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ALEXIS PERI Department of History Boston University 226 Bay State Rd
ALEXIS PERI Department of History Boston University 226 Bay State Rd. Boston, MA 02215 ACADEMIC APPOINTMENTS 2019-current Associate Professor of History, Boston University Spring 2020 Visiting Associate Professor of History, University of California, Berkeley 2014-19 Assistant Professor of History, Boston University 2011-14 Assistant Professor of History, Middlebury College 2011 Lecturer, Saint Mary’s College of California ADDITIONAL EMPLOYMENT 2002-04 Administrative Assistant & Interview Auditor, Regional Oral History Office, Bancroft Library, University of California, Berkeley EDUCATION 2011 Ph.D., History, University of California, Berkeley Awarded Distinction 2006 M.A., History, University of California, Berkeley 2002 B.A., History, Psychology, University of California, Berkeley Awarded Highest Achievement in General Scholarship PUBLICATIONS Books: The War Within: Diaries from the Siege of Leningrad. Cambridge: Harvard University Press, 2017. Polish-Language Edition: Leningrad: Dzienniki z obezonego miasta. Siwek Grzegorz, trans. Krakow: Spoleczny Instytut Wydawniczy Znak, 2019. Awards: Peri 1 of 14 Winner, Pushkin House Russian Book Prize, 2018 (“supports the best non-fiction writing in English on the Russian-speaking world”) http://www.pushkinhouse.org/2018-winner/ Winner, University of Southern California Book Prize in Literary and Cultural Studies, 2018 (“for an outstanding monograph published on Russia, Eastern Europe or Eurasia in the fields of literary and cultural studies”) https://www.aseees.org/programs/aseees-prizes/usc-book-prize-literary-and- -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Nombre Autor
ANUARI DE FILOLOGIA. LLENGÜES I LITERATURES MODERNES (Anu.Filol.Lleng.Lit.Mod.) 9/2019, pp. 53-57, ISSN: 2014-1394, DOI: 10.1344/AFLM2019.9.4 PUSHKIN – «DON JUAN» IN THE INTERPRETATION OF P. HUBER AND M. ARMALINSKIY TATIANA SHEMETOVA M. V. Lomonosov Moscow State University [email protected] ORCID: 0000-0003-3342-8508 ABSTRACT This article is devoted to the description of the two mythologemes of Pushkin myth (PM). According to the first, the great Russian poet secretly loved one woman all his life and dedicated many unattributed poems to her. This is the mythologeme of Pushkin’s hidden love. The other side of the myth is based on the “Ushakova’s Album” (her personal notebook for her friends’ poetries), in which the poet joked down the names of all his beloveds (Don Juan List). On the basis of this document, the literary critic P. Guber and the “publisher” of Pushkin’s Secret Notes, M. Armalinsky, make ambiguous conclusions and give a new life to Pushkin myth in the 20-21st centuries. KEYWORDS: the myth of Pushkin, hidden love, Russian literature of the twentieth century, “Don Juan of Pushkin,” Pushkin’s Secret Notes, P. Guber, M. Armalinsky. INTRODUCTION: THE STATE OF THE QUESTION The application of the concept “Pushkin myth” (PM) is very diverse, which sometimes leads to an unreasonable expansion of the meaning of the term. Like any myth (ancient or modern), the PM is a plot that develops from episodes- mythologemes. In this article we will review two mythologemes of the PM: “monogamous Pushkin” and “Pushkin – Don Juan (i. -
Dutch and Flemish Art in Russia
Dutch & Flemish art in Russia Dutch and Flemish art in Russia CODART & Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie) Amsterdam Editors: LIA GORTER, Foundation for Cultural Inventory GARY SCHWARTZ, CODART BERNARD VERMET, Foundation for Cultural Inventory Editorial organization: MARIJCKE VAN DONGEN-MATHLENER, Foundation for Cultural Inventory WIETSKE DONKERSLOOT, CODART English-language editing: JENNIFER KILIAN KATHY KIST This publication proceeds from the CODART TWEE congress in Amsterdam, 14-16 March 1999, organized by CODART, the international council for curators of Dutch and Flemish art, in cooperation with the Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie). The contents of this volume are available for quotation for appropriate purposes, with acknowledgment of author and source. © 2005 CODART & Foundation for Cultural Inventory Contents 7 Introduction EGBERT HAVERKAMP-BEGEMANN 10 Late 19th-century private collections in Moscow and their fate between 1918 and 1924 MARINA SENENKO 42 Prince Paul Viazemsky and his Gothic Hall XENIA EGOROVA 56 Dutch and Flemish old master drawings in the Hermitage: a brief history of the collection ALEXEI LARIONOV 82 The perception of Rembrandt and his work in Russia IRINA SOKOLOVA 112 Dutch and Flemish paintings in Russian provincial museums: history and highlights VADIM SADKOV 120 Russian collections of Dutch and Flemish art in art history in the west RUDI EKKART 128 Epilogue 129 Bibliography of Russian collection catalogues of Dutch and Flemish art MARIJCKE VAN DONGEN-MATHLENER & BERNARD VERMET Introduction EGBERT HAVERKAMP-BEGEMANN CODART brings together museum curators from different institutions with different experiences and different interests. The organisation aims to foster discussions and an exchange of information and ideas, so that professional colleagues have an opportunity to learn from each other, an opportunity they often lack. -
