Attachment and Emotion
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Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Teenage Pregnancy and Adolescent Sexual and Reproductive Health Behavior in Suhum, Ghana1
European Journal of Educational Sciences, EJES March 2017 edition Vol.4, No.1 ISSN 1857- 6036 Teenage Pregnancy and Adolescent Sexual and Reproductive Health Behavior in Suhum, Ghana1 Charles Quist-Adade, PhD Kwantlen Polytechnic University doi: 10.19044/ejes.v4no1a1 URL:http://dx.doi.org/10.19044/ejes.v4no1a1 Abstract This study sought to investigate the key factors that influence teenage reproductive and sexual behaviours and how these behaviours are likely to be influenced by parenting styles of primary caregivers of adolescents in Suhum, in Eastern Ghana. The study aimed to identify risky sexual and reproductive behaviours and their underlying factors among in-school and out-of-school adolescents and how parenting styles might play a role. While the data from the study provided a useful snapshot and a clear picture of sexual and reproductive behaviours of the teenagers surveyed, it did not point to any strong association between parental styles and teens’ sexual reproductive behaviours. Keywords: Parenting styles; parents; youth sexuality; premarital sex; teenage pregnancy; adolescent sexual and reproductive behavior. Introduction This research sought to present a more comprehensive look at teenage reproductive and sexual behaviours and how these behaviours are likely to be influenced by parenting styles of primary caregivers of adolescents in Suhum, in Eastern Ghana. The study aimed to identify risky sexual and reproductive behaviours and their underlying factors among in- school and out-of-school adolescents and how parenting styles might play a role. It was hypothesized that a balance of parenting styles is more likely to 1 Acknowledgements: I owe debts of gratitude to Ms. -
THE POWER of BEAUTY in RESTORATION ENGLAND Dr
THE POWER OF BEAUTY IN RESTORATION ENGLAND Dr. Laurence Shafe [email protected] THE WINDSOR BEAUTIES www.shafe.uk • It is 1660, the English Civil War is over and the experiment with the Commonwealth has left the country disorientated. When Charles II was invited back to England as King he brought new French styles and sexual conduct with him. In particular, he introduced the French idea of the publically accepted mistress. Beautiful women who could catch the King’s eye and become his mistress found that this brought great wealth, titles and power. Some historians think their power has been exaggerated but everyone agrees they could influence appointments at Court and at least proposition the King for political change. • The new freedoms introduced by the Reformation Court spread through society. Women could appear on stage for the first time, write books and Margaret Cavendish was the first British scientist. However, it was a totally male dominated society and so these heroic women had to fight against established norms and laws. Notes • The Restoration followed a turbulent twenty years that included three English Civil Wars (1642-46, 1648-9 and 1649-51), the execution of Charles I in 1649, the Commonwealth of England (1649-53) and the Protectorate (1653-59) under Oliver Cromwell’s (1599-1658) personal rule. • Following the Restoration of the Stuarts, a small number of court mistresses and beauties are renowned for their influence over Charles II and his courtiers. They were immortalised by Sir Peter Lely as the ‘Windsor Beauties’. Today, I will talk about Charles II and his mistresses, Peter Lely and those portraits as well as another set of portraits known as the ‘Hampton Court Beauties’ which were painted by Godfrey Kneller (1646-1723) during the reign of William III and Mary II. -
Emotions That Facilitate Language Learning: the Positive-Broadening Power of the Imagination1
Studies in Second Language Learning and Teaching Department of English Studies, Faculty of Pedagogy and Fine Arts, Adam Mickiewicz University, Kalisz SSLLT 2 (2). 193-213 http://www.ssllt.amu.edu.pl Emotions that facilitate language learning: The positive-broadening power 1 of the imagination Peter MacIntyre Cape Breton University, Sydney, Nova Scotia, Canada [email protected] Tammy Gregersen University of Northern Iowa, Cedar Falls, USA [email protected] Abstract The imagination is powerful, in part, because of the emotions that can be activated by imagining future states. Imagined future states are a key fea- ture of the L2 self-system proposed by Dƅrnyei, and emotion may be the key to the motivational quality of the imagined future self. In particular, this pa- per focuses on positive anticipated and anticipatory emotions related to language learning. It is argued that, in general, positive emotion has a dif- ferent function from negative emotion; they are not opposite ends of the same spectrum. Based on the work of Fredrickson, we argue that positive emotion facilitates the building of resources because positive emotion tends to broaden a person’s perspective, opening the individual to absorb the lan- guage. In contrast, negative emotion produces the opposite tendency, a nar- rowing of focus and a restriction of the range of potential language input. This article draws a framework for finding a balance between the positive- broadening and negative-narrowing emotions in the language classroom, 1 Authors’ note: This research was facilitated by a grant from Cape Breton University. We would like to thank Jillian Burns for comments on an earlier draft of the manuscript. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (Guest Post)*
