International New Titles Autumn 2021 Content
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Christopher Alexander and the Inadequacy of Genius in the Architecture of the Coming Age
Article Christopher Alexander and the Inadequacy of Genius in the Architecture of the Coming Age Duo Dickinson 1,2,3,4,5,6,* 1 FAIA, Madison, CT 06443, USA 2 Building Beauty American Advisory Board, Seattle, WA 98112, USA 3 Department of Architecture, University of Hartford Department of Architecture, West Hartford, CT 06117 USA 4 Hearst Publications, Norwalk, CT 06851, USA 5 Mockingbird Ministries, Charlottesville, VA 22902 USA 6 CT American Institute of Architects, New Haven, CT 06511, USA * Correspondence: [email protected] Received: 22 January 2020; Accepted: 20 March 2020; Published: 13 April 2020 Abstract: There are only two ways of looking at any design problem despite all the elaborations evolved from these two paths. Either a designer directs an outcome and creates a product, or a solution is derived from a process involving the people and circumstances of the problem. The first way is object focused and is celebrated in architectural criticism and journalism. It is the way of the salvational Genius, whose personal insight pierces all preconceptions and launches into innovation. This operational model is called the architectural canon. The second way, working through a process, is how the rest of us grapple with any issue. The power of Christopher Alexander's life is not about the distillation of a personal perspective (the profession's stereotypical Genius model) but his vital focus is on the second way a design is created. Alexander is a polymath, open to a process using human criteria and universal opportunities that can discern and convey the way to create. His life efforts show the future of the practice of architecture in a world soon overwhelmed by technology. -
“Jewish Building” in the Federal Republic of Germany and the German Democratic Republic After the Holocaust
arts Article “Jewish Building” in the Federal Republic of Germany and the German Democratic Republic after the Holocaust. Possibilities, Limits, Spaces Alexandra Klei IGDJ Institut für die Geschichte der deutschen Juden, 20144 Hamburg, Germany; [email protected] Received: 12 December 2019; Accepted: 8 March 2020; Published: 12 March 2020 Abstract: As early as the first months after the Second World War had ended, newly founded Jewish communities were beginning to form in Germany. These communities were established further in the years to follow, in the course of which new synagogues and community centers were erected. In today’s perceptions, these building projects are often seen in the context of the efforts of gentile society to make reparations (Wiedergutmachung). This article examines the possibilities and conditions under which non-Jewish post-Nazi society was operating in regard to enabling “Jewish building (Jüdisches Bauen)”, and highlights the tremendous influence that political action has had on the projects of the Jewish communities. The synagogue projects in Mannheim and Würzburg are used as examples to illustrate this issue as it reflects in the Federal Republic of Germany. This article brings forth, for the first time, a description of the situation in the German Democratic Republic providing an overview on the extent of the construction activity. Subsequently, observations over the use of the term and the concept of “Jewish building (Jüdisches Bauen)” are outlined. Keywords: synagogues; post-war Germany; FDR; GDR; Mannheim; Würzburg; Dresden; Erfurt; Leipzig; Berlin Anyone who went to buy bread rolls as a Jew in 1961, took the tram or had to deal with an administrative office, was very likely to face a former SS man, a Wehrmacht soldier involved in ‘partisan combat’ and a deportation or former civil servant who had legalized Aryanizations and was now the neighborhood baker, the conductor or the counselor. -
March 30-31, 2007 Conference, Conversation, Tour and Roundtable Department of Architecture, Penn School of Design Slought Founda
