Godard, Gorin Participate in Dialogue in Cafeteria

Total Page:16

File Type:pdf, Size:1020Kb

Godard, Gorin Participate in Dialogue in Cafeteria Godard , Gorin Participate in Dialogue in Cafeteria Carrie Rickey political id as, and de iding that dialec­ "France is just a colony of the United tic should eclipse id alism; "Pravda," a States, and, since France is the colony, as mock epistolary film concerning lenin's slaves, we were interested in looking at second coming to modern the master's house-the people here look Czechoslovakia, r vealing his revulsion like particles in a wave of money," said at the Communist revisionis m in Prague; visiting filmmaker Jean-luc Godard in a " letter To Jane", an investigation of a dialogue that took place Tuesday photograph taken by Joseph Kraft in evening in the Revelle Cafeteria. Vietnam in such a way that, according to Over 600 people were in attendance the narration by Godard and Gorin, to see and hear Godard, .and his capitalized on her star status; and " Tou t collaborator, Jean-Pierre Gorin, par­ Va Bien," a film with Jane Fonda and ticipate in the dialogue. Yves Montand about the reactions of The pair was introduced by Visual Arts dormant radicals to the work r takeov r instructor Manny Faber who termed the of a meat factory. appearance of these two filmmakers as, The purpose of the visit of the two "Crucial-because up until now you've filmmakers was, according to Gorin, to had only celebrities like Desi Arnaz, rais money for their next project. Thev Andy Williams, that inspiring composer made "letter To Jane" specifically to Burt Bachrach, a director named Delmer show at universiti s in the United States, Daves-one thing about these people is and, " With th return of $10,000 so far in that they are - very radical." I cture fees and for showing this $2,000 Faber continued the introduction film, "letter To Jane" has become our with, "They're away from death and own "Godfather," with such a return on sleep-in art, the truth is the next step, our investment." and Godard made movies that con­ Th y criticized American audiences sidered the next step and were shocking Manny Farber, at podium, introduces Jean-Pierre Gorin and Jean-Luc for being too con cious of the verbal because they gave you images brutal in Godard to audience in Revelle Cafeteria Photos: Sesma aspects of film, Godard said, "You try to their content. The purpose of art is for hear every word, but you don't try to one person to speak to another serious­ For The Devil," radically changed his evening had the opportunity to view hear every note of music on the sound­ ly, and Godard brought that previously directorial orientation in 1968 when he screenings of four Godard/Gorin film s track ... we're trying to make listening slumbering seriousness back to movies." abandoned the concept that a director that were screened all day Tue day and pictures, not talking pictures." Godard, first a film critic, then the was the sole author of a film and began on Monday evening where the two In answer to th question, " How do maker of such landmark movies as collaborating with Gorin on movies that made an appearance. you se the American left?" Godard " Breathless," "Co ntempt," address themselves to raising the These films were: "Struggle In Italy", said, "We don't see it at all." " Alphaville," "My life To live," "A political consciousness of the viewers. told from the point-of-view of a Univer­ Woman Is A Woman," and "Sympathy Many in the audience on Tuesday sity stud nt coming to terms with her (Continued on page 3) Volume 1' , Number 2 University of California, San Diego Friday, April 6, 1973 Fourth College North Star Madrid Accepts Plans Approved Funding Suspended Minnesota Post Karen Armitage and Hannah Cohen Don Maker On March 8 the Committ on Educational Policy Vice Chan ellor of Student Affairs Gorge Murphy hould th Adminl tration grant rturo Madrid, approved the preliminary plan for Fourth College as informed the TRITON TIMES W dne day evening that Ph.D. and in tructor in panish Literature, accelerated did th Acad mi c enate on Mar('h 20. During the fall he had plac d a "temporary suspension" of activity and t('nure on the taff of Thiro Colleg ? of 1973 a d tailed plan will be d veloped by a registratio n fee monies that were alotted to th TO THE TRITON TIMES : provisional fa ulty m aae up of professors from the ORTH STAR because of what "appears to be a I would like to thank my student (graduate and three now xisting coll ege. continuing defiance of th Communications Board undergraduate) at Revelle, Muir, and