Auction Sale Medieval & Renaissance Art

Total Page:16

File Type:pdf, Size:1020Kb

Auction Sale Medieval & Renaissance Art AMA NEWSLETER 102 16 mai 2013 AUCTION SALE MEDIEVAL & RENAISSANCE ART WORKS OF ART AND BEAUTIFUL FURNITURE FROM THE 17th -18th and 19th CENTURIES 22 May 2013 at 2:30pm Hôtel Le Bristol, Salon Castellane 112 rue du Faubourg Saint-Honoré 75008 Paris - France VIEWINGS: Hôtel Le Bristol, Salon Castellane 17th to 21st May: 9:30am to 9pm 22nd May: 9:30am to 12am Auguste RODIN (1840-1917) LE BAISER, 3rd reduction, december 1903 Signed Rodin - Stamped F. Barbedienne Fondeur n°32 and 58142 ulo (in ink) 15.55 in. high Provenance : private collection, France Certificate from Mr Alain Beausire and attestation from The Comité Rodin to include it into the Catalogue Critique de l’Œuvre sculpté d’Auguste Rodin www.kohn.fr MARC-ARTHUR KOHN SARL AUCTION HOUSE 24 avenue Matignon - 75008 Paris - France +33(0)1.44.18.73.00 - [email protected] Opérateur de ventes volontaires aux enchères publiques n° agrément : 2002418 AMA NEWSLETER 102 16 Mai 2013 En bref New York, the big A(rt)pple page 6 Data Chuck Close page 8 Musées page 13 Interview Le concept de Chambres à part de Laurence Dreyfus en version anglais page 17 Galeries page 19 Dossier Salon de Montrouge, les œuvres de Léa Que le marché de l’art soit une valeur sûre en cette période de crise Barbazanges le marché occidental en 2012 (Amérique, Europe, Australie, Nou- page 22 velle-Zélande) a progressé de 5,5 % avec des ventes totalisant 7,2 Christie’s New York Artistes © Christie’s Images page 23 Interview la ville réalise à elle seule plus de 95 % des ventes en valeur du Stéphane Corréard, pays, la part de marché américaine ayant cru de 23,5 % en 2011 à commissaire artis- tique du Salon de Montrouge page 24 sur les raisons du tel engouement du marché de l’art pour la grande Maisons de ventes page 27 New York, Eldorado des artistes européens Foires et festivals Le premier élément déclencheur de l’attrait des artistes européens page 29 À PROPOS D’AMA LICENCES PUBLICITÉ Art Media Agency (AMA) est une agence de AMA propose des licences d’exploitation Pour annoncer dans la Newsletter Profes- contenu spécialisé sur le marché de l’art. qui permettent à la fois de recevoir une sionnelle d’AMA, prenez contact avec notre AMA produit plus cent cinquante dépêches actualité exhaustive sur le marché de l’art, régie publicitaire : Art Régie par email hebdomadaires, toutes purement textu- mais aussi de réutiliser les contenus fournis. [email protected] ou par téléphone au elles, centrées sur l’actualité artistique et Si vous êtes intéressé, veuillez nous con- +33 (0) 1 75 43 67 20. marchande du monde de l’art. L’agence tacter à [email protected] pour Pour toute demande de partenariat, merci couvre aussi bien le marché français que obtenir plus d’information sur ces licences d’écrire à [email protected]. l’ensemble des marchés étrangers. d’utilisation de nos contenus. Ce doCument est à l’usage exClusif des Clients d’art media agenCy. ne pas distribuer. www.artmediaagency.com AMA NEWSLETTER 102 3 16 MAI 2013 New York, the big A(rt)pple - - - - - quotidiennes de la culture populaire américaine, comme des bouteilles de coca-cola, - Pléthore de Musées des musées les plus grands et les plus im- - - - considéré comme le principal concurrent - comprennent plus d’un million et demi l’art contemporain, en passant par l’art - tantes institutions muséales et galeries de tailles plus modestes et parmi elles, réalisées par des maîtres anciens ou encore des sculptures, porcelaines, mobiliers, Photo: David Heald © Solomon R. Guggenheim Foundation, New York - - Ce doCument est à l’usage exClusif des Clients d’art media agenCy. ne pas distribuer. www.artmediaagency.com AMA NEWSLETTER 102 4 16 MAI 2013 New York, the big A(rt)pple le secteur artistique et