Television & Video Sound Cinema Photography
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The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
THE EARLY YEARS OF THE ACOUSTIC PHONOGRAPH ITS DEVELOPMENTAL ORIGINS AND FALL FROM FAVOR 1877-1929 by CARL R. MC QUEARY A SENIOR THESIS IN HISTORICAL AMERICAN TECHNOLOGIES Submitted to the General Studies Committee of the College of Arts and Sciences of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved Accepted Director of General Studies March, 1990 0^ Ac T 3> ^"^^ DEDICATION No. 2) This thesis would not have been possible without the love and support of my wife Laura, who has continued to love me even when I had phonograph parts scattered through out the house. Thanks also to my loving parents, who have always been there for me. The Early Years of the Acoustic Phonograph Its developmental origins and fall from favor 1877-1929 "Mary had a little lamb, its fleece was white as snov^. And everywhere that Mary went, the lamb was sure to go." With the recitation of a child's nursery rhyme, thirty-year- old Thomas Alva Edison ushered in a bright new age--the age of recorded sound. Edison's successful reproduction and recording of the human voice was the end result of countless hours of work on his part and represented the culmination of mankind's attempts, over thousands of years, to capture and reproduce the sounds and rhythms of his own vocal utterances as well as those of his environment. Although the industry that Edison spawned continues to this day, the phonograph is much changed, and little resembles the simple acoustical marvel that Edison created. -
Vertov: Between the Organism and the Machine
Vertov: Between the Organism and the Machine MALCOLM TURVEY In every living being, we find that those things which we call parts are inseparable from the Whole to such an extent, that they can only be conceived in and with the latter; and the parts can neither be the measure of the Whole, nor the Whole be the measure of the parts. — Goethe I The standard reading of the work of Dziga Vertov argues that, due to his affiliation with the Constructivist group of avant-garde artists that emerged in the Soviet Union after the Bolshevik Revolution of 1917, Vertov employed the machine as the model for both his films and the new Soviet society depicted in them. In The Material Ghost, Gilberto Perez writes: [Vertov’s] Man with a Movie Camera [1929] pictures the city as a vast machine seen by the omnipresent seeing machine that is the camera. The structure of Vertov’s films, their aggregate space pieced together in the cutting room out of all the manifold things the mechanical eye can see, suggests the constructions of the engineer so prized in [the] new Soviet society.1 The centrality of the machine to Constructivist theory and practice, as well as to Vertov’s work, is beyond dispute. However, it has obscured the influence of other models on Vertov as he came to make Man with a Movie Camera in the late 1920s, including one that is often thought of as antithetical to the machine, namely, the organism. Most obviously, Man with a Movie Camera is structured according to the daily cycle of a complex living organism such as an animal or human being—sleep, 1. -
Animation: Types
Animation: Animation is a dynamic medium in which images or objects are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today most animations are made with computer generated (CGI). Commonly the effect of animation is achieved by a rapid succession of sequential images that minimally differ from each other. Apart from short films, feature films, animated gifs and other media dedicated to the display moving images, animation is also heavily used for video games, motion graphics and special effects. The history of animation started long before the development of cinematography. Humans have probably attempted to depict motion as far back as the Paleolithic period. Shadow play and the magic lantern offered popular shows with moving images as the result of manipulation by hand and/or some minor mechanics Computer animation has become popular since toy story (1995), the first feature-length animated film completely made using this technique. Types: Traditional animation (also called cel animation or hand-drawn animation) was the process used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels which are filled in with paints in assigned colors or tones on the side opposite the line drawings. The completed character cels are photographed one-by-one against a painted background by rostrum camera onto motion picture film. -
1 Thursday, November 19, 2020 12:00 PM
