I Hope They Serve Beer in Hell by Tucker Max and Nils Parker
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By Anne-Sophie Adelys
by Anne-Sophie Adelys © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 3 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz My name is Anne-Sophie Adelys. I’m French and have been living in New Zealand since 2001. I’m an artist. A painter. Each week I check “The Big idea” website for any open call for artists. On Saturday the 29th of June 2013, I answered an artist call titled: “Artist for a fringe campaign on Porn” posted by the organisation: The Porn Project. This diary documents the process of my work around this project. I’m not a writer and English is not even my first language. Far from a paper, this diary only serves one purpose: documenting my process while working on ‘The Porn Project’. Note: I have asked my friend Becky to proof-read the diary to make sure my ‘FrenchGlish’ is not too distracting for English readers. But her response was “your FrenchGlish is damn cute”. So I assume she has left it as is… © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 4 4 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz The artist call as per The Big Idea post (http://www.thebigidea.co.nz) Artists for a fringe campaign on porn 28 June 2013 Organisation/person name: The Porn Project Work type: Casual Work classification: OTHER Job description: The Porn Project A Fringe Art Campaign Tāmaki Makaurau/Auckland, Aotearoa/New Zealand August, 2013 In 2012, Pornography in the Public Eye was launched by people at the University of Auckland to explore issues in relation to pornography through research, art and community-based action. -
The Boggy Shoe the Magazine of Bh7 Hash House Harriers
THE BOGGY SHOE THE MAGAZINE OF BH7 HASH HOUSE HARRIERS 1087 MAR/APR 1999 RUNS ? 1084 1085 1086 1083 1086 1082 1081 1080 01-March-99 1080 Sussex Ox Milton Street Elaine 01273 493676 08-March-99 1081 Golden Cross Portland Road, Hove Ivan (100th) & Steve 01273 707182 15-March-99 1082 Shepherd & Dog Fulking David Hearle n/k? 22-March-99 1083 Star Steyning Greyhounds Chris etc. 01273 554148 29-March-99 1084 Wheatsheaf Cuckfield Bouncer (250th)Gabi 01273 779520 05-April-99 1085 Fountain Ashurst Auntie Jo Jex 01903 765163 12-April-99 1086 Royal Oak Poynings Rosemary (retirement) 01273 506571 19-April-99 1087 Flight Path Lowfield Heath Simon & Les 01444 232194 26-April-99 1088 Blacksmiths Arms Offham Mudlarks Nigel & Pete 01273 271441 All runs are on Mondays meet at 19.30 for 19.40 start Sschhpi-ell! Well another winter is nearly over and time to put the the old wossnames fading. This information is also available on the hashlights away. Good to see a few more town runs this internet and a hard copy will be given to anyone attending the next time. Gradually hares are getting used to setting shorter Interhash in Tasmania. Registrations go up 1st July so get in quick to runs in the dark and keeping checks short in built-up areas. avoid a hefty increase. Should mean a few short fast runs come BST! I have masses of material for the trash which is ready to be put in but Good luck to any idiots out there doing the London I may have to step down for a while come the summer. -
The Palm-Up Puzzle: Meanings and Origins of a Widespread Form in Gesture and Sign
REVIEW published: 26 June 2018 doi: 10.3389/fcomm.2018.00023 The Palm-Up Puzzle: Meanings and Origins of a Widespread Form in Gesture and Sign Kensy Cooperrider 1*, Natasha Abner 2 and Susan Goldin-Meadow 1 1 Department of Psychology, University of Chicago, Chicago, IL, United States, 2 Department of Linguistics, University of Michigan, Ann Arbor, MI, United States During communication, speakers commonly rotate their forearms so that their palms turn upward. Yet despite more than a century of observations of such palm-up gestures, their meanings and origins have proven difficult to pin down. We distinguish two gestures within the palm-up form family: the palm-up presentational and the palm-up epistemic. The latter is a term we introduce to refer to a variant of the palm-up that prototypically involves lateral separation of the hands. This gesture—our focus—is used in speaking communities around the world to express a recurring set of epistemic meanings, several of which seem quite distinct. More striking, a similar palm-up form is used to express the same set of meanings in many established sign languages and in emerging sign Edited by: systems. Such observations present a two-part puzzle: the first part is how this set of Marianne Gullberg, Lund University, Sweden seemingly distinct meanings for the palm-up epistemic are related, if indeed they are; the Reviewed by: second is why the palm-up form is so widely used to express just this set of meanings. We Gaelle Ferre, propose a network connecting the different attested meanings of the palm-up epistemic, University of Nantes, France with a kernel meaning of absence of knowledge, and discuss how this proposal could be Maria Graziano, Lund University, Sweden evaluated through additional developmental, corpus-based, and experimental research. -