des institutions réputées y ont - plus de 60 institutions artistiques ont été créées et no- - Volonté participative de la communauté artistique - d’artistes renommés ont créé des installations publi- Sky Mirror d’Anish Kapoor, le Mosaic Man encore The Gates - à la création de nouvelles tendances artistiques dans tunnel de métro passant sous le Zoo de Central Park, lieu de prédilection de tous 1980 n’interdise de taguer les métros et les tunnels souterrains, ce qui a amené les Jackson Pollock, Number 19, 1948, oil and enamel on paper mounted on can- vas, Painted in 1948 Melting Pot par excellence Estimation: $25.000.000 sold: $58.363.750 World auction record for the artist © Christie’s Images semblerait qu’aucune communauté en particulier ne prédomine sur les autres, bien - - - - Aujourd’hui, apogée ou décadence ? - - Ce doCument est à l’usage exClusif des Clients d’art media agenCy. ne pas distribuer. www.artmediaagency.com AMA NEWSLETTER 102 5 16 MAI 2013 New York, the big A(rt)pple Calendrier booké ! - tations deviennent alors de vrais marathons pour les collectionneurs, qui apprécient ce regroupement leur - - - - - de mai verra ainsi la vente de milliers d’œuvres d’arts, avant que la roue ne tourne et que « the place to be » soit Hong Kong avec ArtBasel qui se déroule du 23 au 26 - Lot 7 The Collection of Alex & Elisabeth Lewyt Paul Cézanne Les Pommes Painted in 1889-90. ventes organisées entre le 13 et le 16 mai, Christie’s qui présente Woman with flowe- Oil on canvas red hat 15 x 18 inches Estimate $25/35 million Sold for $41.605.000 à la maison de réaliser un nouveau record avec une séance annonçant un résultat de ©Sotheby’s - Ce doCument est à l’usage exClusif des Clients d’art media agenCy. ne pas distribuer. www.artmediaagency.com AMA NEWSLETTER 102 6 16 MAI 2013 En bref… ACTUALITÉ DE LA SEMAINE… Un marché de l’art opaque, propice au blanchiment d’argent nales ont déclaré que l’œuvre Hannibal été interceptée à l’aéroport internatio- est l’une des milliers d’œuvres utilisées - - en réalité un tableau de Basquiat, d’une ment d’argent par le biais de l’art se traite genre de pratiques, puisque des ventes en - La peinture intitulée Hannibal, a été im- millions de dollars ont lieu en secret avec lé Money Laundering Through Art, escroquerie brésilienne visant à per- la réglementation est disparate entre les mettre de blanchir de l’argent, selon les réglementation de plus en plus concertée - se constate sur toutes les transactions où nos ou encore les négociants en pierres préparent actuellement le retour de la précieuses doivent rapporter toute acti- Les gouvernements du monde entier ont et le blanchissement d’argent s’évaluant pris des mesures pour éclairer ces pra- - - - la Commission européenne a voté une loi derniers et leurs clients, le secret est un silien qui a blanchi des détournements élément déterminant dans la pratique d’argent, par l’achat d’une collection d’art achat d’une œuvre dépassant la somme Les autorités américaines et internatio- rapports lorsque les transactions parais- ÉCOLE… POLÉMIQUE… Piet Zwart Institute L’inaliénabilité des réserves des FRAC pointée du doigt - gamme de pratiques (les arts visuels, le design, les institutions artistiques, la cri- - - met en question le principe de l’inaliénabilité des cipalement basés sur des séminaires et des ateliers animés par un groupe d’ar- Ce rapport, mis en ligne et disponible sur le site - - - - - FINANCEMENT… - Financer le contenu grâce au contenant - Le principe de l’inaliénabilité des collections portantes pour l’achat d’appareils connectés types smartphones ou tablettes, - - types d’avis pouvant conduire au déclassement ailleurs la loi Hadopi qui sanctionnait (par des amendes et la coupure de la Ce doCument est à l’usage exClusif des Clients d’art media agenCy. ne pas distribuer. www.artmediaagency.
