Oslo Contemporary Music Festival Ultima 13 – 22 September 2018
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Julia Wolfe Magnus Lindberg Phill Niblock Frederic
FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson. -
12-09 Traffic
Torino Cinema Massimo Mouse on Mars Venerdì 12.IX.08 ore 22 SPAZIO 211 Bonnie “Prince” Billy Venerdì 19.IX.08 ore 23 Hiroshima mon Amour Liars Giovedì 25.IX.08 ore 23 venerdì 12 settembre 2008 ore 22 Cinema Massimo – Sala 1 Mouse On Mars vs Schatten Proiezione del film Schatten di Arthur Robinson Germania, 1923, 84’ Mouse On Mars Jan St. Werner, elettronica Andi Toma, elettronica e percussioni n suono elettronico raffinato e complesso, risultante dalla convergenza fra diver- Usi vettori stilistici. Se infatti Jan St. Werner e Andi Toma, nel 1993 fondatori dei Mouse On Mars sull’asse Düsseldorf/Colonia, appartengono in senso anagrafico e bio- grafico alla generazione cresciuta con la techno da rave, d’altra parte li si può anno- verare fra gli epigoni della scuola tedesca – Kraftwerk, Can, Neu!, Cluster – afferma- tasi negli anni Settanta e inscritta per convenzione nell’alveo del cosiddetto Krau- trock. A quei due elementi di base via via ne sono stati addizionati altri che hanno contribuito a definirne l’identità: dalle sonorità ambient tipiche dei primi lavori (Vul- valand e Iaora Tahiti, datati rispettivamente 1994 e 1995) all’incorporazione di stru- mentazioni “rock” – chitarra e batteria – in Niun Niggung (2000), fino all’adesione ai canoni della forma canzone – con l’introduzione del canto, affidato al batterista Dodo Nkishi – testimoniata da Idiology (2001) e Radical Connector (2004). Un percorso discografico zigzagante, segnato nondimeno da un denominatore comune riconduci- bile alla rigorosa coerenza espressiva di Toma e St. Werner, ribadita dalle ultime prove sostenute: l’angoloso album realizzato per la Ipecac di Mike Patton, Varcharz (2006), e l’estemporanea partnership con il guru del post punk britannico Mark E. -
Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
Dead but Not Powerless Series to Be Published but It Was Worth the Has a Fast Pace and Commands Your Atten- Words As “Odiferous” and “Prickle.” Do 18 Wait
August 17, 2018 | Volume XVI, Issue 8 “First and foremost, the foundation of my life is my vocation. I’m very clear that credits his Buddhist tools of compassion I was born to be the priest that I am – it Living His Most Authentic Life and authenticity with helping him to sit with centers me, and I often have to go back to people who have undergone traumatic ex- that. As a priest/activist: how do I culti- covered, then you have access to their tal- Buddhist practitioner. When the LGBTQ periences. vate my humanity and help others do the ent …” community came together in the wake of While advancing professionally, Mer- same? That anchors me.” – REV. MErrICK It is vintage Merrick to be determined a number of murders of transwomen and rick had always struggled to nav- MOSES to bring his community up with him, to be formed an Advisory Council to reach igate his identity, eventually BY SAGE PIPER an example for others. This had been his out to city officials he was there, identifying himself as Last week, the Baltimore City way ever since he returned and he was the natural pick for gender-nonconforming Board of Estimates made A profile of to Baltimore from New York State’s Attorney Marilyn Mos- Of many in his 30s. To steady history when they lifted the in 2001. At that point he was by to hire as Victim’s Advo- hats – himself he used Merrick health-insurance exclusion Merrick Moses, following a romance. The cate early in her first term. -
