Dental Provider) You Prefer, but Choosing One from Our Network Has Its Advantages
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Livability Court Records 1/1/1997 to 8/31/2021
Livability Court Records 1/1/1997 to 8/31/2021 Last First Middle Case Charge Disposition Disposition Date Judge 133 Cannon St Llc Rep JohnCompany Q Florence U43958 Minimum Standards For Vacant StructuresGuilty 8/13/18 Molony 148 St Phillips St Assoc.Company U32949 Improper Disposal of Garbage/Trash Guilty- Residential 10/17/11 Molony 18 Felix Llc Rep David BevonCompany U34794 Building Permits; Plat and Plans RequiredGuilty 8/13/18 Mendelsohn 258 Coming Street InvestmentCompany Llc Rep Donald Mitchum U42944 Public Nuisances Prohibited Guilty 12/18/17 Molony 276 King Street Llc C/O CompanyDiversified Corporate Services Int'l U45118 STR Failure to List Permit Number Guilty 2/25/19 Molony 60 And 60 1/2 Cannon St,Company Llc U33971 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony 60 Bull St Llc U31469 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony 70 Ashe St. Llc C/O StefanieCompany Lynn Huffer U45433 STR Failure to List Permit Number N/A 5/6/19 Molony 70 Ashe Street Llc C/O CompanyCobb Dill And Hammett U45425 STR Failure to List Permit Number N/A 5/6/19 Molony 78 Smith St. Llc C/O HarrisonCompany Malpass U45427 STR Failure to List Permit Number Guilty 3/25/19 Molony A Lkyon Art And Antiques U18167 Fail To Follow Putout Practices Guilty 1/22/04 Molony Aaron's Deli Rep Chad WalkesCompany U31773 False Alarms Guilty 9/14/16 Molony Abbott Harriet Caroline U79107 Loud & Unnecessary Noise Guilty 8/23/10 Molony Abdo David W U32943 Improper Disposal of Garbage/Trash Guilty- Residential 8/29/11 Molony Abdo David W U37109 Public Nuisances Prohibited Guilty 2/11/14 Pending Abkairian Sabina U41995 1st Offense - Failing to wear face coveringGuilty or mask. -
Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook Is the Property Of
Alpha Chi Sigma Sourcebook A Repository of Fraternity Knowledge for Reference and Education Academic Year 2013-2014 Edition 1 l Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook is the property of: ___________________________________________________ ___________________________________________________ Full Name Chapter Name ___________________________________________________ Pledge Class ___________________________________________________ ___________________________________________________ Date of Pledge Ceremony Date of Initiation ___________________________________________________ ___________________________________________________ Master Alchemist Vice Master Alchemist ___________________________________________________ ___________________________________________________ Master of Ceremonies Reporter ___________________________________________________ ___________________________________________________ Recorder Treasurer ___________________________________________________ ___________________________________________________ Alumni Secretary Other Officer Members of My Pledge Class ©2013 Alpha Chi Sigma Fraternity 6296 Rucker Road, Suite B | Indianapolis, IN 46220 | (800) ALCHEMY | [email protected] | www.alphachisigma.org Click on the blue underlined terms to link to supplemental content. A printed version of the Sourcebook is available from the National Office. This document may be copied and distributed freely for not-for-profit purposes, in print or electronically, provided it is not edited or altered in any -
An Archaeology of Walls in the Walking Dead