293-8788 [email protected] RAINBOW BRITE HEADS to TOYS
FOR IMMEDIATE RELEASE CONTACT: Ilona Zaks United Media (212) 293-8788 [email protected] RAINBOW BRITE HEADS TO TOYS ‘R US WITH AN EXCLUSIVE LINE FROM PLAYMATES TOYS Fashion Dolls and Horses To Roll Out In Time For Holiday 2009 New York (June 2, 2009) -- Rainbow Brite’s master toy licensee Playmates Toys will be unveiling its much anticipated line of a contemporized fashion dolls and horses exclusively at Toys R’ Us in time for holiday 2009, honoring the nostalgic look, indomitable spirit and energy that Rainbow Brite embodies with a trendy tween redesign that girls will adore. Rainbow Brite plush, small dolls, large dolls, and play sets will follow at other select retailers in 2010. United Media, a leading independent licensing and syndication company, has been working with long- time partner Hallmark to build a licensing program in support of Rainbow Brite. Introduced by Hallmark Cards as an animated television series in 1984, the Rainbow Brite franchise generated $1 billion in retail sales of dolls, toys and other licensed products. Empowering a new generation of girls to spread hope and happiness, a new innovative program launch is underway featuring Rainbow and her best friends Tickled Pink and Moonglow. Rainbow Brite marks the third addition to the United Media and Hallmark licensing relationship, which also includes the popular hoops&yoyo and Maxine brands. Playmates Toys and Hallmark will support the Rainbow Brite product launch with character content online and in-pack and through the “Share A Rainbow” challenge, an inspiring socially-conscious program that taps kids’ desire to “help” and encourages girls to channel their energies into creating a better world. -
Everything In
University of Texas at El Paso ScholarWorks@UTEP Open Access Theses & Dissertations 2020-01-01 Everything In Greg Chavez University of Texas at El Paso Follow this and additional works at: https://scholarworks.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Chavez, Greg, "Everything In" (2020). Open Access Theses & Dissertations. 3149. https://scholarworks.utep.edu/open_etd/3149 This is brought to you for free and open access by ScholarWorks@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. EVERYTHING IN GREG CHAVEZ Master’s Program in Creative Writing APPROVED: Sylvia Aguilar-Zéleny, MH, MFA, Chair Jeffrey Sirkin, Ph.D. Annika Mann, Ph.D. Stephen L. Crites, Jr., Ph.D. Dean of the Graduate School Copyright © by Greg Chavez 2020 EVERYTHING IN by GREG CHAVEZ, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO December 2020 Acknowledgements I wish to express my sincerest gratitude for the entire creative writing community at UTEP. Your invaluable feedback and encouragement along the way has helped guide my writing into and out of spaces it had feared to tread. Special thanks to all my UTEP professors who challenged me to see writing and literature from perspectives never imagined. To my thesis committee, Professor Sylvia Aguilar-Zéleny, Dr. Jeffrey Sirkin, and Dr. -
Treasure Hunt Doll Auction Friday March 28, 2014 Starting 9:00 AM
Treasure Hunt Doll Auction Friday March 28, 2014 Starting 9:00 AM Friday Selling Times Large Gallery Room Gallery Session 9:00 AM- Treasure Hunt Dolls Item # 1001- 1618 (Green stickers) Terms and Conditions of Auction: 1. Payment: cash, certified check or personal check if known to the auctioneers. Visa, MC, Discover accepted. 15 % buyers premium. 5% discount for cash or check payment. Cash only payment may be specified for individual bidders at auctioneers request. 2. We have endeavored to describe all items to the best of our ability - however, this is not a warranty. All items are sold as is. The auctioneer has the right to make any verbal corrections at time of sale and to provide additional information. Inspection is welcomed during preview and anytime before the item is sold. 3. In case of disputed bid the auctioneer has the authority to settle disputes to the best of his ability and his decision is final. 4. The auctioneer has the right to reject any raise not commensurate with the value of the item being offered. Items are sold without reserve, unless advertised otherwise, except in the case of jewelry, gold, silver and currency. Jewelry and coins require an opening bid of 90 % of scrap value. Jewelry items with appraisals require an opening bid of 10% of appraised value. Currency must be 10 % over face value. 5. All sales are final and all items must be paid for each day of sale. A moving and storage fee may be assessed for items not picked up within 3 business days after auction. -