Third College The goals of Fourth Colleg ar to provide a general with th NORTH TAR's continued anonymity." for their letters in upport of my tenure nomination. du ation with pecial concern for profe sional and Th Communications Board has asked that the Although the UCSD Administration deni d me that pre-profe sional training, together with an emphasis ORTH STAR publish the names of cO (ltributors and promotion it was gratifying to have our vote of on the study of problems of social policy. All editors in cach issue. confidence. departm ntal majors will be available within Fourth lhe NORTH STAR Collective responded to Murphy's I have accepted the tenure po ition offered to me b 011 ge. In addition, special majors will be developed action by stating that, " Murphy has violated due the University of Minne ota and will start there in withi n the ollege. proc ss of the Communications Board. The fa ct that September (1973). The deci ion wa not an easy one, The pr paration for Fourth College was initiated we'r an anonymous paper is unfounded. Our office is but in view of the decision of the UCSD Admini tration after the ten-year enrollment projections for all cam­ open to the public - people know who we are and it wa a necessary one. puses of UCSD were ·developed by the Academi where to find us. Th e administration knows which of us Because then' has been considerable misinformation Planning and Program Review Board in May, 1972. In are allowed to sign out for our account. W 're goin~ to circulating on campus about my tenure nomination, I Jul y, 1972 the campus Ad Hoc Growth Committee met continue publishing - we're going to seek redress.' As would like to use this letler to clarify some matter . and d veloped a faculty allocation and student growth of Wednesday evening, the ORTH STAR hadn't yet De pite tatements to the contrary: plan whi h included proposal for two additional been informed of their funding suspension. 1. My nomination to tenure had the unanimou coll eges, th fir st to begin admission of about three The Vice-Chancellor maintained that " The issue here support of the Spani h eclion of the literature hundred stud nts in fall, 1974. is not one of freedom of the press, or of administrative Department. According to the proposed academic plan, Fourth censorship - it is one of protest of the continued 2. My nomination to tenure had the upport of College will offer a framework of courses, programs anonymity of the NORTH STAR." . the Provo t of Third College, Jo eph Wat on. and major~ within which students can acquire an Prior to Wednesday, it appeared as though arbitra­ 3. My nomination to tenure wa up ported by ducation that will be of relevance and use for a career tion between NORTH STAR and the Communications twelve of the fourteen voting tenured member of in a variety of professions, including engineering, Board regarding the issue of " anonymity" as oppo ed the Department of literature. medicine, the performing arts, administrative sciences, to "identlfication" was progressing smoothly. Murphy 4. My nomination to tenure wa neither ays that "The Communications Board is aware of my du ation, law, and archite ~ ture , as well as the natural "premature" nor " accelerated" except in a sc!ence fi Ids of physics, chemi try, biology, and earth action, but I took this action without th ir r qu t or technical en • My current appointment i at SCI nces. concurren e." As istant Professor Setp 6, which i primaril a At pr sent, stud nts can acquire a professionally Murphy add d that the NORTH STAR will stilr have "holding tep", and I would have b en con ider d rei vant educational background in some of these acc to its adverti ing r venue, and aid that the for tenur in S pt mb r of 1973. in e I am fi Ids in th oth r colleges. Fourth Colleg intends to Univ r ity ha not int ntion of stopping the NORTH ompleting my 8th y ar of lull-time t aching (5 add to the pre ent colleg off rings a curriculum with a TAR' continued publication. H al 0 aid that the year at Dartmouth Colle~ and 3 y ar at UC iD) I s t of programs and majors that will provide greater "Communi at ions Board ha invit d alternative feel I have erved out m 'apprenli e hip" and am opportunities at UCSD for stud nt inter sted in a pro po ai, but the NORTH TAR ha r j ct d and now qualifi d to join th rank of the tenured prof ss ionally orient d education. r fus d It rnatives to th qu tion of anonymity." H fa ult , the Admini tralion of UCSD not with tan­ As part of the lower division course off rings, Fourth stat d that th su p n ion would b li ft ed if the ding.