EVASIONS OF POWER March 30-31, 2007 Conference, Conversation, Tour and Roundtable Department of Architecture, Penn School of Design Slought Foundation, Philadelphia with Centre for Architecture Research, Goldsmiths College, London Department of Art History, University of Pennsylvania Department of English, University of Pennsylvania Eastern State Penitentiary, Philadelphia Major support for Evasions of Power has been provided by the Graham Foundation for Advanced Studies in the Fine Arts, Chicago Media sponsorship by Archinect EVASIONS OF POWER March 30-31, 2007 Conference, Conversation, Tour and Roundtable 2 of 13 PROJECT DESCRIPTION “Evasions of Power" contributes to an ongoing discourse about human rights, war, extra- territoriality, and political and social enclaves, and will be of interest to scholars and practitioners in fields ranging from art, literature, and political philosophy, to architecture, design, and urban studies. Departing from the academic convention of presenting knowledge in the form of straightforward talks or presentations, this project will feature a series of roundtable discussions, debates and interventions of varying duration, with an integrated online presence. These events reveal an array of understanding about the consequences and implications of "spatial practice" today, with presentations by distinguished artists, architects, theorists, and curators whose work explores urban zones, state borders, enclaves, and extra- territorial sites throughout the world. The conference will explore questions such as the -
About the Book Valerio Olgiati - Bas Princen
VISUAL SPACES OF CHANGE: DESIGNING INTERIORITY SHELTER, SHAPE, PLACE, ATMOSPHERE ISSN: 2183-8976 [PRINT] 2183-9468 [ONLINE] Volume 5, Issue 1 | Publication year: 2020 DOI 10.24840/2183-8976_2020-0005_0001_10 © SCOPIO EDITIONS HOMEPAGE: HTTPS://WWW.SOPHIAJOURNAL.NET About the Book Valerio Olgiati - Bas Princen . A Talk on Architecture in Photography Images From Valerio Olgiati Personal Archive And Photographs By Bas Princen by Pedro Leão Neto As editor of scopio Editions it is a great honour to be writing this closing text about the present book which communicates our last Duelo/Dueto session of Architecture, Art and Image (AAI) series that had as invited authors Valerio Olgiati and Bas Princen. I will start by talking about the book as a privileged medium for Architecture, Art and Image and then go on focusing on this book in particular and its authors. This conference series had from the start planned a publication for each session with the contribution of the invited speakers and the organization because we believe that the physical book, without prejudice towards the potential of digital publications, is still a tool of paramount importance for preserving and building knowledge, not just for students and academics, but also for all professionals and non-scholars. The physical book somehow allows the understanding of what was discussed and debated in Duelo/Dueto sessions in a different manner, encouraging and giving the right time to each 96 viewer for a deeper thinking. The reading of these sessions also means that these events of rich exchange of ideas and personal experience between significant authors coming from AAI universe are preserved for future studies. -
Deutsche Nationalbibliografie 2018 a 47
Deutsche Nationalbibliografie Reihe A Monografien und Periodika des Verlagsbuchhandels Wöchentliches Verzeichnis Jahrgang: 2018 A 47 Stand: 21. November 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1869-3946 urn:nbn:de:101-20171117978 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. In Reihe A werden Medienwerke, die im Verlagsbuch- chende Menüfunktion möglich. Die Bände eines mehrbän- handel erscheinen, angezeigt. Auch außerhalb des Ver- digen Werkes werden, sofern sie eine eigene Sachgrup- lagsbuchhandels erschienene Medienwerke werden an- pe haben, innerhalb der eigenen Sachgruppe aufgeführt, gezeigt, wenn sie von gewerbsmäßigen Verlagen vertrie- ansonsten -
Urban Trans Formation
