READING for INSPIRATION and TRANSFORMATION (“De-Colonising Our Minds”) a BOOKLIST CREATED at the GLOBAL COMMUNITY DIALOGUE 14 (RWANDA), 2019

Total Page:16

File Type:pdf, Size:1020Kb

READING for INSPIRATION and TRANSFORMATION (“De-Colonising Our Minds”) a BOOKLIST CREATED at the GLOBAL COMMUNITY DIALOGUE 14 (RWANDA), 2019 1 READING FOR INSPIRATION AND TRANSFORMATION (“De-colonising our Minds”) A BOOKLIST CREATED AT THE GLOBAL COMMUNITY DIALOGUE 14 (RWANDA), 2019 The idea for this list grew out of a conversation during the Global Community Dialogue (14) in Rwanda in September 2019; the discussion was between Lynda White, Natasha Aruliah, John Cornwell and Ganza Kanamugire. Very soon other group members became involved in the discussions and made their own suggestions and contributions. In particular this list is an endeavour to capture and experience different voices, other than those we frequently hear, the dominant White, Western narrative, in order for us to support our own learning and accountability to de-colonising and anti-racism. Black1 authors have specifically been separated from white authors, and fiction and story from non-fiction and theory (the white supremacy value of the ‘objective’ written word). This list gives us authors that reflect experiences to give us a more global view of our world, its’ cultures, issues and the people in it. The list of Non-Fiction, is a broad category that includes memoirs/autobiography, as well as an effort to add some leadership, organization development, business and change titles to the list. These are not in any order and in no way have they been vetted by us or others. As we began to put together a list from recommendations from our Global Community Dialogue Group, there was an intention to check author’s backgrounds, and country/heritage of origin and current citizenship/country of residence, together with additional books they may have written. As we worked on this, we also started to discover other authors, which led to this being a much longer list than anticipated – and for all of us, an exciting list as there were many new discoveries for us to also seek out for reading! Additionally, as we listed authors known to us and discovered new authors, we became aware that many of these people have won significant literary prizes for their work, including such as Nobel, Pulitzer, Caine Prize for African writing, Commonwealth, Man Booker, Giller, Jnanpith, JCB Prize, Sahitya Akademi, among others. It is our intention also that the list should grow and develop, whilst still maintain a focus on justice, equity, inclusion and decolonising; we hope others will add to the list and expand its horizons further2. We wish it to be of benefit and value in many ways and in particular in challenging the dominant narratives and ideologies that given rise to the need for creating this list in the first place. Have fun, be inspired and de-colonise… always! 1 The term Black is used in a political sense to describe all people who have experienced white racism and are visually ‘read’ as not being white. In some contexts, other terms are frequently used such as “people of colour”, “Black, Asian and Minority Ethnic”, “Black, Indigenous and People of Colour” etc. We simply use the term ‘Black’ to collectively acknowledge voices not from the dominant white narrative. 2 If you have contributions you would like to make to the list, kindly send them to [email protected] GCD - De-Colonising Our Minds book list Dec 2019 2 BLACK WRITERS (FICTION) NAME OF IDENTITY BOOKS AUTHOR (Heritage, Origin and/or Nationality, Residence) Alexia Arthurs Jamaican living in USA How to love a Jamaican Aminatta Forna Scottish-Sierra Leonean Ancestor Stones The Memory of Love The Hired Man Happiness Amitav Ghosh Indian The Glass Palace Sea of Poppies River of Smoke Flood of Fire The Hungary Tide The Shadow Lines Andrea Levy British Jamaican The Long Song Never Far from Nowhere Small Island Arundhati Roy Indian The God of Small Things The Ministry of Utmost Happiness Bernadine Evaristo British Mr. Loverman Girl, Woman, Other Blonde Roots Soul Tourists The Emperor’s Love Celeste Ng Chinese American Everything I Never Told You Little Fires Everywhere Cherie Dimaline Metis, Canadian Indigenous Red Rooms The Marrow Thieves Empire of Wild Chimamanda Ngozi Adichie Nigerian Half of a Yellow Sun Americanah Purple Hibiscus The Thing Around Your Neck Chinelo Okparanta Nigerian Under the