Ardis 1994. Каталог Издательства. — Ann Arbor
CONTENTS NEW & FORTHCOMING 2 ANTHOLOGIES & TWENTIETH-CENTURY RUSSIAN LITERATURE 7 NI NE TEENTH-CENTURY RUSSIAN LITERA TU RE 9 CRITICISM & LANGUAGE BOOKS 1 0 RU SSIANALIVE ! TEXTBOOKS 11-1 2 ARDIS TITLES DISTRIBUTED BY VINTAGE 1 3 BOOKS IN PRINT 14 ON DEMAND PRINTING 1 5 ORDERING INFORMATION 1 6 COVER: PAINTING FOR THE MASTER & MARGARITA: Comic Characters, by Marat Kim, Moscow. N E W & f () R T H c: C) M I N Ci The Manhole A Concordance to the Poetry of Two Novellas MAKANIN Anna Akhmatova VLADIMIR Edited & Compiled by Tatiana Patera. Forthcoming-May 1994. 353 pp. Translated by M. Szporluk. Forthcoming-November 1994. Est. 250 pp. ISBN 0-87501-111-X. Cloth $60.00 (acid-free paper, library binding). ISBN 0-87501-110-1 Cloth $24.00 Ardis is pleased to announce the first in a series of concordances Nominated for the 1992 Booker Russian Novel Prize, The to the poetry of the major Russian poets of the 20th century by Prof. Manhole is a masterpiece of contemporary prose. Set in unspecified Tatiana Patera of McGill University. Individual concordances are a times, both of these novellas have the eerie quality of prophecy. In useful tool for studying a given poet's lexicon, stylistics and poetics, The Manhole we find a world which seems post-Apocalyptic, a and are the basis of comparative studies. In addition, they ar� very Russian city now controlled by criminal elements where the inhabi useful in providing teaching material for advanced Russian language tants are engaged in a desperate struggle for survival. Meanwhile, courses. -
RUSSIAN ANTI-LITERATURE Rolf Hellebust University of Nottingham
RUSSIAN ANTI-LITERATURE Rolf Hellebust University of Nottingham The term anti-literature has a distinctly modern cachet. It was coined in 1935 by the English poet David Gascoyne, who used it to describe the maximalist avant-garde épatage of Dada and the Surrealists.1 A subtype, the anti-novel, comes to the fore in the latter half of the century with the appearance of the French nouveau roman in the 1950s and 60s. A search for literary analogues in twentieth-century Russia may fail to come up with any native Robbe- Grillet – yet the period over which Russians have been trying to write the novel to end all novel-writing has extended at least from Tolstoy‟s War and Peace (1869) to Andrei Bitov‟s Pushkin House (1978) and Sasha Sokolov‟s Palisandria (1985). No less than their Western counterparts from Cervantes to Joyce and beyond, these authors aim to exhaust the novel and/or create its ultimate representative by taking to an extreme its pre-existing tendencies: these include intertextuality and parody, fiction‟s encroachment upon non-fiction and upon historiography in particular, the sense of the novel as a genre minimally bound by literary conventions, and finally, the impression of exhaustiveness that comes from sheer length alone. To describe War and Peace as a work of anti-literature in the same breath as the postmodernist production of Bitov and Sokolov (not to mention Robbe-Grillet) may seem 1 2 anachronistic. Recall, though, Tolstoy‟s own comments on his book. Defending himself against anticipated criticism of his formal idiosyncrasies, the author of what is often considered the greatest novel ever written declares What is War and Peace? It is not a novel. -
Vladimir Putin and the Celebration of World War II in Russia*
! e Soviet and Post-Soviet Review 38 (2011) 172–200 brill.nl/spsr Performing Memory: Vladimir Putin and the Celebration of World War II in Russia* Elizabeth A. Wood Professor, History Faculty, M.I.T. Abstract By making World War II a personal event and also a sacred one, Vladimir Putin has created a myth and a ritual that elevates him personally, uniting Russia (at least theoretically) and showing him as the natural hero-leader, the warrior who is personally associated with defending the Motherland. Several settings illustrate this personal performance of memory: Putin’s meetings with veterans, his narration of his own family’s suff erings in the Leningrad blockade, his visits to churches associated with the war, his participation in parades and the creation of new uniforms, and his