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Hitler's Pope
1ews• Hitler's Pope Since last Christmas, GOOD SHEPHERD has assisted: - 103 homeless people to find permanent accommodation; - 70 young people to find foster care; - 7S7 families to receive financial counselling; - 21 9 people through a No Interest Loan (N ILS); Art Monthly - 12 adolescent mothers to find a place to live with support; .-lUSTR .-l/,/. 1 - 43 single mothers escaping domestic violence to find a safe home for their families; - 1466 adolescent s through counselling: - 662 young women and their families, I :\' T H E N 0 , . E '1 B E R I S S L E through counsell ing work and Reiki; - hundreds of families and Patrick I lutching;s rC\ie\\s the Jeffrey Smart retruspecti\e individuals through referrals, by speaking out against injustices and by advocating :\mire\\ Sa\ ers talks to I )a\ id I lockney <lhout portraiture on their behalf. Sunnne Spunn~:r trac~:s tht: )!t:nt:alo g;y of the Tclstra \:ational .\horig;inal and Torres Strait Islander :\rt .\"ani \bry Eag;k rt:\it:\\S the conti:rmct: \\'hat John lkrg;t:r Sa\\ Christopher I leathcott: on Australian artists and em ironm~:ntal awart:nt:ss Out now S-1. 1/'i, ji·ll/1/ g lllld 1/(/llhl/llf>S 111/d 1/ t' II ' S i /. ~t' II/S. Or plulllt' IJl fJl.J'J .i'JSfJ ji1 r your su/>stnf>/11111 AUSTRALIAN "Everyone said they wanted a full church. What I discovered was that whil e that was true, they di dn't BOOK REVIEW want any new people. -
Abc Friends Salutes Four Corners
UpdateDecember 2016 Vol 24, No. 3 Thrice Yearly Newsletter ABC FRIENDS SALUTES FOUR CORNERS t the Annual Award questions of the medical profession. Presentation for Broadcasting Even in her illness, Liz was still the AExcellence on Friday 25th relentless investigative reporter. November, ABC Friends (National) It is these qualities, along with recognised the extraordinary persistence, patience, integrity, contribution of Four Corners to curiosity, thoroughness, balance and Australian life and investigative compassion, the hallmarks of great journalism of the highest quality journalism, that have undoubtedly over the past 55 years. Throughout been a thorn in the side of politicians those 55 years, Four Corners has of all persuasions, and those in consistently and with commendable positions of power and authority courage shone a light into many who have been under the relentless dark places in our national life, and microscope of a Four Corners has, without any doubt, investigation. Very recent examples changed Australia for the come to mind: “Broken Homes” better. The final program examined our totally inadequate and for 2016, A Sense of misnamed Child Protection System; Self, was no exception. and her persistent search for the “The Forgotten Children” painfully Liz Jackson, multi-award best medical options with her documented the evaporation of hope winning journalist with Four partner Martin Butler, displaying amongst refugee children under Corners for 30 years, laid exceptional courage, honesty and detention on Nauru; “Australia’s bare her private and family professionalism. In so doing, she Shame”, in graphic detail, showed life in documenting her struggle with taught us all how to be better patients, the onset of Parkinson’s Disease better carers, and to ask the right Continued on Page 4. -
The Alt-Right on Campus: What Students Need to Know
THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW About the Southern Poverty Law Center The Southern Poverty Law Center is dedicated to fighting hate and bigotry and to seeking justice for the most vulnerable members of our society. Using litigation, education, and other forms of advocacy, the SPLC works toward the day when the ideals of equal justice and equal oportunity will become a reality. • • • For more information about the southern poverty law center or to obtain additional copies of this guidebook, contact [email protected] or visit www.splconcampus.org @splcenter facebook/SPLCenter facebook/SPLConcampus © 2017 Southern Poverty Law Center THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW RICHARD SPENCER IS A LEADING ALT-RIGHT SPEAKER. The Alt-Right and Extremism on Campus ocratic ideals. They claim that “white identity” is under attack by multicultural forces using “politi- An old and