Recommended publications
  • IN BM STATE ARREST WIDOW Inhallmms MURDER OF
    A- '> ; A - ' ‘■r - - V m m m k THU WEATHER. ■ ■ y ■ . RKF FBB8S RUN avRr a g b d a il y circulation Probably ahowon tonli^t and o r TUB BVBNINO HERALD Frltoy. Little dmnfe In tempem* for the month of Jane, 1920.' tore. 4,837 (TEN PAGES) PRICE THREE CENTS BIANCHESTER, CONN., THUR^*^:' .%a VOL. X U V ., NO. 255. Cluilfled AdTertisIng on Page 0 PAPAL VISITOR BAN ON UKES SO yiking Ship ef I m TRAIN BAMirTS DEFIES CUSTOM ARREST WIDOW DEATH STRIKES ZOO CAN SLEEP MEXCATHOUCS GETWHAE British Protestant, Received in IN H A L L M m S ASSAIANTOF Honolulu to'Close Road and WILL ABANDON Audience, Refuses to Kneel Open New One Because Pets : * Before Pope. Are Disturbed. < VAST TREASURE ' IN B M STATE Rome, July 29.— There was MURDER OF ^22 H A R T m O R L Honolulu, July 29.— Mid­ excitement among 'Vatican at­ night joy riders makes so much taches today when the Pope noise with their ukuleles, steel granted an audience to a Ridi New Bmnswick WomaB guitars and vocal organs along Billion Dollars in Building Stick Up Baggage Master of group of visitors and It was Two Men Who Abose Auto the road In front of the Kaplo- found that one member of the lanl Park Zoo at Waikiki that B. & Leap from Train audience was not kneeling. Jailed at Midniglit on the wild animals boused in the Gems and Works of Art The visitor, who^tated be Guest Taken to Hospital cages are unable to get a full was a British subject of the quota of sleep and as a result With Sack Containing Pay Protestant faith, declined to Warrant for Homicide; Where She Is — One have become cross and rest­ Involved; Labor Opposes kneel when It was suggested less.
    [Show full text]
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • Unscripted Boom (Wall Street Journal 060121)
    From Prince Harry to the Kardashians, Real Stories Are Hollywood’s Rising Stars WarnerMedia-Discovery merger among many high-profile moves bolstering streaming services’ offerings of reality TV and documentaries Kris Jenner, with short hair in black, and daughters Kim, Khloe and Kourtney Kardashian accepting the Reality Show of 2019 People's Choice award. PHOTO: NBCU PHOTO BANK VIA GETTY IMAGES By R.T. Watson, May 30, 2021 8:00 am ET Stories starring real people are attracting some of the world’s biggest celebrities, from the Obamas to Kim Kardashian, as nonfiction programming has become essential to companies aiming to build streaming services. 1 Unscripted shows and documentary projects tend to be cheaper to make than their scripted counterparts, offering the potential for bigger profits if they become popular. According to market-research company Reelgood, the cumulative number of reality TV shows offered on streaming services nearly doubled in the first quarter of this year when compared with 2020. AT&T Inc. T -0.65% placed a premium on this type of entertainment in its recent deal to merge WarnerMedia with Discovery Inc., DISCB 0.22% a big player in unscripted programming known for its top-rated reality franchise “90 Day Fiancé” and others, such as “Fixer Upper.” Discovery Chief Executive David Zaslav said after the deal was announced that combining his company’s expertise in unscripted productions with WarnerMedia’s prowess in scripted shows will be explosive. Chip and Joanna Gaines get ready for another season of ‘Fixer Upper.’ PHOTO: LISA PETROLE/MAGNOLIA NETWORK/ASSOCIATED PRESS In addition, the Kardashians are putting out a new show on Walt Disney Co.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date: May 7, 2007 I, __Anna Alich_____________________________________________, hereby submit this work as part of the requirements for the degree of: Master of Arts in: Art History It is entitled: Alienation in Tout va bien (1972) This work and its defense approved by: Chair: _Kimberly_Paice, PhD___________ _Michael Carrasco, PhD__________ _Steve Gebhardt ______________ _______________________________ _______________________________ Alienation in Jean-Luc Godard’s Tout Va Bien (1972) A thesis presented to the Art History Faculty of the College of Design, Architecture, Art, and Planning University of Cincinnati in candidacy for the degree of Master of Arts in Art History Anna Alich May 2007 Advisor: Dr. Kimberly Paice Abstract Jean-Luc Godard’s (b. 1930) Tout va bien (1972) cannot be considered a successful political film because of its alienated methods of film production. In chapter one I examine the first part of Godard’s film career (1952-1967) the Nouvelle Vague years. Influenced by the events of May 1968, Godard at the end of this period renounced his films as bourgeois only to announce a new method of making films that would reflect the au courant French Maoist politics. In chapter two I discuss Godard and the Dziga Vertov Group’s last film Tout va bien. This film displays a marked difference in style from Godard’s earlier films, yet does not display a clear understanding of how to make a political film of this measure without alienating the audience. In contrast to this film, I contrast Guy Debord’s (1931-1994) contemporaneous film The Society of the Spectacle (1973). As a filmmaker Debord successfully dealt with alienation in film.