Undead Divides: An Archaeology of Walls in The Walking Dead Howard Williams In 2010, the zombie horror genre gained even greater popularity than the huge following it had previously enjoyed when AMC’s The Walking Dead (TWD) first aired. The chapter surveys the archaeology of this fictional post-apocalyptic material world in the show’s seasons 1–9, focusing on its mural practices and environments which draw upon ancient, biblical, medieval and colonial motifs. The study identifies the moralities and socialities of wall-building, dividing not only survivors aspiring to re-found civilization from the wilderness and manifesting the distinctive identities of each mural community, but also distinguishing the living from the undead. The roles of the dead and the undead in mural iterations are also explored. As such, dimensions of past and present wall-building practices are reflected and inverted in this fictional world. As part of a broader ‘archaeology of The Walking Dead’, the chapter identifies the potentials of exploring the show’s physical barriers within the context of the public archaeology of frontiers and borderlands. Andrea: What’s your secret? The Governor: Really big walls. Andrea: That soldier had walls too and we all know how that turned out, so. The Governor: I guess we do. The real secret is what goes on within these walls. It’s about getting back to who we were, who we really are, not just waiting to be saved. You know people here have homes, medical care, kids go to school. Adults have jobs to do. It’s a sense of purpose. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Topps the Walking Dead Season 6 Checklist MVO 6-7(1)
Topps The Walking Dead Season 6 Trading Cards - Base Cards 1 Before They Come For Us 34 Being Stalked 67 Choices 2 Doing It Live 35 Falling Down 68 Why Are You Still Wearing That? 3 One More Peanut Butter 36 Climbing to Safety 69 Lucky 4 Who You Are 37 Running Scared 70 Picking a Head 5 Just the Pizza Guy 38 Born this Way 71 Infiltrating the Compound 6 Road Block 39 "Dolor Hic Tibi Proderit Olim" 72 Fight’s Not Over 7 Keeping a Secret 40 You Gotta Earn It 73 Nervous Little Bird 8 Idiot 41 Confrontation 74 Choosing Something 9 Overheard 42 Meat Ponchos 75 Fighting Back 10 JSS 43 Who’s Negan? 76 Afraid 11 Just Filling In 44 Nibble on That 77 Kill Floor 12 Quick or Slow 45 New Plan 78 Can’t Anymore 13 Carol in Wolf’s Clothing 46 You’re Still Here 79 Tick Tick Click 14 Try 47 Walking Through the Monsters 80 The Apothecary 15 Fighting a Way Out 48 Shot 81 This Way’s Faster 16 Thank You 49 Courage 82 Wake… Up 17 Going Mad 50 Cavalry 83 Should Have Taken the Long Way 18 Clear 51 Lake of Fire 84 I’m Nobody 19 Lying in Wait 52 What We Can Do 85 Following the Blood Trail 20 The Cheesemaker 53 Envy of All Corns 86 Tracking Dwight 21 Redirection 54 Searching for Deanna 87 People Can Come Back 22 Open the Gate 55 Looking for Jesus 88 Someone New 23 Through the Sewer 56 What Do You Know About Us? 89 Captured 24 A New Leader 57 Law of Averages 90 Hi Daryl 25 Ambush 58 Proper Burial 91 Defending the Home Front 26 Separated 59 Finally 92 Real Soon 27 Good Guy Daryl 60 Crashed 93 Last Day on Earth 28 Howdy, Gentlemen 61 We’re With Jesus 94 Keep Driving -
2016 Topps the Walking Dead Season 5 Trading Cards Checklist