creation of a girls’ school that continues the military tradition. In each of these settings Putin demonstrates a connection to the war and to Russia’s greatness as dutiful son meeting with his elders, as legitimate son of Leningrad, and as father to a new generation of girls associated with the military. Each setting helps to reinforce a masculine image of Putin as a ruler who is both autocrat and a man of the people. Keywords Vladimir Putin ; World War II; memory ; patriotism; gender ; masculinity; Stalin ; Stalinism ; Dmitry Medvedev From his fi rst inauguration on May 7, 2000 and his fi rst Victory Day speech on May 9, 2000, over the course of the next eleven years, Vladimir Putin has repeatedly personifi ed himself as the defender, even the savior of the Motherland. -
The Okhrana and the Cheka: Continuity and Change
The Okhrana and the Cheka: Continuity and Change A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Amanda M. Ward August 2014 © 2014 Amanda M. Ward. All Rights Reserved. 2 This thesis titled The Okhrana and the Cheka: Continuity and Change by AMANDA M. WARD has been approved for the Department of History and the College of Arts and Sciences by Steven M. Miner Professor of History Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT WARD, AMANDA M., M.A., August 2014, History The Okhrana and the Cheka: Continuity and Change Director of Thesis: Steven M. Miner The most notorious aspect of the Soviet Union was its culture of secret policing that, through a series of state security agencies, carried out mass arrests, deportations, and executions. Since the collapse of the socialist state and the opening of the Soviet archives, the historical community has only begun to understand the full extent of crimes committed at the hands of the Cheka, and its successors, the OGPU, NKVD, and KGB. Yet, after tracing this repression to its origins, historical evidence indicates that Imperial Russia first cultivated this culture of secret policing and introduced many of the policing techniques the Bolsheviks later implement and further perfected. By the turn of the 20th century, the Okhrana – the Tsarist secret police – developed into a highly effective political police force which was, by and large, quite successful in penetrating underground revolutionary organizations, including Lenin’s Bolshevik party. -
History of RUSSIA: St
History of RUSSIA: St. Vladimir to Vladimir Putin Part 2 By Vladimir Hnízdo It is a riddle, wrapped in a mystery, inside an enigma. “I cannot forecast to you the action of Russia. It is a riddle, wrapped in a mystery, inside an enigma. That key is Russian national interest.” W. Churchill, October 1939 Part 2 1. World War I 2. February Revolution 1917 3. October 1917 Revolution and the Bolshevik Dictatorship 4. Civil War, Consolidation of the Soviet State 5. Stalin, Victor of Succession Struggle 6. Collectivization, Great Terror 7. World War II 8. Cold War, De-Stalinization 9. Gorbachev, Perestroika, Collapse of the Soviet Union 10. Putin’s Russia World War I (1914-18) Allies: France, Britain, Russia, USA (from 1917) vs. Central Powers: Germany, Austria-Hungary, Turkey Outpouring of patriotism on both sides But Russian Bolsheviks against war (unlike most other socialists) https://www.youtube.com/watch?v=8CeylV-NloU https://www.youtube.com/watch?v=k7B- nlmdX0g Russian Strategic Goals in North-East Destruction of German rule in East Prussia and of Austrian rule in Galicia and Bukovina Initially, some success, but advance halted quickly German offensive Spring 1915 decisive Enormous costs by September 1915 Pushed back 300 miles (Russian Poland, Galicia, most of Baltic lost) Loss of 2 million men (1 mil. as POW’s) Imperial Russia’s deep deficiencies lack of preparedness Inability of administration in critical situation Tsar Nicolas II authority quickly weakening Great resentment of Empress Alexandra Rasputin Affair https://www.bing.com/videos/search?q=Grigori+Rasputin+youtube&view=detail&mid=BA86DCBC3863 82B375A8BA86DCBC386382B375A8&FORM=VIRE https://www.youtube.com/watch?v=t1b3f2UykG0 February 1917 Revolution Triggered by food shortages Petrograd general strike February 24 Bloody Sunday Feb. -
Joseph Djugashvilli (Stalin), Was Born in Gori, Georgia on 21St Decembe, 1879