    [Show full text]
  • Music for Guitar
    So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour
    [Show full text]
  • The Daily Egyptian, September 04, 1981
    Southern Illinois University Carbondale OpenSIUC September 1981 Daily Egyptian 1981 9-4-1981 The aiD ly Egyptian, September 04, 1981 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_September1981 Volume 66, Issue 10 Recommended Citation , . "The aiD ly Egyptian, September 04, 1981." (Sep 1981). This Article is brought to you for free and open access by the Daily Egyptian 1981 at OpenSIUC. It has been accepted for inclusion in September 1981 by an authorized administrator of OpenSIUC. For more information, please contact opensiuc@lib.siu.edu. U ofl to get lottery money for athletics nIA:'o!PAIG:-' lAP, - (;0'" tAlwmakers then mtrodueecl James Thompson on Thursda~ thE' lottery scheme approvE'd a plan that will Thompson dE'nled there v. a, subSidize sports at thp an\' connectIOn ('niversity of TIIinois .... tth :This hill has nothing 10 dn mone ... from the state loltery with thE' Big Ten (lr the ~an<: Tho'mpson said that. so far no lions against the t 'nn'ersity of limit has b<'>E'n placed on the illinOIS ... he salj amount of mone... the l" I HE' said It was dl'SignE'd to Athletic Association' can get hE'lp all sports at the state's only The l'niversity. placed on land·grant university probation by the Big Ten. will It will be the first timE' that lose nearly saoo.OOO this year as there has been a special lott .. ry part of the penalty. game created to benefit a The lottery arrangement is specific agency. "Irs always the precedent staff phate by Jolin Merlde E'xpected to provide the school with at least that much.
    [Show full text]
  • 'To Realise the Ideal': Miscellaneous Remarks on Godard's Conceptual Processes Apropos of Sauve Qui Peut (La Vie)
    ‘To Realise the Ideal’: Miscellaneous Remarks on Godard’s Conceptual Processes Apropos of Sauve qui peut (la vie) •Richard Morris Made in 1979, Jean-Luc Godard’s Sauve qui peut photocopied images of the film’s three principal (la vie) occupies a uniquely pivotal position in the actors, Jacques Dutronc, Isabelle Huppert and director’s career, representing as it does the Miou-miou (replaced in the completed film by closing, culminatory opus of one decade and the Natalie Baye). These images rise up through the inaugural work of another. It is not, however, my machine as the paper feeds through it whilst the intention to address the specified film in a direct print head moves back and forth typing the way. I shall instead be talking around it, so to film’s title over the images. Meanwhile, Godard speak, with a view to exploring something of comments offscreen upon these two axes of how Godard actually conceives his works. It is my movement: one vertical, one horizontal, and on hope that in adopting this approach my the order of precedence between words and observations may acquire some more general images. He goes on to talk about the three relevance to Godard’s work throughout the characters whom he relates to differing abstract 1980s and beyond. vectors of movement, a theme I shall return to In embarking upon his first mainstream presently. There is little of any narrative feature since Tout va bien (1972) Godard found significance in this video-scenario beyond talk of himself faced with the problem of how to a desire to leave the big city, a desire originating incorporate something of the technical and with Denise (Miou-miou) who acts on it and conceptual flexibility and freedom which he had aspired to by Jacques (Dutronc) who lags attained as the co-director with Anne-Marie behind.1 Miéville of Sonimage, a kind of private audio- Beyond this, Godard muses on a variety of visual research institute for the production of subjects relating to the production of the film – innovative film, video and TV.
    [Show full text]
  • William B. Kaplan CAS
    Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B.
    [Show full text]
  • Part IV Alternative Film
    \ PART IV THE ALTERNATIV E FILM 335 Historical Overview: The Development of the Documentary Film FROM SILENCE TO SOUND Influenced by the Industrial Revolution's emphasis on science and technology, Louis and Auguste Lumière made their first films in 1895 primarily from an urge to reproduce the everyday world, to record and document life around them. These filmed scenes from life (workers leaving the factory, a train arriving), however, could not indefinitely hold the imagination and attention of the viewing public. Although from 1895 to 1907 most films were documentary films or, perhaps more appropriately, film documents - after 1907 such films were on the decline. Audience interest in film's ability to capture the everyday world was undercut by the growing production of fake documentaries, which were often much more exciting to watch than the film record of the real thing. The narrative film in which the emergent art of film editing altered precamera activity and created drama as it manipulated time and space appealed to audiences more than films of unstructured material. Although newsreels became a regular part of the movie program in 1910 when both Pathé and Gaumont in France released the first sets of composite documentary news footage, the public's chief interest in the movies had permanently shifted to the narrative film. As a result, although many documentary films throughout the century functioned as theatrical entertainment, the history of the form has generally been allied to noncommercial enterprise and has been developed by those filmmakers, governments, and social institutions who saw in the cinema a medium with the power to move people to social and political action.