CIRRICULUM VITAE 1. Personalia 2. Utdanning 3. Stillinger/Undervisning
Henrik Hellstenius CIRRICULUM VITAE 1. Personalia Født: 28.4.63, Bærum, Norge Bosted: Bærum Sivilstand: Gift, to barn 2. Utdanning 1991-95 Diplomeksamen i komposisjon ved Norges Musikkhøgskole 1992-93 Komposisjonsstudier i Paris med Gérard Grisey privat og Erasmus stipendiat ved Conservatoire National Superieur 1993 Stage d´eté. Studier i computerstøttet komponering ved IRCAM, Paris. 1986-90 Kandidateksamen i komposisjon ved Norges Musikkhøgskole 1983-84 Musikkvitenskap mellomfag ved Universtitet i oslo 3. Stillinger/Undervisning 3.1 Undervisning ved Norges Musikkhøgskole 2005-2006 Vikariat for førsteamanuensis Yngve Slettholm: Veiledning av komposisjonsstudenter på 2 avdeling Komposisjonsteknikker 2 avdeling KomposisjonsWorkshop 2002 –2005 Vikrariat for førsteamanuensis Yngve Slettholm: Veiledning av komposisjonsstudenter på 2 avdeling Sonologi KomposisjonsWorkshop 2001 Vikariat for Professor Bjørn Kruse: Veiledning av alle komposisjonsstudenter på 1 avdeling. KomposisjonsWorkshop 1 1997-1998 Timelærer i komposisjonsteknikker 2. avd. 1996 –1997 Timelærer i komposisjonsteknikker 1. avdeling 1993 -1997 Timelærer i satslære 1. avdeling 3.2 Annen undervisning i komposisjon 1994-2000 Diverse privatelever i komposisjon og instrumentasjon, bla. Knut Olav Sunde, Bjørn Stenvaag, Evan Gardner og Stine Sørlie som alle siden har kommet inn på komposisjonstudiet ved NMH. 4. Verv og andre aktiviteter 4.1 Verv 2001-2004 Nestformann i Norsk Komponistforening 1998- 2004 Medlem av styret i Norsk Komponistforening 1998 Medlem av styret i Ultimafestivalen 1995-98 Medlem av Musikkfagligråd i Norsk Komponistforening. 1994-97 Medlem av programkomiteen i Oslo Sinfonietta. 1990-92 Medlem av arbeidsutvalget i Foreningen Ny Musikk 1990-91 Formann for Ung Nordisk Musikk 2 4.2 Andre initiativer 1998 – Initiativtager og leder for Åsgårdstrand seminaret, Nordens eneste årlige seminar for analyse, og debatt om moderne kunstmusikk. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Mouse on Mars
ELBPHILHARMONIE SOMMER & KAMPNAGEL SOMMERFESTIVAL MOUSE ON MARS 24. AUGUST 2018 ELBPHILHARMONIE GROSSER SAAL © Nicolai Toma Nicolai © MOUSE ON MARS JAN ST. WERNER LIVE-ELEKTRONIK ANDI TOMA LIVE-ELEKTRONIK, GITARRE DODO NKISHI SCHLAGZEUG, PERCUSSION & GITARRE ANDREA BELFI SCHLAGZEUG HILARY JEFFREY TROMPETE, POSAUNE MORITZ GEIST SONIC ROBOTS MATTHIAS SINGER LICHTKONZEPT SPECIAL GUESTS: ZACH CONDON GESANG, PIANO NAEEM (SPANK ROCK) GESANG BENJAMIN LANZ POSAUNE ERIC D CLARKE GESANG KRESTEN MICHAEL OSGOOD SCHLAGZEUG MICHAEL RAUTER VIOLONCELLO MOUSE ON MARS »Dimensional People« Seit 25 Jahren bildet das Duo Mouse on Mars eine Konstante in der schnelllebigen Welt der elektronischen Musik. In der Auseinander- setzung mit unterschiedlichen Genres wie Early Electronics, Kraut- rock aber auch Clubmusik haben Jan St. Werner und Andi Toma eine eigenständige musikalische Sprache entwickelt, die sich durch einen unermüdlichen Willen zum Experiment auszeichnet. In den Neunzigern haben Mouse on Mars mit ihren Klangskulpturen eine ganze Generation von Indiemusik-Hörern zu intelligenter Club- musik verführt, später mit Mark E. Smith, dem kürzlich verstorbenen Sänger der britischen Post-Punk-Band The Fall, ein fast lupenreines Rockalbum aufgenommen und zuletzt mit Modeselektor den Rave- Floor erobert. Am heutigen Abend präsentieren sie nun Musik von ihrem neues- ten, im April erschienenen, elften Studioalbum Dimensional People. Entstanden ist es mit einer beeindruckenden Zahl an Gastkünst- lern: Justin Vernon (Bon Iver), Zach Condon (Beirut), Naeem (Spank -
