A Guide to Concept Teaching, United States History, Grade 9.(From Reconstruction to the Present)

Total Page:16

File Type:pdf, Size:1020Kb

A Guide to Concept Teaching, United States History, Grade 9.(From Reconstruction to the Present) DOCUMENT RESUME ED 068 464 SP 007 344 TITLE A Guide to Concept Teaching, United States History, Grade 9.(From Reconstruction to the Present). INSTITUTION Madison Public Schools, Wis. PUB DATE 68 NOTE 301p. EDRS PRICE MF-$0.65 HC-$13.16 DESCRIPTORS *Concept Formation; Curriculum Development; *Curriculum Guides; *Grade 9; *History; *Social Studies ABSTRACT GRADES OR AGES: Grade 9. SUBJECT MATTER: United States history. ORGANIZATION AND PHYSICAL APPEARANCE: The conceptual approach forms the basis for each of four sections: Defining and Implementing a Conceptual Approach to Teaching Social Studies; Social Studies Skills To Be Developed and Reinforced by the Learner; Classroom Curriculum Planning; and a Conceptual Guide-U.S. History, Reconstruction; 1877 to the present. The conceptual guide covers six units: a review of issues in U. S. History 1787-1877, economic and social change 1877-1920, changes in government and political life 1877-1920, American foreign relations 1865-1920, the period of 1920-1940, and the themes in contemporary U.S. History 1540-present. The guide is lithographed and spiral-bound with a soft cover. OBJECTIVES AND ACTIVITIES: An overview of objectives is presented in the introduction to the conceptual guide. Activities are suggested under Student Learning Experiences. INSTRUCTIONAL MATERIALS: Books, records, films, filmstrips, and transparencies are listed under Instructional Materials. STUDENT ASSESSMENT: No provision is made for evaluation. (MJM) U.S. 0 EO 0 THIS 00 OUCEO E THE PENS INATING I IONS ST REPRESE 0 CATION P JW 1 A GUIDE TO CONCEPT TEACHING UNITED STATES HISTORY, Grade 9 (From Reconstruction to the Present) FILMED FROM BEST AVAILABLECOPY Department of Curriculum Develcpment Madison Public Schools I 1968 U.S. 0 U.S. DEPARTMENT OFHEALTH. ED EDUCATION & WELFARE 0 OFFICE OFEDUCATION HIS DO THIS DOCUMENT HASSEEN OCE0 REPRO- OUCEO EXACTLY ASRECEIVEO FROM HE PERS THE PERSON OR ORGANIZATION ORIG- MOOG I INATING IT POINTS (IFVIEW OR OWN- )NS ST IONS STATED 00 NOT NECESSARILY EPRESE REPRESENT OFFICIALOFFICE OF EDO, ATION CATION POSITION OR POLICY. A GUIDE TO CONCEPT TEACHING UNITED STATES HISTORY, Grade 9 (From Reconstruction to the Present) FILMED FROM BESTAVAILABLE COPY Department of CLrriculum Development Madison Public Schools 1968 TABLE OF CONTENTS 1 THE CONCEPTUAL APPROACH 3 DEFINING AND IMPLEMENTING A CONCEPTUAL APPROACH TO TEACHING SOCIAL STUDIES 5 A. Introduction 7 B. Defining the Conceptual Approach to TeachingSocial Studies 10 C. Social Studies Concepts 12 D. An Illustration of How Social Studies ConceptsAre Related to Understandings 13 E. Implementing the Conceptual Approach in the Social Studies'Classroom 15 SOCIAL STUDIES SKILLS TO BE DEVELOPED ANDREINFORCED BY THE LEARNER 21 CLASSROOM CURRICULUM PLANNING 25 Determining Objectives 26 Selecting and Planning Appropriate LearningExperiences 27 Evaluation 39 Visual and Quantitative Chart for the Measurementof Skill Development 41 Cognition - Hierarchies of Difficulty 44 Sources 49 The Place of Audiovisual Materials in ConceptTeaching 50 CONCEPTUAL GUIDE - U.S. HISTORY, RECONSTRUCTION 1877 TO THE PRESENT 55 Objectives for U.S. History (Reconstruction to the Present)Grade 9 56 'Unit Sequence 58 UNIT I - A REVIEW OF ISSUES IN UNITED STATES HISTORY, 1787-1877 59 Introduction of References Concerning Negroes in AmericanHistory 74 Evaluation in a Conceptual Approach 78 UNIT II - ECONOMIC AND SOCIAL CHANGE FROM 1877-1920 81 UNIT III - CHANGES IN GOVERNMENT AND POLITICALLIFE, 1877-1920 109 UNIT IV - AMERICAN FOREIGN RELATIONS, 1865-1920 133 UNIT V - A TIME OF PROSPERITY, TRIAL, AND RECOVERY, 1920-1940 155 UNIT VI - TPOES IN CONT:PORARY UNITED STATES HISTORY, 1940-PRESENT 175 2 -1 FOREWORD The "Dark Ages" were not dark, and the "Age of Reason" did not seem reasonable to the people who were living during that period. Rare was the person who experienced any real comprehension of the bent and direction his society was taking at any given time. It has remained for the historian writing generations later to identify and