Recommended publications
  • Post-War and Contemporary Art Evening Sale New York
    P o s t - War and Contemporary Art Evening Sale New York, 10 May 2016, Sale #12152 [All sold prices include buyer’s premium] Lots sold: 52 Total:$318,388,000 / £220,796,117 /€279,600,000 87% sold by lot Lots offered: 60 £0.69= $1 / €0.88=$1 91% sold by value Lot Description Estimate ($) Price Realized $57,285,000 Jean-Michel Basquiat (1960-1988), Untitled, acrylic on 36B canvas, Painted in 1982 Estimate on Request £39,726,075 €50,213,758 $32,645,000 Mark Rothko (1903-1970), No. 17, oil on canvas, Painted in $30,000,000 - 17B £22,638,696 1957 $40,000,000 €28,615,312 $28,165,000 Clyfford Still (1904-1980), PH-234, oil on canvas, Painted in $25,000,000 - 28B £19,531,900 1948 $35,000,000 €24,688,321 $13,605,000 Christopher Wool (B. 1955), And If You, enamel on $12,000,000 - 5B aluminum, Painted in 1992 $18,000,000 £9,434,813 €11,925,603 $10,693,000 Agnes Martin (1912-2004), Orange Grove, oil and graphite $6,500,000 - 25B £7,415,395 on canvas, Painted in 1965 $8,500,000 €9,373,060 $9,797,036 Joan Mitchell (1925-1992), Noon, oil on canvas, Painted in $5,000,000 - 18B £6,794,036 1969 $7,000,000 €8,587,661 $9,685,000 Richard Prince (B. 1949), Runaway Nurse, inkjet and $7,000,000 - 38B £6,716,366 acrylic on canvas, Painted in 2007 $10,000,000 €8,489,487 $9,349,00 Robert Ryman (B.
    [Show full text]
  • $495 Million Highest Total in Auction History
    PRESS RELEASE | N E W Y O R K FOR IMMEDIATE RELEASE | 1 5 M A Y 2 0 1 3 MAY 2013 POST-WAR AND CONTEMPORARY ART EVENING SALE ACHIEVED $495 MILLION HIGHEST TOTAL IN AUCTION HISTORY Christie’s auctioneer Jussi Pylkkanen, hammers down Jackson Pollock’s Number 19, 1948, which achieved the highest price for the artist at $58.3 million POLLOCK’S NUMBER 19, 1948, SOLD FOR $58M (£38.5M / €45.5M) A WORLD AUCTION RECORD FOR THE ARTIST LICHTENSTEIN’S WOMAN WITH FLOWERED HAT REALIZED $56M (£37M / €43M) A WORLD AUCTION RECORD FOR THE ARTIST DUSTHEADS FETCHED $48.8M (£32M / €38M), SETTING A NEW WORLD AUCTION RECORD FOR BASQUIAT GUSTON’S TO FELLINI, ACHIEVED $25.8 (£17M / €20) WORLD AUCTION RECORD FOR THE ARTIST STRONG INTERNATIONAL DEMAND FOR MASTERPIECES AND WORKS FROM PRESTIGIOUS PROVENANCE 16 NEW ARTIST RECORDS SET 3 WORKS SOLD ABOVE $40 MILLION, 9 ABOVE $10 MILLION, AND 59 ABOVE $1 MILLION New York – On May 15th Christie’s Post-War and Contemporary Art evening sale achieved a staggering $495,021,500 (£326,714,190/ €386,116,770), with a remarkably strong sell-through rate of 94% by value and by lot. Bidders from around the world competed for an exceptional array of Abstract Expressionist, Pop and Contemporary works from some of the century’s most inspiring and influential artists, including Jackson Pollock, Roy Lichtenstein and Jean-Michel Basquiat. The sale featured a range of superlative works from distinguished private collections and institutions, such as the Collection of Celeste and Armand Bartos and the Estate of Andy Williams.