BASE CARDS BASE CARDS 1 KILL ROOM 2 BOOM 3 "NOBODY'S GOTTA DIE TODAY" 4 ESCAPE FROM TERMINUS 5 REUNITED 6 NO SANCTUARY 7 "WE AIN'T DEAD" 8 GABRIEL CALLS FOR HELP 9 WET WALKERS 10 "I DON'T MISS THAT SWORD" 11 CELEBRATION DINNER 12 CHURCH ART 13 FINDING BOB 14 GABRIEL THE DAMNED 15 PROTECTIVE 16 NO POINT IN BEGGING 17 PROMISES KEPT 18 SAYING GOODBYE 19 WAKING UP 20 "WE'RE NOT TRAPPED" 21 RISING ABOVE 22 SEARCHING FOR THE KEY 23 GOING DOWN 24 NOAH ESCAPES 25 BUS CRASH 26 DON'T TRY TO FIND US 27 ELLEN 28 A VERY IMPORTANT MISSION 29 HOSED 30 LOOKING FOR BETH 31 INDOOR CAMPING 32 "YOU LOOK TOUGH" 33 FINDING THE CROSS 34 MUTUAL FRIEND 35 CAROL TAKES A HIT 36 BARRICADING THE CHURCH 37 BACK SOON 38 MAKING A PLAN 39 APPROACH WITH CAUTION 40 GABRIEL LISTENS INTENTLY 41 HOSTAGES 42 RETHINKING THE PLAN 43 MARY'S BIBLE 44 WALKERS TAKE OVER THE CHURCH 45 MAKING IT OUT 46 EXCHANGE 47 LOSS 48 GRIEF 49 OVERRUN 50 BITTEN 51 MAKING IT 52 PARTS 53 THE WAY IT HAD TO 54 GONE 55 A FUNERAL 56 KIDNAPPED WALKER 57 MAD DOGS 58 BATTLING EXHAUSTION 59 FEELING IT 60 PRAISE THE RAIN 61 "WE ARE THE WALKING DEAD" 62 ATTACK ON THE BARN 63 PEOPLE LIKE US 64 FINDING THE RV 65 ROADS NOT CLEARED 66 FLARE TO THE FACE 67 RED LIGHTS 68 THE GATES OF ALEXANDRIA 69 "WHO'S DEANNA?" 70 CURB APPEAL 71 A SHOWER AND A SHAVE 72 A NEW HOME 73 THE SUSPICIOUS HUSBAND 74 MISSING STASH 75 TARGET PRACTICE 76 TRY 77 HANGING IT UP 78 BUTTONS 79 JOB OFFER 80 ON PATROL 81 CRISIS OF FAITH 82 SIZING UP THE THREAT 83 ABRAHAM LEAVES NO ONE BEHIND 84 HOLD THE DOOR 85 EATEN ALIVE 86 A WARNING 87 A PROBLEM -
2016 Topps the Walking Dead Survival Box
2016 Topps The Walking Dead Survival Box BASE BASE CARDS 1 Rick Grimes 2 Carl Grimes 3 Daryl Dixon 4 Michonne 5 Glenn Rhee 6 Maggie Greene 7 Beth Greene 8 Hershel Greene 9 Shane Walsh 10 Dale Horvath 11 Merle Dixon 12 Andrea 13 Carol Peletier 14 Abraham Ford 15 The Governor 16 Tyreese Williams 17 Sasha Williams 18 Bob Stookey 19 Paul "Jesus" Rovia 20 Tara Chambler 21 Eugene Porter 22 Rosita Espinosa 23 Gabriel Stokes 24 Noah 25 Enid 26 Jessie Anderson 27 Pete Anderson 28 Sam Anderson 29 Lizzie Samuels 30 Mika Samuels 31 Nicholas 32 Dawn Lerner 33 Tobin 34 Reg Monroe 35 Alpha Wolf 36 Denise Cloyd 37 Otis 38 Caesar Martinez 39 Milton Mamet 40 Karen 41 Shumpert 42 Axel 43 Jimmy 44 Tomas 45 Caleb Subramanian 46 Joe 47 Rick & Carl Grimes 48 Daryl & Merle Dixon 49 Glenn Rhee & Maggie Greene 50 Tyreese & Sasha Williams INSERT BASE CARD SHORT PRINTS 1 Rick Grimes 2 Carl Grimes 3 Daryl Dixon 4 Michonne 5 Glenn Rhee 6 Maggie Greene 7 Beth Greene 8 Hershel Greene 9 Shane Walsh 10 Dale Horvath 11 Merle Dixon 12 Andrea 13 Carol Peletier 14 Abraham Ford 15 The Governor 16 Tyreese Williams 17 Sasha Williams 18 Bob Stookey 19 Paul "Jesus" Rovia 20 Tara Chambler 21 Eugene Porter 22 Rosita Espinosa 23 Gabriel Stokes 24 Noah 25 Enid WALKER BITE CARDS 1 Dale Horvath 2 Andrea 3 Tyreese Williams 4 Bob Stookey 5 Noah KILL OR BE KILLED 1 Shane Walsh vs. Otis 2 Rick Grimes vs. Shane Walsh 3 Carol vs. -
Hegemonic Masculinity in the Walking Dead
“What’s the Difference Between Men and Women?”: Hegemonic Masculinity in The Walking Dead GRAEME JOHN WILSON The Walking Dead is an undisputed cultural phenomenon. The horror series, which airs on cable channel AMC, follows a group of survivors during the aftermath of a zombie apocalypse. The Walking Dead is the most-watched cable series in television history, and is notably the only drama series to be listed among the 50 highest viewed cable telecasts of all time, with the rest consisting entirely of sports broadcasts (Rice 26). The program premiered in 2010, during a period many television critics and scholars refer to as the current Golden Age of Television, characterized by a wealth of acclaimed and innovative American drama series (Albrecht 6; Damico and Quay viii; Sepinwall 41; Wood 11). Many eminent series of this Golden Age, such as The Sopranos and Breaking Bad, are