familiar poison is being spread on col- cal correctness” and “social justice” to undermine lege campuses these days: the idea that America white people and “their” civilization. Character- should be a country for white people. ized by heavy use of social media and memes, they Under the banner of the Alternative Right – or eschew establishment conservatism and promote “alt-right” – extremist speakers are touring colleges the goal of a white ethnostate, or homeland. and universities across the country to recruit stu- As student activists, you can counter this movement. dents to their brand of bigotry, often igniting pro- In this brochure, the Southern Poverty Law Cen- tests and making national headlines. Their appear- ances have inspired a fierce debate over free speech ter examines the alt-right, profiles its key figures and the direction of the country. -
The Language of Astonishment: a French-Australian Author's
THE LANGUAGE OF ASTONISHMENT: A FRENCH-AUSTRALIAN AUTHOR’S REFLECTIONS ON HER IDENTITY SOPHIE MASSON Towards the end of Russian-French writer Andreï Makine’s hauntingly beautiful novel of childhood, memory and divided loyalties, Le Testament français (1995), the narrator Alyosha, who all his young life has been shuttling between the visceral reality of his Russian Siberian childhood and his French grandmother’s poetic evocations of her past and her old country, has a sudden slip of the tongue which for a moment puts him in a disorienting position: that of being literally between two languages, between French and Russian, and understood in neither. But it is that very moment which transforms his life and his understanding of himself and his literary ambitions. The gap between the two languages, which as a dreamy child he simply accepted and as a rebellious teenager he reacted against, is not what he once thought it was—a frustrating barrier to understanding or a comforting bulwark against reality, depending on his mood at the time. No, it is something far stranger and much more exhilarating: a prism through which everything can be seen and felt even more clearly, sensually and intensely and not only because with two languages at your disposal you have even more opportunity to ‘nail’ the world, as it were. It is also because this between-two-languages phenomenon, common to all bilingual people, is actually a striking metaphor for the gap that exists between language per se and language lived—the sensual reality for all human beings. And it is in that gap that literature itself is born: literature which, in Makine’s beautiful words, is un étonnement permanent devant cette coulée verbale dans laquelle fondait le monde (Makine, 244).1 And it is that very ‘in-between’, that universal ‘language of astonishment’, which will turn Alyosha into a writer and by extension Makine himself, who included many autobiographical elements in the novel. -
In Tupelo, Scene Wants ® Check to Keep up Sites to Tell You About Local Time at Djournal.Com
see. hear. do. August 14-20 • 2008 North Mississippi’s entertainment guide Staind rolls into Tupelo for Saturday show ‘PINEAPPLE EXPRESS’ , SALTILLO’S JUSTIN POSEY , CONCERT GUIDE 2E scene August 14-20, 2008 what’s TOP 10 Blog songs High® Five Sited NBC took the gold last week, while rival broad- ®WMSV 91.1, 5.“I Kissed a Girl,” Katy cast networks barely placed. Propelled by just Make Scene World Class Radio Perry the first three nights of the Summer Olympics, Adult album 6.“American Boy,” Estelle NBC scored an average of 17.67 million viewers, Shine with Kanye West Now your alternative while its nearest competitor, CBS, averaged just 1.“Come Around,” Counting 7.“Viva la Vida,” Coldplay 5.68 million, according to Nielsen Media Crows 8.“Forever,” Chris Brown Research figures released Tuesday. blog choice 2.“Peace, Love & Happi- 9.“When I Grow Up,”The BY SHEENA BARNETT ness,” G. Love & Special Pussycat Dolls Scene Sauce 10.“A Little Bit Longer,” There are millions of 3.“Staying With Me,” Los Jonas Brothers music and entertainment Lonely Boys Web sites out there. ® www.billboard.com ®VIDEO RENTALS 4.“Hope,” Jack Johnson 1.“21,” Sony Pictures Home Entertainment. There are some for coun- Hot country songs 5.“Viva la Vida,” Coldplay 2.“The Bank Job,” Lionsgate Home Entertainment. try music. 1.“All I Want to Do,” Sugar- Some for 6.“Old Enough,” Raconteurs land ® 3.“College Road Trip,” Buena Vista Home Entertain- TELEVISION indie rock. 7.“I'm Amazed,” My 2.“You Look Good in My 1.“Summer Olympics Opening Ceremony,” NBC. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