Udala trees Chinua Achebe Nigerian Things Fall Apart No Longer at Ease Arrow of God A Man of the People Claire G Coleman Noongar, Australian Terra Nullius Aboriginal The Old Lie Clemantine Wamariya Rwandan The Girl who Smiled Beads Crystal Hana Kim Korean American If you Leave Me GCD - De-Colonising Our Minds book list Dec 2019 3 Danzy Senna American Caucasia – A Novel New People You Are Free: Stories David Chariandy Trinidad -Canadian Soucouyant Brother Devi S. Laskar Indian - American The Atlas of Reeds and Blues Doreen Baingana Ugandan Tropical Fish Dunya Mikhail Born and raised in Iraq The Beekeeper Now in America Rescuing the Stolen Women of Iraq Eden Robinson Haisla/Heiltsuk, Canadian Traplines Indigenous Monkey Beach Blood Sports Elif Shafak Turkish-British The Bastard of Istanbul The Forty Rules of Love The Three Daughters of Eve Etaf Rum Palestinian-American A Woman is No Man Gabriel Garcia Marquez Colombian One Hundred Years of Solitude Love in the Time of Cholera Han Kang Korean Human Acts Helen Oyeyemi Nigerian born, British, Boy, Snow, Bird living in Prague What is Not Yours Is Not Yours Ingrid Rojas Contreras Born and raised in Fruit of the Drunken Tree Columbia in USA now Isabel Allende Chilean American The House of the Spirits Island Beneath the Sea Ines of My Soul Eva Luna My Invented Country Daughter of Fortune James Baldwin American Another Country Go Tell It On The Mountain The Fire Next Time Nobody Knows My Name Tell Me How Long the Trains Been Gone Just Above My Head Giovanni’s Room Jasmin Darznik Iranian British Song of a Captive Bird Jeannette Armstrong Okanagan, Canadian Slash Indigenous Breathe Tracks Whispering in the Shadows Jennifer Nansubuga Ugandan Kintu Makumbi Jhumpa Lahiri British American of Indian Interpreter of Maladies Heritage The Namesake The Lowland Unaccustomed Earth In Other Words GCD - De-Colonising Our Minds book list Dec 2019 4 Khaled Hosseini Afghan American The Kite Runner A Thousand Splendid Suns And the Mountains Echoed Kiran Desai Indian-American The Inheritance of Loss Kirsten Chen Bury What We Cannot Take Krystal Sital Born in Trinidad now living Secrets We Kept: Three Women of Trinidad in USA Lawrence Hill Bi-racial, Canada The Book of Negroes Any Known Blood The Illegal Lee Maracle Sto:lo Nation, Canadian Sojourner's Truth and Other Stories Indigenous Sundogs Ravensong Daughters are Forever Will's Garden First Wives Club: Coast Salish Style Celia's Song Bent Box – Poetry Talking to the Diaspora - Poetry Leila Aboulela Sudanese, lives in Scotland The Translator Elsewhere Home Leila Slimani French Moroccan Lullaby Adele Lillian Li Chinese American Number One Chinese Restaurant Lucy Tan Chinese American What We ere Promised Margaret Ogola Kenyan The River and the Source I Swear by Apollo Mariama Ba Senegalese So Long a Letter Scarlet Song Mario Vargas Llosa Peruvian Conversation in the Cathedral Captain Pantoja and the Special Service Meera Syal British- South Asian Anita and Me The House of Hidden Mothers Meja Mwangi Kenyan Going down River Road Kill me Quick Striving for the Wind Michael Ondaatje Sri Lankan born Canadian The English Patient Anil’s Ghost The Cat’s Table Running in the Family Warlight, In the Skin of a Lion Miguel Angel Asturias Guatemalan Mr. President Mira Stout Korean American, living in One Thousand Chestnut Trees London Mira T Lee Chinese American Everything Here Is Beautiful Mohsin Hamid British Pakistani The Reluctant Fundamentalist Moth Smoke GCD - De-Colonising Our Minds book list Dec 2019 5 How to Get Filthy Rich in Rising Asia Discontent and Its Civilizations Exit West Monica Ali Bangladeshi-British Brick Lane Alentejo Blue In the Kitchen Untold Story Nafissa Thompson-Spires African American Heads of the Colored People Naguib Mahfouz Egyptian The Cairo Trilogy The Children of Gebelawi & many others Nakkiah Lui Gamilaroi/Torres Strait Kill the Messenger Islander – Australian Black is the New White Aboriginal Nawal El Saadawi Egyptian The Fall of the Imam Woman at Point Zero Negar Djavadi Born in Iran/ Iranian French Disoriental Nella Larson American – novelist of the Passing Harlem Renaissance Nelson Mandela South African Long Walk to Freedom Ngugi wa Thiong’o Kenyan The River Between A Grain of Wheat Weep Not, Child Wizard of the Crow Octavio Paz Mexican The Labyrinth of Solitude Orhan Pamuk Turkish Snow My Name is Red A Strangeness in My Mind Pablo Neruda Chilean Twenty Love Poems and Song of Despair