concerned with themes of masculine identity and power. Such themes resonate with male audiences due to ongoing “cultural shifts regarding the dominant idea[s] surrounding masculinity,” such as the increased visibility of feminism in the new millennium (Wayne 206). While feminism has experienced an increased acceptance in mainstream American society during recent decades, feminist movements seeking to advance women’s rights continue to be dismissed and rejected within conservative communities that ascribe to traditional gender hierarchy and neoliberal philosophy. Neoliberalism describes a political and economic system “in which state policies synchronize with cultural practices to apply market-based individualism as a governmental rationale across the institutions and practices of everyday life” (McCarthy 21). Neoliberalism thus emphasizes strong individualism, a traditional marker of classic conservative masculinity. -
The Art of the Real USA, 1948-1968 [By] E.C
The art of the real USA, 1948-1968 [by] E.C. Goossen Author Goossen, E. C Date 1968 Publisher The Museum of Modern Art: Distributed by New York Graphic Society, Greenwich, Conn. Exhibition URL www.moma.org/calendar/exhibitions/1911 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art THE ART OF THE USA 1948-1968 THE ART OF THE REALUSA 1948-1968 E. C. GOOSSEN THE ART OF THE REALUSA 1948-1968 THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY NEW YORK GRAPHIC SOCIETY LTD., GREENWICH, CONNECTICUT Trustees of The Museum of Modern Art Lenders to the Exhibition David Rockefeller, Chairman of the Board; Henry Allen Moe, William S. Lewis Cabot, Helen Webster Feeley, Hollis Frampton, Mr. and Mrs. Victor Paley, and John Hay Whitney, Vice Chairmen; Mrs. Bliss Parkinson, W. Ganz, Henry Geldzahler, Philip Johnson, Donald Judd, Ellsworth President; James Thrall Soby, Ralph F. Colin, and Gardner Cowles, Vice Kelly, Lyman Kipp, Alexander Liberman, Mrs. Barnett Newman, Kenneth Presidents; Willard C. Butcher, Treasurer; Walter Bareiss, Robert R. Noland, Georgia O'Keeffe, Raymond Parker, Betty Parsons, David M. Barker, Alfred H. Barr, Jr., Mrs. Robert Woods Bliss*, William A. M. Burden, Pincus, Steve Shapiro, Seth Siegelaub, Marie-Christophe Thurman, Sam Ivan Chermayeff, Mrs. W. Murray Crane*, John de Menil, Rene d'Harnon- uel J. Wagstaff, Jr., David Whitney, Donald Windham, Sanford Wurmfeld. court, Mrs. C. Douglas Dillon, Mrs. -
Walking Dead: Part 1: All out War Free
FREE WALKING DEAD: PART 1: ALL OUT WAR PDF Charlie Adlard,Cliff Rathburn,Stefano Gaudiano,Robert Kirkman | 136 pages | 11 Mar 2014 | Image Comics | 9781607068822 | English | Fullerton, United States 'The Walking Dead' Season 7 finale brings 'All Out War' but only one major death It took around 40 minutes for The Walking Dead's finale to actually get somewhere, but once Negan and his posse showed up at the gates of Alexandria, the episode transformed from an exercise in navel-gazing into a vaguely compelling installment. Further proof that these "extended" episodes benefit no one — as nice as it must be for indecisive showrunners and directors Walking Dead: Part 1: All Out War get a little extra wiggle room, there's something to be said for keeping things lean and disciplined and getting right to the action. Speaking of the action: Apparently the fan theories about Sasha's death were correct — she popped Eugene's suicide pill on the way to Alexandria, and burst out of Negan's painfully on-the-nose casket as a walker. I wonder how many people were surprised by that twist when speculation was running rampant online in the weeks leading up to the finale. It's admirable that Sasha attempted to complete her mission to kill Negan the only Walking Dead: Part 1: All Out War she knew how, with the one weapon made available to her, but sadly it still wasn't enough to overpower the bat-loving villain — who's likely to be with us at least through the first half of Season 8, if not longer. -
