3—19 November 2020 Festival Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bicycle Thefts Continue
the Rice Thresher Vol. XCIV, Issue No. 18 SINCE 1916 Friday, February 1, 2008 TAYLOR JOHNSON/THRESHER Black Student Association President Alicia Burns-Wright speaks before the Sid Richardson College commons during dinner Monday. The BSA went to Sid to protest the racialiy-themed vandalism and Sid's traditional 40s Party that took place over the weekend of Martin Luther King, Jr. Day. by Lily Chun to urine on a photocopy machine. Alicia Burns-Wright, President of the Black black community at Rice. On Monday, the In the wake of these incidents, people on Student Association, said the 40s Party, BSA ate dinner at Sid to protest the 40s Party THRESHER EDITORIAL STAFF campus responded with mixed reactions as which was banned in 2004 but still held and to ask the college to discontinue it. On Martin Luther King, Jr. Day, nearly the complicated issue of race relations at as an unregistered party every year since, Sid senior Kelli Newman said she was also two weeks ago, an act of racially-charged Rice resurfaced. From the Black Student was offensive because the 40-ounce bottles offended that the 40s Party occurred even vandalism happened at Sid Richardson Col- Association to President David Leebron, of malt liquor consumed at the party are though it was banned, especially considering lege. The office of Sid College Coordinator everyone had something to say. stereotypically associated with poor black the fact that it was held so close to Martin Kelly Penrod was vandalized with Oreo people. Luther King, Jr. Day. cookies littered on the floor and crammed Reactions Though there is no evidence to prove "Just imagine as a minority this happen- in student mailbox locks as well as a racist This act of vandalism brought attention that the party and the vandalism are linked, ing," Newman said. -
February's Films
Hello all, Happy New Year everyone! Here are our films for the end of January and February 2017. January’s films Sing at selected ODEON cinemas* on Sunday 29th January at 10:15am. Please note ODEON’s new start time. ODEON* trial screenings for older audiences: La La Land (12A) on Monday 30th January at 6pm. This is at nine selected cinemas**. Please check our website for updates. Storks at selected Vue cinemas on Sunday 29th January at 10:15am. Please note Vue’s new starting time. ___ February’s films Sing at selected Cineworld cinemas on Sunday 5th February at 11am. Sing at selected Showcase cinemas on Sunday 12th February at 10am. The LEGO Batman Movie at selected ODEON cinemas* on Sunday 26th February at 10:15am. Please note ODEON’s new start time. ODEON* trial screenings for older audiences: The Great Wall (12A) on Monday 27th February at 6pm. This is at nine selected cinemas**. Please check our website for updates. Trolls at selected Vue cinemas on Sunday 26th February at 10:15am. Please note Vue’s new starting time. ___ As always, adjustments will be in place for all of the screenings. These include: lights being left on low, no adverts, lower sound levels, people being able to move around the cinema and able to take their own food. Please note: *ODEON tickets may be subject to a £1 Blockbuster charge if the film is a new release. **Please remember ODEON’s trial of Autism Friendly Screenings for older audiences are screened at 6pm on the Monday following ODEON’s usual Autism Friendly Screening, at nine cinemas selected to run the trial. -
MY KING (MON ROI) a Film by Maïwenn
LES PRODUCTIONS DU TRESOR PRESENTS MY KING (MON ROI) A film by Maïwenn “Bercot is heartbreaking, and Cassel has never been better… it’s clear that Maïwenn has something to say — and a clear, strong style with which to express it.” – Peter Debruge, Variety France / 2015 / Drama, Romance / French 125 min / 2.40:1 / Stereo and 5.1 Surround Sound Opens in New York on August 12 at Lincoln Plaza Cinemas Opens in Los Angeles on August 26 at Laemmle Royal New York Press Contacts: Ryan Werner | Cinetic | (212) 204-7951 | [email protected] Emilie Spiegel | Cinetic | (646) 230-6847 | [email protected] Los Angeles Press Contact: Sasha Berman | Shotwell Media | (310) 450-5571 | [email protected] Film Movement Contacts: Genevieve Villaflor | PR & Promotion | (212) 941-7744 x215 | [email protected] Clemence Taillandier | Theatrical | (212) 941-7744 x301 | [email protected] SYNOPSIS Tony (Emmanuelle Bercot) is admitted to a rehabilitation center after a serious ski accident. Dependent on the medical staff and pain relievers, she takes time to look back on the turbulent ten-year relationship she experienced with Georgio (Vincent Cassel). Why did they love each other? Who is this man whom she loved so deeply? How did she allow herself to submit to this suffocating and destructive passion? For Tony, a difficult process of healing is in front of her, physical work which may finally set her free. LOGLINE Acclaimed auteur Maïwenn’s magnum opus about the real and metaphysical pain endured by a woman (Emmanuelle Bercot) who struggles to leave a destructive co-dependent relationship with a charming, yet extremely self-centered lothario (Vincent Cassel). -
Realistic Fiction - Grade 5