Thursday, November 19, 2020 12:00 PM - 1:00 PM Eastern Time Elizabeth Velez | Chair, New York Building Congress “Social Responsibility – Economic Empowerment” Use our Voices to Advocate Directly in the Industry; High Level Economic Look at 2021/2022 Elizabeth Velez is an outspoken advocate for diversity and inclusion, and a sought after speaker on construction and infrastructure, leadership and mentoring. She is the President of the Velez Organization, a 50-year-old family owned and managed construction services firm - creating schools, hospitals and parks throughout New York. She is a Trustee of Boricua College; an accredited private institution serving students through three campuses in NY. She is the Chair of the New York Building Congress – notably the first Latina in its 99-year history. She serves on the advisory boards of numerous NYC and NYS agencies, industry non-profits, and groups supporting mentorship and scholarships for youth. She is a Board Member of Catholic Charities NY, the NYC Police Foundation, the Women’s Builders Council, Columbia University’s Center for Buildings, Infrastructure & Public Space, ACE-Mentor NY and Youthbridge. She serves as a Commissioner on the NYC Advisory Commission on Property Tax Reform, and following the COVID-19 pandemic, serves as Advisory Board Member for the NYS Forward Re-Opening Advisory Board, and on NYC Real Estate & Construction Sector Advisory Council. Following Hurricane Maria’s disastrous landfall, Elizabeth was appointed to Governor Cuomo’s NY Stands with Puerto Rico Recovery & Rebuilding Committee, and she has spearheaded numerous workforce and economic development programs – including a satellite corporate office in Ponce Puerto Rico. -
The Arrival of the First Film Sound Systems in Spain (1895-1929)
Journal of Sound, Silence, Image and Technology 27 Issue 1 | December 2018 | 27-41 ISSN 2604-451X The arrival of the first film sound systems in Spain (1895-1929) Lidia López Gómez Universitat Autònoma de Barcelona [email protected] Date received: 10-01-2018 Date of acceptance: 31-03-2018 PALABRAS CLAVE: CINE MUDO | SONIDO | RecepcIÓN | KINETÓFONO | CHRONOPHONE | PHONOFILM KEY WORDS: SILENT FILM | SOUND | RecepTION | KINETOPHONE | CHRONOPHONE | PHONOFILM Journal of Sound, Silence, Image and Technology | Issue 1 | December 2018. 28 The arrival of the first film sound systems in spain (1895-1929) ABSTracT During the final decade of the 19th century, inventors such as Thomas A. Edison and the Lumière brothers worked assiduously to find a way to preserve and reproduce sound and images. The numerous inventions conceived in this period such as the Kinetophone, the Vitascope and the Cinematograph are testament to this and are nowadays consid- ered the forerunners of cinema. Most of these new technologies were presented at public screenings which generated a high level of interest. They attracted people from all social classes, who packed out the halls, theatres and hotels where they were held. This paper presents a review of the newspa- per and magazine articles published in Spain at the turn of the century in order to study the social reception of the first film equip- ment in the country, as well as to understand the role of music in relation to the images at these events and how the first film systems dealt with sound. Journal of Sound, Silence, Image and Technology | Issue 1 | December 2018. -
{Septcmber 1966} A. J. Davis
{septcmber 1966} SA TURN IB lliFLIGHT PHOTOGRAPHIC lNSTRUMENTATION SYSTEM by A. J. Davis t>,L. ttas&ler, Jr. MEASURING BRANCH ASTRIONICS LA.BORATORY GEORGE C. MARSHALL SPACE FLIGHT CENTER Huntsville, Alabama Fon INTERNA L USE ONLY MSFC • Form \094 (Mny 1961) GEORGE C. MARSHALL SPACE FLIGHT CENTER SATURN IB INFLIGHT PHOTOGRAPHIC INSTRUMENTATION SYSTEM By A. J. Davis P. L. Hassler, Jr. Measuring Branch Astrionics Laboratory George C. Marshall Space Flight Center H1mtsville, Alabama ABSTRACT This Internal Note presents the development of the Saturn inflight photo graphic instrumentation program from its original development req_uirement concept to the flight hardware application on Saturn vehicles. A comprehensive description of the inflight photographic instrumentation system is given along with data concerning testing, operation, application, and evaluation of the system after recovery. This Internal Note shows that the system has been successfully developed, that valuable information has been obtained from film retrieved from recovered capsules, and that the system can be used·with a high degree of reliability. NASA-GEORGE C. MARSHALL SPACE FLIGHT CENTER INTERNAL NOTE SATURN ID INFLIGHT PHOTOGRAPHIC WSTRUMENTATION SYSTEM by A. J. Davis P. L. Hassler, Jr. ASTRIONICS LABORATORY PROPULSION AND VEHICLE ENGINEERING LABORATORY TABLE Or CONTENTS Fage SECTION I. INTRODUCTION 1 A. Project Hi.story 1 B. Inflight Photographic Instru�entation System 1 SECTION II. CAMERA AND OPTICAL AIDS 6 A. Camera . 6 B. Timer 7 c. Fiberoptic Bundle 9 D. Lenses . 10 E. Film . 11 F. Lighting . 13 G. Support Structure 21 H. Testing 28 SECTION III. CAPSULE EJECTION SYSTEM 36 A. Component Description 36 B. System Operation . 36 C. -
