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Robert Wílson a Través De Death Destruction & Detroit 1979, 1987, 1999

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Robert Wílson a Través De Death Destruction & Detroit 1979, 1987, 1999 ABRIR TOMO I Universidad Complutense de Madrid Facultad de Ciencias de la Información Departamento de Comunicación Audiovisual y Publicidad 1 Estudio del proceso de creación de la obra de Robert Wilson SEGUNDA PARTE (ANEXOS) Evolución estética de la obra de Robert Wilson a través de Death Destruction & Detroit 1979, 1987, 1999 Dedo cío séecuerda at leotOt no hacer más en la USO :‘d¿ esta obra ¿que el que UADiioteca autor Pedro Valiente p~taen ~asd~sPOSiOiOfles Vigentes sobre A& Derechos ~~~rOpiedad ¿ ínteleCtUSí del autor. La. Biblioteca qúeda exenta de toda responsabilidad. director José Ramón Pérez Ornia tINÍVEkSIL4Ua GOMPLUTENSE DE MADRID FACULTAD DE CIENCIAS Madrid, 2000 DE LA INFORMACION REGISTROS_DE LIBROS BIBLIOTECA GENE A N’ Registro Universidad Complutense de Madrid Facultad de Ciencias de la Información Departamento de Comunicación Audiovisual y Publicidad ¡ Estudio del proceso de creación en la obra de Robert Wilson —i SEGUNDA PARTE (ANEXOS) Evolución estética de la obra de Robert Wílson a través de Death Destruction & Detroit 1979, 1987, 1999 autor Pedro Valiente director José Ramón Pérez Ornia Madrid, 2000 página 1ESTUDIO CRONOLÓGICO DE LA OBRA DE ROEERT WILSON 5 1.1 Comienzo ecléctico 1941-1965 1.2 Origen del teatro de imágenes 1966-1975 1.3 Después de Einstein on the Beach 1976-1986 1.4 Óperas y arte planetario 1987-1997 2 INVESTIGACIÓN DEL PROCESO DE CREACIÓN DE ROBERT WILSON 40 A TRAVÉS DE LAS TRES VERSIONES DE DEATH DESTRUCTION & DETROIT 2.1 Laboratorios de arte 2.1.1 Byrd Hoffman Foundation 2.1.2 Watermill Center 2.2 Tres producciones de Death Destruction & Detroit 2.2.1 Referentes del proceso de creación DDD 1979 DDDII 1987 2.2.2 Claves del proceso de creación DDD III 1999 [a] Composición Actividades diarias del taller División de escenas Proceso de creación de las escenas Estética Planteamientos estéticos Selección de imágenes Juego de contrarios Interpretación Indicaciones escénicas Claves de interpretación Movimientos/desplazamientos Producción Funciones del equipo Libro de presentación/libro visual Ideas de Robert Wilson/ideas de colaboradores Inventario de elementos escénicos [b] Robert Wilson en DEJO (u Sorpresa/juego Perversión/inocencia/muerte Particinante en ODO Pi Intérprete, personaje / Orden, estructura Estética, estilo Equino en DRO Iii Participantes Colaboradores 2 2.3 Textos en torno a Roben Wilson 2.3.1 Don Juan último / Vicente Molina Foix, autor 2.3.2 Time Rocker / Lou Reed, músico 2.3.3 Conversación pública / Mel Gussow, crítico 2.3.4 Einstein on the Seach / Sheryl Sutton, actriz 2.3.5 Empty Places / Laurie Anderson, artista multimedia 2.3.6 Hamletmachine / Heiner Múlíer, dramaturgo 3 APROXIMACIÓN A LA OBRA DE ROBERT WILSON EN ESPAÑA 147 3.1 Roben Wilson y la vanguardia escénica española 3.1.1 Espíritu de transgresión (principios y mediados de siglo) Ramón del Valle-Inclán Espejos esperpénticos Ramón Gómez de la Serna El ilusionista que fabricó greguerías Federico García Lorca Poesía de la inocencia José Bergamin La audacia del francotirador Francisco Nieva Barroco más allá del arte total Fernando Arrabal Visiones delirantes y provocadoras 3.1.2 Teatro independiente y alternativo (finales de siglo) Referencias a Robert Wilson Posturas acerca de la vanguardia 3.1.3 Teatro-danza y últimas tendencias Robert Wilson y el teatro-danza europeo Creadores españoles de vanguardia 3.2 Reseña de la presencia de la obra de Robert Wilson en España 3.2.1 Obras representadas y exhibidas de Robert Wilson 3.2.2 Textos publicados acerca de Robert Wilson 4 CATÁLOGO DE LAS ACTIVIDADES ARTiSTICAS DE ROBERT WILSON 200 4.1 Curriculum vitae. 