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Kā Pākihi Kā Whakatekateka a Waitaha the Plains Where the Waitaha Strutted Proudly
Image 1: Rākaihautū. Brian Flintoof’s work depicts Rākaihautū digging out the mountain lakes as he travels through the Southern Alps. Private collection. Mixed media by Brian Flintoff. KĀ PĀKIHI KĀ WHAKATEKATEKA A WAITAHA THE PLAINS WHERE THE WAITAHA STRUTTED PROUDLY Titiro ki muri, kia whakatika ā mua, look to the past to proceed to the future: Why tīpuna used rakimārie peaceful living to claim and maintain ahi kā burning fires of occupation during early colonial contact and does it hold validity and relevance for whānau family today? Nā Kelli Te Maihāroa Waitaha Tūturu, Ngāti Rārua Ātiawa A thesis submitted for the degree of Doctor of Philosophy at the University of Otago Te Whare Wānaka o Otāgo Dunedin, Aotearoa New Zealand September 2019 KARAKIA Image 3: Karakia. Rākaihautū. Brian Flintoof’s work depicts Rākaihautū digging out the mountain lakes as he travels through the Southern Alps. Private collection. Mixed media by Brian Flintoff. Wāhia te awa e uta ki tua Puta i waho ko te pākiaka o te rākau O māere nuku, o māere raki O māere i te maro-whenua I ruka tāne, i raro tāne Pākupāku tāne, rakaihi tāne Nohaka nō Te Ariki Hoatu au, e tāne ki uta! This thesis begins with the ancient karakia incantation recited by Rākaihutū, the famous Waitaha tupuna who cleared the passage ways through the great Pacific oceans to Aotearoa (Beattie, 1918, p. 146) 2 KĀ PĀKITUA Kā Pākitua is the name on the prow of the Te Uruao Kapuaraki waka canoe and also the toki adze that Rākaihautū raised as he chanted the karakia above. -
Fiona Hall Medicine Bundle for the Non-Born Child (Detail) 1994
Bulletin Summer Christchurch Art Gallery December 2008 — B.155 Te Puna o Waiwhetu February 2009 1 Bulletin B.155 Summer Christchurch Art Gallery December 2008 — Te Puna o Waiwhetu February 2009 Two cyclists use the custom-designed bikes that form Anne Veronica Janssens's Les Australoïdes installation in the Gallery foyer. Front and back cover images: Fiona Hall Medicine bundle for the non-born child (detail) 1994. Aluminium, rubber, plastic layette comprising matinee jacket. Collection of Queensland Art Gallery, purchased 2000. Queensland Art Gallery Foundation Grant. Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney 2 3 Contents B.155 4 DIRECTOR'S FOREWORD A few words from director Jenny Harper 5 EXHIBITIONS PROGRAMME What's on at the Gallery this season 6 FIONA HALL: FORCE FIELD Paula Savage on one of Australia's finest contemporary artists 15 LOOKING INTO FORCE FIELD Two personal responses 16 SHOWCASE Recent gifts to the Gallery's collection 18 WUNDERBOX A collection of collections from the collection 26 THE ART OF COLLECTING Four artists show us their personal collections 30 LET IT BE NOW Six emerging Canterbury artists 34 WHITE ON WHITE Exploring the myriad possibilities of white 42 OUTER SPACES Richard Killeen takes his art out to the street 44 LONG WIRES IN DARK An interview with MUSEUMS Alastair Galbraith 46 ARE YOU TALKING TO ME? Jim and Mary Barr on collecting 47 PAGEWORK #1 Eddie Clemens 50 TE HURINGA / Pākehā colonisation TURNING POINTS and Māori empowerment 56 SCAPE 2008 Looking back at some of the Gallery projects 58 MY FAVOURITE Film-maker Gaylene Preston makes her choice 60 TIME-LAPSE Installing United We Fall 62 NOTEWORTHY News bites from around the Gallery 64 STAFF PROFILE Martin Young 64 COMING SOON Previewing Rita Angus: Life & Vision and Miles: a life in architecture Please note: The opinions put forward in this magazine are not necessarily those of Christchurch Art Gallery Te Puna o Waiwhetu. -
Nz Film Productions, 1990-2016
NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature -
Jackie Clarke In
JACKIE CLARKE IN BOOK BY NEIL SIMON MUSIC BY CY COLEMAN LYRICS BY DOROTHY FIELDS BASED ON AN ORIGINAL SCREENPLAY BY FEDERICO FELLINI, TULLIO PINELLI AND ENNIO FLAIANO PRODUCED FOR THE BROADWAY STAGE BY FRYER, CARR AND HARRIS CONCEIVED, STAGED AND CHOREOGRAPHED BY BOB FOSSE PREMIER PARTNER MAJOR FUNdERS MAJOR SUPPORTERS MEDIA PARTNERS SUPPORTING PARTNERS Air New Zealand Maidment Theatre Auckland Art Gallery Toi O Tãmaki SKYCITY Theatre BDO Spicers The Castle Trust Canon The Great Catering Company The Hyperfactory NBR Illy Screentime ADDRESS SUBSCRIBER DIRECTLINE WEBSITE AUCKLAND THEATRE COMPANY 09 309 3395 WWW.ATC.CO.NZ LEVEL 2, 108 QUAY STREET ADMINISTRATION WWW.SWEETCHARITY.CO.NZ PO BOX 105-941, AUCKLAND CITY 09 309 0390 EMAIL AUCKLAND [email protected] ARTISTIC DIRECTOR / AUCKLAND THEATRE COMPANY COLIN McCOLL Welcome to the final offering in our 2006 Things We Do For Love season. Sweet Charity