HARRY WILLIAMS and JACK WILLIAMS (Written and Created By, Executive Producers)

Total Page:16

File Type:pdf, Size:1020Kb

HARRY WILLIAMS and JACK WILLIAMS (Written and Created By, Executive Producers) PRODUCTION BIOGRAPHIES HARRY WILLIAMS AND JACK WILLIAMS (Written and Created by, Executive Producers) Harry and Jack Williams’ first original production was the six-part comedy drama “Roman’s Empire” for BBC Two/Tiger Aspect. Starring Matt Horne and Chris O'Dowd, it aired on BBC Two in April 2007. They followed this up in 2008 with the 6x60mins comedy drama “Honest” starring Amanda Redman for ITV/Greenlit. Jack has written for all seasons of “Wild at Heart” and together they wrote the comedy pilot “Amazing Dermot” for Rough Cut TV which transmitted as part of the C4 Comedy Lab Pilot season in 2009. Their animated sitcom “Full English” was commissioned by C4 for 6 episodes with Harry and Jack producing themselves through their company Two Brothers Pictures and was animated by Rough Draft Studios, known for their work on “The Simpsons” and “Futurama.” In 2014 they wrote and executive produced the first installment of “The Missing.” Their four-part series, “One Of Us,” aired on BBC One in August 2016. Starring Juliet Stevenson, Joanna Vanderham, John Lynch, Joe Dempsie, Georgina Campbell and Laura Fraser, it was a co-production between Two Brothers Pictures and BBC Scotland. Their six-part series “Rellik” a thriller for BBC One, with New Pictures co-producing will shoot in February 2017, and their six-part series “Liar” began shooting in October 2016, starring Ioan Gruffudd and Joanne Froggatt, produced solely through Two Brothers Pictures. They executive produced the six-part comedy series “Fleabag” for BBC Three and Amazon through Two Brothers, written by and starring Phoebe Waller Bridge, which was nominated for the Critics’ Choice Awards. They will also executive produce the eight-part thriller “White Dragon” for ITB, written by newcomers Mark Denton and Jonny Stockwood. WILLOW GRYLLS (Executive Producer) Willow joined Charlie Pattinson and George Faber's Company Pictures at its inception in 1998, working initially in film, on Lynne Ramsay's Morvern Callar (2002) and Shane Meadows' A Room for Romeo Brass (2000) before moving on to produce Penny Woolcock's Mischief Night (2006). Willow then moved across into a creative television role, becoming producer and series producer for television commencing with Martina Cole’s “The Take” (2009) starring Tom Hardy and “The Runaway” starring Alan Cumming, both for Sky. “The Take” was nominated for an RTS Award and “The Runaway” was nominated for an International Emmy Award in 2010. In October 2013, Willow joined with Charlie Pattinson and Elaine Pyke to launch New Pictures. At its inception, New Pictures was greenlit for production on two series: “The Missing” for STARZ and BBC1 and “Indian Summers” for Channel 4 and WGBH. Both shows were ratings hits and critically acclaimed. She is also executive producing “Rellik,” a new six-part thriller series by Harry & Jack Williams for BBC1 and “Requiem,” a six-part supernatural thriller by Kris Mrksa (“The Slap”) for BBC1. CHARLES PATTINSON (Executive Producer) Charlie Pattinson set up New Pictures in April 2013 and is the CEO. The first installment of “The Missing” was nominated for two Golden Globes (Best Miniseries, Best Actress) and three BAFTAs (Leading Actor, Supporting Actor, Drama Series). New Pictures has also produced two series of “Indian Summers” for Channel 4 and WGBH, starring Julie Walters. “Indian Summers” was Channel 4’s highest rating drama launch for 20 years. Thriller series “Rellik” has been commissioned by BBC One for filming in early 2017, as well as a supernatural drama, “Requiem,” which goes into pre- production in 2016. New Pictures was acquired by All3Media in December 2015. Prior to his work at New Pictures, Charlie set up Company Pictures with George Faber in 1998 and grew it into one of the UK’s largest Independent Television and Film Drama production companies. Charlie’s Producer and Executive Producer credits include “Our Friends In The North” (BAFTA and RTS awards), “The Lakes” (BAFTA award), “Elizabeth