Regional Consultation on Cross-Boundary Cooperation in Fire Management
Regional Consultation on Cross-boundary Cooperation in Fire Management Skopje, 11 November 2016 Background Materials: National and Regional Analyses of Fire Management © Materials authored, or edited and compiled by Global Fire Monitoring Center (GFMC) c/o Freiburg University / United Nations University (UNU) Georges-Koehler-Allee 75 D - 79110 Freiburg Germany Tel: +49-761-808011 Fax: +49-761-808012 e-mail: [email protected] GFMC Website: http://www.fire.uni-freiburg.de and Regional SE Europe / Caucasus Fire Monitoring Center c/o Faculty of Forestry in Skopje bul. Aleksandar Makedonski bb MK-1000 Skopje FYR Macedonia Tel: +389-2-3135-033 extension 150 Fax: +389-2-3164-560 e-mail: [email protected] RFMC Website: http://www.rfmc.mk Regional Consultation on Cross-boundary Cooperation in Fire Management Skopje, 11 November 2016 Background Materials: National and Regional Analyses of Fire Management 1. Forest Fires in South Eastern Europe – Regional Report and Country Studies by the Regional Fire Monitoring Center for SE Europe / Caucasus (published by the Regional Environmental Center for Central and Eastern Europe) - Forest Fires in South Eastern Europe – Regional Report 2015 - Forest Fires Country Study Republic of Albania 2015 - Forest Fires Country Study Bosnia and Herzegovina 2015 - Forest Fires Country Study Kosovo 2015 - Forest Fires Country Study FYR Macedonia 2015 - Forest Fires Country Study Montenegro 2015 - Forest Fires Country Study Republic of Serbia 2015 2. International Forest Fire News No. 37: Special Issue on the -
Ultima Oslo Contemporary Music Festival on Nature
ultima oslo contemporary 10–19 september 2015 ultima music festival oslo contemporary music festival om natur 10.–19. september 2015 10.–19. on nature 1 programme THURSDAY 10 SEPTEMBER Lunchtime concert Henrik Hellstenius Ørets teater III: Ultima Academy Cecilie Ore Ultima Academy Eivind Buene Georg Friedrich Haas In Vain SATURDAY 19 SEPTEMBER Herman Vogt Om naturen (WP) Alexander Schubert in conversation Adam & Eve—A Divine Comedy Geologist Henrik H. Svensen The Norwegian Chamber Orchestra Ensemble Ernst Ultima Remake Concordia Discors, Études (WP) Oslo Sinfonietta / Dans les Arbres with rob Young 21:00 — Kulturkirken Jakob on issues in the Age of Man 19:00 — Universitetets aula 21:00 — Riksscenen Edvin Østergaard (WP) / 10:00 — Edvard Munch Secondary 12:00 — Loftet 19:30 — The Norwegian National Opera 14:00 — Kulturhuset p. 18 19:30 — Kulturhuset New music by Eivind Buene, plus the Spellbinding piece described as ‘an optical Jan Erik Mikalsen (WP) / Maja Linderoth School Piano studies with Ian Pace, piano & Ballet, (Also 12 and 13 September) p. 31 p. 35 pieces that inspired it illusion for the ear’” The Norwegian Soloists’ Choir Interactive installation created by pupils p. 19 Concert / performance Robert Ashley Perfect Lives p. 38 p. 47 13:00 — Universitetets gamle festsal p. 13 p. 16 Ultima Academy Matmos Ultima Academy p. 53 Installation opening and concert Music Professor Rolf Inge Godøy 22:00 — Vulkan Arena Musicologist Richard Taruskin on David Toop Of Leonardo da Vinci — James Hoff / Afrikan Sciences / Ultima Academy Elin Mar Øyen Vister Røster III (WP) Installation opening on sound and gesture American electronica duo perform cele- birdsong, music and the supernatural Quills / a Black Giant / Deluge (WP) Hilde Holsen Øyvind Torvund (WP) / Jon Øivind Media theorist Wolfgang Ernst 15:00 — Deichmanske Ali Paranadian Untitled I, 14:30 — Kulturhuset brated TV opera 20:30 — Kulturhuset Elaine Mitchener / David Toop 22:00 — Blå Ness (WP) / Iannis Xenakis on online culture and hovedbibliotek A Poem for Norway (WP) p. -
