Taylor Swift – the Red Tour

Total Page:16

File Type:pdf, Size:1020Kb

Taylor Swift – the Red Tour TAYLOR SWIFT – THE RED TOUR The RED Ultimate Experience One Incredible Top Price Reserved Floor Ticket One Autographed Copy of ‘Red’ – Taylor Swift’s Fourth Studio Album One Entry Into the Official Preshow VIP Party, Which Includes: o Separate Preshow VIP Lounge – Let’s Have a Blast Before the Show! o Food & Drinks Galore ** o Don’t Forget the Lollies – A World of Lollies Awaits You o Preshow Prizes & Giveaways – Includes Memorabilia & Limited Edition Items (Subject to Availability) o On-site VIP Paparazzi to Capture the Preshow Action & Moments o Dedicated On-site VIP Preshow Host Exclusive On-site VIP Perks o VIP Priority Check-In***(Where Available) o Separate VIP Entrance ***(Where Available) One Premium Taylor Swift VIP Gift Bag o Created Exclusively for Taylor Swift VIP Package Purchasers o Gift Bag Also Contains One Commemorative VIP Laminate & Matching Lanyard *Please note venue seating configurations may vary market-by market. **Preshow VIP Party includes complimentary selection of foods and Non-Alcoholic beverages ***VIP Priority Check-In Separate Entrance may not be available in all markets due to restrictions VIP PACKAGE DISCLAIMER INFORMATION Please note that The RED Ultimate Experience purchasers and The RED Bonus Package purchasers will be contacted via email a few days prior to the actual show date w ith additional details specific to their VIP package program. Information w ill be sent to the email address provided at the time of purchase. Your details of contact must be submitted at the time of purchase and be correct. Please note that if you do not receive an email a few days prior to the event, please contact Ticketmaster for your information. VIP merchandise can be collected on the evening of the event at the venue. The RED Bonus Package holders will receive a voucher for their gift bag at the time of purchase. To collect your gift bag you will need to present this voucher on the evening of the event at a designated pick up point at the venue. The purchaser will be notified prior to the show with details of collection. The RED Ultimate Experience purchasers will receive their gift bags at the pre-show party. All preshow VIP programs & times may vary market-by-market and are subject to modification at any time for any reason. Please note that you must be of legal age to consume alcohol, additional (local) restrictions may apply. Valid Identification is always required for consumption of alcohol. VIP Priority Check-in & Separate VIP Entrance may not be available in all markets due to restrictions. All sales are final. There are no refunds or exchanges for package purchasers under any circumstances. All packages are non- transferable. Please note, that the information provided at the time of purchase (email, address, etc) is the same information that w ill be utilised for individual contact requirements. Please note that the artist, tour promoter, ticketing company, venue or any other affiliated parties are not responsible for out dated or inaccurate information provided by the consumer at the time of purchase. Commemorative VIP laminates are for commemorative purposes only. The VIP laminate does not gain or authorise access into the venue, VIP or any backstage areas. .
Recommended publications
  • Continuity in Color: the Persistence of Symbolic Meaning in Myths, Tales, and Tropes
    Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2016 Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes McKinley May Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the Children's and Young Adult Literature Commons Recommended Citation May, McKinley, "Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes" (2016). University Honors Program Theses. 170. https://digitalcommons.georgiasouthern.edu/honors-theses/170 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Continuity in Color: The Persistence of Symbolic Meaning in Myths, Tales, and Tropes An Honors Thesis submitted in partial fulfillment of the requirements for Honors in the Department of Literature and Philosophy. By McKinley May Under the mentorship of Joe Pellegrino ABSTRACT This paper examines the symbolism of the colors black, white, and red from ancient times to modern. It explores ancient myths, the Grimm canon of fairy tales, and modern film and television tropes in order to establish the continuity of certain symbolisms through time. In regards to the fairy tales, the examination focuses solely on the lesser-known stories, due to the large amounts of scholarship surrounding the “popular” tales. The continuity of interpretation of these three major colors (black, white, and red) establishes the link between the past and the present and demonstrates the influence of older myths and beliefs on modern understandings of the colors.