really is an act of love. Legendary Italian film-maker Federico Fellini created the filmNights of Cabiria for his wife Giulietta Masina. The famous American choreographer Bob Fosse then turned it into a Broadway musical for his wife Gwen Verdon. Perhaps best known from the iconic 1966 film starring Shirley McLaine, Sweet Charity is a feel-good dance musical in the best sense. I love Jackie Clarke’s work and have been looking for something to showcase her talents for some time. The New Zealand Post Season of Sweet Charity is the perfect vehicle for her great voice, her playfulness, her mimicry, her extraordinary understanding of musical styles and her irrepressible energy. I’m also privileged to work with two of New Zealand’s finest and most committed artists, choreographer Shona McCullagh, and musical director/arranger (and composer in his own right), John Gibson. -
Annual Report 2010-11
New Zealand Film Commission G19 Annual Report 2010-2011 PO Box 11-546 Wellington www.nzfilm.co.nz Funded by the New Zealand Government through the Ministry for Culture and Heritage and by the Lottery Grants Board Director Brendan Donovan, The Hopes and Dreams of Gazza Snell. G19 Report of the New Zealand Film Commission for the year ended 30 June 2011 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2011. Patsy Reddy Andrew Cornwell Chair Board Member Cover: The Orator (O Le Tulafale)/ Love Birds/ Meathead/ Blue/ My Wedding and Other Secrets/ Manurewa/ Predicament. Highlights We committed production funding to nine new feature films (including two documentaries) and also supported the completion of seven low-budget independent digital features. We provided strategic, logistic and financial support in the form of prints and advertising grants for six new NZFC-financed features released in New Zealand cinemas during the year. NZFC-financed shorts achieved success at the Cannes Film Festival in May 2011. Blue won the Cannes Critics’ Week prize for Best Short and Meathead was one of nine films selected for the Main Competition. The 61st Berlin International Film Festival awarded the Crystal Bear to short film Manurewa. Written and directed by Sam Peacocke, the film screened in the Generation 14plus Youth Section of the competition. Boy continued its success in New Zealand cinemas during 2010/11, finally completing its theatrical run with a record-breaking NZ box office total of $9.3M. -
Mongrel Media
Mongrel Media Presents BOY A Film by Taika Waititi (90 min., New Zealand, 2011) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html FACT SHEET Title: BOY Writer/Director: Taika Waititi Producers : Ainsley Gardiner, Cliff Curtis, Emanuel Michael Co-Producer : Merata Mita Associate Producer: Richard Fletcher Production Company : Whenua Films, Unison Films In association with : The New Zealand Film Production Fund Trust, The New Zealand Film Commission, NZ On Air, Te Mangai Paho. Running Time : 90 minutes approx Starring : James Rolleston, Te Aho Eketone-Whitu, Taika Waititi Director of Photography : Adam Clark Editor : Chris Plummer Music : The Phoenix Foundation Production Designer : Shayne Radford Hair and Makeup: Danelle Satherley Costume Designer : Amanda Neale Casting: Tina Cleary SHORT SYNOPSIS The year is 1984, and on the rural East Coast of New Zealand “Thriller” is changing kids’ lives. Inspired by the Oscar nominated Two Cars, One Night, BOY is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. BOY is a dreamer who loves Michael Jackson. He lives with his brother ROCKY, a tribe of deserted cousins and his Nan. Boy’s other hero, his father, ALAMEIN, is the subject of Boy’s fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him). -
Film Retrospective
GAYLENE PRESTONfilm retrospective Gaylene Preston has been making feature films and documentaries with a distinctive New Zealand flavour and a strong social message for more than 30 years. Join us to celebrate her work … ACKNOWLEDGEMENTS Managing editor: Mary M. Wiles Co-ordinating editor : Bruce Harding This event was originally to have taken place at the Christchurch Art Gallery and was cancelled three times in Copy editor: Catherine Hurley the wake of each successive earthquake. It could not have got o! the starting blocks at Te Papa without the Photos: Courtesy of Gaylene Preston support of the following people: (unless stated) Mere Boynton (Team Te Papa) for graciously agreeing to host the Retrospective at Te Papa Tongarewa in the Artwork: Jane Blatchford adopted home city of Gaylene Preston Printer: Canterbury Educational Professor Jim Tully (Head, School of Humanities, UC) for his vision in supporting the funding of the proposal Printing Services and staying with