URBAN TRANS FORMATION Editors: Ilka & Andreas Ruby Editorial Coordination: Elena Schütz Graphic Design: Leonard Streich Text Editor: April Elizabeth Lamm Proof Reader: Uta Hoffmann Transcripts: Anna Mauch, Julian Schubert A CIP catalogue record for this book is available from the Library of Congress, Washington D.C., USA. Bibliographic information published by Die Deutsche Bibliothek. Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data is available in the internet at http: //dnb.ddb.de This work is subject to copyright. All right are reserved, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, re-use of illustrations, recitation, broadcasting, reproduction on microfilms or in other ways, and storage in data banks. For any kind of use, permission of the copyright holder must be obtained. © 2008 Ruby Press, Berlin © 2008 Holcim Foundation for Sustainable Construction, Zürich © The contributors for their texts and images http: //www.ruby-press.com http: //www.holcimfoundation.org Printed in Germany Distributed by Idea Books, Amsterdam ISBN 978-3-00-024878-8 CONTENT BETWEEN GLOBAL AND LOCAL Introduction: 88 The Global-Local Nexus and the New Urban Order Amer Moustafa Re: Doing Dubai 90 Wes Jones Sustainable Difference 110 Simon Hubacher Caribbean Strips: Tourism in the Caribbean 116 Juan Alfonso Zapata and Supersudaca Permanent Visitors 124 Foreword 10 Donald L. Bates Ilka & Andreas Ruby Mallorca: Island in Progress 128 14 -
Simonett & Baer Catalogue 2018
Simonett & Baer Simonett & Baer Catalogue 2018 Formerly known as The Name Books and Edition Dino Simonett* SimonettSophisticated Art Books in Splendid Beauty® Impressum:& Concept, Editorial and PhotosBaer Dino Simonett, Production Martina Baer Graphic Design Dino Simonett with Martina Meier of Bureau Mia Zürich Typeface: Times LT Std Proof reading Samuel Penn Printed at Offizin Scheufele Stuttgart Paper Stock is Munken Print White 1.5 150 gsm Bound at Grossbuchbinderei Spinner Ottersweier Edition of 5000 ISBN 978-3-906313-17-7 Basel, September 2017 ©Simonett&Baer Please Support Us! Contents 1 Cover Iouri Podladtchikov on Lake Zürich 2 Inside Cover Art Basel at Schöneck Brunnen 3 Impressum, Contents and Publisher’s Note Buy one of the only 100 4–7 Valerio Olgiati, Projects 2009–2017 hardcover-bound Collector’s Editions of 8–9 Franz Kafka, Die Mäuse this marvellous catalogue for € / CHF 100 10 –11 Iouri Podladtchikov, True Love is Hard to Find or more. Thank you for supporting newness and cultural relevance! 12–13 Luca Zanetti, E-Bike Diaries [email protected] 14 –15 Dino Simonett, White Elephant 16 Four Commissioned Architecture Books 18 –24 Backlist The Name Books / Edition Dino Simonett 25–27 Dino Simonett Bookbags, Bagladies & Fancy Leather Goods 28–31 Collaborators & About Us 32 Back Cover Valerio Olgiati at Pero Cuco, Alentejo Simonett & Baer St. Alban–Vorstadt 68 4052 Basel Switzerland 061 271 31 95 [email protected] simonettbaer.com Please send your orders to: [email protected] *In 2017 The Name Books and Edition Dino Simonett merged into Simonett & Baer AG – a logical transformation into the right thing at the right time & place. -
Étude D'une Pensée Constructive D'architecte
TP1 ÉTUDE D’UNE PENSÉE CONSTRUCTIVE D’ARCHITECTE http://www.elcroquis.es/Shop/Issue/Details/46?ptID=1&shPg=2 Valerio Olgiati Atelier Bardill, 2002 - 2007 Par : Laurent Généreux Stéphanie Lamenta Denis Simard Mélanie Watchman http://openbuildings.com/buildings/atelier-bardill-profile-2900# ARC-6021 - LA PENSÉE CONSTRUCTIVE EN ARCHITECTURE | Semestre A-14 A. APPROCHE DE L’ARCHITECTE À LA CONCEPTION / À LA CONSTRUCTION Cherchant constamment à repousser ses limites comme penseur et comme son qu’il définit la nouveauté comme étant sa plus haute aspiration et qu’il architecte, il qualifie son architecture idéale de « non-référentielle ». Autre- est encore à la recherche de cette matérialisation et réalisation parfaite d’un ment dit, il souhaite se détacher complètement du passé et de ses tradi- désir conceptuel dans la réalité (El Croquis, 2011, p.25). tions afin