Canto General Peter Kimani Kenyan Dance of the Jakaranda Porochista Khakpour Born in Iran, Iranian Sons and Other Flammable Objects American The Last Illusion Sick Richard Wagamese Ojibway, Canadian One Native Life Indigenous Indian Horse Romesh Gunesekera Sri Lankan Born, British Monkfish Moon Reef Sabaa Tahir Pakistani-American An Ember in the Ashes A Torch Against the Night Scholastique Mukasonga Rwandan, lives in France Our Lady of the Nile Shawna Singh Baldwin Canadian American of What the Body Remembers Indian descent The Tiger Claw The Selector of Souls Shyam Selvadurai Sri Lankan born, Canadian Funny Boy Cinnamon Gardens GCD - De-Colonising Our Minds book list Dec 2019 6 The Hungry Ghosts Ta-Nehisi Coates African American The Water Dancer Tayari Jones African American Leaving Atlanta The Untelling Silver Sparrow An American Marriage Thrity Umrigar Indian American The Secrets Between Us The Space Between Us If Today Be Sweet Everybody’s Son The World We Found Thomas King Cherokee,
Recommended publications
  • Spring 2017 Event Flyer
    FRANK ISLAM ATHENAEUM SYMPOSIA—SPRING 2017 DATE/TIME/PLACE SPEAKER TITLE Talk--Tuesday, February 7 Justyne Fischer, Award Winning Artist and Educator Justyne Fischer will discuss her Art Exhibit--Open Season: Social 2:00-3:00 p.m. Memorials HT216, Germantown__ Art Exhibit Exhibit Sponsored by the Art Department. Life-Size Portraits: Freddie Gray, Laquan McDonald. Walter Scott, February 6- March 31 Eric Garner, Tamir Rice, Jordan Davis, Trayvon Martin, William Globe Hall Foyer Wingate, and Sandra Bland. Wednesday, February 8 Amy Nutt, Author Amy Nutt will discuss her book Becoming Nicole (2015) 12 noon Pulitzer Prize-winning author Amy Ellis Nutt covers health and science In Becoming Nicole, Amy Nutt traces the transformation of Wyatt, one of identical twin boys, into Nicole and the transformation of their for The Washington Post. In 2017, the Supreme Court will address Globe Hall, Germantown legal issues of transgender individuals. family. Nutt will differentiate between gender identity and anatomy. Tuesday, February 21 NuttDwight discusses Watkins, her Author Dwight Watkins will discuss The Beast Side: Living and Dying 11:00 a.m. D. Watkins, a former Baltimore drug dealer, is the author of A Crack While Black in America (2015) Cultural Arts Theatre 1 Rock Memoir, 2016 and The Beast Side: Living and Dying While Black Takoma Park____________ in America, 2015. With a chapter on Freddie Grey, D. Watkins asserts that putting down 7:00 p.m. all guns is one answer to the epidemic problem that involves Globe Hall, Germantown Co-Sponsors IJRC, Humanities Division, Black Student Union education, jobs, prisons, and health.
    [Show full text]
  • Georgia Douglas Johnson and Eulalie Spence As Figures Who Fostered Community in the Midst of Debate
    Art versus Propaganda?: Georgia Douglas Johnson and Eulalie Spence as Figures who Fostered Community in the Midst of Debate Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Caroline Roberta Hill, B.A. Graduate Program in Theatre The Ohio State University 2019 Thesis Committee: Jennifer Schlueter, Adviser Beth Kattelman Copyright by Caroline Roberta Hill 2019 Abstract The Harlem Renaissance and New Negro Movement is a well-documented period in which artistic output by the black community in Harlem, New York, and beyond, surged. On the heels of Reconstruction, a generation of black artists and intellectuals—often the first in their families born after the thirteenth amendment—spearheaded the movement. Using art as a means by which to comprehend and to reclaim aspects of their identity which had been stolen during the Middle Passage, these artists were also living in a time marked by the resurgence of the Ku Klux Klan and segregation. It stands to reason, then, that the work that has survived from this period is often rife with political and personal motivations. Male figureheads of the movement are often remembered for their divisive debate as to whether or not black art should be politically charged. The public debates between men like W. E. B. Du Bois and Alain Locke often overshadow the actual artistic outputs, many of which are relegated to relative obscurity. Black female artists in particular are overshadowed by their male peers despite their significant interventions. Two pioneers of this period, Georgia Douglas Johnson (1880-1966) and Eulalie Spence (1894-1981), will be the subject of my thesis.