conceptualize the experience of man.This is as it has been, but this is as it cannot remain. The knowledge explosion and the kaleidoscope of culture change which has blended yesterday and today into tomorrow have created value conflicts within our society. The "generation gap" syndrome now being telegraphed with such clarity demands that we refine and enhance the abilities of our students to conceptualize more effectively the world as it is, while they prepare to shape their world of tomorrow. Suggestions in the Guide to Concept Teaching in United States History From Reconstruction to the Present, emphasize and encourage the development of a functional approach to learning.Rein- forcement of ideals, clarification of values and attitudes, as well as refining appreciations and understandings, are the focus of this approach. With sharper definition of Negro visibility, the role of various ethnic groups has been stressed in the social studies curriculum to realize socie- tal needs more concretely while setting a foundation for positive action in democratic living. We appreciate the efforts of the various committees who during the last three years have helped to make this guide a reality. DOUGLAS S. RITCHIE Superintendent Social Studies Committee 1966 Douglas Mullen, Chairman Alfred Colucci David Parker Clinton Barter Garith Kangas Thomas Patterson Charles Q. Carlson James Lake Russell Phelps Social Studies Committee 1967 Charles Q. Carlson Susan Felton Garith Kangas Social Studies Committee 1968 Douglas Mullen Arthur H. Mennes. Omar N. Kussrw 7irector cf Curriculum Development Coordinator of Social Studies 3 THE CONCEPTUAL APPROACH The summer curriculum committee in social studies centered their attention on the conceptual approach to the teaching of American history in grade nine. Concepts are broad expanding categories of knowledge. A curriculum based on concept development is designed to give the learner a frame of reference for thinking and under- standing. There is agreement by the summer committee that the various social studies disciplines merit attention in the elementary and secondary schools' social studies program. The concept approach encompasses all social studies disciplines.The committee has selected a number of basic concepts which in turn have been translated into meaningful social studies experiences. The conceptual approach should show relationships of various subject fields. It should expose the student to important ideas in these disciplines. It should avoid fractionaliza- tion of the social studies into small unrelated compartments. More attention at all grade levels has been given to the disciplines of economics, geography, history, political science, and sociology. More intensive attention to all the disciplinee should add perspective and comprehension to the true meaning of conceptual teaching in helping the student understand his world and in giving dimension to political, social and economic experiences. Students should see that there are many ways of looking at a concept, and should be able to glean from all the disciplines new and varied understandings which are related to the central ideas or concepts. ARTHUR H. MEKNES Director, Curriculum Development OMAR N. KUSSOW Coordinator of Social Studies DEFINING AND IMPLEMENTING A CONCEPTUAL APPROACH acts Understandings CONCEPTS Values Attitudes Interests TO TEACHING SOCIAL STUDIES A. ErrIFCTX.:1-31; :hat we 12:e in a world more marked by change than ever before hasbrought the double imo=ct c :' the knowledge explosion and the need to be able to make creative,first-time deciecns into sharper focus. National and state efforts to re-evaluate social studies curricula show clear recognition of these needs. Today, an increasing emphasis is being placed upcn understanding of subject matter. This requires more than "covering the social studies text=7."Eastanding subject matter means recognizingit, organizing it, judging it, and being able to apply it creatively to new situations. A rapidly changing world requires that the studentprepare himself to find out things on his own. If he is taught the three reasons for the Populist Revolt, he is gaininglittle that will be of use to him in the future. If he can be placed in the Populist periodas a partici- pant through the use of