Feminism & Psychology
Feminism & Psychology http://fap.sagepub.com/ Vegan Sexuality: Challenging Heteronormative Masculinity through Meat-free Sex Annie Potts and Jovian Parry Feminism & Psychology 2010 20: 53 DOI: 10.1177/0959353509351181 The online version of this article can be found at: http://fap.sagepub.com/content/20/1/53 Published by: http://www.sagepublications.com Additional services and information for Feminism & Psychology can be found at: Email Alerts: http://fap.sagepub.com/cgi/alerts Subscriptions: http://fap.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://fap.sagepub.com/content/20/1/53.refs.html >> Version of Record - Feb 15, 2010 What is This? Downloaded from fap.sagepub.com at UNIV CALIFORNIA IRVINE on January 4, 2012 Annie POTTS and Jovian PARRY Vegan Sexuality: Challenging Heteronormative Masculinity through Meat-free Sex The terms ‘vegansexuality’ and ‘vegansexuals’ entered popular discourse following sub- stantial media interest in a New Zealand-based academic study on ethical consumption that noted that some vegans engaged in sexual relationships and intimate partnerships only with other vegans. At this time it was suggested that a spectrum existed in rela- tion to cruelty-free consumption and sexual relationships: at one end of this spectrum, a form of sexual preference influenced by veganism entailed an increased likelihood of sexual attraction towards those who shared similar beliefs regarding the exploitation of non-human animals; at the other end of the spectrum such a propensity might manifest as a strong sexual aversion to the bodies of those who consume meat and other animal products. -
Great Fashion Designs of the Nineties - Paper Dolls Free Download
GREAT FASHION DESIGNS OF THE NINETIES - PAPER DOLLS FREE DOWNLOAD Tom Tierney | 32 pages | 01 Feb 2001 | Dover Publications Inc. | 9780486413310 | English | New York, United States 13 Dolls From The '90s You Totally Forgot About The line did not take off immediately when it was introduced in Add to Watchlist Unwatch. This doll inspired her to come up with the concept of an adult fashion doll who we now all know as the iconic doll and media franchise Barbie, a name given to her as a reference to Handler's daughter, Barbara. He was the designer to iconic public figures, celebrities, and even royalty, most notably Princess Diana. No obvious damage to the cover, with the Great Fashion Designs of the Nineties - Paper Dolls jacket if applicable included for hard covers. And her models did not wear stiletto heels on the runway. It came out in and came with a fur-trimmed outfit that could match a Ski Fun Barbie absolutely perfectly. And hey, remember that My Little Pony connection? For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Learn more - eBay Money Back Guarantee - opens in new window or tab. The real detail in this Barbie comes from the fact that silk roses in different sizes cover her skirt. He grabbed the attention of many with his first fashion house inshowcasing clothes with unique combinations of colors and patterns. Between all the detail in the Barbie and her accessories, like the glass beads and the gorgeous feathered hat, and the fact that it Great Fashion Designs of the Nineties - Paper Dolls released as a limited edition doll, we're not surprised that it's so expensive now! Barbies have been released for many different seasons and holidays, but this winter Barbie is definitely one of the more sought out ones Great Fashion Designs of the Nineties - Paper Dolls collectors who love Barbie dolls. -
Prose in Poor Taste
PRO SE IN PO O R TA STE Editors Ben John Smith ~ Arthur Graham Copyright © 2017 by Horror Sleaze Trash ISB N -13: 978-1975745523 IS B N -1 0 : 19 7 5 7 4 5 5 2 3 /is book is a work of 3ction. Names, characters, business organizations, places, events, and incidents either are the product of the authors’ im agination or are used 3ctitiously. /e use of nam es of actual persons (living or dead), places, and characters is incidental to the purposes of the plot, and is not intended to change the entirely 3c tio n a l c h a ra c te r o f th e w o rk . No part of this work may be reproduced, stored in a retrieval system , o r tran sm itted b y an y m ean s w ith o u t the w ritten perm ission of the authors or publisher, with the exception of short excerpts used in articles and critical review s. Foreword HST isn’t run w ith any real sense of consistency or urgency. O r professionalism for that fucking m atter. It’s run from the oddity-crow ded spare room in a house in W estmeadow s, M elbourne. It’s ran w ith a scream ing one year old running dow n the hallw ay banging on a pot lid with a wooden spoon. It’s ran in conjunction w ith a full-tim e job as a sandblaster w ith a m ortgage. It’s patched together w ith saliva and claret. -