it through all its permutations Professor Te Maire Tau, Director, Ngai Tahu Research Centre (UC) Dr Bruce Harding (Adjunct Professor, Ngai Tahu Research Centre) for co-ordinating the move to Te Papa; for the photographs of Keri Hulme and Graeme Tetley; and for his zealous assistance in the final stages of the project Dr Deborah Shepard and Dr Marian Evans for their scholarly contributions to this collection Catherine Hurley for her dedication and technical skill as our copyeditor With fond memories of Jane Blatchford for the layout and design of this catalogue Graeme Tetley, colleague and creative participant par excellence. Aileen O’Sullivan for serving as our liaison with the TVNZ Archives (Lower Hutt) 1942 – 2011 Peter Sugden (Research Consultant) at the New Zealand Television Archive (Avalon) X GP Dr Patricia Wallace and Moana Matthes, Macmillan Brown Centre for Pacific Studies (UC) Keri Hulme and Paul Sutorius, for producing such lively and honest testimonials about working with Gaylene Gaylene Preston herself, the inspiration of this homage, without whom… ISBN: 978-0-473-19907-4 Mary M. -
Annual Report 2009-10
New Zealand Film Commission Annual Report 2010 G19 Report of the New Zealand Film Commission for the year ended 30 June 2010 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June, 2010. Patsy Reddy Andrew Cornwell Chair Board Member PO Box 11-546 Wellington www.nzfilm.co.nz Funded by the New Zealand Government through the Ministry for Culture and Heritage and by the Lottery Grants Board Highlights The NZFC committed production financing to nine new feature films and eight short films during the financial year. It also supported the completion of 16 digital features. The NZFC provided strategic, logistical and financial support in the form of prints and advertising grants for seven new NZ features released in New Zealand cinemas during the year. Taika Waititi’s Contents feature filmBoy premiered at the Sundance Film Festival. It was awarded the Grand Prix award in the Generation Section of the Berlin Film Festival in February 2010 and went on to become the highest grossing NZ film of all time with a box office of more than $9 million. Gaylene Preston’s filmHome By Christmas enjoyed a highly successful cinematic release reaching $1.15 million box office. The film was nominated for 10 Qantas Film Awards. Independently financed feature documentaryThis Way of Life, directed by Tom Burstyn and produced by Sumner Burstyn, received a Special Mention in the Generation Section at the Berlin Film Festival. -
Annual Report 2008-2009 PDF 5.9 MB
NZ On Air Annual Report For the year ended 30 June 2009 Proudly supporting local content for 20 years 1989-2009 Annual Report For the year ended 30 June 2009 Table of contents Table of contents Part 1 Our year 1 Highlights 1 Who we are 2 Mission statement and values 2 Chair’s introduction 3 Key achievements 4 Television funding 4 Maori broadcasting 10 Radio funding 11 Digital funding 13 NZ Music funding 14 Archiving funding 16 Research 17 Consultation 18 Operations 18 Main performance measures 20 Part 2 Accountability statements 21 Statement of responsibility 21 Audit report 22 Statement of financial performance 23 Statement of financial position 24 Statement of changes in equity 25 Statement of cash flows 26 Notes to the financial statements 27 Statement of service performance 42 Appendices 1. Television funding 51 2. Radio funding 55 3. NZ Music funding 56 4. Music promotion 58 5. Digital and Archiving funding 58 6. Maori broadcasting 59 Directory 60 Download the companion PDF document to see: 20 years of NZ On Air NZ On Air Annual Report to 30 June 2009 1 Part 1: Our Year Highlights • The website NZ On Screen was launched, showcasing historic New Our investments helped create some Zealand television and film online and outstanding success stories this year: winning a Qantas Media Award in its first year • The Top 10 funded television • Our Ethnic Diversity Forum brought programmes had some of our highest all relevant broadcasters together viewing numbers ever around a subject of increasing importance • New Zealand drama successfully -
Annual Report 2017–2018