The Walking Dead Compendium 1St Edition Pdf, Epub, Ebook
THE WALKING DEAD COMPENDIUM 1ST EDITION PDF, EPUB, EBOOK Robert Kirkman | 9781607065968 | | | | | The Walking Dead Compendium 1st edition PDF Book While talking to Vincent about this he suddenly stops to think and heads to Negan 's cell. Lilly realizes that Lori was carrying a baby and calls the Governor a monster. Rick and Shane observe a zombie eating a deer. In a long-running series of books or comics, it's cliched and awful. Andrea takes Michonne's knife and puts Ezekiel down while asking the others to help her get the rest of the reanimated heads. Quotes from The Walking Dead, Jesus questions if they can pull it off due to the size of the herd, and Michonne tells him they will not let the Whisperers win. With The Walking Dead , this compendium features more than one thousand pages chronicling the start of Robert Kirkman's Eisner Award-winning story of zombie horro Introducing the first eight volumes of the fan-favorite, New York Times Best Seller series collected into one massive paperback collection. He asks Dwight if he has seen Jesus, and Dwight snaps back he has been too busy which Rick will get all the credit for. The next day, Dale tells Rick to be careful around Shane because he thinks Shane is in love with Lori and that he isn't happy about Rick being back. He argues that Lydia has killed people as well and has lost her innocence, even going so far as to say they would kill Lydia if the Whisperers call their bluff. -
Becoming Glenn”: Asian American Masculinity on the Walking Dead
Becoming Glenn”: Asian American masculinity on The Walking Dead Helen K. Ho Abstract For six of seven seasons, Glenn Rhee (Steven Yeun) was the only racial minority who survived alongside The Walking Dead’s main hero, Rick Grimes (Andrew Lincoln). While The Walking Dead centers on Rick’s struggles to lead and protect his band of survivors, it also allows for a more nuanced portrayal of Asian American masculinity rarely seen on American television. Glenn’s evolution in the show’s narrative highlights the unsustainable nature of white male characters’ rigid masculinities. Their failures allow for Glenn to succeed and adapt more flexibly as a man in the changing social, racial, and gender relations of the zombie post-apocalypse. This chapter briefly discusses the role of the Asian American model minority stereotype in upholding the dominance of white male characters then offers a reading of Glenn as a fighter, lover, and leader in his own right. By embracing traditionally “masculine” characteristics from a “feminized” starting point, Glenn challenges the rigid frameworks imposed by white masculinity and instead presents an alternative, more fluid formulation of manhood that is, overall, more successful. The chapter also suggests that Glenn’s success is illuminated by the sense of loss—felt by the show’s characters and the show’s fans—triggered by his death, even if his demise ultimately served TWD’s white male universe. Introduction Since its debut in 2010, viewers of AMC’s The Walking Dead (TWD) have followed a band of survivors attempting to establish a sense of home as they navigate an apocalyptic wilderness.