de n’avoir d’autre choix que d’inventer une nouvelle architecture, une architecture « pure » qui naît d’une idée sans origine et sans histoire (Neustein, 2013, en ligne). Il donne d’ailleurs comme exemple, les temples Mayas à Tikal au Guatemala qui sont, pour lui, non-référentiels en raison de « We’re only ever fascinated by leur caractère originel. En opposition à ce caractère non-référentiel, qu’il re- cherche avec une ardeur zélée, il met aussi de l’avant le terme « abstraction things we don’t fully grasp, things ». Il prend ici l’exemple des temples à Angkor Wat au Cambodge qu’il décrit comme ayant un point de départ, une généalogie. C’est pour cette raison that are open ended and defy qu’il les considère moins impressionnants du point de vue conceptuel que ceux des Mayas (El Croquis, 2011, p.16). -
Curators 2017
CURATORS 2017 DANIEL BAUMANN is currently the curator and director of the Kunsthalle Zurich. Recipient of the Swiss Award for Best Curator (2006) and Special Advisor for Frieze (2009/10), In previous years he was the curator of Adolf Wölfli Foundation at the Kunstmuseum Bern and the Carnegie International in Pittsburgh (2013). Baumann was a contributing writer for Exhibition #1. Baumann is an art historian, curator and writer for Kunst-Bulletin, Parkett and Spike Art Quarterly. CRISTINA BECHTLER is a collector and publisher of Ink Tree Editions, a publishing house, which specialises in art books, portfolios and special contemporary art editions. She is also editor of the “Art and Architecture in Discussion” series, which is published by Birkhäuser. A committed human rights activist, she is a founding member of the Zurich section of Human Rights Watch, a human rights organisation which is active throughout the world. BICE CURIGER is a Swiss art historian, curator, critic and publisher. In 2011 she became only the third woman to curate the Venice Biennale. She is currently the Artistic Director of the Fondation Vincent Van Gogh. She is a very respected and connected person in the art world and a strong opinion leader. HANS ULRICH OBRIST (b. 1968, Zurich, Switzerland) is Co-director of the Serpentine Galleries, London. Prior to this, he was the Curator of the Musée d’Art Moderne de la Ville, Paris. Since his first show “World Soup” (The Kitchen Show) in 1991 he has curated more than 250 shows. Obrist’s recent publications include Do It: The Compendium, Think Like Clouds, Ai Weiwei Speaks, Ways of Curating and new volumes of his Conversation Series. -
Religious Architecture in Urban Space in 21St Century Germany—New Perspectives in the Study of Religious Architecture
religions Article Transformations of ‘Sacredness in Stone’: Religious Architecture in Urban Space in 21st Century Germany—New Perspectives in the Study of Religious Architecture Kim de Wildt 1,* , Martin Radermacher 1 , Volkhard Krech 1 , Beate Löffler 2 and Wolfgang Sonne 2 1 Center for Religious Studies, Ruhr University Bochum, 44789 Bochum, Germany; [email protected] (M.R.); [email protected] (V.K.) 2 History and Theory of Architecture, TU Dortmund, 44227 Dortmund, Germany; beate.loeffl[email protected] (B.L.); [email protected] (W.S.) * Correspondence: [email protected] Received: 12 July 2019; Accepted: 28 October 2019; Published: 30 October 2019 Abstract: Religious transformations in modern societies are not merely a discursive or demographic phenomenon, they also relate to religious architecture in urban space and affect the built environment at its core. Many churches, for instance, are in the process of reuse, closure, or even demolition. At the same time, there has been an increase in the construction of new mosques and a reorientation in synagogue architecture in Germany for the last twenty-five years. The three religious traditions—Judaism, Christianity, and Islam—undergo remarkable transformations with regard to the design and style of their places of worship. Often, however, these new designs are not easily ‘readable’ to visitors and believers alike. In addition, the role of contemporary religious architecture in its relation to urban space is changing. Which meanings do religious buildings convey, how are they positioned, and how do they structure urban space? In collaboration of the study of religions and architectural history, we approach these questions by means of studying the transformations of contemporary religious architecture in Germany in a comparative manner. -