Annual Report 2017–2018 1 Image: The Breaker Upperers 2 Cover Image: Waru G19 Report of the New Zealand Film Commission for the year ended 30 June 2018 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2018. Kerry Prendergast Tom Greally ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• CHAIR BOARD MEMBER NEW ZEALAND FILM COMMISSION Annual Report – 2017/18 33 Highlights • The New Zealand Film Commission launched its Te Rautaki Māori, a strategy based on developing an ongoing partnership with the Māori screen industry. To support the strategy, new funding opportunities and support for Māori filmmakers were also announced. • Karen Waaka-Tibble became the NZFC’s inaugural Pou Whakahare, a role established to assist in implementing Te Rautaki Māori. • The 125 Fund, a feature film fund for projects where at least two of the key creatives, including the director, are women was launched, and opened for applications in June. • Eleven feature films (including four documentaries) with NZFC production financing were released theatrically in New Zealand in the period. The title which generated the highest box office wasThe Breaker Upperers with a gross of $1,762,706 (to 30 June 2018). • The New Zealand Screen Production Grant (NZSPG) International attracted New Zealand Qualifying Production Expenditure (NZQPE) totalling $693,892,538 in the period, which triggered grant payments of $149,265,574. • 42 final NZSPG certificates were issued, 13 to New Zealand productions and 29 to international productions. -
BULLETIN of the CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU Spring September – November 2004
BULLETIN OF THE CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU spring september – november 2004 Open 10am – 5pm daily, late night every Wednesday until 9pm Cnr Worcester Boulevard & Montreal Street, PO Box 2626 Christchurch, New Zealand Tel: (+64 3) 941 7300, Fax: (+64 3) 941 7301 Email: [email protected] www.christchurchartgallery.org.nz Gallery Shop tel: (+64 3) 941 7388 Form Gallery tel: (+64 3) 377 1211 Alchemy Café & Wine Bar tel: (+64 3) 941 7311 Education Booking Line tel: (+64 3) 941 8101 Art Gallery Carpark tel: (+64 3) 941 7350 Friends of the Christchurch Art Gallery tel: (+64 3) 941 7356 b.138 Exhibitions Programme Bulletin Editor: Sarah Pepperle Gallery Contributors 2 Introduction THE COLLECTIONS Director: Tony Preston A few words from the Director OWEN MERTON – SOUNDINGS ARTS & CRAFTS Collections Manager/Senior Curator: Neil Roberts EXPATRIATE PAINTER 23 JULY – 25 OCTOBER CANTERBURY STYLE Divided into Historical, Twentieth Curator (Contemporary): Felicity Milburn Century and Contemporary Curator (Works on Paper): Peter Vangioni 3 My Favourite 11 JUNE – 26 SEPTEMBER A monumental new painting 19 NOVEMBER – Barry Cleavin makes his choice 27 FEBUARY 05 Collections, this installation Curatorial Assistant (Contemporary): Jennifer Hay A unique exhibition of paintings installation by Ross Gray inspired displays a rotating selection of Public Programmes Officer: Ann Betts by landscape watercolourist Owen by the urban landscape. A comprehensive overview of an the treasures of the Gallery’s Gallery Photographer: Brendan Lee 4 Noteworthy Merton. Catalogue available art movement and its considerable permanent collections. Friends of Christchurch Art Gallery: Marianne Hargreaves News bites from around the Gallery Catalogue available Touring Gallery B impact on Canterbury in the early Acoustiguide® and catalogue twentieth century. -
Research Into New Zealand's Independent Documentary Sector
Research into New Zealand’s independent documentary sector Commissioned by Creative New Zealand and the New Zealand Film Commission Contents Foreword............................................................................................................................ 4 1. Executive summary ................................................................................................. 5 1.1 Introduction ............................................................................................................... 5 1.2 Context ...................................................................................................................... 5 1.3 Defining the term “documentary” ............................................................................. 6 1.4 The barriers................................................................................................................ 6 1.5 The opportunities....................................................................................................... 7 1.5 A way forward........................................................................................................... 7 1.6 A final word............................................................................................................... 8 2. Introduction ............................................................................................................. 9 2.1 Research objectives ................................................................................................... 9 2.2 Methodology...........................................................................................................