Realistic Fiction - Grade 5 Pee Wee Scouts: Camp Ghost-Away (series) Delton, Judy Call Letters: BC Pgs: 80 Lexile: 380 The Pee Wee Scouts sell donuts to raise money for a camping trip. When they arrive at the camp, a strange and scary voice scares them during the night. My Life as a Book (series) Tashjian, Janet Call Letters: F Tas Pgs: 211 Lexile: 880 When 12-year-old Derek discovers an old newspaper article in his attic about a girl "found dead" on a beach, he becomes obsessed, especially when he learns the teenager may have died saving him from the ocean when he was just a toddler. Monica and the Bratty Stepsister (series) Gallagher, Diana G. Call Letters: F Gal Pgs: 78 Lexile: 370 Monica tries to be nice to her 8-year-old stepsister, Angela, but she begins to wonder why she bothers when it seems like Angela is trying to get her in trouble. Elvis & Olive (series) Watson, Stephanie Elaine Call Letters: F Wa Pgs: 230 Lexile: 690 In spite of their differences, Natalie Wallis and Annie Beckett become friends and decide to spend their summer spying on their neighbors. Wild Girl Giff, Patricia Reilly Call Letters: F Gif Pgs: 147 Lexile: 640 When 12-year-old Lidie leaves Brazil to join her father and brother on a horse ranch in New York, she has a hard time adjusting to her changed circumstances, as does a new horse that has come to the ranch. Sleepwalker Powell, Jillian Call Letters: F Po Pgs: 33 Lexile: 360 Josh and his new stepbrother, Tom, seem to have nothing in common when they first move in together, but when Tom begins sleepwalking, Josh makes a frightening discovery. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Und Übernahmegesetz Aktionäre Der Cinemaxx Ak
Pflichtveröffentlichung gemäß §§ 34, 14 Absätze 2 und 3 Wertpapiererwerbs- und Übernahmegesetz Aktionäre der CinemaxX Aktiengesellschaft, insbesondere mit Wohnsitz, Sitz oder gewöhnlichem Aufenthalt außerhalb der Bundesrepublik Deutschland, sollten die Hinweise in Abschnitt 1 "Allgemeine Hinweise zur Durchführung des Angebots, insbesondere für Aktionäre mit Wohnsitz, Sitz oder gewöhnlichem Aufenthalt außerhalb der Bundesrepublik Deutschland" auf den Seiten 5 bis 7 sowie im Abschnitt 21 "Zusätzliche Hinweise für US-Aktionäre" auf Seite 60 besonders beachten. ANGEBOTSUNTERLAGE Freiwilliges öffentliches Übernahmeangebot (Barangebot) der Vue Beteiligungs AG An der Welle 3, 60322 Frankfurt am Main, Deutschland an die Aktionäre der CinemaxX Aktiengesellschaft Valentinskamp 18-20, 20354 Hamburg, Deutschland zum Erwerb ihrer auf den Inhaber lautenden Stückaktien der CinemaxX Aktiengesellschaft gegen Zahlung einer Geldleistung in Höhe von EUR 6,45 je Aktie Annahmefrist: 06. August 2012 bis 03. September 2012, 24:00 Uhr Börsennotierte Aktien der CinemaxX Aktiengesellschaft: International Securities Identification Number ("ISIN") DE0005085708 / Wertpapierkennnummer ("WKN") 508570 Nicht börsennotierte Aktien der CinemaxX Aktiengesellschaft: ISIN DE0005155154 / WKN 515515 Zum Verkauf eingereichte börsennotierte Aktien der CinemaxX Aktiengesellschaft: ISIN DE000A1PG4W5 / WKN A1P G4W Zum Verkauf eingereichte nicht börsennotierte Aktien der CinemaxX Aktiengesellschaft: ISIN DE000A1PG441 / WKN A1P G44 Nachträglich zum Verkauf eingereichte börsennotierte -
Screendollars About Films, the Film Industry No
For Exhibitors September 21, 2020 Screendollars About Films, the Film Industry No. 135 Newsletter and Cinema Advertising We celebrate the remarkable career of actress Frances McDormand, who has delighted audiences for 35 years with her portrayals of strong-willed and colorful heroines. Her debut to feature film was in 1984 in Blood Simple, directed by brothers Joel and Ethan Coen. Joel and Frances met in 1983 during her audition for the film, became a couple and married the next year. McDormand also starred in the Coen Brothers’ comedies Raising Arizona (1987) and Fargo (1996), in which she played a very pregnant detective, Marge Gunderson, with an unforgettable Norwegian-American accent. McDormand has earned critical acclaim throughout her long and prolific career for her performances in film and television and on stage. In fact, she is one of only 24 actors to have won Academy, Emmy and Tony Blood Simple Awards, a feat known as the Triple Crown of Acting. Her most recent role is in Chole Zhao’s Nomadland, about a (1984) woman in her 60’s who sets off in a van to wander through the American West, a modern-day nomad. The film and McDormand’s performance have emerged as darlings of the 2020 International Film Festival circuit. Nomadland is being distributed by Searchlight Pictures and opens in theatres nationwide on 12/2. “I'm a character actress, plain and simple...Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.” – Frances McDormand Three Billboards -
Packer Collegiate Institute Upper School Curriculum Guide
