Geoff Zanelli
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Jump Point 06.04 – Scoring
FROM THE COCKPIT IN THIS ISSUE >>> 03 BEHIND THE SCREENS : Composers 19 WORK IN PROGRESS : Origin 100 Series 35 WHITLEY’S GUIDE : 300i 39 WHERE IN THE ‘VERSE? ISSUE: 06 04 40 ONE QUESTION PART 2: What was the first game & system you played? Editor: David Ladyman Roving Correspondent: Ben Lesnick Layout: Michael Alder FROM THE COCKPIT GREETINGS, CITIZENS! As promised last month, we deliver the parts we a couple weeks ago. I am boggled by the number of couldn’t fit in the March issue. We have interviews zeros that entails, and I can do no better than quote with the two primary composers for Squadron 42 Chris in saying, “It’s your belief in the project, from the and SC Persistent Universe music (Geoff Zanelli and earliest backers to those relatively new to the ’verse, Pedro Camacho, respectively) — basically Part 4 of that make it all possible.” our three-part Audio Behind the Screens discussions. The body of previous work for each of these We also hit Alpha 3.1 on schedule, with plenty of composers is stellar, and it appears that they are expanded role-playing features (including a character going above and beyond with CIG’s soundtracks. customizer and service beacons), with a dozen new personal weapons, and with five new flyable (or We also have the second half of the CIG staff responses driveable) craft: the Cyclone, Reclaimer, Terrapin, to our One Question, for your reading pleasure: What Razor and Kue. Your enthusiasm is so important in was the first electronic or computer game you can fueling the drive of everyone at Cloud Imperium remember playing, and on what system? Games to continue creating and innovating in ways that others can only dream of. -
RANGO (PG) Ebert: Users: You: Rate This Movie Right Now
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search RANGO (PG) Ebert: Users: You: Rate this movie right now GO Search powered by YAHOO! register You are not logged in. Log in » Subscribe to weekly newsletter » times & tickets Rango in theaters The Adjustment Bureau Fandango BY ROGER EBERT / March 2, 2011 I Will Follow Search movie Ip Man 2 showtimes and buy "Rango" is some kind of a Rango tickets. miracle: An animated Take Me Home Tonight comedy for smart cast & credits moviegoers, wonderfully more current releases » about us With the voices of: made, great to look at, one-minute movie reviews wickedly satirical, and About the site » (gasp!) filmed in glorious 2- Rango/Lars Johnny Depp D. Its brilliant colors and Beans Isla Fisher still playing Site FAQs » startling characters spring Priscilla Abigail Breslin from the screen and remind The Adjustment Bureau Contact us » Mayor Ned Beatty us how very, very tired we Roadkill Alfred Molina All Good Things are of simpleminded little Another Year Email the Movie Jake Bill Nighy characters bouncing around Barney's Version Answer Man » Doc/Merrimack Stephen Root dimly in 3-D. Biutiful Balthazar Harry Dean Stanton Blue Valentine This is an inspired comic Bad Bill Ray Winstone Casino Jack on sale now Western, deserving Cedar Rapids comparison with "Blazing Paramount Pictures presents a film Certifiably Jonathan Saddles," from which it directed by Gore Verbinski. Written The Company Men Country Strong borrows a lot of farts. -
1 Filmová Hudba 1. 1 Definice Filmové Hudby
Univerzita Palackého v Olomouci Pedagogická fakulta Katedra hudební výchovy Bakalá řská práce Veronika Lyková Obor: Spole čenské v ědy se zam ěř ením na vzd ělávání a hudební kultura se zam ěř ením na vzd ělávání Hudba ve fantasy filmech Vedoucí práce: MgA. Petr Martínek Olomouc 2017 Prohlašuji, že jsem svou bakalá řskou práci zpracovala samostatn ě a že jsem uvedla veškerou literaturu a zdroje, které jsem k práci využila. V Olomouci dne 17. 6. 2017 …..…..…..…………………. Podpis Děkuji vedoucímu své bakalá řské práce, panu MgA. Petru Martínkovi, za trp ělivost a ochotu. Dále bych ráda pod ěkovala paní Mgr. Gabriele Všeti čkové, Ph.D., za poskytnuté rady, a panu Mgr. Filipu T. Krej čímu, Ph.D., za doporu čenou literaturu. Obsah Úvod .................................................................................................................................. 7 1 Historie filmové hudby .................................................................................................. 9 1. 1 Definice filmové hudby......................................................................................... 9 1. 2 Historie filmové hudby ......................................................................................... 9 1. 3 Tvorba filmové hudby ......................................................................................... 10 2 Howard Shore .............................................................................................................. 12 2. 1 Pán prsten ů ......................................................................................................... -