a variety of imaginative materials, hecan be helped to ask the right questions that are relevant to the period. He can then ask those questions to find what isa fact and what is not a fact, to develop a tentative hypothesisand verify it through the use of evidence, and to apply his findings tonew situations. If we can assist the student to do this, then we are helping him to live in a changing world. To most effectively prepare the student to live ina world of rapid change, Jerome Bruner and others suggest that teachers can assisL the student to culleCtand organize into concepts the multiplicity of facts that confront them. These concepts can then be used to formulate hypotheses which, in turn, will help the student revise his theory aboutgiven social phenomena. Rationale The State Department of Public Instruction committeeworking on curriculum revision in Wisconsin gives the following reasons for a conceptual approach: "In 1900 civics, history, and geographywere the dominant, if not the only, offerings in the social studies curriculumas taught within the ele- mentary and secondary school. The disciplines of history and geography are still the central core of social studies instruction. However, today with
Recommended publications
  • Kelly, J.J..Pdf
    THE MUSE DONS KHAKI: AMER ICAN SONGS AND MUSIC OF WORLD WAR I by Jacquelin Joan .~~lly Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements for the degree of :Master of Arts 1963 ( . I APPROVAL SHEET Title of Thesis: The Muse Dons Khaki: American Songs and Music of World War I Name of Candidate: Jacquelin Master of Date Approved: ojd1 / b J ABSTRACT Title of Thesis: The Muse Dons Khaki: American Songs and Music of World War I Jacquelin Joan Kelly, Master of Arts, 1963 Thesis directed by: Gordon w. Prange, Professor Department of History During the years 1917 and 1918 the United States participated in a 11 war to end all wars. 11 During the conflict the government deliberately enlisted the power of song both at home and on the fighting front to help in the great task of winning the war. The idea of organized singing in the training of the U. s. Arrrry was comparatively new at the time America entered Wor ld War I, but it soon came to be recognized as an integral part of the training itself. The government encouraged singing in the army both on marches and in leisure-time groups because it contributed substantially to the enjoyment, contentment and efficiency of the soldier. The ballads, however, that eased tired muscles after a long days march and boosted morale after a day of heavy fighting were not government sponsored songs, but parodies and GI folk songs that the Sammies themselves composed.
    [Show full text]
  • Heart of Danger by Gerald Seymour
    Heart of Danger by Gerald Seymour To Gillian, Nicholas and James PROLOGUE. "Back again?" Yes, he was back again. Back again in Library. A smile for the supervisor that was not returned, as it had not been returned on either of the two days that he had been in Library the previous month, nor the two days of the month before that. Henry Carter's smile was brief, just enough to be polite. He looked for a table that was free. "Train was late, I'm afraid," he said mildly. He wiped the rain from his scalp. "It's a dreadful service." He was the interloper, really, an unwanted male in a feminine world, and he supposed that he inhibited conversation on men, cystitis, brassieres, mortgage rates, curtain hanging, school meals, Gilts versus Equities, tampons, whatever women talked about these days. The table that was free was placed furthest from the small supply of natural light permitted to filter through to the half basement floor of Library. Pretty poor light anyway because the windows were of blast-proof glass that distorted and were copper-tinted to block the electromagnetic signals from the computers being monitored by any electronic surveillance from across Vauxhall Bridge. Different from his day. Seemed to have managed without lead-lined rooms and copper-tinted windows and computers in silicon casings and fingerprint recognition locks on interior doors, managed pretty well, and kept a few secrets .. He should not complain. He found space on the coat stand for his overcoat. His pension, even index-linked, was inadequate.