    [Show full text]
  • Dark Side of the Boom
    dark side of the boom The Excesses of the Art Market in the Twenty-first Century Georgina Adam dark side of the boom First published in 2017 by Lund Humphries Office 3, 261a City Road London ec1v 1jx UK www.lundhumphries.com Copyright © 2017 Georgina Adam isbn Paperback: 978-1-84822-220-5 isbn eBook (PDF): 978-1-84822-221-2 isbn eBook (ePUB): 978-1-84822-222-9 isbn eBook (ePUB Mobi): 978-1-84822-223-6 A Cataloguing-in-Publication record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the permission of the copyright owners and publishers. Every effort has been made to seek permission to reproduce the images in this book. Any omissions are entirely unintentional, and details should be addressed to the publishers. Georgina Adam has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the Author of this Work. Designed by Crow Books Printed and bound in Slovenia Cover: artwork entitled $ made from reflector caps, lamps and an electronic sequencer, by Tim Noble and Sue Webster and One Dollar Bills, 1962 and Two Dollar Bills by Andy Warhol, hang on a wall at Sotheby’s in London on June 8, 2015. Photo: Adrian Dennis/AFP/Getty Images. For Amelia, Audrey, Isabella, Matthew, Aaron and Lucy Contents Introduction 9 Prologue: Le Freeport, Luxembourg 17 PART I: Sustaining the Big Bucks market 25 1 Supply 27 2 Demand: China Wakes 51 Part II: A Fortune on your Wall? 69 3 What’s the Price? 71 4 The Problems with Authentication 89 5 A Tsunami of Forgery 107 Part IiI: Money, Money, Money 127 6 Investment 129 7 Speculation 149 8 The Dark Side 165 Postscript 193 Appendix 197 Notes 199 Bibliography 223 Index 225 introduction When my first book, Big Bucks, the Explosion of the Art Market in the 21st Century, was published in 2014 the art market was riding high.
    [Show full text]
  • Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who Is Entitled to Property When There Are Conflicting Claims
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of North Carolina School of Law NORTH CAROLINA JOURNAL OF INTERNATIONAL LAW Volume 45 Number 2 Article 5 4-1-2020 Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who is Entitled to Property When there are Conflicting Claims Stefan D. Cassella Follow this and additional works at: https://scholarship.law.unc.edu/ncilj Part of the Law Commons Recommended Citation Stefan D. Cassella, Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who is Entitled to Property When there are Conflicting Claims, 45 N.C. J. INT'L L. & COM. REG. 393 (2020). Available at: https://scholarship.law.unc.edu/ncilj/vol45/iss2/5 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of International Law by an authorized editor of Carolina Law Scholarship Repository. For more information, please contact [email protected]. Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who is Entitled to the Property When There are Conflicting Claims By Stefan D. Cassella†1 I. Introduction ............................................................... 394 II. Overview of Forfeiture Law ...................................... 396 A. What is the Government’s Interest? .................... 396 B. Criminal and Civil Forfeiture ............................. 397 1. Criminal forfeiture ......................................... 398 2. Civil forfeiture ............................................... 399 3. The innocent owner defense .......................... 401 4. Parallel civil and criminal proceedings .......... 402 III. Theories of Forfeiture ................................................ 403 A. The Cultural Property Implementation Act (CPIA)… ............................................................. 403 1. Eighteenth Century Peruvian Oil on Canvas . 404 2.
    [Show full text]
  • Mulaifi to Resign After Shaddadiya Accident
    SUBSCRIPTION WEDNESDAY, MAY 14, 2014 RAJAB 15, 1435 AH www.kuwaittimes.net Pedophile A future of UN talks Djokovic US teacher thirst: Water take aim wins in Rome abused scores, crisis lies on at ‘killer on return clues14 missed the15 horizon robots’27 from20 injury Mulaifi to resign after Max 35º Min 22º Shaddadiya accident High Tide 11:08 Low Tide Two workers killed at university construction site 05:22 & 18:12 40 PAGES NO: 16165 150 FILS By A Saleh & Hanan Al-Saadoun KUWAIT: Two Egyptian workers were killed at a mega Local camel herders take no precautions university construction site yesterday, and Education Minister Ahmad Al-Mulaifi is expected to resign follow- By Nawara Fattahova ing the incident. The incident happened at Kuwait University’s Shaddadiya site where at least two workers KUWAIT: Despite warnings from neighboring were buried in an 8-m deep hole after a landslide. The Saudi Arabia about the link between camels and victims were identified as Majdi Faraj Salem Al-Sayed cases of the coronavirus known as MERS (Middle and Mohammad Rabeia Ahmad Hassan. Meanwhile, a East Respiratory Syndrome), no camel breeders or search was ongoing for a potential third worker who herders in Kuwait are taking precautions to protect could have been buried under the sand as well, accord- themselves against potential transmission. On ing to unconfirmed Sunday, Riyadh warned anyone working with reports. camels to take extra precautions and to wear Shortly after news gloves and masks. But in Kuwait yesterday at the about the incident camel market in Kabd, workers and breeders were broke, reports suggest- freely mixing with the camels, feeding and caring ed that Mulaifi is plan- for the desert animal without masks, gloves or oth- ning to resign in order er precautions.
