Madelyn Murphy 141 Meserole Ave, Apt 1R, Brooklyn, NY 11222 Height/Weight: 5’3”/115 Lbs Hair: Brown Eyes: Hazel

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Madelyn Murphy 141 Meserole Ave, Apt 1R, Brooklyn, NY 11222 Height/Weight: 5’3”/115 lbs Hair: Brown Eyes: Hazel THEATRE Plucker Lee Company of Fools The Snow Queen Snow Queen Clock Productions What Rhymes with America u/s Marlene, Lydia, Sheryl Theatre Above the Law ear for eye Video ensemble Royal Court Theatre Vaudeville Holiday Revue Wendy Annoyance Theatre Camp Funderstanding Cassie Annoyance Theatre Angela of Death Huck Annoyance Theatre BackPax: Live Sitcom Amelia Second City Chicago Slamazons! Roulette Annoyance Theatre FILM/TELEVISION Diabolical (S2, E5) Det. Sue Peters Investigation Discovery | Lion TV Curtains Moon Woman 1 Ideafarm | 2017 LA Shorts Film Festival Woes of a Small Stove Maddie 2016 Chicago Comedy Film Festival The Strange Case of Lucy Chandler Amelia Watts 27th Letter Productions Geek Lounge Jan Ugsley Pugsley Pictures Leaves Sophie Jared Bohlken The Swan Bride 2017 Sight of Sound International Film Festival Happy Monday Rose Simulation Theory Total Wrecklamation Self Big Fish Entertainment COMMERCIAL/INDUSTRIAL Vimeo Business Content Marketing Spokesperson Vimeo | Gramovox Chicago Cubs Social Media Promo Girlfriend Comcast SportsNet Chicago COMEDY WTF Live Stream Trivia App Host YouNow Clued-In Improv Ensemble Second City Chicago Hitch*Cocktails Improv Ensemble Annoyance Theatre Skinprov Improv Ensemble Annoyance Theatre | Mick Napier Shania Improv Harold Team iO Chicago | Alan Linic Mrs. Ulysses Improv Ensemble The Comedy Clubhouse Atomic Improv Ensemble ComedySportz Chicago TRAINING Enhanced Curriculum Summer Conservatory Stella Adler Studio of Acting Sam Schacht | Patrick Quagliano Meisner Technique (B1 and B2) Black Box Acting Studio Ian Daniel McLaren Improv Comedy (2015 graduate) iO Theatre Various Improv Comedy The Annoyance Theatre Mick Napier | Tim McKendrick Improv Comedy Intensive Studio 773 Jimmy Carrane SKILLS Dialects: English (standard), Irish, New York, Russian, Southern, Spanish Languages: English (first), Spanish (proficient) Movement: Aerobics, gymnastics, horseback riding, motion capture, scuba diving (certified), snowboarding, soccer Other: Auctioneering, comedy writing and sketch, driver’s license (valid), improvised rapping EDUCATION The University of Illinois at Urbana-Champaign College of ACES, Bachelor of Human Nutrition .

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Visit Chicago Area Independent Schools This Fall!
CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater salutes Welcome THE PRODUCERS’ GUILD for its tremendous work on Family Gala 2015. DEAR FRIENDS, Who doesn’t love Disney’s The Little Mermaid? It’s one of our favorite stories from the fairy tale canon, and we are so excited to share it with you today. JOIN IN THE FUN— Contact Christopher Pazdernik at Our director Rachel Rockwell has worked for almost a year with a team of ADVOCATE FOR AND SUPPORT [email protected] designers, artists and artisans to create this magical world. In our intimate CHICAGO SHAKESPEARE! or call 312.667.4949 for details. theater, the story comes to life all around you! The Little Mermaid is one of many plays Chicago Shakespeare will produce this season. In just one year, we stage as many as nineteen different productions here on Navy Pier, on tour to schools and neighborhood parks—and all around the world. Our Theater is not only home to work by Shakespeare. We are forever inspired by this famous playwright to create new plays and musicals, and import DARE international theater artists to share their stories with Chicago audiences. We hope you enjoy your journey “under the sea” today, and that you’ll be back soon for more! For a family-friendly introduction to the Bard this summer, we Photo by Lindsey Best © 2015 Blue Man Productions, LLC. Photo by Lindsey Best © 2015 Blue Man Productions, TO LIVE invite you to come see Shakespeare’s Greatest Hits—on tour across the city, IN FULL free for all, through Chicago Shakespeare in the Parks.
