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Visit Chicago Area Independent Schools This Fall!
CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater salutes Welcome THE PRODUCERS’ GUILD for its tremendous work on Family Gala 2015. DEAR FRIENDS, Who doesn’t love Disney’s The Little Mermaid? It’s one of our favorite stories from the fairy tale canon, and we are so excited to share it with you today. JOIN IN THE FUN— Contact Christopher Pazdernik at Our director Rachel Rockwell has worked for almost a year with a team of ADVOCATE FOR AND SUPPORT [email protected] designers, artists and artisans to create this magical world. In our intimate CHICAGO SHAKESPEARE! or call 312.667.4949 for details. theater, the story comes to life all around you! The Little Mermaid is one of many plays Chicago Shakespeare will produce this season. In just one year, we stage as many as nineteen different productions here on Navy Pier, on tour to schools and neighborhood parks—and all around the world. Our Theater is not only home to work by Shakespeare. We are forever inspired by this famous playwright to create new plays and musicals, and import DARE international theater artists to share their stories with Chicago audiences. We hope you enjoy your journey “under the sea” today, and that you’ll be back soon for more! For a family-friendly introduction to the Bard this summer, we Photo by Lindsey Best © 2015 Blue Man Productions, LLC. Photo by Lindsey Best © 2015 Blue Man Productions, TO LIVE invite you to come see Shakespeare’s Greatest Hits—on tour across the city, IN FULL free for all, through Chicago Shakespeare in the Parks. -
Tyler Jeffrey Smith Agent Brooke Shoemaker, Manager SAG-AFTRA 312-587-1155 312-620-0456 Height: 5’10’’ Weight: 160Lbs Hair: Brown Eyes: Brown
Grossman & Jack Talent Principato Young Entertainment Tyler Jeffrey Smith Agent Brooke Shoemaker, Manager SAG-AFTRA 312-587-1155 312-620-0456 Height: 5’10’’ Weight: 160lbs Hair: Brown Eyes: Brown TELEVISION/FILM/WEB Shameless Phil Milkovich/Co-Star Showtime Exquisite Corpse Sketch Comedy TV Pilot + * Principal Claymore Productions Family Heirloom TV Pilot * Randall/Principal Small Blankets Productions Goodnight Jeffrey Short Film++ * Jeffrey/Principal Dir. Tyler Smith Gamiconocron Pete/Principal Dir. Brad Riddell Reversal Short Film * Young Frank/Principal Dir. Michael Lippert Wrong Place TV Pilot * Ludwig/Supporting Claymore Productions Chicagoan Short Film Brian/Principal Dir. Lee Madsen McDonald’s Non-Air Demo Burger Guy/Principal Cap Gun Collective Comcast Commercial Principal Renegade Productions The Three Guy Detectives Tyler/Principal Digital Funtown Mister Word Wizard (Pilot with Richie Havens) Chris/Principal Playgroundz Productions + Winner of NYTVF Best Actor Award ++ Nominated for Best Actor at Best of Midwest Awards *Official Film Festival(s) Selection THEATER Izzy Icarus Fell Off the World Izzy Kennedy Center Alice National Tour Robin, Streetperson, Kooli-Koolbob, Jaz (u/s) Kennedy Center A Rabbit’s Tale Wiseman (Puppeteer) Jay Pritzker Pavilion, Symphony Center The Hairy Ape Paddy Hangar Theatre (NY) Beauty and the Beast Zimri Hangar Theatre Summer of ‘42 Oscy, Benjie (u/s) Round House Theatre (DC) The Crucible Rev. John Hale Kay Theatre, (UMD) Taming of the Shrew Gremio Kay Theatre Scapin Signor Geronte Kogod Theatre (UMD) -
Theater Events: Mooney Does 'Shakespeare on Demand' in 'Breakneck Hamlet'
dailyherald.com http://www.dailyherald.com/article/20150529/entlife/150528711/ Theater events: Mooney does 'Shakespeare on demand' in 'Breakneck Hamlet' Barbara Vitello Writer/director Tim Mooney stars in "Breakneck Hamlet" at Clockwise Theatre in Waukegan. COURTESY OF DALE JESSEN/CLOCKWISE THEATRE Fast-paced 'Hamlet' Clockwise Theatre presents the world premiere of "Breakneck Hamlet," writer/actor Tim Mooney's accelerated version of William Shakespeare's longest plays. Having introduced the melancholy Dane in Act 1, Mooney takes audience requests for the Bard's most famous speeches in the second act, which he dubs "Shakespeare on demand." Opens at 8 p.m. Friday, May 29, at 221 N. Genesee St., Waukegan. $20. (847) 775-1500 or clockwisetheatre.org. Standup showcase Standup comedians including Jordan Holmes and Peter Daniel perform as part of Comedy Shrine's monthly showcase of its favorite Midwest comedians. 