    [Show full text]
  • WAR SIRENS: HOW the SHEET MUSIC INDUSTRY SOLD WORLD WAR I a THESIS in Musicology Presented to the Faculty of the University Of
    WAR SIRENS: HOW THE SHEET MUSIC INDUSTRY SOLD WORLD WAR I A THESIS IN Musicology Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF MUSIC By KRISTIN GRIFFEATH B.M, Lawrence University Conservatory of Music, 2003 M.M., University of Arizona, 2008 D.M.A., University of Missouri-Kansas City, 2011 Kansas City, Missouri 2011 ©2011 KRISTIN GRIFFEATH ALL RIGHTS RESERVED WAR SIRENS: HOW THE SHEET MUSIC INDUSTRY SOLD WORLD WAR I Kristin Griffeath, Candidate for the Master of Music Degree University of Missouri-Kansas City, 2011 ABSTRACT During World War I the U.S. Committee on Public Information (CPI) sponsored a national culture of war in posters, speeches, and films. Against this war-soaked cultural backdrop, the sheet music industry echoed the pervasive messages of the CPI, often using images of women to appeal to the American people. Connections between sheet music and CPI poster themes reflect the cultural dominance of war messages, and themes from various CPI-sponsored materials recur as motifs in the era’s sheet music. The sheet music covers, lyrics, and musical cues reinforced prototypical roles for women during the war (from angelic nurses to flirtatious tomboy recruits) as established in the poster art, revealing a gendered cultural code. By purchasing sheet music and carrying it into their homes, American citizens literally bought into the war propaganda, heeding the siren call of the female imagery in CPI advertising to invest materially and emotionally in the war effort. Analysis of cover art, titles, lyrics, and musical examples highlights the use of archetypal images of women from poster and advertising traditions, suggesting that the sheet music industry was an unofficial partner of the CPI.
    [Show full text]
  • Atlantic Pra
    D -u IBSUME' 702 010 055 McAnd m J.; Elliott; Peter J. Teachimg Ctnada: A.Bibliography. 2ndEdit Wevlised, inces 'INSTITUTION- Maine Univ., Orono.'New England Atlantic Pra, . - Quebec Center. Donner (William 11-.)Foundation. 7 p.sq For a related document, seeED 02 219 anadian-Americdn Center, 160 Collage Avenue, iversity of Maine at Orono, Orono, Maine04(173 ree) _ HC-$4.67 Plus Postage. 4 ated Bipliographies; *Area Studies;Audi likual A ; Bibliolraphies; Cbmparative Education; *Cultural Education; Elementarykades; Elementary Secondary Education; Higher Education;Uistory Instruction; *Resource Guides; Setondary Grades; *Scicial -Studies, : IDE NTIFIERS *Canada ABSTRACT In this bibliography, elementaryand.secondary lavel teacheri will find a variety of teachingmaterials-available on Canada. It is a revision and updateof a bibliography publi.shed 'In 1971 (ED 062 2.39). This edition containsmaterials published primarily in 'tft 1960s through 1974.One section provides over 500 references to history, social studies,and literature texts; serials; and reference bboks. They aregrouped according to elementary and secondary grade lOvels. Most are listedalphabetically by author and indicate title, publisher, date, cost,grade level, and include a brief annotation. Ano-ther sectionlists specific teaching aids and audiovisual materials as well as sourcesfrom which they may be obtained. These include filas, filmstrips,slides, record6, multimedia kits, and simulation games.Content of the textbook and audiovisual aids sections covers Canadianhistory, culture, geography, folk tales, and personalbi3graphies or.autobiographias. A third section provides names andaddresses cif 45 sources of information about Canada, some ofwhich are national'and provincial government organizations. (AV) ******** ******** ** *** ****** ************************** ** Documents acquired by ERIC include manyinformal unpublished * * materials not available from other sources.ERIC makes every effort * to obtain the4best copyavailable.