“September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (guest post)* “Do you remember, the 21st night of September…?” those were the opening lyrics to one of the biggest hits of 1978, and still one of the most entertaining pop songs over the decades. It is a song about memory, memories that have happened, and memories yet to come. A contagious joy emanates from the song, with lyrics that tease with importance, yet captivate with a repeating “ba-de-ya” refrain that is as memorable as any lyrical phrase. The song is a staple of movie soundtracks (such as “Ted 2,” “Barbershop--The Next Cut,” and “Night at the Museum”), commercial jingles, and family gatherings everywhere. With music providing tickles of percussion, soaring yet comforting horn lines, and the breathtaking harmonies, “September” is one of Earth Wind & Fires’ most catchy sing- along favorites. The lyrics spoke of dancing under the stars, and of celebrating moments in our lives. The words captured ideas that seemed so meaningful, yet really were not. The 21st night of September? What date was that? Was it someone’s birthday? How could a song tug at one’s memories, and yet refer to so little? Co-writer Allee Willis has said the date was used simply because it “sounded right when sung.” The irony was that Earth Wind & Fire had had a run of some of the most thought- provoking and inspiring messages in their catalogue of hit songs, from “Keep Your Head To the Sky” to “Shining Star” and “That’s the Way of the World,” there was an expectation of something deeper underpinning the uplifting experience. -
Women and Power: Female Patrons of Architecture in 16Th and 17Th Century Istanbul1
Women and Power: Female Patrons of Architecture in 16th and 17th Century Istanbul1 Firuzan Melike Sümertas ̧ Anadolu University, Eskisehir, ̧ TÜRKlYE ̇ The aim of this paper is to discuss and illustrate the visibility of Ottoman imperial women in relation to their spatial presence and contribution to the architecture and cityscape of sixteenth and seventeenth century Istanbul. The central premise of the study is that the Ottoman imperial women assumed and exercised power and influence by various means but became publicly visible and acknowledged more through architectural patronage. The focus is on Istanbul and a group of buildings and complexes built under the sponsorship of court women who resided in the Harem section of Topkapı Palace. The case studies built in Istanbul in the sixteenth and seventeenth centuries are examined in terms of their location in the city, the layout of the complexes, the placement and plan of the individual buildings, their orientation, mass characteristics and structural properties. It is discussed whether female patronage had any recognizable consequences on the Ottoman Classical Architecture, and whether female patrons had any impact on the building process, selection of the site and architecture. These complexes, in addition, are discussed as physical manifestation and representation of imperial female power. Accordingly it is argued that, they functioned not only as urban regeneration projects but also as a means to enhance and make imperial female identity visible in a monumental scale to large masses in different parts of the capital. Introduction Historical study, since the last quarter of the 20th The study first summarizes outlines the role of women century has concentrated on recognizing, defining, in the Ottoman society. -
Women, Written in Stone Taking a Closer Look at Some of Chelsea’S Statues
Women, Written in Stone Taking a closer look at some of Chelsea’s statues Walking along the Embankment between Chelsea Old Church and Albert Bridge, the imposing statues of St Thomas More and Thomas Carlyle are hard to miss. Less obvious is a more modest commemoration, aptly doubling as bird-bath, featuring a line from the Rime of the Ancient Mariner, ‘He prayeth best who lovest best all things great and small’. It was commissioned as a memorial to Margaret Damer Dawson OBE (1873-1920), who lived opposite at 10 Cheyne Row. As Secretary of the Animal Defence and Anti-vivisection Society, she was one of the earliest animal rights campaigners. During the First World War, she broke the gender barrier by creating a volunteer cadre of women police officers, out of which the national Women’s Police Service would emerge. The Commemoration to Margaret Damer Dawson on Chelsea Embankment Damer Dawson has been commemorated with a fountain in her name, but are there any other sculptures in Chelsea depicting women, or celebrating their feats 25 WOMEN, WRITTEN IN Stone and talents? The short answer is yes, and…no. Figurative nudes, there are a plenty. In the gardens of Cadogan Place there are two: Girl with Doves and The Dancers. Both were sculpted by David Wynne OBE, another of whose works, Dancer with Bird can be found in Cadogan Square. Young Girl by karin Jonzen is located in Sloane Gardens. Retracing our steps back to Chelsea Embankment we will find Atalanta by Francis Derwent Wood RA and Awakening by his fellow Royal Academician, Gilbert Ledward. -