    [Show full text]
  • The Strangers
    Common world Lucy Hannah One of the many joys of reading is that of being transported to another world, far from our own. When, in 2011, the judges of the Commonwealth Writers’ Prize gathered in Sydney, many hours were spent deciding the overall winner, but a significant amount of time was also spent with the five regional judges swapping insights and shedding light on the contexts of work coming out of their respective regions – Africa, Asia, the Caribbean, Canada and Europe, and the Pacific. The overall winner of the prize was a powerful novel set in post-civil war Sierra Leone, The Memory of Love, by Aminatta Forna. As an observer to this conversation, I was struck by how much I had missed in my own reading of the books, particularly those set in the Caribbean and the wider Pacific region. It also highlighted for me the impor- tance of access to the stories themselves, both locally and globally. Later, as a judge for the EBRD (European Bank for Reconstruction and Development) Literature Prize in 2018, I walked around London’s bookshops out of curi- osity to see how many of our shortlisted fictional works in translation to English were on offer in major bookstores – very few, and usually sitting on an out-of-the-way shelf, beyond the eyeline of shoppers. As readers, we are well aware that literature offers us a chance to remember that, as Jean Rhys observes in her Caribbean and European modernist classic, Wide Sargasso Sea, ‘there’s always the other side… always.’ Of course, there is also the problem of stories which get stuck in the margins, when they have the potential to alter how we see the world, in the spirit of what the Indian author, Kiran Desai, said of The Memory of 1 Love: ‘it delivers us to a common centre, no matter where we happen to have been born.’ For writers lucky enough to live in a place with a healthy publishing infrastructure, their imagined worlds have a chance to reach and engage readers far beyond their country’s borders.
    [Show full text]
  • Cultural Impact on the Inheritance of Loss by Kiran Desai
    Conference Proceeding Issue Published in International Journal of Trend in Research and Development (IJTRD), ISSN: 2394-9333, www.ijtrd.com Cultural Impact on the Inheritance of Loss by Kiran Desai A. S. Artheeswari, M.Phil English, Arignar Anna Government Arts College, Villupuram, Tamilnadu, India Abstract: Kiran Desai is one of the talented and ambitious II. THE INHERITANCE OF LOSS younger Indian diasporic writers who have a significant role in The novel “The Inheritance of Loss” is an authentic study of Portraying and reflecting the difficulties and complexities of human relationship bedevilled by exile and cultural the experiences of the immigrants in literature. She belongs to encounters. Those human beings who are not enjoying their the second generation of indian diaspora. Her own experiences life seem to adhere to their cultural instinct and they detached of living in India, England and USA as well as her complicated from their real nature. This made a negative impact in their educational background in these three countries brand her not whole life and leads to cultural deformity when these people only as a distinctive and typical Diasporic writer, but also as a happened to live in a new world; they have to construct their product of multiculturalism. Kiran Desai , the winner of the own world based on their acquired culture and civilization. prestigious Man Booker Prize 2006 for her second novel “ THE INHERITANCE OF LOSS (2005 ) Created literary The novel brought her come to literary attention , winning the history by becoming the youngest ever woman to win the Betty Task Award .Desai‟s second novel The inheritance of prestigious prize at the age of 35.