I” (three Golden Globes), ten seasons of “Shameless” (C4 – numerous BAFTA and RTS awards), seven seasons of “Wild At Heart” (ITV), seven seasons of “Skins” (BAFTA and RTS awards), seven seasons of “George Gently” Films (BBC One), “The Life and Death of Peter Sellers” for HBO (two Golden Globes, 15 Emmys), “The Devil’s Whore” (RTS awards), “The Take” (Sky) starring Tom Hardy, “The Runaway” (Sky), “The Shadow Line” (BBC One) and more recently “The Village” (BBC One) and “The White Queen” (STARZ and BBC One). ELAINE PYKE (Executive Producer) Elaine Pyke joined New Pictures in 2014 and previously worked on the British drama “Indian Summers” which aired on Channel 4. Prior to this she was at BSkyB where, during a hugely successful period as Controller of Sky Atlantic, she oversaw a 15% year on year increase in channel share and a move into original scripted drama. Bold commissions under Elaine’s watch included “The Tunnel,” “Hit and Miss,” created by Paul Abbott, BAFTA award-winning “Hunderby” and “Penny Dreadful,” a co-production with Showtime. The role also oversaw all acquired programming for the channel including “Boardwalk Empire,” “Mad Men,” and “Game of Thrones.” In her previous role as Head of Drama at Sky, Elaine launched a raft of new dramas including “Strike Back” and “Mad Dogs” which have achieved success on both sides of the Atlantic in addition to two collaborations with Charlie Pattinson – “The Take” and “The Runaway.” EURYDICE GYSEL (Executive Producer) CZAR TV is the fiction department of Brussels-based production company CZAR BE. Founded in 2000, CZAR BE is one of the most creative production companies on the international market, generating many awards including twenty Lions at the prestigious advertising festival in Cannes. In 2010 Eurydice Gysel became executive producer of the company and co-jointly leads the department of CZAR TV. STARZ & BBC’s “The White Queen” and “The Missing” were the first two CZAR TV productions. Both productions received nominations at The Golden Globes, People’s Choice Awards, BAFTA TV Awards and others. Eurydice has produced the feature films Ex Drummer and May 22nd, both directed by Koen Mortier. She was the executive producer of the short films A Gentle Creature, Rivers Return, Perfect Drug and Feel Sad for the Bunny all of which featured at international film festivals. Eurydice and Koen also co-produced Borgman (in competition at Cannes) & Schneider vs Bax (Locarno) both by Alex van Warmerdam, Supernova by Tamar van den Dop (Generation section of the Berlinale 2014) and L'étrange couleur des larmes de ton corps by Hélène Cattet and Bruno Forzani (Locarno & TIFF). Their latest feature Waste Land directed by Pieter van Hees, starring Jérémie Renier, had its world première in Toronto (TIFF) in the Vanguard section. They are currently developing 3 features films: Coureur by Kenneth Mercken, Angel by Koen Mortier and True Biker by Lieven Van Baelen. COLIN CALLENDER (Executive Producer) Colin Callender is a Golden Globe, BAFTA, Tony® and Emmy® award-winning television, film and theater producer who founded the New York and London-based production company Playground in 2012. Callender began his career as stage manager at London’s Royal Court Theatre working with David Hare and Sam Sheppard. He won his first Emmy® for the television adaptation of the RSC’s “Life and Adventures of Nicholas Nickleby.” Playground has produced over 50 hours of prime time television drama garnering 15 Emmy nominations, 20 BAFTA nominations, including 5 wins, and 11 Golden Globe nominations, including a Golden Globe win for Best Miniseries. Recent productions include the Emmy-nominated and BAFTA, Golden Globe and Peabody Award winning miniseries adaptation of Hilary Mantel’s “Wolf Hall” starring Mark Rylance, Damian Lewis and Claire Foy for the BBC and Masterpiece, RTS winning and BAFTA-nominated television adaptation of Ronald Harwood’s “The Dresser” starring Ian McKellen and Anthony Hopkins and directed by Richard Eyre for the BBC and Starz, “The White Princess” a limited series for Starz based on the bestselling book by Phillippa Gregory, and Ken Lonergan’s upcoming adaptation of