Mary Boleyn: the True Story of Henry Viiis Favourite Mistress PDF Book
MARY BOLEYN: THE TRUE STORY OF HENRY VIIIS FAVOURITE MISTRESS PDF, EPUB, EBOOK Josephine Wilkinson | 224 pages | 01 Dec 2010 | Amberley Publishing | 9781848685253 | English | Stroud, United Kingdom Mary Boleyn: The True Story of Henry VIIIs Favourite Mistress PDF Book Your email address will not be published. When Mary became pregnant, however, they were forced to reveal their marriage. Elizabeth Howard. She did not bother about her family or her sister and married William Stafford, a rather adorable gesture. The Guardian. Henry Carey was educated by French poet Nicholas Bourbon. Views Read Edit View history. But the same facts are repeated over and over again, and so is the conjecture. It was a great loss for her parents to loose two out of their three children at a single stroke of the axe. Thomas and Elizabeth Boleyn had three children in all who survived to adulthood. But besides all these there is one thing she is famous for, which is being a rebel and marrying for love and below her rank. You are commenting using your Google account. Like every girl from a noble family, Mary was educated about her genealogy, grammar, history, reading, writing etc. Anne was crowned queen on 1 June and on 7 September gave birth to Henry's daughter Elizabeth , who later became Queen Elizabeth I. Who knows? Mary's marriage to William Stafford d. In her miniature, painted by Lucas Horenbout, we can see that she had brown eyes and cream complexion. When Henry left for France he made Katherine of Aragon regent in his place — she in turn went on to defeat the Scots, who believed England to be undefended with the king in France and in turn their king, James IV was killed in battle. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Visualizing the Novel Clinton Mullins Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Computer Science Honors Papers Computer Science Department 2013 Visualizing the Novel Clinton Mullins Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/comscihp Part of the Computer Sciences Commons Recommended Citation Mullins, Clinton, "Visualizing the Novel" (2013). Computer Science Honors Papers. 4. http://digitalcommons.conncoll.edu/comscihp/4 This Honors Paper is brought to you for free and open access by the Computer Science Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Computer Science Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Visualizing Novelthe kiss me please Thesis and code written by Clint Mullins with Professor Bridget Baird as the project's faculty advisor. 1. Data Visualization Discussion of data visualization. 2. Visualizing the Novel Introduction to our problem and execution overview. 3. Related Works Technologies and libraries used for the project. .1 Semantic Meaning .2 Parsing Text .3 Topic Modeling .4 Other Visualizations 4. Methods Specific algorithms and execution details. .1 Gunning FOG Index .2 Character Extraction .3 Character Shaping .4 Gender Detection .5 Related Word Extraction .6 Moments / Emotion Spectrum / DISCO 5. The Visual Our visual model from conception to completion. .1 Concept Process .2 Current Visual Model .3 Java2D .4 Generalizing the Visual Model 6. Results Judging output on known texts. .1 Text One – Eternally .2 Text Two – Love is Better the Second Time Around .3 How Successful is This? 7. -
Three Levels of Product Emotion P.M.A
KEER2010, PARIS | MARCH 2-4 2010 INTERNATIONAL CONFERENCE ON KANSEI ENGINEERING AND EMOTION RESEARCH 2010 THREE LEVELS OF PRODUCT EMOTION P.M.A. Desmet Delft University of Technology, Faculty of Industrial Design Engineering Landbergstraat 15, 2628 CE Delft, The Netherlands. [email protected] ABSTRACT This paper introduces an approach to emotion driven design that was based on the process that underlies emotional responses to consumer products. Three levels, and nine associated classes of product-evoked emotions are discussed, which are each the outcome of a unique pattern of eliciting conditions. The approach is based on two main propositions. The first is that all emotional reactions result from an appraisal process in which the individual appraises the product as (potentially) harming or favoring his or her wellbeing. This appraisal is a non- rational sense-evaluation of the product’s relational meaning. In this perspective, the appraisal is considered a key-parameter that determines if a product evokes an emotion, and if so, what emotion is evoked. Three main appraisal types are identified: an usefulness appraisal, a pleasantness appraisal, and a rightfulness appraisal. The second proposition is that products can generate at least three classes of emotional stimuli: stimuli with a product-focus (i.e. the qualities and properties of the product); with an activity-focus (i.e. when using the product), and with a self-focus (i.e. consequences of using the product). The three appraisals and three levels of person-product relationships combine to a framework of nine sources of product emotions. The framework is used as the basis for an approach to design that aims for three levels of emotional product appeal.