. -
Light Music in the Practice of Australian Composers in the Postwar Period, C.1945-1980
Pragmatism and In-betweenery: Light music in the practice of Australian composers in the postwar period, c.1945-1980 James Philip Koehne Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts University of Adelaide May 2015 i Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used in a submission in my name for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University’s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. _________________________________ James Koehne _________________________________ Date ii Abstract More than a style, light music was a significant category of musical production in the twentieth century, meeting a demand from various generators of production, prominently radio, recording, film, television and production music libraries. -
Year Book 1945
BBC YEAR BOOK 1945 www.americanradiohistory.com www.americanradiohistory.com www.americanradiohistory.com His Excellency M. Georges Bidault, French Minister for Foreign Affairs www.americanradiohistory.com BBC YEAR BOOK 1945 THE BRITISH BROADCASTING CORPORATION BROADCASTING HOUSE LONDON, W.' www.americanradiohistory.com BOOK PRODUCTION WAR ECONOMY STANDARD= THIS BOOK IS PRODUCED IN COMPLETE CONFORMITY WITH THE AUTHORIZED ECONOMY STANDARDS II No. 1833 MADE AND PRINTED IN GREAT BRITAIN BY JARROLD & SONS LTD., NORWICH & LONDON www.americanradiohistory.com CONTENTS INTRODUCTION page 7 THE VOICE OF LIBERTY 12 By His Excellency M. Georges Bidault, French Minister for Foreign Affairs LISTENING TO WAR REPORTS : WHAT DO YOU FEEL? 15 By Mrs. Arnot Robertson RECENT RADIO PROGRESS 19 By Sir Edward Appleton, K.C.B., F.R.S. 'LONG LIVE REGIONAL BROADCASTING' 23 By L. A. G. Strong DR. GOEBBELS CALLED ME `INTERNATIONAL ASSASSIN' 26 By Wickham Steed REVIEW OF WARTIME BROADCASTING 29 I. CENTRAL AND HOME FRONT SERVICES 'COME INTO A BBC NEWS ROOM' 29 By A. P. Ryan, Controller of News WAR THE AT FIRST HAND 32 By Donald Boyd, Editor 'War Report' BROADCASTING TO FORCES AT HOME AND FAR AWAY 35 By Robert MacDermot, General Overseas Service Organizer LANDMARKS OF WARTIME BROADCASTING IN THE ENGINEERING DIVISION 38 By H. Bishop, Chief Engineer of the BBC RELIGIOUS BROADCASTING IN WARTIME 41 By James W. Welch, Director of Religious Broadcasting THE RISING TIDE OF MUSIC 44 By Victor Hely -Hutchinson, Director of Music VARIETY GOES ON TOUR 47 By John Watt, Director -
BBC-Year-Book-1934.Pdf
4 V4 01 - / 33. The B.B.C. Tear-Book 1934 The Programme rear covered by this book is from November 1st, 1932, to October 31st, 1933 THE BRITISH BROADCASTING CORPORATION BROADCASTING HOUSE LONDON Readers unfamiliar with broadcasting will find it easier to understand the articles in this book if they bear in mind the following: - (I) The words "Simultaneous(ly) Broadcast" or "S.B." refer to the link- ing of two or more transmitters by telephone lines for the purpose of broadcast- ing the same programme; e.g. the News Bulletins are S.B. from all B.B.C. Stations. (2) The words "Outside Broadcast" or "O.B." refer to a broadcast out- side the B.B.C. studios, not necessarily out -of- doors; e.g. a concert in the Queen's Hall or the commentary on the Derby are equally outside broadcasts. (g) The B.B.C. organisation consists, roughly speaking, of a Head Office and five provincial Regions- Midland Region, North Region, Scottish Region, West Region, and Belfast. The Head Office includes the administration of the National Programmes, wherever they originate, and also the London Regional programmes. The provincial centres supply the bulk of the Regional programme broadcast from their respective Regional transmitters, although there is a con- siderable interchange of material between the various Regional services. The words "Region" or "Regional" refer throughout the book to this system of organisation. P R I N T E D AND MADE I N ENGLAND CONTENTS PAGE PAGE Introduction II Exhibitions 31 Notes of the Year 13 Ten Years of The Radio Licences in Great Britain 22 Times 35 "In the Eyes of the Law" 25 How Broadcasting House Broadcasting Copyright is Run 39 Problems 27 PROGRAMME SECTION Programme Notes 57 School Broadcasting 87 The Maecenate of the Religious Broadcasting 91 Microphone 61 Here is an S.O.S.