34 años de arte total Teatro, ópera Cine, vídeo Exposiciones individuales y colectivas Obras en colecciones públicas Textos escénicos Talleres, lecturas Conferencias y seminarios impartidos Conferencias y seminarios acerca de Robert Wiíson Textos acerca de Robert Wilsori en libros de referencia Textos acerca de Robert Wilson en libros de artes escénicas Textos monográficos acerca de Robert Wilson Textos acerca de Robert Wilson en publicaciones periódicas Afiliaciones, premios, becas Formación, biografla 3 4.2 Obra escénica. Geografía sin fronteras Teatro, ópera Performance, danza Música/conciertos 4.3 Obra audiovisual. Imágenes de teatro Cine .Vídeo, videoinstalaciones 4.4 Obra plástica. Estética global Dibujo/pintura Diseño de muebles 4.5 Colaboradores. Figuras a la luz y la sombra Creadores Colaboradores $ SELECCIÓN TEXTUAL Y VISUAL DE LA OBRA DE ROBERT WILSON 276 5.1 Selecci6n de textos 5.2 Selección de imágenes 6 FUENTES DOCUMENTALES ACERCA DE LA OBRA DE ROBERT WILSON 278 6.1 Textos de Robert Wilson Textos Artículos Entrevistas 6.2 Textos acerca de Robert Wilson Libros generales Libros monográficos Artículos Programas Catálogos 7 BIBLIOGRAFiA Y CENTROS DE ESTUDIO 287 7.1 Bibliografla 7.2 Centros de estudio 4 ESTUDIO CRONOLÓGICO DE LA OBRA DE ROBERT WILSON 194 1-1965 1941 Nace en Waco, Texas 1961 Primera exposición de pintura en Dallas 1962 Traslado al SoHo de Nueva York 1963 Ingreso en Pratt Institute 1964 Estudios de pintura en París con George McNeil 1965 Escenografía y vesturario de America hurraht 1966-1975 1966 Graduación en diseño de interiores en Pratt Institute 1967 Performance Baby BIoocI 1968 Performance Alley Cats 1 instalación Potes 1969 Primera obra importante: The King of Spain 1970 Deafman Glance 1971 Deafman Glance en el Festival de Nancy, Francia 1972 Oberture to KA UQUNTAIN en Irán 1973 The Life and Times of Joseph Stalin en el BAM 1974 A Letter for Queen Victoria en Broadway 1975 The $ Value of a Man 5 1976-1986 1976 Einstein on the Beach con Philip Glass 1977 1 was sitting in my patio con Lucinda Childs 1978 Video 50 producido por INA (Francia) y ZDF (Alemania) 1979 Death Destructior, & Detroit en la Schaúbuhne (Berlín) 1980 Viaje al Festival de Bayreuth 1981 Beca de la Rockefeller Foundation 1982 Golden Festener en Berlín 1983 the CIVIL warS/Rotterdam 1984 Primera obra de otro autor: Medea 1985 Participación en New Works on Paper 3 en el MoMA 1986 Hamletmachine de Heiner Múller 1987-1 997 1987 Death Destruction & Detroit II 1988 Pie Forest con David Byrne 1989 Doctor Fausto en La Scala de Milán 1990 The Black Rider con Tom Waits y William S. Burroughs 1991 Exposición “Robert Wilson’s Vision” en Boston 1992 Exposición “Robert Wilson” en Valencia 1993 Madame Buttertly en la Opéra Bastille de París 1994 TSE con Philip Glass 1995 Hamlet: a monologue 1996 Time Rocker con Lou Reed 1997 Pelléas et Melisande 6 • ESTUDIO CRONOLÓGICO DE LA OBRA