    [Show full text]
  • July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
    July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album.
    [Show full text]
  • Language Style Seen from Figurative Language Perspective in Taylor Swift’S Red Album
    PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI LANGUAGE STYLE SEEN FROM FIGURATIVE LANGUAGE PERSPECTIVE IN TAYLOR SWIFT’S RED ALBUM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By NABILA WAHYUNINGTYAS Student Number: 154214117 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI LANGUAGE STYLE SEEN FROM FIGURATIVE LANGUAGE PERSPECTIVE IN TAYLOR SWIFT’S RED ALBUM AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By Nabila Wahyuningtyas Student Number: 154214117 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Just because there’s a hurricane going on around you, Doesn’t mean you have to open the window and look at it (Taylor Swift) vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI For MY life supporters that HAVE NEVER BEEN OUT OF STYLE _ _ _ _ viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS Alhamdulillah, I was blessed with so much encouragement from so many people to finish my study. First of all, I would like to express my deepest gratitude to my thesis advisor, Arina Isti’anah S.Pd., M.Hum who provided me with continuous, pertinent and much input as well as support to help me decide the path for my educational journey at Sanata Dharma University. I thank her for her guidance, wisdom, and patience throughout the whole period of this research.
    [Show full text]
  • Table Analysis 2: Analysis of the Meaning and the Function of the Paralinguistic Feature
    Table Analysis 2: Analysis of the meaning and the function of the paralinguistic feature Musician: 1. Taylor Swift No Data Context Meaning Function 1 RINGING IN 2014. This is a photo caption on the All the texts are written in the capital letter. She Narrating some event occasion of new year. She fell so wants to express her excitement about the new excited about the celebration. year celebration. 2 It's the 13th and it's 13 days until The Grammys. I'm aware that This is a status on 13 days before She used the multiple exclamation marks to Expressing her feeling I talk about 13's too much (as well as cats and food) but 2 in the Grammy Award. She was so give an extra emphasize to her statement that one day!!! excited about the number 13 that she was very excited about the Grammy Award. appear often in that day. 3 Exciting news!!! Taylor has been announced as a performer for She told his fans that she She used the multiple exclamation marks at the Expressing her feeling the 56th Annual GRAMMY Awards! Be sure to tune in on announced as the performer in the back of “exciting news” to express how excited Narrating some event January 26th at 8/7C on 56th Annual Grammy Awards. she was. She also typed “grammy” with the CBS.http://www.grammy.com/news/taylor-swift-paul- capital letter to emphasize the Grammy Award mccartney-among-latest-grammy-performers itself 4 Today at rehearsals for The GRAMMYs. I'm trying to She wanted to think about the song She used the multiple periods to give her pause Narrating some event remember..
    [Show full text]
  • Senior Edition 2013
    The Observer 2013 Senior Edition Charlie Rice Mr. John Carmigiano Tricia Rice Advisor Editor-in-Chief Jessie Pincombe Matt Serafine Tim Romanotto Managing Editors IT’S NOT THE END, IT’S JUST THE BEGINNING... Favorite Year of H.S. Erin O'Callaghan: Senior Leah Casey: Freshman Jacob Venus: Senior Benjamin Blaich: Senior Hallee Borchart: Senior Kellianne Rinearson: Senior Jacob Dunbar: Junior Ciara Farnsworth: Senior Rebecca Polchek: Junior Clay Vaughan: “All of my Timmy Hornbeck: Junior Jessie Pincombe: Junior years here were great.” Kate Schwanke: Senior Matt Serafine: Freshman Tyler Mayfield: Senior Hailey Skraba: Freshman Erika Kost: Freshman Will Hazen: Senior Samantha Adams: Freshman Eddie Andrews: Senior Mitchell Green: “When I get and Senior out.” Sam Hunt: “Senior year, of Angela Landrum: Senior course.” Noah Berg: Freshman and Senior Lauren Strebel: Senior Lindsey Hansen: Sophomore David Bruening: Senior Allison Fazio: Senior Ryan Bastian: Junior Sierra Benson: Senior Rebecca Hughes: Freshman Rebecca Simpson: Senior and Senior Mary Trikilis: Junior and Sen- Meleah Hansen: Sophomore ior year Nick Riedel: Sophmore Chelsey Vicker: Freshman Leigha Beliveau: Junior Tessa Plazek: Freshman and Senior Dani Koval: Freshman Natalie Votaw: Junior and Senior Tiffany Rohm: Senior Rebecca Hobbs: Senior year Brittany Piper: Freshman Trevar Dahl: “Senior!!!” Elizabeth Han: Freshman and Aubrey Tate: Senior Senior Amanda Hammond: Senior Amanda Barry: Freshman Jacob Markert: Senior Morgan Eyring: Junior Mariah Wood: Sophomore Emily Chudzinski: Senior