Kammertoner Nr. 3, 2012
MUSIKKMUSEUM - LYSTGÅRD - BOTANISK HAGE Daglig åpent 1. mai - 16. september kl 11 - 16 Tordenskiold Kro og den botaniske hagen har åpent hver dag - hele året! Ringve museum Lade Allé 60 73 87 02 80 www.ringve.no Festivalpass 2012 MEDLEMSTILBUD Trondheim kammermusikkfestival tilbyr alle medlemmer i Kammerselskapet festivalpass til følgende priser: ordinær 1000 (1100 fullpris) honnør 800 (900 fullpris) student 525 (600 fullpris) Prisene er eks. billettavgift. Passet gjelder for alle konserter unntatt Stemningsstund i Stiftsgården 20/9, Lørdag på Lade Gaard 22/9, Anne-Sophie Mutter og TrondheimSolistene 23/9 VELKOMMEN! Festivalpass med medlemsrabatt kjøpes på Dokkhuset, Nedre Elvehavn. Inngang 2. etg., åpent 10-16 www.kamfest.no Styreleder har ordet En ny Kammermusikkfestival står for døren. Vi håper mange vil ta turen til Byscenen og få Programmet er om mulig enda mer imponer- oppleve hvilken rikdom av musikk og skaper- ende, storslagent og variert enn før. kraft våre aller nyeste landsmenn kan by på. Programmet favner bredt. Fra verdensnavn Vi trøndere er virkelig heldige som har en slik som Anne Sophie Mutter i Olavshallen til unik Kammermusikkfestival. En festival med lokal sigøynermusikk på Ferstad gård. På høye krav til kvalitet, som stadig utfordrer seg denne måten er festivalen med på å åpne selv på å være nyskapende og overraskende, dørene mellom kammermusikalske sjangere, som er aktivt inkluderende, og som samtidig og fjerne merkelappen “smal” om kammer- er en viktig tradisjonsbærer. musikk som musikalsk kommunikasjonsform. Den inviterer alle aldersgrupper uten å lage God festival! God kammermusikkhøst! unaturlige skiller mellom dem. Styreleder I år har Kammermusikkfestivalen også åpnet seg mot en ny gruppe. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Sera Hellstenius
Henrik Hellstenius Sera –aChamberOpera Sera hellsteniussera Sera A Chamber Opera about Noise, Silence, Chaos… and an Angel… Music: Henrik Hellstenius Libretto: Axel Hellstenius The work was commisioned and produced by Opera Vest, with financial support from Norsk kulturråd, Den Norske Opera and Norsk Kassettavgiftsfond Synopsis Koret – Liliths (usynlige) Sekt – priser den skjønne Stillheten. Lilith kommer til, og sammen med Sekten priser og takker hun Gud. I sin egen himmel vandrer Gud, forkjølet og resignert, og lytter til bønner på alle verdens sprog. En engel, det barnslige og lekne sendebudet Sera, gjør narr av bønnene. Men blir gravalvorlig når hun hører mennesket Liliths bønn om at Gud må sende ned sitt sendebud, fordi hennes store prosjektet er ferdig. Sera mener Lilith er gal, og prøver å slippe unna. Men Gud beordrer henne avsted. Sera aksepterer, men sier at Herren vil angre. Sera og Lilith møtes. Selv om Lilith prøver å opptre ydmykt, skinner deres gjensidige motvilje for hverandre tydelig gjennom. Mens Sera ønsker jobben raskt unna, terper Lilith på at hennes livsverk nå er avsluttet. Og at Sera må love å overlevere de siste CD’ene trygt til Gud. Sera svarer at hun alltid gjør jobben sin. Men idet hun får overlevert en stabel CD’er, faller en av dem i gulvet. Lilith skjeller ut Sera, men raseriet går over i et kraftig anfall hvor Lilith overmannes av en grusom, indre støy. Sera betrakter undrende den lidende kvinnen: Hvorfor vil ikke Lilith forstå at problemet befinner seg inni hodet hennes, og er ikke forårsaket av den ytre verdens lyder? Sera synger om Liliths plan om å rense verden for støy og innføre Den Store Stillheten.