    [Show full text]
  • A Subaltern Reading on the Heart of a Woman
    A SUBALTERN READING ON THE HEART OF A WOMAN G. GODWIN Ph.D Research Scholar, Department of English, AVVM Sri Pushpam College, Poondi, Thanjavur 613 503. (TN) INDIA The Heart of a Women is the fourth volume of Maya Angelou’s continuing autobiography out of seven volumes. Maya Angelou narrated from the point of view of a woman who tells more about the same story that she told in her previous volumes. This volume opens by some of detailed notes of historical reflections intended to locate Maya Angelou’s time and place, where the African-Americans were treated as Subalterns, because being born Black is itself a liability in a world ruled by White criterions of beauty which imprisons the child Maya a priori in the cage of ugliness. This paper throws lights on the Subalterns and their pain and struggles in the voice of Maya Angelou. This volume traces Maya’s spiritual, psychological and political odyssey as she emerges from a disturbing and oppressive young years to become a prominent figure in contemporary American literature. She has clearly portrayed the hardships associated with lower-class African American life. Key Words: Racism, Oppression, Struggle, Hardship, Subaltern. INTRODUCTION The voice of African American community and the African American Women is the main concern in the serial autobiographies of Maya Angelou. Particularly in the fourth volume The Heart of a Woman, she records her marginalized experience and oppressed consciousness. This recording leads her to the formation of politicized consciousness and self-identity. Her autobiography acts as resistance to those who denied the possibility of full life to the people in America.
    [Show full text]
  • Fall2011.Pdf
    Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa.
    [Show full text]
  • A Study of the Inheritance of Loss and Half a Life
    Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life A Dissertation Submitted to the Central University of Punjab For the Award of Master of Philosophy in Comparative Literature by Manpreet Kaur Administrative Guide: Prof. Paramjit Singh Ramana Dissertation Coordinator: Dr. Zameerpal Kaur Centre for Comparative Literature School of Languages, Literature and Culture Central University of Punjab, Bathinda August, 2012 CERTIFICATE I declare that the dissertation entitled “Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life,” has been prepared by me under the guidance of Prof. Paramjit Singh Ramana, and Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab. No part of this dissertation has formed the basis for the award of any degree or fellowship previously. (Manpreet Kaur) Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab, Bathinda-151001. Date: ii Acknowledgement It is a pleasure to thank God, for making me able to achieve what I am today. I want to express my thanks to God, my parents and my family members. I would like to express my deepest gratitude to the stalwart of my department my supervisor and Professor. P. S. Ramana, Dean, School of Languages, Literature and Culture and my dissertation Coordinator Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature for their ingenuous guidance. I want to express my thanks to Dr. Amandeep Singh, Assistant Professor, Centre for Comparative Literature for his continuous and extremely useful assistance.
    [Show full text]
  • I Know Why the Caged Bird Sings by Maya Angelou
    y f !, 2.(T I Know Why the Caged Bird Sings MAYA ANGELOU Level 6 Retold by Jacqueline Kehl Series Editors: Andy Hopkins and Jocelyn Potter Contents page Introduction V Chapter 1 Growing Up Black 1 Chapter 2 The Store 2 Chapter 3 Life in Stamps 9 Chapter 4 M omma 13 Chapter 5 A New Family 19 Chapter 6 Mr. Freeman 27 Chapter 7 Return to Stamps 38 Chapter 8 Two Women 40 Chapter 9 Friends 49 Chapter 10 Graduation 58 Chapter 11 California 63 Chapter 12 Education 71 Chapter 13 A Vacation 75 Chapter 14 San Francisco 87 Chapter 15 Maturity 93 Activities 100 / Introduction In Stamps, the segregation was so complete that most Black children didn’t really; absolutely know what whites looked like. We knew only that they were different, to be feared, and in that fear was included the hostility of the powerless against the powerful, the poor against the rich, the worker against the employer; and the poorly dressed against the well dressed. This is Stamps, a small town in Arkansas, in the United States, in the 1930s. The population is almost evenly divided between black and white and totally divided by where and how they live. As Maya Angelou says, there is very little contact between the two races. Their houses are in different parts of town and they go to different schools, colleges, stores, and places of entertainment. When they travel, they sit in separate parts of buses and trains. After the American Civil War (1861—65), slavery was ended in the defeated Southern states, and many changes were made by the national government to give black people more rights.
    [Show full text]
  • The Independent
    Aminatta Forna: 'We don't commit suicide - we kill' Aminatta Forna's writing is haunted by the spirits of her Sierra Leonean warrior ancestors. Julie Wheelwright meets her Published: 30 June 2006 Aminatta Forna's study in her elegant south-London home is filled with photographs of her family's village in Sierra Leone. The award-winning author of The Devil that Danced on the Water, a memoir about her childhood, is showing me a hand-made gallery of aunts, uncles, cousins and the village school she has helped them build. She runs a hand over the images. "Those are all the Fornas over there," she says, pointing to row upon row of relatives, patiently standing in the glare of an African sun. Forna's memoir about Sierra Leone was written, she says, "because I wanted to find out who killed my father". Mohamed Sorie Forna was a scholarship boy from a provincial village who trained as a doctor in Scotland and later became a finance minister in Siaka Steven's government. He was taken from their home under armed guard one night in Freetown when Aminatta was aged 10. She never saw him again. He was charged with treason for setting up an opposition party, and a year later he was hanged. "The memoir was quite a man's book," says Forna. Next week, she publishes her first novel, Ancestor Stones (Bloomsbury, £14.99), which features the lives of four village women in Sierra Leone. The germ of the novel came from a passing reference in her memoir to Beyas, Forna's great-grandmother.