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Tyler Jeffrey Smith Agent Brooke Shoemaker, Manager SAG-AFTRA 312-587-1155 312-620-0456 Height: 5’10’’ Weight: 160Lbs Hair: Brown Eyes: Brown
Grossman & Jack Talent Principato Young Entertainment Tyler Jeffrey Smith Agent Brooke Shoemaker, Manager SAG-AFTRA 312-587-1155 312-620-0456 Height: 5’10’’ Weight: 160lbs Hair: Brown Eyes: Brown TELEVISION/FILM/WEB Shameless Phil Milkovich/Co-Star Showtime Exquisite Corpse Sketch Comedy TV Pilot + * Principal Claymore Productions Family Heirloom TV Pilot * Randall/Principal Small Blankets Productions Goodnight Jeffrey Short Film++ * Jeffrey/Principal Dir. Tyler Smith Gamiconocron Pete/Principal Dir. Brad Riddell Reversal Short Film * Young Frank/Principal Dir. Michael Lippert Wrong Place TV Pilot * Ludwig/Supporting Claymore Productions Chicagoan Short Film Brian/Principal Dir. Lee Madsen McDonald’s Non-Air Demo Burger Guy/Principal Cap Gun Collective Comcast Commercial Principal Renegade Productions The Three Guy Detectives Tyler/Principal Digital Funtown Mister Word Wizard (Pilot with Richie Havens) Chris/Principal Playgroundz Productions + Winner of NYTVF Best Actor Award ++ Nominated for Best Actor at Best of Midwest Awards *Official Film Festival(s) Selection THEATER Izzy Icarus Fell Off the World Izzy Kennedy Center Alice National Tour Robin, Streetperson, Kooli-Koolbob, Jaz (u/s) Kennedy Center A Rabbit’s Tale Wiseman (Puppeteer) Jay Pritzker Pavilion, Symphony Center The Hairy Ape Paddy Hangar Theatre (NY) Beauty and the Beast Zimri Hangar Theatre Summer of ‘42 Oscy, Benjie (u/s) Round House Theatre (DC) The Crucible Rev. John Hale Kay Theatre, (UMD) Taming of the Shrew Gremio Kay Theatre Scapin Signor Geronte Kogod Theatre (UMD)
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Theater Events: Mooney Does 'Shakespeare on Demand' in 'Breakneck Hamlet'
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ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 2(40) 2017 http://dx.doi.org/10.18778/1505-9057.40.05 Magdalena Szuster* “Alchemy and smoke in a bottle” – contemporary improvisational theater in Poland and the United States Part 1: (Re)defining Improvised Theater – the American and Polish Perspectives What Does Impro(v) Mean Anyway? The origins of improvisation are indistinct, and for most part untraceable. An academic endeavor to establish its beginnings would go unrewarded, as there is no one distinct inventor1 of improvisation. This technique, or method, had been used as means of expression in art long before Spolin or Johnstone, and far away from Chicago or London. The Atellan farce (1 BC), secular entertainers and court jesters in China (10 BC), or the frenzied improvisations in Ancient Greece (600 BC) had preceded the 16th century commedia dell’arte2 the Italian improvised per- formance based on scenarios and/or sketches. The renaissance of improvisation in the 20th century was largely brought about by experimental artists who used it as means of expression, communication and representation. As a tool, a vessel or foundation improvisation existed in theater (both formal and popular), painting, poetry and music. It was an important substance, and an interesting addition to avant-garde art. The early avant-garde theater welcomed improvisation as a means in the pro- cess of developing plays and productions, or as a component of actor training, yet an independent improvisational format was yet to be devised. In the mid-twentieth * Dr, University of Łódź, Faculty of Philology, Department of American Literature and Cul- ture, 91-404 Łódź, ul.
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Joseph Schupbach Educator • Artist • Leader Chicago, IL 60625 • 773-620-9145 • [email protected] • Josephschupbach.Com
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