Annual Inventory Certification
04/19/2016 11:56 |TULSA COUNTY |P 1 6373jgat |ACTIVE ASSETS AS OF 04.15.16 |faloclst CUST CODE 003600 - 003650 DEPT TAG # SUB CLASS MANUF SERIAL # QTY ACQUIS DATE ACQUIS COST REPLACE COST REMARKS ROOM ASSET # DESCRIPTION CUSTODIAN EST LIFE CURR BOOK STATUS CAPITALIZE? ____________________________________________________________________________________________________________________________________ CUSTODIAN: 003600 SHERIFF'S DEPARTMENT 02500 01301050012 DESKS 01301050012 1 08/07/1990 848.90 848.90_________________ 0000053 STEELCASE DESK SHERIFF'S DEPAR 10 848.90 ACTIVE Y 02500 01301050013 DESKS 01301050013 1 08/07/1990 1,108.90 1,108.90_________________ 0000054 STEELCASE RETURN SHERIFF'S DEPAR 10 1,108.90 ACTIVE Y 02500 46112360018 COMPUTER EQUIPM SYS0310120130 1 05/02/2003 773.00 773.00_________________ 0005682 UPS SMART SU2200NET 2200VA 8 O SHERIFF'S DEPAR 8 773.00 ACTIVE Y 02500 46112360078 COMPUTER EQUIPM 1K2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005741 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005742 COMPUTER EQUIPM 4L2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005742 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 46112360081 COMPUTER EQUIPM 8J2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005744 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005747 COMPUTER EQUIPM 5K2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005747 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005748 COMPUTER -
Introduction Examples of Early Animation
Sabine Fox, 21101363 Introduction Animation first started out as still drawings, such as in cave paintings, which depicted animals or humans with multiple sets of legs, giving the illusion of movement. There has also been an ancient bowl found in Iran which features sequential images of a goat leaping to a tree. When putting animation into context of portraying actual movement by using mechanisms and sequential images, the earliest known animation was created for devices of Chinese inventor Ting Huan in 180 AD. The device was an earlier version of the zoetrope, where it held a series of drawings that rotated when the device was suspended over a lamp. When rotated at the right speed, it created an illusion of movement. Examples of early animation Thaumatrope, 1826, created by English physician John Ayrton Paris. -- It consisted of a disc with two images on opposite sides that merged together when the disc was quickly spun using strings. An example is a bird on one side and a cage on the other. In 1831 Joseph Plateau created the phenakistiscope -- a wheel that had slits around the edge. Under each slit were images on a paper slip that are almost similar to one another, and when the wheel is spun facing the mirror, the images appear to move. The zoetrope, designed by William George Homer in 1834 but wasn’t widely used until 1867. The device was similar to how the phenakistiscope worked -- did not require a mirror to see the images and was moved by turning the cylinder around. It also allowed for the images to be changed, which wasn’t possible with the phenakistiscope. -
Ideology of the Air
IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by SETH D. ASHLEY Dr. Stephanie Craft, Dissertation Supervisor MAY 2011 The undersigned, appointed by Dean of the Graduate School, have examined the dissertation entitled IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 presented by Seth D. Ashley a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________________ Professor Stephanie Craft ____________________________________________________________ Professor Tim P. Vos ____________________________________________________________ Professor Charles Davis ____________________________________________________________ Professor Victoria Johnson ____________________________________________________________ Professor Robert McChesney For Mom and Dad. Thanks for helping me explore so many different paths. ACKNOWLEDGEMENTS When I entered the master’s program at the University of Missouri School of Journalism, my aim was to become a practitioner of journalism, but the excellent faculty members I worked with helped me aspire to become a scholar. First and foremost is Dr. Stephanie Craft, who has challenged and supported me for more than a decade. I could not have completed this dissertation or this degree without her. I was also fortunate to have early encounters with Dr. Charles Davis and Dr. Don Ranly, who opened me to a world of ideas. More recently, Dr. Tim Vos and Dr. Victoria Johnson helped me identify and explore the ideas that were most important to me. -
Biographical Sketch: Alan Willner