PT-Presentation
PERMANENT TEMPORARINESS PERMANENT Since their frst work, Stateless Nation at the Venice Biennial in 2003, and throughout their more recent architectural interventions in refugee camps, the artistic practice of Sandi PERMANENT Hilal and Alessandro Petti has explored and acted within and against the condition of permanent temporariness that TEMPORARINESS permeates contemporary forms of life. In their ambitious research and project-based practice, art exhibitions are both sites of display and sites of action that spill over into | other contexts: built architectural structures, the shaping of | sandi hilal | sandi critical learning environments, interventions that challenge dominant collective narratives, the production of new polit- Alessandro Petti ical imaginations, the re-defnition of words, and the forma- tion of civic spaces. hilal Tis book is organized around fourteen concepts that acti- | vate seventeen diferent projects. Each project is the result of a larger process of collaboration and is accompanied by indi- Alessandro Petti vidual and collective texts and interviews that contextualize and expand the reach of every intervention. Contributors to projects and texts include Maria Nadotti, Charles Esche, Robert Latham, Salwa Mikdadi, Eyal Weizman, Okwui Enwezor, Munir Fasheh, Grupo Contraflé, Murad Odeh, and Rana Abughannam. Edited by Maria Nadotti and Nick Axel. AL MASHA/COMMON MADAFEH/HOSPITALITY BORDERS MUJAWAARA/NEIGHBORING CAMP PARTICIPATION CONFESSION PROFANATION DECOLONIZATION REPRESENTATION EXILE RETURNS HERITAGE TAWTIN/NORMALIZATION Te Arabic term al masha refers to communal land equally distributed among farmers. Masha could only exist if peo- ple decided to cultivate the land together. Te moment they stop cultivating it, they lose its possession. It is possession through a common use. -
Six Strategies for Public Space
S AM SCHWEIZERISCHES ARCHITEKTURMUSEUM FORUM BASEL EXHIBITION, 20.05.17-18.06.17 GATHERING bASEL SIX STRATEGIES FOR PUBLIC SPACE CONTRIBUTIONS BY: CAESAR ZUMTHOR ARCHITEKTEN, FOCKETYN DEL RIO STUDIO, MANUEL HERZ ARCHITECTS, RAHBARAN HÜRZELER ARCHITEKTEN, SCHEIBLER & VILLARD, VÉCSEY SCHMIDT ARCHITEKTEN MULTIPLIED SQUARE NEW HOCHBERGERPLATZ A PROMISE FULFILLED A NEW PUBLIC STRUCTURE ON MARKTPLATZ A COMMUNAL SPACE ABOVE THE WIESE RIVER URBAN PROMENADE ON THE DREIROSENBRÜCKE CAESAR ZUMTHOR ARCHITEKTEN FOCKETYN DEL RIO STUDIO MANUEL HERZ ARCHITECTS ‘‘LET’S MEET AT THE STAIRS’’ MINI-SHOPS WELCOME REUSE AND TRANSFORMATION OF CLARAPLATZ MAKING USE OF ‘TIME STEPS’ IN KLEINBASEL AN UPGRADE OF MÜNSTER FERRY PIER RAHBARAN HÜRZELER ARCHITEKTEN SCHEIBLER & VILLARD VÉCSEY SCHMIDT ARCHITEKTEN MULTIPLIED SQUARE A NEW PUBLIC STRUCTURE ON MARKTPLATZ CAESAR ZUMTHOR ARCHITEKTEN USERS TOWNS- MARKET MARKETEERS TOURISTS OF PEOPLE SHOPPERS ALL AGE Marktplatz is a central square in the old town of Basel. Historically it served as the city’s secular centre, hosting the town hall and the marketplace. It is located at the bottom of the river valley, at the foot of the cathedral’s hill crowned by Münsterplatz, the ecclesiastical centre of the city. PROJECT Still holding a strategic role in the city, the Marktplatz is a place of high activity, used by a very diverse group of people – passers-by strolling around, tourists, shoppers and politicians on their way to the town hall. These users cross each other but hardly ever meet or interact. The project focuses on this aspect. It is about creating spaces where this kind of togetherness can evolve further to interaction. ASSOCIATION INSTITUTIONS GOVERNMENT The project is based on the observation that in the past there used to be a building at the north end of Marktplatz.