Educational and Therapeutic Impact of Contemporary Animated Film Characters on the Viewer
Konteksty Pedagogiczne 2(11)/2018, s. 151–163 DOI: 10.19265/KP.2018.211151 www.kontekstypedagogiczne.pl Joanna Mytnik [email protected] University of Bialystok ORCID iD: 0000-0003-3924-8188 Educational and therapeutic impact of contemporary animated film characters on the viewer Introduction From the beginning of its existence, films have been evoking interest and giving inspiration. A motion picture has been a tool for many practition- ers. Educators, psychologists, therapists, and animators have long appreci- ated and used film art in their work. Considering the increasing pervasion of the mass media into human life, its presence in many aspects of human functioning, it is necessary to pay close attention to the power of its influ- ence. It is worth noting that the products of popular culture do not only carry risks. Films created for commercial purposes also serve higher purposes, not just entertainment. Being easier in perception for the viewer at any age (through the frequency of contact with this cultural product), it can influence their emotions more strongly, encourage deeper mental work and stimulate reflection. In this article I would like to focus primarily on the possibilities of supporting upbringing and human development, referring to the assump- tions of film therapy (Kozubek, 2016). According to Depta, “the starting point of educational work with a film should be the use of such films that are most popular among young viewers while increasing their cognitive horizons” (Depta, 1983, p. 165). The potential of contemporary animated films seems to be indisputable in this respect, as will be demonstrated by the analysis of the main factor of their influence on the viewer, namely film heroes. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Call for Papers "Voice in Theater and Film Translation"
The Journal of Specialised Translation Issue 17 – January 2012 The translation of linguistic stereotypes in animated films: a case study of DreamWorks’ Shrek and Shark Tale Pilar González Vera, University of Zaragoza ABSTRACT As a source for the socialisation of the child, animated films have attracted the attention of sociolinguistics which has traditionally been interested in the interaction between language and society. The role of language in the process of socialisation and in the creation and perpetuation of stereotypes is the focus of attention of this research. This study concentrates on the portrayal and translation of stereotypes on the basis of gender through the manipulation of the discourse in the DreamWorks‘ films Shrek and SharkTale. With this aim, the research is divided into three sections. The first one provides a brief introduction to the concept of stereotypes, the second is devotedto the study of the role of translation inthe representation of gender stereotypes in the cases of two female characters, Fiona and Lola, and two male characters, Donkey and Lenny; and the third one presents the conclusions drawn from the previous analysis. KEYWORDS Stereotypes, gender, dubbing, animated films, sociolinguistic. 1. The concept of stereotypes Films are part of cross-cultural communication and a way of reflecting other identities and cultures. Animated films have been, in principle, characterised by their simple plots and their classification of characters into two groups: the heroes and the villains. This simplification of reality is known as stereotyping, a concept introduced by Lippmann in 1922 (1922). Cultural studies have demonstrated that stereotyping is a fundamental mechanism of perception and categorisation, without which orientationand survival in a complex society such as ours would be virtually impossible (Rieger 2006: 279). -
SPECIAL THANK YOU Mo V I E B:11” S:10” Gu I D E T:11” 2017 MOVIE GUIDE