E.M. Forster’s “Howards End.” On the theater front, Callender’s first outing as a producer was the Tony® nominated Broadway production of Nora Ephron’s “Lucky Guy,” directed by George C. Wolfe and starring Tom Hanks. Other productions include Harvey Fierstein’s “Casa Valentina,” Ken Branagh’s New York debut in “Macbeth,” “The River” starring Hugh Jackman, and “Hedwig and the Angry Inch” for which Callender won a Tony for Best Musical Revival. Callender, in partnership with Sonia Friedman Productions and Harry Potter Theatrical Productions, is currently producing the record-breaking West End play “Harry Potter and the Cursed Child.” Prior to Playground, Callender was the long-running president of HBO Films, responsible for an array of award-winning films and miniseries including “Angels in America,” “John Adams” and Gus van Sant’s Palme D’Or winner Elephant. Under Callender’s leadership, HBO Films garnered an unprecedented 104 Emmy® Awards, 29 Golden Globes, 9 Peabody Awards®, 12 Humanitas Awards, 3 Oscars®, and top awards at the Sundance Film Festival four years in a row. In 2003, Callender was awarded the Commander of the British Empire (CBE) by Her Majesty the Queen, and a Knighthood in the Queen’s 2016 New Year’s Honours list for his services to British film, theatre and television in the United States. SCOTT HUFF (Executive Producer for Playground) Scott currently serves as Senior Vice President of Development and Production for Playground, overseeing its full slate of projects across television and theater. Huff is an executive producer on the eight hour limited series “The White Princess,” airing on STARZ in 2017. Previous television credits include multiple Emmy and Golden Globe-nominated productions including “Wolf Hall,” “The White Queen,” “The Missing,” “Dracula,” and “The Dresser.” In the theater, he is associate producer of the award winning London hit “Harry Potter and the Cursed Child,” and previously was associate producer of Tom Hanks’ debut in Nora Ephron’s “Lucky Guy” on Broadway.
Recommended publications
  • Neues Textdokument (2).Txt
    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • The Speakers and Chairs 2016
    WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy
    [Show full text]
  • HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
    HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off.
    [Show full text]
  • “Amazing Grace” Starring Ioan Gruffudd, Albert Finney, & Michael
    “Amazing Grace” starring Ioan Gruffudd, Albert Finney, & Michael Gambon, 2006, PG, 118 minutes Major Themes: Slavery Freedom Perseverance & Faith Justice & Reform Politics Interesting info: Tagline – Every song has its story. Every generation has its hero. William Wilberforce (1759 – 1833) was a very gifted statesman, a social reformer, a philanthropist and an evangelical Christian. As well as working to bring about the end of the slave trade, and then to abolish slavery itself, he was concerned about mistreatment of animals (he was a founder member of the Society for the Prevention of Cruelty to Animals, later to become the RSPCA), education, the social impact of heavy gin drinking, and the need for missionaries in various parts of the world, including India and Africa (he was a founder of the Church Missionary Society and the British and Foreign Bible Society). Amazing Grace is the most honored and recorded song of all time. Amazon.com lists some 2000 currently available recordings of Amazing Grace. Nothing else comes remotely close. It crosses all lines—from classical to country, from rock to traditional folk. It is permanently ingrained in the culture. No other song has enjoyed such diverse rendering. He headed the parliamentary campaign against the British slave trade for 26 years until the passage of the Slave Trade Act 1807, when Parliament passed a bill to abolish the slave trade. (The film’s release is a way of marking the bicentennial of that event.) Some years later, just three days before Wilberforce’s death, slavery itself was completely abolished in Britain. Part of his epitaph in Westminster Abbey reads: In the prosecution of these objects he relied, not in vain, on God.