    [Show full text]
  • FUEL OIL Tim JM( HAM COM RED MEN's Sport Center Proposal to Discuss China Blocked; Must Have Representation
    ..r MOKDAT, MARCH 10,1047 page t w e l v * jHanrtfPBtpr Stirnino lifralZi Averag* Delly CIrcalatioii The Weather For th* Meath al Pshraar*. 1S4T Foreeaet of U. S. Weather Serena The daughter bom Mareh 7. at In c o n * T b s lU t iin i* ITnoanal Twtat la fkan Building Unit 9^58 dtarlag tealght, W’edaeaday Holy Name Hoapltal, Taanaek. N. Farmers Plau la Housiaf Sitaatlon partly rhmdyi aeasoaai tempera- About Town J., to Mr. and Mr*. Gary Hohl. baa tares. been named Nancy Ann. Formerly Saturday at midnight la th* HALE'S SELF SERVE Thera sppeara to b* an un­ of thla town Mr. and Mr*. Hohl deadline for fliing Income tax Same Acreage Meets Tonight The Original In Ntw England! Mrs. Ann* King of l* returns for 1M0 e a m l^ . Th* usual twist In th* fortune* of Manchetter-~^A City of ViUofie Charm live at IM Selvage avenue, Went those local people who Uv* in gtrM t vr»«l<lent of the Englewood. N. J. The grandpar­ Internal Revenue office In Hartford ha* assigned three houaca in the Sliver Lane Ctarp* Loague AuxUUry h«* called ent* are Mr. and Mr*. John M. See No Decrease in Action of Town's Voters aa Pag* IS) a meeting at her home for men to Manchester to assist In Home* tract and Orford Vil­ AND HEALTH MARKET YOL. tXVI., NO. ISS MANCHESTER, CONN„ TUESDAY, MARCH 11. 1947 (POURTEBN PAGES) PRICE FOUR CENTS Hohl of 43 Princeton atreet and making out the returns. They lage. While nothing definite Wednaaday erening, to dlacuM Mr.
    [Show full text]
  • Robert F. Kennedy Assassination
    FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECT: ROBERT F. KENNEDY ASSASSINATION LA FILE NUMBER: 56-156 SUB FILE H VOLUME 2 FEDERAL BUREAU OF INVESTIGATION NOTICE THE BEST COPIES OBTAINABLE ARE INCLUDED IN THE REPRODUCTION OF THE FILE. PAGES INCLUDED THAT ARE BLURRED, LIGHT OR OTHERWISE DIFFICULT TO READ ARE THE RESULT OF THE CONDITION AND OR COLOR OF THE ORIGINALS PROVIDED. THESE ARE THE BEST COPIES AVAILABLE. -.:-.-'-"^ '•• ••• *VH1ATHII1L MUST NOT ME REMOVED ntOH QH ADDCO TOTHll INYESTIGATION 7-16-63) (Meutii Clipping in Spoce Uga! Tesn Will Act as Advisers to 23 Handpicked L Defectives in Investigation, Then Handle Prosecution (Indlcat* f>og*, no** el BY KOY KAYN'ES , eltr «ed «tal«.) Tiffin Ht» f.'rlrtr The formation of a Fp?dai task p not guilty ancl thai the trial force of invcstijElors and prosecu- will be^in within three months. tor; (o handle the Robert F. Kenne- He also indicated that in his Aneeles Times dy »syi»r?in;!tion trial was jointly opinion Mayor Sam Yorty's remarks Los Angeles^ Calif* annoimccd Thinly by ihc polite, disclosing evidence have nol jeopar- (iisirin atiornt-y and the U.S. Jus- dized the 24-year-old Jordanian lite Department. emigrant's chance for a lair trial. Dop. Chirr RolxMt Houslii^n, Asked if he would fight a change comni.-intUr of t]ic dctcc(i\e bureau, of venue motion, Younger, said he EH id a detective forte of "23 hand- would never resist such a motion if picked men" have been assigned to he felt it was needed, but added, the case.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]