Joseph Djugashvilli (Stalin), was born in Gori, Georgia on 21st Decembe, 1879. His mother, Ekaterina Djugashvilli, was married at the age of 14 and Joseph was her fourth child to be born in less than four years. The first three died and as Joseph was prone to bad health, his mother feared on several occasions that he would also die. Understandably, given this background, Joseph's mother was very protective towards him as a child. (1) Joseph's father, Vissarion Djugashvilli, was a bootmaker and his mother took in washing. He was an extremely violent man who savagely beat both his son and wife. As a child, Joseph experienced the poverty that most peasants had to endure in Russia at the end of the 19th century. (2) Soso, as he was called throughout his childhood, contacted smallpox at the age of seven. It was usually a fatal disease and for a time it looked as if he would die. Against the odds he recovered but his face remained scarred for the rest of his life and other children cruelly called him "pocky". (3) Joseph's mother was deeply religious and in 1888 she managed to obtain him a place at the local church school. Despite his health problems, he made good progress at school. However, his first language was Georgian and although he eventually learnt Russian, whenever possible, he would speak and write in his native language and never lost his distinct Georgian accent. His father died in 1890. Bertram D. Wolfe has argued "his mother, devoutly religious and with no one to devote herself to but her sole surviving child, determined to prepare him for the priesthood." (4) Stalin left school in 1894 and his academic brilliance won him a free scholarship to the Tiflis Theological Seminary. -
Pasternak Family Papers
http://oac.cdlib.org/findaid/ark:/13030/tf70000535 No online items Register of the Pasternak family papers Finding aid prepared by Olga Verhovskoy Dunlop and Lora Soroka Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6003 (650) 723-3563 [email protected] © 1998, 2007, 2015 Register of the Pasternak family 96063 1 papers Title: Pasternak family papers Date (inclusive): 1877-2013 Collection Number: 96063 Contributing Institution: Hoover Institution Archives Language of Material: Russian Physical Description: 160 manuscript boxes, 23 oversize boxes, 4 card file boxes, 1 phonotape cassette, 1 videotape cassette, digital files(108.2 linear feet) Abstract: Correspondence, diaries, memoirs, other writings, biographical data, printed matter, drawings, photographs, and other audiovisual material relating to Russian art and literature, culture in the Soviet Union, and Russian émigré life. Includes papers of Leonid and Rosalia Pasternak; their sons, the poet and novelist Boris Pasternak and architect and memoirist Aleksandr Pasternak; their daughters, Josephine Pasternak and Lydia Pasternak Slater; and other family members. Physical location: Hoover Institution Archives Language of the Materials : In Russian, English, German, French, and Italian. Creator: Pasternak family. Access Boxes 37, 44-49, and 53-59 closed; use copies available. The remainder of the collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Archives. Preferred Citation [Identification of item], Pasternak family papers, [Box no., Folder no. or title], Hoover Institution Archives. Acquisition Information Materials were acquired by the Hoover Institution Archives in 1996, 2004, and 2015. -
Booklet LONDON Ok.Indd 1 14.03.2011 23:51:14 INSTITUTE of RUSSIAN LITERATURE (PUSHKINSKIJ DOM) RUSSIAN ACADEMY of SCIENCES Makarova Emb
1 45 6 2 3 1. View of Pushkin House from the Neva River. The building was constructed in 1832; Giovanni (Ivan Frantsevich) Lucchini, architect 2. Grand Duke Constantine Constantinovich, cousin of Tsar Nicholas II and a founder of Pushkin House, 1910 (photograph) 3. Main staircase, Pushkin House 4. Academician Dmitry Likhachev (1906–1999) 5. Academician Alexander Panchenko (1937–2002) 6. Alexander Pushkin, Self-Portrait, 1828 23 The Institute of Russian Literature (Pushkinskij Dom — Pushkin House), Russian Academy of Pushkin House’s audio holdings are especially valuable because they include extremely rare re- Sci ences, dates its founding to December 15 (28), 1905, the day a state commission made the cordings of the folklore of the ethnic groups and tribes who inhabited the lands of the former decision to create the “House of Pushkin,” a special museum that would collect everything Russian Empire. Some of this material is in the now-dead languages of the people of the Rus- 7 connected with Russia’s preeminent literary artists. Grand Duke Constantine Constantinovich, sian North and Eastern Siberia, where, for example, recordings of a real shamanic ritual were president of the Imperial Academy of Sciences and cousin of Tsar Nicholas II, headed the com- made. The Phonogram Archive strives to make this audio material available to the public. In mission. Since that day more than a hundred years ago, Pushkin House has become a unique particular, it has begun releasing CDs in two series entitled “Russian Folk Traditions and Non- complex known around the world as the Institute of Russian Literature (Pushkin House), Rus- Russian Traditions”.