    [Show full text]
  • Raquel Cassidy
    www.hamiltonhodell.co.uk Raquel Cassidy Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company THE GOOD KARMA HOSPITAL Frankie Phil John/Nimmer Rashed Tiger Aspect/ITV STRANGERS Rachel Paul Andrew Williams Two Brothers Pictures/ITV W1A Tamsin Gould John Morton BBC SILENT WITNESS Dr Eva Vazquez Dudi Appleton BBC THE HELLENES Bouboulina Van Ling Phaedra Films THE WORST WITCH 1-4 Hecate Hardbroom Various CBBC DOWNTON ABBEY Series 4, 5 & 6 Winner of the Outstanding Performance by an Ensemble in a Drama Series Award, Screen Actors Guild (SAG) Awards, 2016 Baxter Various Carnival/ITV Winner of the Outstanding Performance by an Ensemble in a Drama Series Award, Screen Actors Guild (SAG) Awards, 2015 HALF TIME (Pilot) Lucy Nick Walker Top Dog Productions MID MORNING MATTERS WITH ALAN PARTRIDGE Series 2 Hayley Rob Gibbons/Neil Gibbons Baby Cow/Fosters UNCLE Series 2 & 3 Teresa Oliver Refson Baby Cow/BBC VERA Series 5 Gloria Edwards Will Sinclair ITV JONATHAN CREEK Sharon David Renwick BBC LAW AND ORDER: UK Series 7 Lydia Smythson Joss Agnew Kudos/ITV LE GRAND Pauline Langlois Charlotte Sieling Atlantique Productions HEADING OUT Sabine Natalie Bailey BBC2 A TOUCH OF CLOTH Clare Hawkchurch Jim O'Hanlan Zeppotron Ltd MIDSOMER MURDERS Series 15: THE DARK RIDER Diana DeQuetteville Alex Pillai Bentley Productions HUSTLE Series 8 Dana Deville Roger Goldby Kudos DCI BANKS Dr. Waring Bill Anderson Left Bank Pictures teamWorx Television & Film THE OTHER CHILD D.I.
    [Show full text]
  • Emma Stone Is Dating Spider-Man Co-Star Andrew Garfield
    Emma Stone Is Dating Spider- Man Co-Star Andrew Garfield It looks like these co-workers have no problem dating!The Amazing Spider-Man movie brought together an “amazing” spark between co-stars Emma Stone and Andrew Garfield, according to UsMagazine.com. “They got close during filming and have been hooking up,” said an anonymous source. However, the two seem to want to keep their relationship private. It turns out that Garfield’s recent three-year relationship with actress Shannon Woodward is still a fresh wound. Why not avoid drama if at all possible? What are the benefits of keeping your new relationship from your ex? Cupid’s Advice: Though the “oo’s” and “aww’s” can be flattering when you and your partner happily expose your relationship to the public, timing is key. Cupid has some thoughts on why keeping your relationship from your ex may be the best thing for now: 1. Army material: Your ex may be ready for a fight. That is, he or she might not be afraid to lash out at your newest love interest. Keep that from happening at all costs. 2. Secrets: We all have secrets, even though sometimes we’d like to forget some of them. Your ex-partner might be feeling bitter and vengeful after your breakup. To keep him or her from being tempted to let loose all of your secrets to your new flame, keep the news of the relationship to yourself for a while. 3. Trust: Building trust is easier for your partner if no worrying is necessary.