Packer Collegiate Institute Upper School Curriculum Guide Revised 3/4/2015 2015- 2016 José M. De Jesús Head of Upper School (718) 250-0226 [email protected] Rashad Randolph, Dean of the Class of 2018 Richard Brownstone, Dean of the Class of 2017 (718)250-0200x0498 (718) 250-0200x0533 [email protected] [email protected] Loryn Evanoff, Dean of the Class of 2016 Roman Usatin, Dean of the Class of 2015 (718) 250-200x0227 (718) 250-0200x0340 [email protected] [email protected] Table of Contents Page The Four Year Plan Graduation requirements 3 Special Programs Advanced Topics and Accelerated Courses 4 Independent Study 4 Senior Thesis Program 5 Course Descriptions Computer Science 6 English 7 World Languages 16 History 23 Mathematics 30 Science 35 Fine and Performing Arts 43 Physical Education 53 Health 57 2 WELCOME TO PACKER’S UPPER SCHOOL Packer Upper School – Four-Year Overview Packer's Upper School curriculum is designed to encourage each student to realize his or her highest level of achievement. An engaging academic program; a vibrant community; and an array of artistic programs, athletics, and clubs enable students to extend their interests and cultivate their talents. Freshmen and sophomore students pursue a prescribed program to ensure that they are confident and capable in critical analysis, reading, writing, mathematics, research, language, computer literacy, and study skills. Junior and senior years provide multiple opportunities to apply these skills through elective courses in areas of particular academic and creative interests. The freshman year is organized around a study of major literary works, ancient civilizations, and the FreshArts course, which is an introduction to the fine and performing arts. -
For Immediate Release Tribeca Film Festival® Announces
FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives. -
Modern Slavery and Human Trafficking Statement
Modern Slavery and Human Trafficking Statement This statement, made in accordance with section 54 of the Modern Slavery Act 2015, sets out the policies adopted and steps taken by Vue International to: • assess the risk of modern slavery or human trafficking occurring within our business or supply chain; • prevent any instances of modern slavery or human trafficking occurring within our own business; and • ensure that every supplier with whom we do business is taking appropriate steps to ensure that modern slavery or human trafficking does not occur within their business (or their own supply chain). In this statement, the term “Vue International” refers to Vue International Holdco Limited and all of its subsidiaries. Our business, structure and supply chain Vue International is one of the world's leading cinema operators, managing a number of the most respected brands in major European markets and Taiwan, spanning nine countries, 226 sites and 1,980 screens (as at July 2020). Vue International has leading positions in the United Kingdom, Ireland, Germany, Denmark, the Netherlands, Italy, Poland, Lithuania and Taiwan. Each of our brands operates as a separate business unit, with local management in each jurisdiction reporting to the Vue International head office located in London. Our suppliers and contractors include providers of food, drinks, uniforms, technical equipment, cleaning and facilities management services, property maintenance and construction services, and other professional service providers (such as architects, lawyers, accountants and auditors). Vue International policy statement Vue International does not and will not tolerate modern slavery or human trafficking in any aspect of our business, and expects its suppliers to uphold the same zero-tolerance standard (regardless of the nature, scale or jurisdiction of their business). -
28JUN201310015951 £300,000,000 7.875% Senior Secured Notes Due 2020 G290,000,000 Senior Secured Floating Rate Notes Due 2020
OFFERING MEMORANDUM NOT FOR GENERAL DISTRIBUTION IN THE UNITED STATES Vougeot Bidco p.l.c. to acquire Vue Entertainment International Limited 28JUN201310015951 £300,000,000 7.875% Senior Secured Notes due 2020 g290,000,000 Senior Secured Floating Rate Notes due 2020 Vougeot Bidco p.l.c. (the ‘‘Issuer’’), a public limited company newly organized under the laws of England and Wales, is offering (the ‘‘Offering’’) £300,000,000 aggregate principal amount of its 7.875% Senior Secured Notes due 2020 (the ‘‘Fixed Rate Notes’’) and e290,000,000 aggregate principal amount of its Senior Secured Floating Rate Notes due 2020 (the ‘‘Floating Rate Notes’’), as part of the financing of the proposed acquisition of majority equity ownership of Vue Entertainment International Limited (the ‘‘Vue Acquisition’’) indirectly by certain clients of Alberta Investment Management Corporation (‘‘AIMCo’’) and by OMERS Administration Corporation (‘‘OMERS’’). The Fixed Rate Notes and the Floating Rate Notes are collectively referred to herein as the ‘‘Notes’’ unless the context otherwise requires. The Issuer will pay interest on the Fixed Rate Notes semi-annually in arrears on February 1 and August 1 of each year, commencing on February 1, 2014. The Fixed Rate Notes will mature on July 15, 2020. The Floating Rate Notes will bear interest at a per annum rate equal to three-month EURIBOR plus 5.25% per year, reset quarterly. The Issuer will pay interest on the Floating Rate Notes quarterly in arrears on January 15, April 15, July 15 and October 15 of each year, commencing on October 15, 2013. The Floating Rate Notes will mature on July 15, 2020. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE