Nieuwigheden Anderstalige Strips 2013 Week 3
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Probing the Manga Topoet(H)Ics in Tezuka's Message to Adolf
Ana Došen Probing the Manga ToPoEt(h)ics in Tezuka’s Message to Adolf Keywords: manga, spatial turn, topography, poetics, ethics Manga and Spatial Turn The postmodern era has seen both global fragmentation and unification occurring simultaneously, resulting in multiple notions of space and theo- retical frameworks. Through not only cultural and critical geography, but also literary geography and cartography, a new understanding of spatiality has emerged. With the so-called spatial turn, established theoretical per- spectives concerning the time-space continuum are being re-evaluated, and the complex issue of topography is regaining relevance. The repre- sentation of space in literary works brings into focus multiple opportuni- ties to develop new, decolonizing and non-normative spatial imageries. Instead of the previously dominating historicism, the spatial turn as an interdisciplinary perspective allows one to deconstruct and reconstruct categories of space and place while overcoming previously established spatial dichotomies such as East/West, far/near, periphery/center. The observations of prominent thinkers such as Michel Foucault (1997) con- tributed to an understanding of space as something other than a fixed category. Conceptual “de-territorialization” and “re-territorialization” has affected issues of identity and borders, including the epistemological basis of area studies. Engagement in area studies, as a form of spatial scholarship, has traditionally been focused on national, regional and local characteristics, but it has also become apparent that it involves complex transrelational aspects: between the space of the subject matter and the place of its criti- cal exploration. Globalized political, cultural and economic entangle- ments are also reflected in area studies, as boundaries that once seemed separate and solid can now be traversed. -
Recommended Teen Reads Black Lives Matter
Black Lives Matter Recommended Teen Reads Recommended Teen FICTION The Crossover by Kwame Alexander He Said, She Said by Kwame Alexander Rumor Central Series by Reshonda Tate Billingsley Crossing Ebenezer Creek by Tonya Bolden The Game of Love and Death by Martha Brockenbrough Tiny Pretty Things by Sona Charaipotra and Dhonielle Clayton Tyler Johnson Was Here by Jay Coles Tiffany Sly Lives Here Now by Dana Davis Fire From the Rock by Sharon M. Draper Panic by Sharon M. Draper Fake ID by Lamar Giles Overturned by Lamar Giles Dread Nation by Justina Ireland Allegedly by Tiffany D. Jackson The Summer Prince by Alaya Dawn Johnson Let’s Talk About Love by Claire Kann Delicate Monsters by Stephanie Kuehn Dreamland Burning by Jennifer Latham How It Went Down by Kekla Magoon Ahgottahandleonit by Donovan Mixon Black Lives Matter Recommended Teen Reads Recommended Teen Not Otherwise Specified by Hannah Moskowitz Darius and Twig by Walter Dean Myers Fallen Angels by Walter Dean Myers Monster by Walter Dean Myers Loving Vs. Virginia: A Documentary Novel of the Landmark Civil Rights Case by Patricia Hruby Powell Show and Prove by Sofia Quintero All American Boys by Jason Reynolds The Boy in the Black Suit by Jason Reynolds Ghost by Jason Reynolds Long Way Down by Jason Reynolds Miles Morales: A Spider-man Novel by Jason Reynolds X: A Novel by Ilyash Shabazz and Kekla Magoon Down By Law by Ni-Ni Simone Hollywood High Series by Ni-Ni Simone Dear Martin by Nic Stone Calling My Name by Liara Tamani The Hate U Give by Angie Thomas Next (D-Bow’s High School -
Donald Duck: Timeless Tales Volume 1 Online
nLtTp (Free) Donald Duck: Timeless Tales Volume 1 Online [nLtTp.ebook] Donald Duck: Timeless Tales Volume 1 Pdf Free Romano Scarpa, Al Taliaferro, Daan Jippes audiobook | *ebooks | Download PDF | ePub | DOC #877705 in Books Scarpa Romano 2016-05-31 2016-05-31Original language:EnglishPDF # 1 10.38 x .97 x 7.63l, .0 #File Name: 1631405721256 pagesDonald Duck Timeless Tales Volume 1 | File size: 54.Mb Romano Scarpa, Al Taliaferro, Daan Jippes : Donald Duck: Timeless Tales Volume 1 before purchasing it in order to gage whether or not it would be worth my time, and all praised Donald Duck: Timeless Tales Volume 1: 7 of 7 people found the following review helpful. Nice book, great stories.By Dutch DelightWho does not like Donald Duck? Great collection of European and American artists. The book is hard cover, nicely made. needs to package it better though. You can't just stuff inside a cardboard sleeve and mail and not expect some damage. Wrap it in paper first to prevent scuffs.1 of 1 people found the following review helpful. Five StarsBy Mark NYAlways loved this type of comics.1 of 1 people found the following review helpful. Five StarsBy GrantLove it Wak! IDW's first six issues of Donald Duck are gathered in this classy collectorsrsquo; volume... including great works by Romano Scarpa, Giorgio Cavazzano, Daan Jippesmdash;and the first-ever US publication of "The Diabolical Duck Avenger," Donald's classic 1960s debut as a super-anti-hero! With special extras for true Disney Comics aficionados, this Donald compendium provides hours of history and excitement. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Manga Book Club Handbook
MANGA BOOK CLUB HANDBOOK Starting and making the most of book clubs for manga! STAFF COMIC Director’sBOOK LEGAL Note Charles Brownstein, Executive Director DEFENSE FUND Alex Cox, Deputy Director Everything is changing in 2016, yet the familiar challenges of the past continueBetsy to Gomez, Editorial Director reverberate with great force. This isn’t just true in the broader world, but in comics,Maren Williams, Contributing Editor Comic Book Legal Defense Fund is a non-profit organization Caitlin McCabe, Contributing Editor too. While the boundaries defining representation and content in free expression are protectingexpanding, wethe continue freedom to see to biasedread comics!or outmoded Our viewpoints work protects stifling those advances.Robert Corn-Revere, Legal Counsel readers, creators, librarians, retailers, publishers, and educa- STAFF As you’ll see in this issue of CBLDF Defender, we are working on both ends of the Charles Brownstein, Executive Director torsspectrum who byface providing the threat vital educationof censorship. about the We people monitor whose worklegislation expanded free exBOARD- Alex OF Cox, DIRECTORS Deputy Director pression while simultaneously fighting all attempts to censor creative work in comics.Larry Marder,Betsy Gomez, President Editorial Director and challenge laws that would limit the First Amendment. Maren Williams, Contributing Editor In this issue, we work the former end of the spectrum with a pair of articles spotlightMilton- Griepp, Vice President We create resources that promote understanding of com- Jeff Abraham,Caitlin McCabe,Treasurer Contributing Editor ing the pioneers who advanced diverse content. On page 10, “Profiles in Black Cartoon- Dale Cendali,Robert SecretaryCorn-Revere, Legal Counsel icsing” and introduces the rights you toour some community of the cartoonists is guaranteed. -
Drawn&Quarterly
DRAWN&QUARTERLY winter 2013 MIRIAM KATIN’S LETTING IT GO MIRIAM KATIN LETTING IT GO A HOLOCAUST SURVIVOR STRUGGLES TO LET THE PAST GO Miriam Katin’s debut graphic novel, the 2006 memoir We Are On Our Own, was a unique portrait of how one family survived the Second World War. A companion to We Are On Our Own, Letting It Go shows Miriam, now an adult, dealing with her son Ilan’s recent move to Berlin. As Miriam struggles to accept his decision, she realizes that her hesitations have more to do with longheld grudges than any sort of legitimate concerns. Whereas We Are On Our Own probed Miriam’s loss of faith and talked about her experiences during the War, Letting It Go examines the lasting trauma of surviving World War II from a very different vantage point, focusing on Miriam’s life as a middle-aged New Yorker. The flowing, expressive style employed in We Are On Our Own has been refined in this full- color masterpiece. A panel-less style lets the story flow, with wise and funny anecdotes along the way. Katin has the light hand of a master storyteller in this, an insightful, serious, but NOT FINAL COVER wry account of the myriad ways trauma inflects daily existence, both for survivors and for their families. “Richly illustrated in pencil, this book should not be missed by anyone with an interest in history, love or faith--so anyone, really.” –Time Magazine “A skillfully rendered memoir about Katin and her mother’s harrowing escape from Budapest in 1944. -
Carol Jago's Suggestions for Your Classroom Library
Carol Jago’s Suggestions for Your Classroom Library Welcome to my list of suggestions for your classroom library. It is not meant in any way to be a perfect list. Only you know what titles will be most appealing to your students and which books might be problematic in your school community. I have compiled here a list of books that I believe can open up the world to middle and high school readers. Some of these stories include scenes of violence and/or language that might offend. That said, I have read every one of these books and believe the scenes and language contribute importantly to the authors' intent and message. Thanks for all you do to bring books into your students’ lives. Reading helps us be more fully human. Abbott, Karen Liar, Temptress, Soldier, Spy Ackerman, Diane The Zookeeper's Wife Adiche, Chimamanda Americanah Adichie, Chimamanda Ngozi Half of a Yellow Sun Adichie, Chimamanda Ngozi The Thing Around Your Neck Adiga, Aravind The White Tiger Agosin, Marjorie I Lived on Butterfly Hill Ahmad, Jamil The Wandering Falcon Al Aswary, Alla The Yacoubian Building Alameddine, Rabih An Unnecessary Woman Alarcon, Daniel Lost City Radio Aleichem, Sholem Tevye the Dairyman & Motl the Cantor's Son Alexander, Elizabeth In the Light of the World Alexander, Kwame The Crossover Alexander, Kwame The Playbook Alexander, Michelle The New Jim Crow Amis, Martin Time's Arrow Anderson, Laurie Halse Chains: Seeds of America trilogy Anderson, Laurie Halse The Impossible Knife of Memory Anderson, M.T. Feed Anderson, M.T. Symphony for the City of the Dead:Dmitry Shotokovich and the Leningrad Symphony Anderson, M.T. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Journal of Religion & Society