Testimony of Lecia Brooks Chief of Staff, Southern Poverty Law Center
Testimony of Lecia Brooks Chief of Staff, Southern Poverty Law Center before the Subcommittee on National Security, International Development and Monetary Policy Committee on Financial Services United States House of Representatives Dollars against Democracy: Domestic Terrorist Financing in the Aftermath of Insurrection February 25, 2021 My name is Lecia Brooks. I am chief of staff of the Southern Poverty Law Center (SPLC). Now in our 50th year, the SPLC is a catalyst for racial justice in the South and beyond, working in partnership with communities to dismantle white supremacy, strengthen intersectional movements, and advance the human rights of all people. SPLC lawyers have worked to shut down some of the nation’s most violent white supremacist groups by winning crushing, multimillion-dollar jury verdicts on behalf of their victims. We have helped dismantle vestiges of Jim Crow, reformed juvenile justice practices, shattered barriers to equality for women, children, the LGBTQ+ community, and the disabled, and worked to protect low-wage immigrant workers from exploitation. The SPLC began tracking white supremacist activity in the 1980s, during a resurgence of the Ku Klux Klan and other organized extremist hate groups. Today, the SPLC is the premier U.S. nonprofit organization monitoring the activities of domestic hate groups and other extremists. In the early 1990s, the SPLC launched its pioneering Teaching Tolerance program to provide educators with free, anti-bias classroom resources, such as classroom documentaries and lesson plans. Now renamed Learning For Justice, our program reaches millions of schoolchildren with award-winning curricula and other materials that promote understanding of our nation’s history and respect for others, helping educators create inclusive, equitable school environments. -
1991 Collegian
it*. , . J ‘ *"■ Ky.' ' 'w^w»SE:r. *:m8§§i ^feJlPP PMMMS IK* ,;U . -.V'* ■■ :. mm fmgmm >- * . * ' aBeSflft ‘%v’ i . iinHP? 'w* Up (f|is sJSfikii'Sf'i J*^®**^ | «>. >i CP 4 ‘ ' 'f'-:irW'y 'i > '-tv * '' -* «**«*#•’*■ .-■'*■*'*! wfcWwjf *•> • ,4t, *' . •** mm P ■ V-a.f’,' ? && MlililNHHHHBiSilHH m iCffiiBiHiiil EDITORIAL With aspirations to become the next Nancy Wake, Phillip Adams and Miriam Borthwick the Collegian Committee began mm its gruelling task of producing this wondrous manuscript. At the beginning our naiviety led us to believe that reports miraculously land in the ‘in’ file, photos are taken by themselves and the final magazine arrives in all its splendour out of thin air. After two weeks, this illusory belief was shattered, thanks to Mrs. Shepherd’s constant reminders and imposed deadlines, the Collegian Committee set about performing its actual task. People owning reports were hounded and harassed (by the secret Collegian Force) photography sessions were ruled with an iron fist and the school body was subjected to the revolutionary 'A-:-- torture, technique of Collegian Committee advertising (thanks Mrs. Pyett for the loan of your sunnies). Through these trials and tribulations the Collegian Committee has brought about several changes as you will no doubt notice. We hope that these alterations improve the overall effect of the 1991 Collegian. Finally as the year draws to an end, I would like to thank Mrs. Shepherd plus Mr. Thompson for their invaluable help and the entire Collegian Committee for their tireless work. I am sure that they’d all agree that working on the Collegian was a rewarding and enjoyable experience. -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture. -
KENNEDY AWARDS Excellence in Australian Journalism