8 p.m. Friday and Saturday, May 29-30, at 4034 Fox Valley Center Drive, Aurora. $20. (630) 585-0300 or comedyshrine.com. Playing his songs Theo Ubique Cabaret Theatre salutes the late composer Marvin Hamlisch as part of its summer showcase. "A Marvin Hamlisch Songbook" features standards like "The Way We Were" along with tunes from the musicals "A Chorus Line," "Sweet Smell of Success" and "They're Playing Our Song." Aaron Benham serves as musical director and arranger. Previews begin at 7:30 p.m. Thursday, June 4, at No Exit Cafe, 6970 N. Glenwood Ave., Chicago. The show opens June 6. $20-$34. (800) 595-4849 or theo-u.org. Other theater events • Lifeline Theatre, 6912 N. -
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COPAS—Current Objectives of Postgraduate American Studies Issue 15.1 (2014) “A Good Story”: On Black Abjection in Improv Comedy Michel Büch Abstract: This article discusses Black absence in Improv comedy as a symptom of a racial exclusion inherent in Humanism. Relating Improv’s liberatory and democratic ideals to the epistemological paradigm of modernity, I engage in deconstructive play with the literary doppelgänger motif as a Romanticist reaction to Enlightenment’s ratio-centric ideals. The argument considers the cultural phenomenon of Improv to be a particular manifestation of White aesthetic, cultural, and political hegemony in popular culture, not despite but because of its rhetorics of freedom. Keywords: Blackness; Critical Whiteness Studies; Improvisation; Humanism; Enlightenment; Theater; Doppelgänger; Performance; I think that satiric improvisational theater is definitely a cosmopolitan phenomenon and the people who do it and its audience are cosmopolitan people who are sufficiently liberated from their ethnic backgrounds to identify with whatever is going on throughout the world. […] But I don’t think most black people are cosmopolitan. I think they’re more ethnic in their orientation, so when they’re black actors, they want to do black theater. […] The ethnic experience is very enjoyable, but it excludes the outer world. It’s always “Us against them.” Roger Bowen (qtd. in Sweet 40-41)1 Improv and Diversity In a recent article for the Chicago Tribune, Meredith Rodriguez engages with “the lack of diversity” on NBC’s comedy show Saturday Night Live and traces the absence of black cast members back to the racial dynamics of the major breeding ground for future comedians: Chicago’s Improv scene. -
Contemporary Improvisational Theater in Poland and the United States
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 2(40) 2017 http://dx.doi.org/10.18778/1505-9057.40.05 Magdalena Szuster* “Alchemy and smoke in a bottle” – contemporary improvisational theater in Poland and the United States Part 1: (Re)defining Improvised Theater – the American and Polish Perspectives What Does Impro(v) Mean Anyway? The origins of improvisation are indistinct, and for most part untraceable. An academic endeavor to establish its beginnings would go unrewarded, as there is no one distinct inventor1 of improvisation. This technique, or method, had been used as means of expression in art long before Spolin or Johnstone, and far away from Chicago or London. The Atellan farce (1 BC), secular entertainers and court jesters in China (10 BC), or the frenzied improvisations in Ancient Greece (600 BC) had preceded the 16th century commedia dell’arte2 the Italian improvised per- formance based on scenarios and/or sketches. The renaissance of improvisation in the 20th century was largely brought about by experimental artists who used it as means of expression, communication and representation. As a tool, a vessel or foundation improvisation existed in theater (both formal and popular), painting, poetry and music. It was an important substance, and an interesting addition to avant-garde art. The early avant-garde theater welcomed improvisation as a means in the pro- cess of developing plays and productions, or as a component of actor training, yet an independent improvisational format was yet to be devised. In the mid-twentieth * Dr, University of Łódź, Faculty of Philology, Department of American Literature and Cul- ture, 91-404 Łódź, ul. -