    [Show full text]
  • The Innovators Issue Table of Contents
    In partnership with 51 Trailblazers, Dreamers, and Pioneers Transforming the Art Industry The Swift, Cruel, Incredible Rise of Amoako Boafo How COVID-19 Forced Auction Houses to Reinvent Themselves The Innovators Issue Table of Contents 4 57 81 Marketplace What Does a Post- Data Dive COVID Auction by Julia Halperin • What sold at the height of the House Look Like? COVID-19 shutdown? by Eileen Kinsella • Which country’s art • 3 top collectors on what they market was hardest hit? buy (and why) The global shutdown threw • What price points proved the live auction business into • The top 10 lots of 2020 (so far) most resilient? disarray, depleting traditional in every major category houses of expected revenue. • Who are today’s most Here’s how they’re evolving to bankable artists? 25 survive. The Innovators List 65 91 At a time of unprecedented How Amoako Art Is an Asset. change, we scoured the globe Boafo Became the Here’s How to to bring you 51 people who are Breakout Star of Make Sure It changing the way the art market Works for You functions—and will play a big a Pandemic Year role in shaping its future. In partnership with the by Nate Freeman ART Resources Team at Morgan Stanley The Ghanaian painter has become the art industry’s • A guide to how the art market newest obsession. Now, he’s relates to financial markets committed to seizing control of his own market. • Morgan Stanley’s ART Resources Team on how to integrate art into your portfolio 2 Editors’ Letter The COVID-19 pandemic has forced the art world to reckon with quite a few
    [Show full text]
  • The Japanese Collector Recently Set the Auction Record for Jean-Michel Basquiat—Twice
    AiA Art News-service MARKET THE 200 TOP COLLECTORS Maezawa’s World: The Japanese Collector Recently Set the Auction Record for Jean-Michel Basquiat—Twice BY Nate Freeman POSTED 09/11/17 11:50 PM 241 150 1 407 Yusaku Maezawa photographed in his home in Tokyo, 2017. ©KOHEY KANNO It was just after 8 p.m. on May 18, 2017, when a painting by Jean-Michel Basquiat sold for more than $110 million at Sotheby’s, blasting past the pre-sale estimate of $60 million. It set a new auction record for the artist and became the sixth most expensive artwork ever to sell at auction. The initial reaction in the salesroom was a collective gasp, followed by wild applause—and then, perhaps, some quick mental tabulations in the minds of collectors with Basquiats on their walls. Next, everyone started to wonder: who bought the damn thing? All was revealed within minutes, when Japanese collector Yusaku Maezawa posted an image to his lively Instagram account of himself standing in front of the untitled black-on-blue skull from 1982. “I am happy to announce that I just won this masterpiece,” he wrote in the caption. The purchase capped Maezawa’s lightning-fast shoot to the front of the global collecting rat race, and the folk story of the sky-high total soon became a crossover sensation. Once again, the world was talking about the American artist who died of a heroin overdose on Great Jones Street in 1988, when he was only 27 years old. An illustration of Yusaku Maezawa’s infamous Instagram post by Alexandra Compain-Tissier.
