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Hacettepe University Graduate School of Social Sciences Department of English Language and Literature English Language and Literature Programme “OUT OF THE MAZE OF DUALISMS”: POSTHUMAN SPACE IN MARIO PETRUCCI AND ALICE OSWALD’S POETRY Seçil ERKOÇ Ph.D. Dissertation Ankara, 2020 “OUT OF THE MAZE OF DUALISMS”: POSTHUMAN SPACE IN MARIO PETRUCCI AND ALICE OSWALD’S POETRY Seçil ERKOÇ Hacettepe University Graduate School of Social Sciences Department of English Language and Literature English Language and Literature Programme Ph.D. Dissertation Ankara, 2020 iii To my beloved family… iv ACKNOWLEDGEMENTS First and foremost, even though I know that I cannot thank her enough, I would like to express my heartfelt gratitude to my advisor Prof. Dr. Huriye Reis for her invaluable guidance throughout this long PhD journey. Without her academic knowledge, insightful suggestions, professional mentorship and moral support it would have been difficult to complete this study. I am most grateful to have studied under her supervision. I would like to express my deepest appreciation to Prof. Dr. Burçin Erol, my committee chair and the Head of the English Language and Literature at Hacettepe University, who has always been an inspirational scholar with her never-ending energy, encouragement and academic advice that have illuminated the path of many young academicians. I am particularly indebted to my thesis committee members, Prof. Dr. Hande Seber and Assoc. Prof. Dr. Margaret J-M. Sönmez for their valuable critical feedback, motivational comments and positive attitude that have contributed a lot to the completion of this study. I also extend my sincere thanks to Prof. Dr. Özlem Uzundemir for her constructive suggestions after reading the final manuscript of the thesis. I owe a special word of gratitude to Prof. Dr. Serpil Oppermann whose “Contemporary Trends in Western Philosophy” class during my PhD studies initiated an academic interest in Environmental Humanities and shaped the theoretical background of this study. I would like to extend my thanks to Prof. Dr. Deniz Bozer, Prof. Dr. Aytül Özüm and Assoc. Prof. Dr. Şebnem Kaya whose classes have added a lot to my academic knowledge in the field. I am also grateful to Assist. Prof. Dr. Alev Karaduman, Assist. Prof. Dr. Pınar Taşdelen and Assist. Prof. Dr. İmren Yelmiş for their kind and warm- hearted manner. I must also express my most heartfelt gratitude to Prof. Dr. Zeynep Ergun, Assoc. Prof. Dr. Lamia Gülçur and Assist. Prof. Dr. Suna Ertuğrul who helped shaping my academic path and encouraged me when I was an inexperienced young student at Boğaziçi University during my undergraduate years. I will always remember them with respect and warmth in my heart. I should also thank Prof. Dr. Esra Melikoğlu and all the faculty members at English Language and Literature Department at İstanbul University for beautiful memories that still accompany me since the completion of my Master’s degree there. I owe special thanks to Assoc. Prof. Dr. Zeynep Yılmaz Kurt, the Department Chair at Western Languages and Literatures at İnönü University for her invaluable academic and emotional support, kind-hearted manner and belief in me; as well as to Assoc. Prof. Dr. Mustafa Şahiner who, as the Founder Chair of the department, has been much helpful with his fatherly attitude. I also thank Assist. Prof. Dr. Berkan Ulu and my colleagues in the department for their help and guidance. v I must also thank Dr. Mario Petrucci whose down to earth attitude has been a true source of inspiration. He has not only responded to my questions while writing the first chapter of this study but also sent me a signed copy of his work. I deeply appreciate his support. I would like to extend my special thanks to Çidem Şirin, İlknur Onart, Zeynep Ergin, Zeynep Çelik, Ayşe Gür Geden, Bedia Gafar and Funda Kamiloğlu whose friendship has defied years and distances. I thank Arzu Çevirgen whose kind suggestions and warm hug have always given me strength and peace. I am also grateful to Adem Balcı who never stopped supporting me, and he has always been accommodating in both good and bad times. I would also like to thank my mentor-friend Assist. Prof. Dr. Azime Pekşen Yakar who has patiently guided me through the thorny paths of the PhD journey. I need to further extend my gratitude to Merve Afacan and Ulaş Özgün, with whom I used to share the same office at Hacettepe, for their emotional support and motivation. I deeply thank Emine Akkülah Doğan, Kübra Vural Özbey, Tuğba Şimşek, Nurten Çelik, Sevda Ayva, Cemre Mimoza Bartu, Assist. Prof. Dr. Özlem Özmen and Alican Erbakan for their kind support. I am also grateful to Melek Şaşmaz, Nail Erkoç, Hanife Balcı, Erdem Balcı, Ebru Çalışkan, Özgür Çalışkan, Ömer Asaf