Four Riveting Stars | the Theater Loop - News from Americ
Toneelgroep Amsterdam: Four riveting stars | The Theater Loop - News from Americ ... Page 1 of 4 Search Go nmlkji chicagotribune.com nmlkj Web enhanced by The Theater Loop RSS CLASSIFIED Cars Jobs ABOUT THIS BLOG Real estate News. Criticism. Gossip. The shows not to be missed — Apartments and the shows to avoid at all costs. • About Tribune theater critic Chris Jones Local stores & deals Dating Pets Items for sale « 'Xanadu' tickets for $44. Happy now? | Main Place an ad Originally posted: February 26, 2009 SHOPPING Toneelgroep Amsterdam: Four riveting TRAFFIC WEATHER stars NEWS Local It's R-rated, video-infused, performed in Dutch, lasts three throbbing hours and ten Nation/World throbbing minutes and mediates on matters tragic. If you have a problem with any of Politics that quintet of particular qualities, stay away from the Toneelgroep Amsterdam's D.C. bureau astounding version of Eugene O'Neill's "Mourning Becomes Electra" and save a seat for someone who'll appreciate a revelatory and superbly performed show that, sadly, is Religion Education in Chicago only through Saturday night. Death notices NOW on the THEATER PAGE on CT.COM News obituaries Ivo van Hove, the director of Toneelgroep, is only just now developing the kind of Columnists stateside reputation that comes close to matching his talents: this contemporary 'OUR TOWN' AT LOOKINGGLASS: Ensemble members from David Special reports version of "Mourning Becomes Electra" is making its American premiere at the Schwimmer to Laura Eason to Joey Photos/Multimedia Goodman Theatre's O'Neill Festival . When and if it gets to New York, a gut-wrenching Dutch actress named Halina Reijn, who plays the Electra-esqe Lavinia, will blow those Slotnick reunite to stage the Thornton Corrections Wilder classic. -
Communication and the Art of Improvisation by Jeffrey D
Communication and the Art of Improvisation BY Jeffrey D. Arterburn Submitted to the graduate degree program in Communication Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. Donn Parson ________________________________ Dr. Nancy Baym ________________________________ Dr. Dave Tell Date Defended: June 19, 2012 ii The Thesis Committee for Jeffrey D. Arterburn certifies that this is the approved version of the following thesis: Communication and the Art of Improvisation ________________________________ Chairperson Dr. Donn Parson Date Approved: June 20, 2012 iii ABSTRACT Over the last 15 years, improvisational theater has been increasingly applied in organizational contexts to improve the communicative environment of that organization. It is widely held that improv benefits the communicative environment, but the reasons for its effectiveness are illusive in the literature. This study seeks to better understand the reasons for its effectiveness in application in extra-theatrical application. It does this through analyzing significant improv texts and interviews conducted by the author with several highly experienced improvisers in Chicago, the birthplace of modern improv. Through thematic analysis, nine significant topoi were established that provide understanding for what is happening when people engage in improv. Ultimately it was found that when all the topoi are combined in practice improv serves as a communicative method designed for spontaneously solving problems as they arise. iv ACKNOWLEDGMENTS I would like to thank the following individuals for their counsel, advice, encouragement and support throughout the process of the creation of this project: First, I’d like to thank Dr. -
Produced in Association with Nate Gardner and Karen Davidov