    [Show full text]
  • DATE PHOTOGRAPHER TITLE REFERENCE CODE 1966-01-01 Ed. Levee a Armoury AFC 177-S1-SS14-F1 1966-01-01 Chute New Year Baby at Victo
    DATE PHOTOGRAPHER TITLE REFERENCE CODE 1966-01-01 Ed. Levee a Armoury AFC 177-S1-SS14-F1 New year baby at Victoria 1966-01-01 Chute Hospital AFC 177-S1-SS14-F2 First London baby born at 1966-01-01 Dick Victoria Hospital AFC 177-S1-SS14-F3 New Years baby at St. Joe's hospital parents Mr. & Mrs. B. 1966-01-01 Ed. Szymkiewicz AFC 177-S1-SS14-F4 1st New Years baby in Kent, 1966-01-01 Chatham Barrie Crozier AFC 177-S1-SS14-F5 Bruce county's 1st new years 1966-01-01 Cantelon baby, Fischer boy AFC 177-S1-SS14-F6 1966-01-01 Stratford Kingdom Hall opened AFC 177-S1-SS14-F7 1966-01-01 Chute Presentation at Queens Park AFC 177-S1-SS14-F8 1966-02-01 Sarnia 1st baby in Lambton county AFC 177-S1-SS14-F9 1966-02-01 --- Stratford - Cemetery Vandalism AFC 177-S1-SS14-F10 Stratford - 1st Stratford baby 1966-02-01 --- Faye Fowlie AFC 177-S1-SS14-F11 Chatham - 1st baby at Chatham 1966-02-01 --- PGH Thompson girl AFC 177-S1-SS14-F12 Stratford - 1st baby at St. 1966-02-01 --- Mary's David Sharp AFC 177-S1-SS14-F13 Woodstock - New Years baby Ann 1966-02-01 --- Crawford AFC 177-S1-SS14-F14 Woodstock - East Zorra township 1966-03-01 --- council AFC 177-S1-SS14-F15 Woodstock - West Zorra township 1966-03-01 --- council AFC 177-S1-SS14-F16 Woodstock - East Nissouri 1966-03-01 --- township council AFC 177-S1-SS14-F17 Woodstock - Blenheim township 1966-03-01 --- council AFC 177-S1-SS14-F18 1966-03-01 --- Chatham council inaugural AFC 177-S1-SS14-F19 Thames Secondary school, 1966-03-01 Lee opening day activities AFC 177-S1-SS14-F20 Sarnia - CIL construction at 1966-03-01 --- Courtright AFC 177-S1-SS14-F21 1966-03-01 --- Sarnia - Old hotel at Sombra AFC 177-S1-SS14-F22 Woodstock - North Oxford 1966-03-01 --- township council AFC 177-S1-SS14-F23 Sarnia - Demolition of salt 1966-03-01 --- plant AFC 177-S1-SS14-F24 St.