Çalışkan and Revna Çalışkan for their emotional support and encouragement not only during my studies but throughout my life. I owe the deepest gratitude to my stand-in ‘grandfather’ Zülfikâr Balcı who passed away during my PhD studies, but his presence has never left us. Most of all, I am forever indebted to my father İsmail Erkoç whose company and comradeship have given me physical and emotional strength, to my mother Sevil Erkoç for her love and unwavering belief in me, and to my brother Furkan Erkoç who has always been our source of laughter with his sense of humour. Finally, I owe special gratitude to dear Monis Iqbal for his unconditional support and for believing in me more than I do myself. Without all these precious people in my life, this study would not have been possible. vi ABSTRACT ERKOÇ, Seçil. “Out of the Maze of Dualisms”: Posthuman Space in Mario Petrucci and Alice Oswald’s Poetry, Ph.D. Thesis, Ankara, 2020. In the light of recent theories of posthumanism that promote a non-anthropocentric perspective, this study examines the poems of contemporary British poets Mario Petrucci and Alice Oswald and argues that they write posthuman poetry which represents posthuman space(s) of becoming, where the human and the nonhuman worlds exist on a non-hierarchical basis. This study thus shows that Petrucci’s posthuman poetry is mainly concerned with representing the ecological problems observed in the Anthropocene, and it illustrates how the human agency is dwarfed by the destructive consequences generated in the ecosystem. In a posthuman context, therefore, Petrucci problematises the human/nonhuman binary by demonstrating the erosion of the anthropocentric world view in the face of environmental crises such as deforestation, global warming, and the Chernobyl nuclear disaster in Bosco (1999), Heavy Water: A Poem for Chernobyl (2004) and Half Life: Poems for Chernobyl (2004). In these collections, Petrucci underscores the agentic properties of trees and radioactive particles, and thereby challenges the prevalent view of nonhuman matter as a passive entity. Likewise, Alice Oswald introduces a posthuman poetry which moves the reader beyond the human-centred treatment of the natural world. Negating human exceptionalism, Oswald’s Dart (2002) offers a polyphonic meshwork where the voices of alternating human speakers and that of the River Dart flow into one another in a posthuman space. Underlining intersubjective and dialogic interchange between human and nonhuman inhabitants of the Severn Estuary and the lunar cycle, Oswald’s A Sleepwalk on the Severn (2009) also disavows the subject/object binary by forming a posthuman space of becoming that involves a communicative framework. Hence, bringing Petrucci and Oswald together, this study calls attention to the trans-corporeal and polyphonic entanglement of human-nonhuman, subject-object and self-other non-binaries, and it aims to show how poetry, as a literary tool, can help to change the restricted anthropocentric vision of humankind in today’s world. Keywords: Contemporary British Poetry, Posthumanism, Mario Petrucci, Bosco, Heavy Water: A Poem for Chernobyl, Half Life: Poems for Chernobyl, Alice Oswald, Dart, A Sleepwalk on the Severn vii ÖZET ERKOÇ, Seçil. “İkilikler Labirentinden Çıkış”: Mario Petrucci ve Alice Oswald’ın Şiirinde Posthüman Mekân, Doktora Tezi, Ankara, 2020. İnsanı merkeze konumlandırmayan bir bakış açısıyla hareket eden güncel posthümanist teorilerden yola çıkan bu çalışma çağdaş İngiliz şairleri Mario Petrucci ve Alice Oswald’ın şiirlerini inceleler ve bu şairlerin, insanın tahakküm eden bir özne olarak görülemeyeceği posthüman mekân temsilleri yarattığını ve posthüman şiir türünde örnekler verdiğini savunur. Dolayısıyla bu çalışma, Petrucci’nin posthüman şiirinin daha çok Antroposen çağın ekolojik sorunlarına değindiğini ve böylece insanın eyleyici gücünün bu sorunların yol açtığı yıkıcı sonuçlar tarafından nasıl iktidarsızlaştırıldığını gösterir. Posthüman teori bağlamında ele alındığında Petrucci, Bosco (1999), Heavy Water: A Poem for Chernobyl (2004) ve Half Life: Poems for Chernobyl (2004) eserlerinde ormanların yok edilmesi, küresel ısınma ve Çernobil nükleer faciası karşısında insan merkezli düşüncenin nasıl erozyona uğradığını betimler ve insan/insan olmayan karşıtlığını sorgular. Bu eserlerde Petrucci ağaçların ve radyoaktif parçacıkların eyleyici gücüne dikkat çekerek, insan olmayan maddeleri pasif konuma indirgeyen yaygın görüşe karşı çıkar. Benzer şekilde, Alice Oswald okuyucuyu doğanın insan merkezli temsilinin ötesine taşıyarak posthüman şiir türünde örnekler verir. Şairin, insanın biricikliğini olumsuzlayan Dart (2002) eserinde, insanın ve Dart Nehri’nin seslerinin birbirine karıştığı polifonik bir örgü yarattığı görülmektedir. Severn Haliç’inde buluşan