Produced in association with Nate Gardner and Karen Davidov Creative Team Andy Hobgood, Lyricist, Playwright, Director Andrew Hobgood is a founder and Artistic Director of The New Colony. He co-created the 2006 FringeNYC Best Musical, 58!, and co-wrote and directed Love is Dead: A NecRomantic Musical Comedy which won the 2008 FringeNYC award for Outstand- ing Music and Lyrics and three After Dark awards. His recent directing projects are the three-time Jeff Nominated production of Torch Song Trilogy and The New Colony’s productions of Amelia Earhart Jungle Princess and the critical and box office hit FRAT. He and The New Colony were featured at Collaboraction’s Sketchbook 9 with their play A Domestic Disturbance at Little Fat Charlie’s Seventh Birthday Party and col- laborated with Victory Gardens Theater on their late night show Literally Sexy. Julie B. Nichols, Composer Julie studied jazz improvisation and composition at the University of Iowa, Iowa City. Since then, she has toured all over the world, performing with such esteemed compa- nies as the Second City National Touring Company as its music director. The job en- tailed live improvisation as well as composing music, much of which is still used on tour today. She has also performed at and composed for renowned Chicago theaters Improv Olympic, GayCo, the Apollo Theater and the Annoyance Theater. In addition, she regu- larly writes music for independent video projects, commercials and corporate videos. Julie composed the scores and served as musical director for two acclaimed original musicals that were pro- duced by the Annoyance Theater: Stop That Show and Love is Dead: A Necromantic Musical Comedy. -
Funny Feminism: Reading the Texts and Performances of Viola
FUNNY FEMINISM: READING THE TEXTS AND PERFORMANCES OF VIOLA SPOLIN, TINA FEY AND AMY POEHLER, AND AMY SCHUMER A Thesis by LYDIA KATHLEEN ABELL Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Chair of Committee, Kirsten Pullen Committee Members, James Ball Kristan Poirot Head of Department, Donnalee Dox May 2016 Major Subject: Performance Studies Copyright 2016 Lydia Kathleen Abell ABSTRACT This study examines the feminism of Viola Spolin, Tina Fey and Amy Poehler, and Amy Schumer, all of whom, in some capacity, are involved in the contemporary practice and performance of feminist comedy. Using various feminist texts as tools, the author contextually and theoretically situates the women within particular feminist ideologies, reading their texts, representations, and performances as nuanced feminist assertions. Building upon her own experiences and sensations of being a fan, the author theorizes these comedic practitioners in relation to their audiences, their fans, influencing the ways in which young feminist relate to themselves, each other, their mentors, and their role models. Their articulations, in other words, affect the ways feminism is contemporarily conceived, and sometimes, humorously and contentiously advocated. ii ACKNOWLEDGEMENTS I would briefly like to thank my family, especially my mother for her unwavering support during this difficult and stressful process. Her encouragement and happiness, as always, makes everything worth doing. I would also like to thank Paul Mindup for allowing me to talk through my entire thesis with him over the phone; somehow you listening diligently and silently on the other end of the line helped everything fall into place. -
Boley to Welcome
FREEANDFREAKYSINCE | AUGUST FREEANDFREAKYSINCE | AUGUST Welcome to Boley A Chicago writer explores his family’s ties to a historic Oklahoma town. By EFM| THIS WEEK CHICAGOREADER | AUGUST | VOLUME NUMBER IN THIS ISSUE TR - Mylesspentyearsinprison isolationcommunityandborders Ourcriticsreviewreleasesthatyou @ onlytobereleasedintoaworldin canenjoyathome lockdownHe’shappierthanhe’s 35 EarlyWarningsRescheduled PTB beeninalongtime concertsandotherupdatedlistings ECS K KH 35 GossipWolfRapperproducer CLR H MontanaMacksdropsacollection MEP M TDKR ofsoulfulinstrumentalsAnniRossi CEBW putsoutaplayfulvideomixtape AEJL andartsnonprofi tQuietPterodactyl SWMD LG DI BJ MS releasesanallstarcompilationto EAS N L CITYLIFE benefi tChicagomusicvenues GD AH 03 SightseeingChicagoattheturn L CSC-J CEBN B ofthecenturythroughtheeyesof L C M DLCMC RudolphFMichaelis FILM J F S F JH I 25 Review AMostBeautifulThing H C MJ MKSK FOOD &DRINK 12 BlackHistoryForgenerationshis reunitesthefi rstallBlackhigh ND L JL 04 FeatureJasmineShethis familyhasownedapieceofuntold schoolrowingteam MMAM -K Chicago’sfi rstdabbawala BlackhistoryinBoleyOklahoma 26 SmallScreenMattDamon J R N JN M O M S CS Thisyearhefi nallygottoseeit Improv’snewwebseriesisfi lled ---------------------------------------------------------------- withZoommeetingdisastersand DD J D ARTS&CULTURE personalmassagertriumphs SMCJ G 16 ComedyRememberingiO’s 27 MoviesofNoteSheDies SSP humblebeginningsandrefl ectingon Tomorrowisaworthyexamination OPINION ATA itsdramaticend ofacollectiveunravelling 36 -