KENNEDY AWARDS Excellence in Australian Journalism 10th Anniversary Sponsorship Prospectus DIMITY CLANCEY AND LAURA MANGHAM OF A CURRENT AFFAIR WIN THE 2020 MIKE WILLESEE AWARD FOR OUTSTANDING NIGHTLY CURRENT AFFAIRS THE HISTORY OF THE KENNEDY AWARDS NAMED after the trailblazing indigenous journalist Les Kennedy, the Kennedy Awards were initially conceived in 2011 to recognise excellence in New South Wales journalism. Almost immediately the Kennedys were shaped by the nature of the entrants - attracting journalists from the likes of Four Corners, 60 Minutes, The Australian, A Current Affair, 730 Report, SBS and the Financial Review to become a truly independent, national celebration of Australian journalism. The awards were created by journalists for journalists - open to all-comers with no agendas or historical obligation to affiliation. A decade later the Kennedys have become the Australian media's night of nights - celebrated for their inclusiveness, independence, respect for the past and the value of fostering the next generation of the nation's finest journalists. SANDRA SALLY (RIGHT) PRESENTS THE HARRY POTTER AWARD FOR OUTSTANDING TV NEWS REPORTING J U N E 2 0 2 0 . Les Kennedy THE INSPIRATION OF THE KENNEDY AWARDS Les Kennedy was never in the officers' mess of journalism - and nor did he want to be. He loved nothing better than excelling on the road as a leader of other "shoe leather" journalists. Proud of his indigenous heritage, Les' awareness of his past and the pride he took in it were the twin chambers of a big, generous heart. It was his fabled generosity that fuelled a selfless devotion to a long list of protégés. -
Regn Lst 1948 to 2020.Xls
AMERICAN FUCHSIA SOCIETY REGISTERED FUCHSIAS, 1948 - 2020 CULTIVAR REG NO HYBRIDIZER YEAR FORM GROWTH Jardins de France 4439 Massé 2000 sgl up All Square 2335 Adams 1988 sgl up Beatrice Ellen 2336 Adams 1988 sgl up Cardiff Rose 2337 Adams 1988 sgl up/tr Glas Lyn 2338 Adams 1988 sgl up Purple Laddie 2339 Adams 1988 dbl up Velma 1522 Adams 1979 sgl up Windmill 4556 Adams 2001 dbl up Bo Bo 1587 Adkins 1980 dbl up Bonnie Sue 1550 Adkins 1980 dbl tr Dariway 1551 Adkins 1980 sgl up Delta Rae 1552 Adkins 1980 sgl tr Grinnell Bay 1553 Adkins 1980 sgl tr Joanne Lynn 1554 Adkins 1980 sdbl up Grandma Ellen 3066 Ainsworth 1993 sgl up Percy Ainsworth 3065 Ainsworth 1993 sgl tr Tufty Joe 3063 Ainsworth 1993 dbl tr Heidi Joy 2246 Akers/Laburnum 1987 dbl up Elaine Allen 1214 Allen 1974 sdbl up Susan Allen 1215 Allen 1974 sgl up Grandpa Jack 3789 Allso 1997 dbl up/tr Amazing Maisie 4632 Allsop 2001 s-dbl up/tr Amelia Rose 8018 Allsop 2012 sgl tr Arthur C. Boggis 4629 Allsop 2001 s-dbl up Beautiful Bobbie 3781 Allsop 1997 dbl tr Beloved Brian 5689 Allsop 2005 sgl up/tr Betty’s Buddies 8610 Allsop 2015 sgl up Captivating Kelly 3782 Allsop 1997 dbl tr Cheeky Chantelle 3783 Allsop 1997 dbl tr Cinque Port Liberty 4626 Allsop 2001 dbl up/tr Clara Agnes 5572 Allsop 2004 sgl up/tr Conner's Cascade 8019 Allsop 2012 sgl tr CutieKaren 4040 Allsop 1998 dbl tr Danielle’s Dream 4630 Allsop 2001 dbl tr Darling Danielle 3784 Allsop 1997 dbl tr Doodie Dane 3785 Allsop 1997 dbl gtr Dorothy Ann 4627 Allsop 2001 sgl tr Elaine's Gem 8020 Allsop 2012 sgl up Generous Jean 4813 -
SANDI CV March 2019
CURRICULUM VITAE 2019 UTOPIA series 4 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch 2018 The InBESTigators TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS Director: Robyn Butler Wayne Hope CAST: Aston Droomer Anna Cooke Abby Bergman Jamil Seka Nina Buxton Tim Bartley Ian Reiser 2017-18 BACK IN VERY SMALL BUSINESS TV Series Position: COSTUME DESIGNER GRISTMILL PRODUCTIONS CAST: Wayne Hope Robyn Nevin Kim Gyngell Director: Robyn Butler 2017 ROMPER STOMPER TV Series Position: COSTUME BUYER NEXT GEN Designer: Anna Borghesi CAST: Toby Wallace Jacqui McKenzie David Wenham Directors: Geoffrey Wright James Napier Robertson Daina Reid DI & VIV & ROSE Theatre Prod Position: COSTUMIER MELBOURNE THEATRE CO Designer: Dale Ferguson CAST: Nadine Garner Beilinda McLory Mandy McElhinney Director: Marion Potts HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler UTOPIA series 3 TV Series Position: COSTUME DESIGNER WORKING DOG CAST: Rob Sitch Celia Paquola Kitty Flannagan Director: Rob Sitch ________________________________________________ 4 /76-80 Ireland Street, West Melbourne, Vic 3003 mobile: 0412 114 958 email: [email protected] 2016 T.V. COMMERCIALS TVC’S Position: COSTUME DESIGNER MR SMITH HAVE YOU BEEN PAYING ATTENTION? TV Series Position: COSTUME DESIGNER WORKING DOG / NETWORK 10 CAST: Tom Gleisner Sam Pang Ed Kavallee Director: Peter Lawler LITTLE LUNCH series