    [Show full text]
  • Reading Sample
    BASQUIAT BOOM FOR REAL 191115_Basquiat_Book_Spreads.indd 1 20.11.19 14:31 EDITED BY DIETER BUCHHART AND ELEANOR NAIRNE WITH LOTTE JOHNSON 191115_Basquiat_Book_Spreads.indd 2 20.11.19 14:31 BASQUIAT BOOM FOR REAL PRESTEL MUNICH · LONDON · NEW YORK 191115_Basquiat_Book_Spreads.indd 3 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 4 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 5 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 6 20.11.19 14:31 8 FOREWORD JANE ALISON 4. JAZZ 12 BOOM, BOOM, BOOM FOR REAL 156 INTRODUCTION DIETER BUCHHART 158 BASQUIAT, BIRD, BEAT AND BOP 20 THE PERFORMANCE OF FRANCESCO MARTINELLI JEAN-MICHEL BASQUIAT ELEANOR NAIRNE 162 WORKS 178 ARCHIVE 1. SAMO© 5. ENCYCLOPAEDIA 28 INTRODUCTION 188 INTRODUCTION 30 THE SHADOWS 190 BASQUIAT’S BOOKS CHRISTIAN CAMPBELL ELEANOR NAIRNE 33 WORKS 194 WORKS 58 ARCHIVE 224 ARCHIVE 2. NEW YORK/ 6. THE SCREEN NEW WAVE 232 INTRODUCTION 66 INTRODUCTION 234 SCREENS, STEREOTYPES, SUBJECTS JORDANA MOORE SAGGESE 68 EXHIBITIONISM CARLO MCCORMICK 242 WORKS 72 WORKS 252 ARCHIVE 90 ARCHIVE 262 INTERVIEW BETWEEN 3. THE SCENE JEAN-MICHEL BASQUIAT, GEOFF DUNLOP AND SANDY NAIRNE 98 INTRODUCTION 268 CHRONOLOGY 100 SAMO©’S NEW YORK LOTTE JOHNSON GLENN O’BRIEN 280 ENDNOTES 104 WORKS 288 INDEX 146 ARCHIVE 294 AUTHOR BIOGRAPHIES 295 IMAGE CREDITS 191115_Basquiat_Book_Spreads.indd 7 20.11.19 14:31 Edo Bertoglio. Jean-Michel Basquiat wearing an American football helmet, 1981. 8 191115_Basquiat_Book_Spreads.indd 8 20.11.19 14:31 FOREWORD JANE ALISON Jean-Michel Basquiat is one of the most significant painters This is therefore a timely presentation of a formidable talent of the 20th century; his name has become synonymous with and builds on an important history of Basquiat exhibitions notions of cool.
    [Show full text]
  • Andy Warhol 'Jean-Michel Basquiat'
    Basquiat Boom for Real 2 Introduction 4 New York /New Wave 9 SAMO© 12 Canal Zone 15 The Scene 20 Downtown 81 22 Beat Bop 25 Warhol 33 Self-Portrait 36 Bebop (Wall) 40 Bebop (Vitrine) 42 Art History (Wall) 45 Art History (Vitrine) 46 Encyclopaedia (Walls) 52 Encyclopaedia (Column) 55 Encyclopaedia (Vitrine) 57 Notebooks 59 The Screen 64 Interview Jean-Michel Basquiat was one of the most significant artists of the 20th century. Born in Brooklyn in 1960, to a Haitian father and a Puerto Rican mother, he grew up amid the post-punk scene in lower Manhattan. After leaving school at seventeen, he invented the character ‘SAMO©’, writing poetic graffiti that captured the attention of the city. He exhibited his first body of work in the influential group exhibition ‘New York/New Wave’ at P.S.1, Institute for Art and Urban Resources, Inc., in 1981. When starting out, Basquiat worked collaboratively and fluidly across media, making poetry, performance, music and Xerox art as well as paintings, drawings and objects. Upstairs, the exhibition celebrates this diversity, tracing his meteoric rise, from the postcard he plucked up the courage to sell to his hero Andy Warhol in SoHo in 1978 to one of the first collaborative paintings that they made together in 1984. By then, he was internationally acclaimed – an extraordinary feat for a young artist with no formal training, working against the racial prejudice of the time. In the studio, Basquiat surrounded himself with source material. He would sample from books spread open on the floor and the sounds of the television or boom box – anything worthy of his trademark catchphrase ‘boom for real’.
    [Show full text]
  • BASQUIAT Mississippi, 1982 21.8% B
    THE PAINTING ANNUAL APPRECIATION OF SIMILAR WORKS¹ BASQUIAT Mississippi, 1982 21.8% b. 1960, New York–d. 1988, New York Acrylic and oilstick on two INITIAL OFFERING joined canvases $13,320,000 78 x 41 in. (198.1 x 104.1 cm.) APPRAISED VALUE Offering Circular: sec.gov/edgar $20,000,000 The Painting is a striking example of Wave. Shortly following the show at PS1, Jean-Michel Basquiat’s figurative work, Basquiat was offered a studio and stipend which derives its title from the repeated by the gallerist Annina Noisei, who orga- text: “mississippi”, written in white oilstick nized his first solo show at her eponymous on the green upper third of the right panel. gallery in 1982. That same year, Basquiat Jean-Michel Basquiat Two adjoined panels make up the full com- travelled to Los Angeles and began to work (b. 1960, New York - d. position, and on the left, an upright figure on his first show for the famed Gagosian is rendered predominantly in black, with Gallery. Throughout his brief and glamor- 1988, New York) is widely its right arm raised above its head. Written ous career, the artist explored the experi- five consecutive times on the right panel, ence of black identity in America, a topic considered to be one the text “mississippi” reminds the viewer still relevant today. By the time a profile of Basquiat’s interest in the Civil Rights of Basquiat, titled “New Art, New Money,” of the most interesting Movement and the ongoing engagement was published in The New York Times Mag- and controversial artists with the topic of race in his work.