DE ROBERT WILSON Desesperante lentitud, asombrosa rapidez El ritmo característico de las obras teatrales de Robert Wilson llevan a pensar en la desesperante lentitud —en ocasiones, angustiosa— de su trabajo escénico. Sus creaciones no se ajustan al modelo tradicional. Incluso encuentra pocas referencias en el contexto de las variaciones temporales más audaces ensayadas por otros directores de la vanguardia internacional. En contraste con esta constante de su obra, Wilson es un artista muy prolífico. Su producción desborda casi todas las disciplinas que ha abordado: performance, teatro, ópera, audiovisual, dibujo, pintura, escultura, diseño... Desde alrededor de 1965, da la impresión de que no ha parado ni un minuto. De hecho, el recuento de su obra completa no podría ocupar menos de cincuenta o sesenta páginas. Y no en vano el curriculum vitae de Wilson elaborado por Geoffrey Wexler, archivista de la Byrd Hoffman Foundation, contenía 1 03 páginas a comienzos de 1 998. Para que tal ingente cantidad de obra fuera posible se ha de trabajar, sin duda, con una asombrosa rapidez. La obra y la vida de Robert Wilson, pues, parecen indisolubles. Quizá como la de todo artista que tiene la suerte de dedicarse por completo a su actividad creadora. Si bien existen muchos —¿infinitos?— grados diferentes de conexión entre el ámbito de la profesión y el de lo personal. En las páginas siguientes aparece un recorrido por la obra de Wilson siguiendo a uno de los expertos en el área, Trevor Fairbrother. Se recogen algunas anécdotas relevantes de su biografía y a modo de ensayo critico se incluyen comentarios acerca de sus trabajos más relevantes, sobre todo al inicio de su carrera cuando se perfilaron las lineas maestras del estilo Wilson) 1.1 Comienzo ecléctico 1941-1965 1941-19 58 Robert Mims Wilson nace el 4 de octubre de 1941 en Waco, Texas. Su padre, abogado de éxito, procedía de una familia acomodada; su madre, criada en un orfelinato, trabajó como oficinista hasta su matrimonio. Varias noches a la semana Wilson, sus padres y su hermana menor se reunían para la cena: una costumbre familiar que Wilson recordaría después. De su madre conserva la imagen de una mujer sentada en silencio, inaccesible y poco afectiva. En la escuela en segundo grado un profesor preguntó a sus alumnos qué les gustaría ser de mayores. Las respuestas fueron: enfermera, ama de casa, bombero... Wilson respondió: “El rey de España”. Extraña pretensión para un niño con problemas (como quedaba reflejado en las observaciones que el profesor 7 hacia de él en las evaluaciones). En el sexto curso ganó el primer premio en un concurso de pintura con el dibujo en tiza de una magnolia. Cuando el Waco News Tribune le preguntó: “Bob Wilson, qué es para ti la cosa más bonita del mundo entero”, respondió: “Una grande y gruesa pata de gato”... “Siempre he sido difícil y cohibido”, comentaría tiempo después. A lo largo de su niñez Wilson sufrió un problema de expresión: le costaba mucho hablar, por lo que comenzó a asistir al Programa Infantil de Teatro de la Universidad de Baylor. Allí toma clases durante varios meses con Miss Byrd Hoffman, quien había sido profesora de danza y después se dedicó a la asistir niños deficientes mentales. Con la ayuda de la señora Hoffman Wilson consigue superar su defecto a la edad de diecisiete años.
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