The Shrug: Forms and Meanings of a Compound Enactment Camille Debras
The Shrug: Forms and Meanings of a Compound Enactment Camille Debras To cite this version: Camille Debras. The Shrug: Forms and Meanings of a Compound Enactment. Gesture, John Ben- jamins Publishing, 2017, 16 (1), pp.1–34. 10.1075/gest.16.1.01deb. hal-01640701 HAL Id: hal-01640701 https://hal.parisnanterre.fr//hal-01640701 Submitted on 21 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Te shrug Forms and meanings of a compound enactment Camille Debras Université Paris Ouest Nanterre La Défense Te shrug is a widely shared gesture ensemble with several diferent compo- nents. Tese include: lifing the shoulders; rotating the forearms outwards with extended fngers to a “palm up” position; with mouth frmly closed, pulling the lips downwards (the “mouth shrug”), which may or may not be combined with raising the eyebrows and tilting the head to one side. It comprises a rich yet consistent network of forms (a single component or a combination of compo- nents can index the whole enactment). Tese components, together or in various combinations, are shown to express incapacity, powerlessness, indetermina- tion, indiference, obviousness which, we suggest, are unifed by a common semantic theme of personal disengagement. -
Tag Sale Sign
.-.rf - » - > ■> » M - MANCHESTER HERALD. Friday. May 16. 1966 S P O K 1 S TAG SALE SIGN Mariners handle A borrow show Are things piling up? Then why not hsve s TAG SALE? Yankees easily at the Parkade The host way to announce it is with a Heraid Tag Sate ... page 11 ... m a g a z in e in s id e Ctasstfted Ad. When you ptace your ad, you'tt receive ONE TAG SALE SIGN FREE, compliments of The Herald. STOP IN AT OUR OFFICE, 1 HERALD SQUARE. MANCHESTER KIT *N’ CARLYLE ®by Larry Wright MUSICAL H rralh ITEMS TA6 SALES mulmtnManchpsler - A City o( U illap Charm For Solo Sterling Upright CANIW^AWNTI i w Plano. Asking $150. Coll between 5:30 and 9:30pm CxO cusm VOOP- at 643-1095. __________ Tag Sole-Saturdoy May HTT6R. W. Saturday, May 17,1986 25 Cents 17th, 10-4, 97 Bridge St., 4^^ IPETSANO (Off Wetherall St.) Man m ic M U IG A lE chester. Rain or Shine. SUPPUES Expgrianoad adult wHI do Oumoe Hoctrte->~«tavlnf Oallyerlng^cieah^faf^ )SA Electrical Rrohlems? lodm;jiyardb«75glutlaK. ,1m Manchester High School full and port tima summar D eath Good Homes needed 2 bobyslttlna. maoit and Need g.loriBa or oi sjmdl Mock & white kittens, 6 Tog Sole. May 17, 9om- RegeIrT wg Sgoetiwai in School bomb snacks providod. Roaso* weeks, very friendly, 3pm. Spaces available. ncdila rates, coll 647-70S1, Rosidarttlat W o ^ dasaptl III iiMiaWiFiisipirn ....nail .... ' ;F****iipw trolned 447-9357. Coll 647-9504 or 643-0319. Dumas. Fully Lfeansed. -
Happy Dance, Slow Clap: Using Reaction Gifs to Predict Induced Affect on Twitter
Happy Dance, Slow Clap: Using Reaction GIFs to Predict Induced Affect on Twitter Boaz Shmueli1;2;3 , Soumya Ray2, and Lun-Wei Ku3 1Social Networks and Human-Centered Computing, TIGP, Academia Sinica 2Institute of Service Science, National Tsing Hua University 3Institute of Information Science, Academia Sinica [email protected] [email protected] [email protected] Abstract presently most human-annotated emotion datasets are labeled with perceived emotions (e. g., Strap- induced emotion Datasets with labels are parava and Mihalcea, 2008; Preo¸tiuc-Pietroet al., scarce but of utmost importance for many NLP tasks. We present a new, automated method for 2016; Hsu and Ku, 2018; Demszky et al., 2020). collecting texts along with their induced reac- Induced emotions data can be collected using phys- tion labels. The method exploits the online use iological measurements or self-reporting, but both of reaction GIFs, which capture complex affec- methods are complex, expensive, unreliable and tive states. We show how to augment the data cannot scale easily. Still, having well-classified with induced emotions and induced sentiment induced emotions data is of utmost importance labels. We use our method to create and pub- to dialogue systems and other applications that lish ReactionGIF, a first-of-its-kind affective aim to detect, predict, or elicit a particular emo- dataset of 30K tweets. We provide baselines for three new tasks, including induced senti- tional response in users. Pool and Nissim(2016) ment prediction and multilabel classification used distant supervision to detect induced emotions of induced emotions. Our method and dataset from Facebook posts by looking at the six available open new research opportunities in emotion emoji reactions.