    [Show full text]
  • "My Gut Is Telling Me That If You Make Something You Love, You Should Just
    Everlore: Two Albums that Accurately Portray the Melancholic Mood of a Pandemic By Jannie Gowdy, 12 When I was seven years old, my mom took me to a Taylor Swift concert in Des Moines. I was obsessed with the artist, and I showed up with a paper guitar and my favorite dress on, elated that I was going to finally see my role model perform. My greatest hope was fulfilled: Taylor put on a phenomenal show, gliding over the audience and displaying her powerful vocals. I left there holding her in the highest regard. Over the course of her career, I followed her albums as she went from one era to the next, loving every style change. After all, Taylor Swift is the queen of evolving her discography. She started out with country roots in her debut album, Fearless, and Speak Now, and progressed to pop in Red and 1989. While her next two albums, Reputation and Lover, are also categorized as pop albums as well, they each have a very unique tone displayed by differing characteristics. Reputation’s electro-backing and musical mixing songs are powerful and fierce, while Lover contrasted sharply with softer instrumentals and a self-discovery theme. While Swift’s style is characterized by more specific ‘eras’ and there is always fan speculation about her next era, no one expected her to go the route of indie-folk music. On July 23rd, Swift announced n social media platforms that her eighth album would be dropping at midnight. She wrote in an accompanying statement, "Before this year I probably would’ve overthought when to release this music at the ‘perfect’ time, but the times we’re living in keep reminding me that nothing is guaranteed." She went on to say, "My gut is telling me that if you make something you love, you should just put it out into the world.” The sixteen songs she released (later releasing “The Lakes” as a bonus track) incorporated bleak and soft themes, reflecting life during the pandemic.
    [Show full text]
  • Download Actress in New Directv Commercial Fb2 for Ipad
    Actress in new directv commercial "Sting brings out the best in his guests on Duets" - RIFF Magazine. Spanish My Songs shows - Rescheduling of dates to 2021. Swift, a studious girl, yearns for a popular boy next door. At the 2009 MTV Video Music Awards, the music video was named Best Female Video. Her acceptance speech was interrupted by rapper Kanye West, [27]. After the Los Angeles national competition in July 2014 (filmed for an episode aired October 7, 2014), Lukasiak's mother decided that the environment of the TV show along with her own negative relationship with Miller was detrimental to her daughter and they decided to leave ALDC. [10]. Paste Power Ranking: The 5 Best TV Shows on Right Now, from The White Lotus to I Think You Should Leave. Annie Lennox, Sting, Taylor Swift, Emeli Sandé, Jessie J, Paloma Faith, Celeste and more launch The Circle Music Auction. Extended Heels Trailer Further Reveals Starz's Georgia-Set Wrestling Drama. Variety Headliner is STING! World-renowned musician to perform at Variety's Dinner with the Stars. The video features Swift discovering that she is invisible after a mystery man hands her a note. She is later seen dancing carelessly through a hotel, public transportation and rainy streets. The video highlights the dangers of driving while distracted, particularly texting and driving. It sees an accident as a result of a similar situation. Fladgate expands partnership with the internal promotions of Yulia Leyko and Tom Bolam. Swift fights her deceptive hooded, dark, robotic counterpart for freedom from an invisible prison in which she is trapped.