    [Show full text]
  • MARJORIE DEAN HIGH SCHOOL SERIES by Pauline Lester
    MARJORIE DEAN HIGH SCHOOL SERIES By Pauline Lester CLOTH BOUND, COVER DESIGNS IN COLORS MARJORIE DEAN, HIGH SCHOOL FRESHMAN. MARJORIE DEAN, HIGH SCHOOL SOPHOMORE. MARJORIE DEAN, HIGH SCHOOL JUNIOR. MARJORIE DEAN, HIGH SCHOOL SENIOR. Poising herself on the bank, she cut the water in a clean, sharp dive. Page 234. Marjorie Dean, High School Freshman MARJORIE DEAN High School Freshman By PAULINE LESTER AUTHOR OF "Marjorie Dean, High School Sophomore" "Marjorie Dean, High School Junior" "Marjorie Dean, High School Senior" A. L. BURT COMPANY Publishers New York Copyright, 1917 BY A. L. BURT COMPANY MARJORIE DEAN, HIGH SCHOOL FRESHMAN MARJORIE DEAN, HIGH SCHOOL FRESHMAN 3 CHAPTER I THE PARTING OF THE WAYS "What am I going to do without you, Marjorie?" Mary Raymond's blue eyes looked suspiciously misty as she solemnly regarded her chum. "What am I going to do without you, you mean," corrected Marjorie Dean, with a wistful smile. "Please, please don't let's talk of it. I simply can't bear it." "One, two—only two more weeks now," sighed Mary. "You'll surely write to me, Marjorie?" "Of course, silly girl," returned Marjorie, patting her friend's arm affectionately. "I'll write at least once a week." Marjorie Dean's merry face looked unusually sober as she walked down the corridor beside Mary and into the locker room of the Franklin High 4 School. The two friends put on their wraps almost in silence. The majority of the girl students of the big city high school had passed out some little time before. Marjorie had lingered for a last talk with Miss Fielding, who taught English and was the idol of the school, while Mary had hung about outside the classroom to wait for her chum.
    [Show full text]
  • Fit?T Leii^Niitg COOKE ASSERTS KEMP GAVE UST of OWNERS OF
    AVEBAOE DAILT CKROULATION r,U88 THE WEATHER ! a t O. & W ontbor 6,193 anbor « f the Aadlt fit?T lE ii^ n iitg Otoody M gM fdimvad by n»ht onow Sntvrdnjr, dowly vMag tem- perature. MANdlESTER — A (ITY OF VILLAGE ( HAKM VOL.LVIIL,NO.S3 (UaMUIed AdvertMag en Fag* U ) MANCHESTER, CONN„ FRIDAY, DECEMBER 2, 1938 (SIXTEEN PAGES) PRICE rUKEB CENTS Younrs DEATH Monopoly Inquiry Gets Under Way VENIREMAN IS ASKED BRINGS CRASH COOKE ASSERTS KEMP VIEW ON TESTIMONY TOLL UP TO 23 GAVE UST OF OWNERS OF AN ACCOMPLICE Hospital Aotlioritiet Re- SWAIXOWS West Haren Contractor^ 0n| TO GET SLED RIDE,T port One Badlj Mangled OF LAND ON PARKWAY New Tork, Dec. 2 — <AP) — Body Remains Unidenti- Stand 35 Mimtes, Says Mary Genova, IB, had a perfect right to complain of severe pains He Would FoDow instme- in her stomach, doctors decided, lied In Bat-Train Horror. Mail Fraud Charge 11 Broker Testifies He Dirided after X-rays revealed 81 full- DUAL DANGER sized marbles. Balks Star’s Wooer tion Of Judge Inglis. Mary explained aba and a Belt Lake City, Dee. 3—(j|p) — Commissions With For- friend each had swallowed a FACES FRENCH number of marbles on a "dare" With the death'ef a youth early to- from neighborhood youths wboss day, ton of the nation's worst school mer State Employe On AD Waterbury, Dec. 2 — (AP) — A sled they wished to borrow. bus-train disaster roee to 38 tden- ^lengthy examination of a venireman Mary’s girl friend has report- tlfled victim* PREMIER NOW ed no U1 effects.