Biographical Sketch: Alan Willner Alan Willner received a Ph.D. (1988) in Electrical Engineering from Columbia University and a B.A. (1982) in Physics and an Honorary Doctorate (Honoris Causa, 2012) from Yeshiva University. Prof. Willner was a Postdoctoral Member of Technical Staff at AT&T Bell Labs and a Member of Technical Staff at Bellcore. He is currently a Distinguished Professor of Electrical & Computer Engineering and the Steven & Kathryn Sample Chaired Professor of Engineering in the Ming Hsieh Dept. of Electrical & Computer Eng. of the Viterbi School of Eng. at the Univ. of Southern California. Prof. Willner has been a Visiting Professor at Columbia Univ., Univ. College London, and Weizmann Institute of Science. He has been a Member of the U.S. Army Science Board, a Member of the Defense Sciences Research Council (16-member body that provided reports to DARPA Director & Office Directors), and a member on many advisory boards. He was also Founder & CTO of Phaethon Communications, a company whose technology was acquired by Teraxion, that created the ClearSpectrum® dispersion compensator product line which is presently deployed in many commercial 40-Gbit/s systems worldwide. Prof. Willner has received the following honors: Member of the U.S. National Academy of Engineering, International Fellow of the U.K. Royal Academy of Engineering, Presidential Faculty Fellows Award from the White House, Ellis Island Medal of Honor, IEEE Eric Sumner Technical Field Award, Packard Foundation Fellowship in Science & Engineering, John Guggenheim Foundation Fellowship, U.S. Dept. of Defense Vannevar Bush Faculty Fellowship, Fellow of National Academy of Inventors, Institution of Eng. -
Using Digital Still Cameras
Step-by-Step Using Digital Still Cameras GENERIC INSTRUCTIONS FOR DIGITAL CAMERAS Every make and model of digital camera has a distinctive way of taking pictures, storing them, and transferring those pictures to your computer. Here are a few of the most common instructions for digital cameras other than the Sony Mavica. 1. Most digital cameras use a type of removable media to store the pictures. For example, some Sony models use the memory stick, and other companies use Smart Media Cards and another common media is the MultiMedia Card. 2. Most digital cameras have an interface to connect the camera directly up with your computer either via Serial Bus, or USB (Universal Serial Bus). 3. If the camera does not have an interface to connect to the computer , or it has an interface that is not compatible and has removable media then you must have a reader to access your pictures. 4. Depending on the manufacturer of the digital camera, there are many programs that allow you to view your pictures and/or download them to your computer. You should read the manual that comes with the digital camera. Megapixel / Resolution / Size When using a digital camera, you will need to decide what quality picture you want. Most cameras allow you to change the resolution of the picture to a lower quality so that you can store more pictures on the camera media. Likewise you can increase the resolution for a better quality picture, but fewer photos can be stored. Megapixel: The term megapixel means 1,000,000+ pixels. -
The Marriage That Almost Was Western Union Has Always Been R.Idiculed for Rejecting the All Telephone
RETROSPECTIVE .Innovation The marriage that almost was Western Union has always been r.idiculed for rejecting the telephone. But what actually happened wasn't so ridiculous after all The hirth of the telephone.,-one hundred years ago railway and illuminating gas to Cambridge, Mass. this month-is a fascinating story of the geJ;Jius and Long intrigued by telegraphy, he decided to do persistence of on.e man. In addition, it is an instruc something about what he called "this monopoly tive demonstration of how an industrial giant, in with its inflated capital which serves its stockhold this case the Western Union Telegraph Co., can ers better than the 'public and whose:rates are ex miss its chance to foster an industry-creating orbitant and prohibiting of many kinds of busi breakthrough-something that has happened again ness." Between 1868 and 1874, he lobbied unceas and again in electronics and other fields. ingly, shuttling back and forth betweep. homes in Between ·1875 and 1879, Western Union's chiefs Boston and Washington. for a private "postal tele engaged in an intricate minuet with Alexander graph company" to be chartered by Congress but Graham Bell and his associates. On more than one with Hubbard and some of his friends among the occasion, the telegraph colossus came excruciating incorporators. As Hubbard envisioned it, the com ly close to absorbing the small group of ~ntre pany would build telegraph lines along the nation's preneurs, That the absorption was finally avoided rail and post roads and contract with the Post was probably the result of a technological gamble Office Department to send telegrams on its wires ~t that simply didn't payoff, as rates roughly half those being charged by Western ••• The place: the ollie of well as a clash of personali Union.