    [Show full text]
  • A Review of Poems from South Carolina Prisons Edited by Kenneth Denberg a Review of Poems from South Carolina Prisons
    A Review of Poems from South Carolina Prisons Edited by Kenneth Denberg A Review of Poems from South Carolina Prisons Edited By Kenneth Denberg S. C. ST~TE UB\{f.\R~ :.. ~A' · ?. r:: 1982 STATE DOCUMENTS SOUTH CAROLINA ARTS COMMISSION 1800 Gervais Street • Columbia, S.C. 29201 • 758-3442 SOUTH CAROLINA ARTS COMMISSION Rebecca Mays (Chairman), Charleston John Davenport, Greenville Richard McMahan, Lexington Samuel Tenenbaum, Columbia Steve McCrae, Jr., York Winfield Sapp, Jr., Charleston Thomas Creech, Greenville Josephine Tompkins, Columbia Patricia Singleton, Conway SOUTH CAROLINA ARTS COMMISSION EXECUTIVE STAFF Scott S. Sanders, Executive Director Suzette Surkamer, Arts Development Director Joyce Huey, Program Support Services Division Director Harry Harrison, Arts In Prisons Program Coordinator Copyright © 1981 South Carolina Arts Commission "Lock & Key" is published by the South Carolina Arts Commission with support from the National Endowment for the Arts and the South Carolina Department of Corrections. ISBN. No. 0-932158-00-5 Library of Congress Cataloging in Publication Data Main title under Entry: Lock & Key, A Review of Poems from South Carolina Prisons. Many thanks to Elise Goyette for general assistance. TABLE OF CONTENTS Introduction ............ ................. .. ... ......... 5 William Porter Five Poems ........................................ .. 13 Leonard Hamilton Four Poems ........... .................... .. ..... 17 Clarence Hines, Jr. Four Poems ..... ................................... 20 Issac E. Slappy 1- Three
    [Show full text]
  • Historical, Record-Breaking Week for Christie's Totaled
    PRESS RELEASE | N E W Y O R K FOR IMMEDIATE RELEASE | 16 MAY 2013 HISTORICAL, RECORD-BREAKING WEEK FOR CHRISTIE’S SPRING POST-WAR AND CONTEMPORARY ART AUCTIONS IN NEW YORK TOTALED $638.6 MILLION WITH THE 11TH HOUR AUCTION, EVENING SALE AND DAY SALES CHRISTIE’S LED THE ART MARKET WITH HIGHEST TOTAL EVER, IN ANY CATEGORY New York— This week, Christie’s Post-War and Contemporary Art department set a new benchmark for the art market, raising a staggering total of $638,615,900 (£420,248,526/ €497,974,951) and setting 37 new records during its victorious sale week. “We are thrilled to announce an unprecedented overall total of $638.6 million for this week’s Post-War and Contemporary Art sale series. The remarkable bidding and record prices throughout the four sales reflect a new era in the art market, wherein seasoned collectors and new bidders compete at the highest level within a global market” noted Brett Gorvy, Chairman and International Head of Post-War and Contemporary Art. Beginning the week was The 11th Hour Auction on May 13th, which proved to be the biggest wildlife charity auction ever staged as it raised $38,827,000 (£25,237,550 / €30,285,060) and set several new auction records. The triumphant Evening sale on May 15th raised an unmatched $495,021,500 (£326,714,190/ €386,116,770)—the highest total in auction history, setting an astonishing 16 new auction records for the foremost artists of the last six decades, with 3 works sold above $40 million, 9 above $10 million and 23 above $5 million.
    [Show full text]