    [Show full text]
  • Labor Resistance Poetry of Depression-Era Autoworkers
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2016 Protest Lyrics at Work: Labor Resistance Poetry of Depression-Era Autoworkers Rebecca S. Griffin University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Literature Commons, American Popular Culture Commons, Labor History Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Griffin, Rebecca S., "Protest Lyrics at Work: Labor Resistance Poetry of Depression-Era Autoworkers" (2016). Doctoral Dissertations. 838. https://doi.org/10.7275/8808502.0 https://scholarworks.umass.edu/dissertations_2/838 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PROTEST LYRICS AT WORK: LABOR RESISTANCE POETRY OF DEPRESSION-ERA AUTOWORKERS A Dissertation Presented by REBECCA S. GRIFFIN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2016 English © Copyright by Rebecca S. Griffin 2016 All Rights Reserved PROTEST LYRICS AT WORK: LABOR RESISTANCE POETRY OF DEPRESSION-ERA AUTOWORKERS A Dissertation Presented by REBECCA S. GRIFFIN Approved as to style and content by: _______________________________________ Ruth Jennison, Chair _______________________________________ Nicholas Bromell, Member _______________________________________ Eve Weinbaum, Member ____________________________________ Jenny Spencer, Chair English Department DEDICATION To Mike “Rise Above” ACKNOWLEDGMENTS Thank you to my advisor, Ruth Jennison, for supporting me throughout this process and offering me invaluable suggestions and insight.
    [Show full text]
  • Oldest Notre Dame College Building Now Headquarters for Missionaries
    .#>^r*'^'% F You are Always a Guest Here Before You are a Customer Home of Famous Names in Men's Quality Clothing Hickey-Freeman ... Society Brand ... Burberry .. ,"GGG"... Alpagora... British-R... Dobbs GILBERT'S 813-817 S. Midiigan St. SOUTH BEND'S LARGEST STORE 'FOR MEN LETTERS ^ Unsigned letters wiU not be printed, but name will be withheld on request. Sir: Now why did you have to go and get intellectual all of a sudden with that "Humanist" column? Don't you know the average college boy here at ND is just along for the ride? Can't we keep the SCHOLASTIC on a happy-little-collegiate- moron level like all the other college publications in the country? Us old vets don't want to be bothered about things like leadership; all we want is our sack and the latest copy of Cap­ tain Marvel. This trjang to make Chris­ tian lay-crusaders out of 4000 morally- timid souls is a big job. "The Humanist" is asking for an Atlas-sized assignment; they'll soon despair and fold, then we can have more space for pin-ups. Archie McBitters For cynical, satirical Archie Mc­ Bitters, et al, loe are serioiisly con- sidenng running a comic strip.— Editor. • Sir: An article in the SCIIOL.-VSTIC, issue of February 7, 1947, announced the meth­ ods of issuing Army football tickets to students and Alumni. The article re­ quested that students refrain from writ­ ing to the athletic department concerning the Army game. I am to graduate in August of 1947. At the time application blanks will be mailed (prior to July 1, 1947 for Alumni) • I will be a student.
    [Show full text]
  • The Doughboy Formation of a Military Folk
    the doughboy formation of a military folk robert sandels The contribution of the American soldier to the pageant of American folklore is as lasting as that of the cowboy or the logger. The ' 'master workman" became the chief folk subject of the era of capitalist expansion in the years after I860.1 Although he seldom received attention from folklorists, the soldier is a comparable figure in the nation's drive for global power. There are a few heroes of expansion such as The Rough Rider, Theodore Roosevelt, but he never became legendary like Mike Fink or John Henry. A folklore of the common soldier, however, does exist and provides a rich body of documentation for the social historian. In recent years scholars have shown interest in the effect of the military on civilian society. Perhaps the most important conduit for military influence is the ex-soldier. When James Donovan wrote his study of militarism in 1970, he found that 45 percent of the adult males in the United States were veterans.2 Not many men fell trees for a living anymore, stoke blast furnaces or drive railroad spikes with their hammers, but since 1917 more men have been exposed to the occupation of soldiering than almost any other. Modern American society had, without noticing, undergone a massive shift to direct experience with military life as great as the simultaneous shift from rural to urban life. Central to the formation of a folk is the individual's longing for group acceptance. Few people felt this need more urgently than did the trench soldier of World War I.