SPECIAL THANK YOU Mo v i e B:11” S:10” Gu i d e T:11” 2017 MOVIE GUIDE - Amityville: The Awakening (1/6) Directed by Franck Khalfoun - Starring Bella Thorne, Jennifer Jason Leigh, Jennifer Morrison - Mena (1/6) Directed by Doug Liman - Starring Tom Cruise, Jesse Plemons - Underworld: Blood Wars (1/6) Directed by Anna Foerster - Starring Theo James, Kate Beckinsale, Charles Dance, Tobias Menzies - Hidden Figures (1/13) JANUARY Directed by Theodore Melfi -Starring Taraji P. Henson, Octavia Spencer, Kirsten Dunst, Jim Parsons, Kevin Costner - Live By Night (1/13) Directed by Ben Affleck - Starring Zoe Saldana, Scott Eastwood, Ben Affleck, Elle Fanning, Sienna Miller - Monster Trucks (1/13) Directed by Chris Wedge - Starring Jane Levy, Amy Ryan, Lucas Till, Danny Glover, Rob Lowe B:11” S:10” T:11” - The Founder (1/20) Directed by John Lee Hancock - Starring Michael Keaton - The Resurrection of Gavin Stone (1/20) Directed by Dallas Jenkins - Starring Nicole Astra, Brett Dalton - Split (1/20) Directed by M. Night Shyamalan - Starring James McAvoy, Anya Taylor Joy - Table 19 (1/20) Directed by Jeffrey Blitz - Starring Anna Kendrick, Craig Robinson, June Squibb, Lisa Kudrow - xXx: The Return of Xander Cage (1/20) Directed by D.J. Caruso - Starring Toni Collette, Vin Diesel, Tony Jaa, Samuel L. Jackson - Bastards (1/27) Directed by Larry Sher - Starring Glenn Close, Ed Helms, Ving Rhames, J.K. Simmons, Katt Williams, Owen Wilson - A Dog’s Purpose (1/27) Directed by Lasse Hallstrom - Starring Peggy Lipton, Dennis Quaid, Britt Robertson - The Lake (1/27) Directed by Steven Quale - Starring Sullivan Stapleton - Resident Evil: The Final Chapter (1/27) Directed by Paul W.S. -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Second Takes in Recognition of the Ways in Which the Sequel Recapitulates Features of an “Original,” but Additionally Offers Something New to Its Source
Introduction CAROLYN JESS-COOKE AND CONSTANTINE VEREVIS TONIGHT’S SCHEDULE FOR A LOCAL cinema reads as follows: Die Hard 4.0 (15) Hostel Part II (18) Directed by: Len Wiseman Directed by: Eli Roth Starring: Bruce Willis, Timothy Starring: Bijou Phillips, Lauren Olyphant, Maggie Q German, Roger Bart 11:00 13:50 17:10 20:10 21:20 21:30 Fantastic Four: Rise of the Silver Ocean’s Thirteen (PG) Surfer (PG) Directed by: Steven Soderbergh Directed by: Tim Story Starring: George Clooney, Brad Pitt, Starring: Ioan Gruffudd, Jessica Alba, Matt Damon Chris Evans 20:50 11:00 13:20 15:30 Pirates of the Caribbean: At Harry Potter and the Order of the World’s End (12A) Phoenix (12A) Directed by: Gore Verbinski Directed by: David Yates Starring: Johnny Depp, Orlando Starring: Daniel Radcliffe, Emma Bloom, Keira Knightley Watson, Rupert Grint 17:50 10:30 11:00 11:30 12:00 13:00 13:30 14:00 14:30 15:00 16:00 16:30 17:00 Shrek the Third (U) 17:30 18:00 19:00 19:30 20:00 20:30 Directed by: Chris Miller 21:00 Starring: Mike Myers, Eddie Murphy, Cameron Diaz 11:10 11:40 12:20 12:50 13:40 14:40 15:10 15:40 16:10 16:50 17:20 18:10 18:40 19:10 19:50 20:201 1 © 2010 State University of New York Press, Albany 2 Carolyn Jess-Cooke and Constantine Verevis TRIKINGLY, EVERY FILM LISTED here is a sequel. This being summer of 2007, it is not unusual for sequels to hold a strong cinematic Spresence—but every screening? And, looking at fi lm releases sched- duled for the coming months, the horizon is fi lled with sequels. -
King's Research Portal
King’s Research Portal DOI: 10.1177/1746847716661456 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Holliday, C. (2016). “I’m not a real boy, I’m a puppet”: Computer-Animated Films and Anthropomorphic Subjectivity . Animation: An Interdisciplinary Journal, 11(3), 246-262. https://doi.org/10.1177/1746847716661456 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
12YAS Notes FINALX
ABOUT THE FILMMAKERS STEVE M cQUEEN (Directed by, Produced by) is a British artist and filmmaker. In 2008, M cQueen’s critically acclaimed first feature HUNGER won the Camera d’Or at the Cannes Film Festival among countless other international prizes. He followed with 2011’s incendiary film experience, SHAME, a provocative drama about addiction and secrecy in the modern world. The film received numerous accolades and awards with M cQueen winning the CinemAvvenire Award and FIPRESCI Prize at the Venice Film Festival as well as nominations from BAFTA, the British Independent Film Awards, the London Film Festival, Evening Standard British Film Awards and the Independent Spirit Awards. In 1996, M cQueen was the recipient of an ICA Futures Award, in 1998 he won a DAAD artist’s scholarship to Berlin and in 1999 - besides exhibiting at the ICA and at the Kunsthalle in Zürich - he also won the Turner Prize. McQueen has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta (2002 and 2007) and at the 53rd Venice Biennale in 2009 where he represented Britain. His work is held in museum collections around the world including Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq war by the Imperial War Museum and subsequently produced the poignant and controversial project Queen and Country, which commemorated the deaths of British soldiers who died in the Iraq War by presenting their portraits as a sheet of stamps. In 2002, he was awarded the OBE and the CBE in 2011.