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • Maya Angelou, a Writer's Legacy
    2017-2018 Resource Guide MAYA ANGELOU, A WRITER’S LEGACY Written by Mary Tensing Produced by TCT On Tour, a Division of The Children’s Theatre of Cincinnati Friday, February 2, 2018 VICTORIA THEATRE ASSOCIATION VICTORIA • SCHUSTER • MAC/LOFT • ARTS ANNEX • ARTS GARAGE 9:30 a.m. & 11:30 a.m. Curriculum Connections You will find these icons listed in the resource guide next to the activities that indicate curricular connections. Teachers and parents are encouraged to adapt all of the activities included in an appropriate way for your students’ age and abilities. MAYA ANGELOU, A WRITER’S LEGACY fulfills the following Ohio and National Education Standards and Benchmarks for Grades 3-12: elcome to the 2017-2018 Discovery Series at Victoria Ohio’s New Learning Standards for English Language Arts: WTheatre Association. We are very Grade 3- RI.3.4, W.3.3, W.3.4, W.3.5, SL.3.1, L.3.1, L.3.2, L.3.3, L.3.5 excited to be your education partner in Grade 4- RI.4.4, W.4.3, W.4.4, W.4.5, SL.4.1, L.4.1, L.4.2, L.4.3, L.4.5 providing professional arts experiences to Grade 5- RI.5.4, W.5.3, W.5.4, W.5.5, SL.5.1, L.5.1, L.5.2, L.5.3, L.5.5 you and your students! Grade 6- RI.6.4, W.6.3, W.6.4, W.6.5, SL.6.1, L.6.1, L.6.2, L.6.3, L.6.5 Grade 7- RI.7.4, W.7.3, W.7.4, W.7.5, SL.7.1, L.7.1, L.7.2, L.7.3, L.7.5 Maya Angelou is one of the most inspiring Grade 8- RI.8.4, W.8.3, W.8.4, W.8.5, SL.8.1, L.8.1, L.8.2, L.8.3, L.8.5 and influential poets our country has Grades 9-10- RI.9-10.4, W.9-10.3, W.9-10.4, W.9-10.5, SL.9-10.1, L.9-10.1, L.9-10.2, L.9- ever seen.
    [Show full text]
  • Race, Gender and Class in the Inheritance of Loss and Brick Lane
    Race, Gender and Class in The Inheritance of Loss and Brick Lane A comparative study by Sissel Marie Lone A Thesis Presented to The Department of Literature, Area Studies and European Languages The University of Oslo In partial Fulfilment of the Requirements For the Master of Arts Degree Spring Term 2008 Contents Introduction 2 Chapter 1: The Theme of Race 12 1.1 The Theme of Race in The Inheritance of Loss 12 1.2 A Comparison of the Theme of Race in The Inheritance of Loss and Brick Lane 25 1.3 Concluding Remarks 33 Chapter 2: The Theme of Gender 35 2.1 The Theme of Gender in Brick Lane 35 2.2 A Comparison of the Theme of Gender in The Inheritance of Loss and Brick Lane 49 2.3 Concluding Remarks 58 Chapter 3: The Theme of Class 61 3.1 Introductory Remarks 61 3.2 A Comparison of the Theme of Class in The Inheritance of Loss and Brick Lane 64 3.3 Concluding Remarks 79 Conclusion 82 Bibliography 85 1 Introduction This thesis will discuss and compare the themes of race, gender and class in Brick Lane by Monica Ali and The Inheritance of Loss by Kiran Desai1. My main objective is to explore similarities and differences between the three themes, based on a thorough analysis of characters, settings and plots, and to find out how they correspond and how they differ. The themes of race, gender and class will be seen through the lens of migration and multiculturalism in a postcolonial setting, which is a prevailing theme in the two novels.
    [Show full text]