    [Show full text]
  • The Yates Family Settled in California, the Discovery of Gold in January 1848 Had Led to a Large Number of People Settling in the Area
    The Yates Family In this book I have had access to the letters and journals of Fred, Emily and Mary Yates. They make fascinating reading, not only for their illumination of some lesser known pat- terns in the art of their day, but also as a window - especially in the case of Mary’s writings, into a unique vision and life, centered in the English Lake District in the early years of the last Century. These extracts are from their own writings, and other sources. They are arranged as far as possible, in order to let them tell the story in their own words. John Hodkinson, Hart Head Cottage, Easter 2002. Page I Fred Yates Apart from a few short biographical entries and citations, little yet has been published about Fred Yates. The simple chronology known is as follows: He was born in 1854, in Southampton and lived for a while in Liverpool. Around 1881, he went with his parents to America, becoming a professional artist shortly afterwards. He had two periods of study in Paris, with Leon Joseph Florentin Bonatt, 1833 – 1922, a well known portrait and historical painter. Also, with Adolph William Bouguereau, 1825 – 1905, a painter with a similarity of spirit to the Pre- Raphaelite Brotherhood, and known for pictures on themes from classical mythology, the Bible, and contemporary life. Returning to the USA, he married on the last day of 1887, Emily Powers Chapman, a pianist and teacher whom he met whilst teaching in San Raphael, California. From 1890, they made their home in England, and their daughter Mary was born in 1891 in Chislehurst.
    [Show full text]
  • 30 Annie Laurie
    o A Toa~t To Canada Words by WJLL~I F. WIGGINS $t r f. I J Jl, ~ r: j J J "·est. JIere's to lIa.-o Ja.aj ' 111 UV. ID, The 4E? 7 J, j FJ J 1J 1)F' )' 1J ill l ent.! ~·e love HIt" bC'~ IIcre's to our hills aDd! va l .. Jeys, eyes! _______________.-:._ ("p),II,ht U .S.~A . I~ by (iwdo;l V. TbOmp50ft,LlmilC'd, Toronlo. C,,,lda .- - r.'..../{.." ~1Iri~ 1 .. ~ •. oJ· CANADIAN \ Contents-Continued cAcknowledgment K Page P P"lI Kathleen Mavourneen.......... .... ...................... 31 Peanut Song.................................................... J The War Services Committee of the National Council of the Polly Wolly Doodle.. ...... ................ .... ............ 4 ~i'r~e~ ~.~.i.I.~ ~~ ::::..:.:::::::::::::::::::::::::::::::::::::: ~~ Praise God From Whom All Blessi ngs Flow 4 Y.M.C.A.'sof Canada gratefully acknowledges the co-operation L R La Marseillaise............... .... ........ .................... 8 Red River Valley .. .... .. .... ........._.. .. .... ............. 3 of publishers in permitting the use of valuable copyright lyrics Land Of Glad To-morrows............................ 7 Red, Vihite And Blue, The................ ...... ...... in "C' Mon and Sing" book of songs. Land We Love................ ............ .. ............ .. .. .. 14 ~o~~-8fA g~S: ·..:::::::::::::::::::::::::::::::::::::::::::::::: ~ tf·n~~n1!~e~i~.~t: ::: ::::::::::::::: : : ::: : :: : : : : :::::::::: : i~ RoIl Up Your Old Umbrel la.... ..................... 2 Listen To The Mocking Bird.... .. .. ............. .. 40 Rose Of Tralee...... .................
    [Show full text]