    [Show full text]
  • Figurative Language in Song Lyric “Red” by Taylor Swift
    FIGURATIVE LANGUAGE IN SONG LYRIC “RED” BY TAYLOR SWIFT Dianti Dini Rahmani1, Sukma Septian Nasution2 Universitas Pamulang [email protected] Abstract Observing the figurative language in a song lyric entitled “Red” by Taylor Swift, this study aims at (1) finding out kinds of figurative language and (2) analyzing the appropriate intent of figurative language Taylor Swift’s song. This study uses a song from the fourth Taylor Swift's album called Red. This study employs qualitative methods in data collection. After collecting the data, it encompasses that simile and hyperbole are dominantly found. It also reveals that figurative language used in this song is to deliver her deepest feeling. The use of figurative language in this song is very dominant which can provide knowledge to the reader to know the type of figurative language. Keywords : Figurative language, Hyperbole, Simile, Song Lyric. INTRODUCTION Language has current variations. communicate with others from a different As time goes on, languages and literature background, language develop and create a are increasingly developing and have lots variation, one of the language variations is of variations. The development of the Figurative Language. language makes the language have its own People use variated language to color, but the meaning of color here is not simplify meaning that suitable with the like the primary or secondary color that we condition. People use figurative languages already know is still the color in this such as personification, hyperbole, simile, language is a figurative language. metaphor and many more to convey their Figurative language makes the language ideas not only in speaking but also in more colorful, varied and beautiful like art.
    [Show full text]
  • Taylor Swift Taylor
    TAYLOR SWIFT Taylor Swift is a pop music icon. So how did this incredible talent rise to the top? Look inside to learn all about Taylor’s life, from her childhood to superstardom! Ariana Grande Taylor Swift Kelley Bruno Mars Pharrell Williams by K.C. Kelley Credits Cover, © John Salangsang/Invision/AP Photo; 4, © EXImages/Alamy Stock Photo; 5, © John Shearer/LP5/Getty Images; 6, © Rick Diamond/Getty Images; 7, © Andrew Orth; 8L, Wikimedia Commons; 8–9, © Andrew Orth; 10, © Wikimedia Commons; 11, © AP Photo/Mark Humphrey; 12, © AP Photo/Mark Terrill; 13, © PA Images/Alamy Stock Photo; 14, © AP Photo/Robert Bukaty; 15, © AP Photo/Theron Kirkman; 16L, © WMTV/PacificCoastNews/ Newscom; 16–17, © Rex Features/via AP Images; 18L, © Everett Collection Inc./Alamy Stock Photo; 18– 19, © ImagineChina/Newscom; 20, Wikimedia Commons; 21, © Hyperstar/Alamy Stock Photo; 22T, © AP Photo/ Mark Terrill; 22B, © Evgeny Karandaev/Shutterstock; 23T, © Phil McCarten/UPI/Newscom; 23B, © John Shearer/ LP5/Getty Images. Publisher: Kenn Goin Creative Director: Spencer Brinker Production and Photo Research: Shoreline Publishing Group LLC Library of Congress Cataloging-in-Publication Data Names: Kelley, K. C., author. Title: Taylor Swift / by K.C. Kelley. Description: New York, New York : Bearport Publishing, [2018] | Series: Amazing Americans: pop music stars | Includes bibliographical references and index. Identifiers: LCCN 2017045547 (print) | LCCN 2017045590 (ebook) | ISBN 9781684025145 (ebook) | ISBN 9781684024568 (library) Subjects: LCSH: Swift, Taylor, 1989–—Juvenile literature. | Women country musicians—United States—Biography—Juvenile literature. Classification: LCC ML3930.S989 (ebook) | LCC ML3930.S989 K45 2018 (print) | DDC 782.421642092 [B] —dc23 LC record available at https://lccn.loc.gov/2017045547 Copyright © 2018 Bearport Publishing Company, Inc.