America's News English
America's News English * Complications ensue when a senator tries to prevent his porn - star mistress fro Daily Herald (Arlington Heights, IL) - Friday, June 11, 2010 * Complications ensue when a senator tries to prevent his porn star mistress from revealing their affair in "Sex Marks the Spot," a farce by Charles Grippo in a remount at Stage 733, formerly known as the Theatre Building, at 1225 W. Belmont Ave., Chicago. Previews begin Friday, June 11. The show opens Monday, June 14. (773) 327_5252 or theatrebuildingchicago.org. * The Second City 50th Anniversary Tour, featuring classic sketches from the company’s last five decades, comes to the Theatre at the Center, 1040 Ridge Road, Munster, Ind. The performances are at 8 p.m. Friday, June 11, and Saturday, June 12. (219) 836_3255 or theatreatthecenter.com. * Collaboraction’s 10th annual Sketchbook Festival opens Saturday, June 12, at the Chopin Theatre, 1543 W. Division St., Chicago. The festival features the world premieres of 10 short plays. Contributors include Brett C. Leonard, Sean Graney, Derrick Sanders, Emily Schwartz and the Strange Tree Group, Seth Bockley and Andrew Hopgood and the New Colony. The $25 X_pass includes access to every performance. A $100 X_pass includes access to performances and the opening and closing night parties, admission to a private lounge and a T_shirt. Performances are at 8 p.m. Monday, Thursday and Friday; 7 p.m. Saturday and Sunday. The festival runs through June 27. (312) 226_9633 or collaboraction.org. * Silk Road Theatre Project presents a staged reading of "100 Days," Weiko Lin’s play about a comedian who has 100 days after his Buddhist mother’s death to help her spirit transition to the afterlife, at 7:30 p.m. -
New City Stage Players 2015-The
Theater, Dance, Comedy and Performance in Chicago JAN 22 Players 2015: The Fifty People Who Really Perform for Chicago The steady expansion of the performing arts in Chicago continues its marvelous pace, with more and better theater, dance, comedy and opera gracing more and better stages each passing year. The upward progression is so steady that epic undertakings—a new campus at Steppenwolf, a bigger chunk of Navy Pier for Chicago Shakes—seem almost business as usual these days. And that is a marvelous thing. This year we again celebrat the lesser‐sung heroes offstage who deal with the less glamorous things like building those new stages, and paying those expanding payrolls withou which the stars would have nowhere to shine. Tragedy has been central to theater since the ancient Greeks first staged it, but the last year has brought a disproportionate volume of real‐ life tragedy to our community. No doubt, the expanding and maturing performing arts universe means that more members of its community will pass o each year, but the number of those struck down long before their expected hour was overwhelming these last twelve months and struck every corner of performing arts, from theater, to dance, to comedy, to opera. Molly Glynn, Jason Chin, Eric Eatherly, Bernie Yvon, Johan Engels, Julia Neary—and others we’ve unintentionally overlooked—we dim our collective marquee for you. (Brian Hieggelke) Players was written by Zach Freeman and Sharon Hoyer With additional contributions by Brian Hieggelke, Alex Huntsberger, Aaron Hunt, Hugh Iglarsh and Loy Webb All photos by Joe Mazza/Brave‐Lux, taken on location at Steppenwolf Theatre, Goodman Theatre, Lyric Opera of Chicago and Brave‐Lux Stud 1 Andrew Alexander CEO, co‐owner, Second City A few years ago, we lauded Andrew Alexander’s addition of the UP Comedy Club to the Second City realm on Wells Street.