    [Show full text]
  • Lesleywalker
    (3/10/21) LESLEY WALKER Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “MILITARY WIVES” Peter Cattaneo 42 Rory Aitken Tempo Productions Ltd. Ben Pugh “THE MAN WHO KILLED DON Terry Gilliam Amazon Studios Mariela Besuievsky QUIXOTE” Recorded Picture Co. Amy Gilliam Gerardo Herrero Gabriele Oricchio “THE DRESSER” Richard Eyre BBC Suzan Harrison Playground Ent. Colin Callender “MOLLY MOON: THE Christopher N. Rowley Amber Ent. Lawrence Elman INCREDIBLE HYPNOTIST” Lipsync Prods. Ileen Maisel “HOLLOW CROWN: HENRY IV”Richard Eyre BBC Rupert Ryle-Hodges Neal Street Prods. Sam Mendes “I AM NASRINE” Tina Gharavi Bridge and Tunnel Prods James Richard Baille (Supervising Editor) David Raedeker “WILL” Ellen Perry Strangelove Films Mark Cooper Ellen Perry Taha Altayli “MAMMA MIA” Phyllida Lloyd Playtone Gary Goetzman Nomination: American Cinema Editors (ACE) Award Universal Pictures Tom Hanks Rita Wilson “CLOSING THE RING” Richard Attenborough Closing the Ring Ltd. Jo Gilbert “BROTHERS GRIMM” Terry Gilliam Miramax Daniel Bobker Charles Roven “TIDELAND” Terry Gilliam Capri Films Gabriella Martinelli Recorded Picture Co. Jeremy Thomas “NICHOLAS NICKLEBY” Douglas McGrath Cloud Nine Ent. S. Channing Williams Hart Sharp Entertainment John Hart MGM/United Artists Jeffery Sharp “ALL OR NOTHING” Mike Leigh Cloud Nine Entertainment Simon Channing Williams Le Studio Canal “SLEEPING DICTIONARY” Guy Jenkin Fine Line Simon Bosanquet "FEAR AND LOATHING IN Terry Gilliam Rhino Patrick Cassavetti LAS VEGAS" Stephen Nemeth "ACT WITHOUT WORDS I" Karel Reisz Parallel
    [Show full text]
  • The Fall Free
    FREE THE FALL PDF Albert Camus,Robin Buss | 96 pages | 03 Aug 2015 | Penguin Books Ltd | 9780141187945 | English | London, United Kingdom The Fall | Netflix As IMDb celebrates its 30th birthday, we The Fall six shows to get you ready for those pivotal years of your life Get some streaming picks. At a Los Angeles hospital in the s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand. The Fall is an interesting movie with a variety of features such as mystery, suspense, violence, romance etc. It mixes reality with fantasy. I personally enjoyed the movie. Although it seems a little bit complicated to The Fall, this The Fall gives us a lesson of loyalty. It is amazing to see how two persons of different age develop a very strong friendship. The character of the little girl really The Fall my heart. She is an adorable actress; so cute and tender. The scenes have been filmed in very attractive The Fall all over the world. That is one reason by which people keeps interested thorough the whole movie. I personally recommend this movie to everyone. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.
    [Show full text]
  • Juries Announced for 2015 Tribeca Film Festival
    FOR IMMEDIATE RELEASE JURIES ANNOUNCED FOR 2015 TRIBECA FILM FESTIVAL *** Jurors Include Dylan McDermott, Cobie Smulders, Whoopi Goldberg, Gloria Steinem, Vanessa Williams, Steve Buscemi, Shelia Nevins, Debi Mazar, HanK Azaria, Mamie Gummer, MarK Boal, and Joana Vicente New York, NY [April 6, 2015] – The 2015 Tribeca Film Festival (TFF), presented by AT&T, today announced its jurors – a diverse group of 34 industry leaders, including award-winning filmmakers, producers, acclaimed actors, authors and entrepreneurs. The jury will be divided among the seven competitive Festival categories. The winning films, filmmakers and actors in each category will be announced at the TFF Awards Night ceremony on April 23 at Spring Studios. The 2015 Festival runs from April 15 –26. “The group of unique voices and perspectives that make up this year’s jury are sure to spark thoughtful discussion – and perhaps some friendly debate – around this year’s films,” said Jane Rosenthal, co-founder of the Tribeca Film Festival. The seven TFF juries will award $150,000 in cash and prizes. Announced earlier this year, eight of the winners will also receive a work of original art by an acclaimed artist as part of the Tribeca Film Festival Artists Awards program, sponsored by CHANEL. In addition to the Festival’s main competition juries, the five jurors for the third annual $25,000 Nora Ephron Prize, sponsored by Coach, recognizing a female writer or director, were also announced. Following is a list of all 2015 Festival jurors and their respective categories. World Competition Categories The jurors for the 2015 World Narrative Competition, sponsored by AKA, are: • Paul Attanasio: Paul Attanasio is an Oscar-nominated screenwriter and producer whose credits include Quiz Show, Donnie Brasco, The Good German, and House: MD.