    [Show full text]
  • Live Toserve
    SPRING | 2020 A quarterly journal of Florida Conference of Seventh-day Adventists Live to Serve Relief in the Wake of Dorian 4 Nothing Happens by Chance 11 Living a Life of Service: A Tribute to Pastor Barbara McCoy 12 LETTER FROM THE PRESIDENT Live to Serve Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven (Matthew 5:16). American evangelist Dwight L. Moody once told the story of a man crossing the Atlantic by ship who was terribly seasick. One night, while he was confined to his cabin, he heard the cry, “Man overboard!” He felt there was nothing he could do to help, as he could barely stand, but thought to himself, “I can at least put my lantern in the porthole.” He struggled to his feet and hung his light so it would shine out into the darkness. The next day, he learned the man had been rescued. “I was going down in the dark night for the last time when someone put a light in a porthole,” the man had said. “As it shone on my hand, a sailor in a lifeboat grabbed it and pulled me in.” Though we all experience times of weakness, we are called to stand up and be lights to those in darkness. Through the power of the Holy Spirit, He has given us the strength to fulfill His mission. His love and grace shines through us, illuminating the dark world that surrounds us. There are so many people around us who are sinking in despair.
    [Show full text]
  • 'Taylor Swift: Miss Americana' Review: a Star, Scathingly Alone
    CRITIC’S PICK ‘Taylor Swift: Miss Americana’ Review: A Star, Scathingly Alone Self-critical, grown up and ready, perhaps, to deliver a message beyond the music. By Wesley Morris Taylor Swift: Miss Americana NYT Critic's Pick Directed by Lana Wilson Documentary 1h 25m “Miss Americana” is 85 minutes of translucence with Taylor Swift. There’s more in it — and more to it — than you usually get with these pop superstar portraits. I, at least, don’t recall loneliness being such a predominant condition for Swift’s peers as it is, here, for her. Not long after the movie doles out a deluxe rise-to-the-top montage, we hear Swift ask no one in particular, “Shouldn’t I have someone to call right now?” This from a woman who’s famous — notorious, actually — for her squad of besties. Otherwise, it’s lonely up there. Even the man she says she’s seeing is a figment in this movie, cropped from images, a hand-holding blur, a ghost. On Grammy nomination day in the winter of 2018, a camera watches from a low angle as Swift sits in sweats alone on a sofa and hears from her publicist that her perturbed sixth album, “Reputation,” has been omitted from three of the big categories. She’s stoic. She’s almost palpably hurt. But Swift’s songwriting treats hurt as an elastic instrument, and she resolves in that moment of snubbing, “I just need to make a better record.” And the movie watches as she writes and records “Lover,” another album eventually rejected by the string-pullers at the Grammys.
    [Show full text]
  • WINTER WONDERLAND Hardin Bridge Roads
    THURSDAY November 15, 2018 BARTOW COUNTY’S ONLY DAILY NEWSPAPER 75 CENTS City of CCBOE awards bids for video camera, school trip BY DONNA HARRIS cost of $23,312.49. The board ratified a rental request from Debbie Justus, an ESOL teacher at the Euharlee [email protected] The board also awarded the bid for the St. Francis of Assisi to use middle school high school, was recognized as the middle school chorus trip to Pigeon Forge, parking lot Nov. 11 and a request for the Matthew Hill-Michael Dean HEARTS The Cartersville City School Board Tennessee, March 15-17, 2019, to low bid- high school Y-Club to attend the Y-Club Employee of the Month for November. goes solar unanimously approved several items at its der The Travel Store in Woodstock in the Youth Assembly in Atlanta Nov. 11-13. Justus received a $50 gift card to Ap- regular monthly meeting Monday night. amount of $410 per student and $460 per Board members approved promoting palachian Grill from New Frontier of Bar- Board members approved 6-0, with adult. Dee Dee Burson from middle school clerk tow County Inc. and had her name added BY NEIL B. MCGAHEE member Floyd Braid absent, Superintend- Also approved by board members were to high school secretary, effective Jan. 7, to a perpetual plaque displayed at the cen- [email protected] ent Dr. Marc Feuerbach’s recommendation overnight trips for the high school’s Y- 2019. tral office. to award the bid to install video cameras Club to attend Y-Club Georgia United Na- Burson will replace Terri Jones, who is The school board’s next business meet- In a combination work session at Kids & Co.
    [Show full text]