Journal of Religion & Society Volume 6 (2004) ISSN 1522-5658 David, Mickey Mouse, and the Evolution of an Icon1 Lowell K. Handy, American Theological Library Association Abstract The transformation of an entertaining roguish figure to an institutional icon is investigated with respect to the figures of Mickey Mouse and the biblical King David. Using the three-stage evolution proposed by R. Brockway, the figures of Mickey and David are shown to pass through an initial entertaining phase, a period of model behavior, and a stage as icon. The biblical context for these shifts is basically irretrievable so the extensive materials available for changes in the Mouse provide sufficient information on personnel and social forces to both illuminate our lack of understanding for changes in David while providing some comparative material for similar development. Introduction [1] One can perceive a progression in the development of the figure of David from the rather unsavory character one encounters in the Samuel narratives, through the religious, righteous king of Chronicles, to the messianic abstraction of the Jewish and Christian traditions.2 The movement is a shift from “trickster,” to “Bourgeoisie do-gooder,” to “corporate image” proposed for the evolution of Mickey Mouse by Robert Brockway.3 There are, in fact, several interesting parallels between the portrayals of Mickey Mouse and David, but simply a look at the context that produced the changes in each character may help to understand the visions of David in three surviving biblical textual traditions in light of the adaptability of the Mouse for which there is a great deal more contextual data to investigate. -
Sammelrezension: Zeichentrickfilme Und Comics
Repositorium für die Medienwissenschaft H. Jürgen Kagelmann Sammelrezension: Zeichentrickfilme und Comics 1989 https://doi.org/10.17192/ep1989.2.5950 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Kagelmann, H. Jürgen: Sammelrezension: Zeichentrickfilme und Comics. In: medienwissenschaft: rezensionen, Jg. 6 (1989), Nr. 2. DOI: https://doi.org/10.17192/ep1989.2.5950. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. ZEICHENTRICKFILME UND COMICS Eine Sammelrezension 60 Jahre alt ist sie im letzten Jahr geworden, genauer gesagt, am 18. -
Graphic Novels, Comics, and Indigenous Writing Sarah Henzi Mcgill Institute for the Study of Canada
“A Necessary Antidote”: Graphic Novels, Comics, and Indigenous Writing Sarah Henzi McGill Institute for the Study of Canada In February 2014, prior to the XLVIII Super Bowl, the National Congress of American 23 Indians created a 2-minute ad called “Proud to Be” as a response to the Washington football team’s unwillingness to change its offensive name of Washington Redskins. Dubbed “The Most Important Super Bowl Ad You Didn’t See” by Huffington Post journalist Ben Irwin, the ad “takes the seemingly complicated issue of Indian sports mascots and distills it with remarkable clarity” by “[highlighting] many aspects of Native American identity: Proud. Forgotten. Survivor. Mother. Father. Son. Daughter. Underserved. Struggling. Resilient. ‘Native Americans call themselves many things,’ the narrator concludes. ‘One thing they don’t call themselves, however, is Redskin’” (Irwin). Although the ad did not make the airwaves during the Super Bowl, it has since reached over 3 million views, bringing to the forefront questions of appro- priateness, appropriation, and the continued predominance of racist stereotypes in many icons linked to popular culture and mainstream mass media. Some examples include Chicago Blackhawks, Cleveland Indians, Ottawa Tomahawks, and Edmonton Eskimos; there is an undeniable history of the use of inappropriate sporting mascots and names across North America. “Comics, games, movies, and television,” states Michael Sheyahshe, author of Native Americans in Comic Books, “have always been a way to gauge how we, as a culture, are viewed by the dominant culture in America. Whether it’s the whoop- ing, attacking horde of Indians in the early ‘cowboy’ movies, the notion of Native American as a crack-shot and/or expert tracker in comics, or the continued (mis) representation in video games […] pop culture media serves to mirror the emotional consensus of how mainstream America sees us” (LaPensée).