    [Show full text]
  • Oxford Lecture 1 - Final Master
    OXFORD LECTURE 1 - FINAL MASTER HOW TO GROW A CREATIVE BUSINESS BY ACCIDENT The legendarily bullish film director Alan Parker once adapted Shaw's famous dictum about the academic profession - "those who can, do. Those who can't teach." So far so familiar. And to many in this room, no doubt, so annoying. But he went on: "those who can't teach, teach gym. And those who can't teach gym, teach at film school." I appreciate that Oxford is not a film school, though it has a more distinguished record than any film school for supplying the talent that has fuelled the British film and TV industries for almost a century - on and off camera. Writers like Richard Curtis, who brought us 4 Weddings and a Funeral, Love Actually, The Vicar of Dibley and Blackadder; or The Full Monty and Slumdog Millionaire scribe Simon Beaufoy; directors of the diversity of Looking for Eric's Ken Loach and 24 Hour Party People's Michael Winterbottom; writer/directors like Monty Python's Terry Jones and the Thick of It's Armando Iannucci; actors and performers ranging from Hugh Grant to Rowan Atkinson; and broadcasting luminaries like the BBC's Director General Mark Thompson and News International's very own Rupert Murdoch. So, Oxford has been a pretty efficient film and TV school, without even trying. And perhaps that is Parker's point. Can what passes for creativity in film and TV ever really be taught? But here in my capacity as News International Visiting Professor of Broadcast Media (or if you prefer an acronym, NIVPOB - the final M is silent) I may be even further down Parker's food chain.
    [Show full text]
  • The Lanthorn, 1968-2001 at Scholarworks@GVSU
    Grand Valley State University ScholarWorks@GVSU Volume 18 Lanthorn, 1968-2001 5-15-1984 Lanthorn, vol. 18, no. 24, May 15, 1984 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol18 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 18, no. 24, May 15, 1984" (1984). Volume 18. 24. http://scholarworks.gvsu.edu/lanthorn_vol18/24 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 18 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Who can Arts & Entertainment P 7 beat Reagan? Controversy P 4 Sports P 9 S rr nr \[ wrrk'.s voiillj^glik ir ? Student Living P 6 grand valley statecollege's Student run newspaper * t r r the lanthorn Volume 18 THURSDAY. MARCH 15. 1984, ALLENDALE. MICHIGAN Number 24 Students don't have to be 'true' Michigan caucus sites to e Itot at m w toeee to eeefc M r k t. k* democrats to voteSaturday ito to to i RALPH HEIBUTZKI The caucus will not allow gan primary which it replaced News Editor absentee ballots to be cast, and m 1983. is the State does not Kent County there w ” -dso be no secret bal spend as much as money on Gr»r>d Valley students want toting the election County I mg to participate in Saturday's Joseph Sancimino. a Grand "The primaries were state Dtotrict 1 County I Presidential caucus vote need Valley Student Senator who is wide and open to anyone The District 2 advantage is that it (the cau only to sign statements dectar also helping in Hart's campaign County mg themselves a Democrat for said that there are good reasons cus) costs less to the State Dtotrim 2.
    [Show full text]