DOCSLIB.ORG

Desire Under the Elms: a Play in Three Parts Online

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Desire Under the Elms: a Play in Three Parts Online EV5wv [Mobile pdf] Desire Under The Elms: A Play in Three Parts Online [EV5wv.ebook] Desire Under The Elms: A Play in Three Parts Pdf Free Eugene O'Neill audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook 2016-01-25Original language:English 10.00 x .18 x 7.00l, .34 #File Name: 152364269678 pages | File size: 66.Mb Eugene O'Neill : Desire Under The Elms: A Play in Three Parts before purchasing it in order to gage whether or not it would be worth my time, and all praised Desire Under The Elms: A Play in Three Parts: 0 of 0 people found the following review helpful. I'm extremely pleased with my productBy JadeMy copy came slightly bent but no other damage! I'm extremely pleased with my product.0 of 1 people found the following review helpful. Great readingBy endelbendelImpeccably acted. Abby is the earthy maternal O'Niell meant her to be, neurotic mother-lover and terrible mother archetype; erases those awful images of Sophia Loren (!?). Bean portrays a perfect humane knowable Cabot while retaining all of the Big Other in this figure. Eben very well done as Oedipal child-man. Meaningful and moving. Bit by bit listening in the car i saw it clearly with triggered imagination: better than passively watched.0 of 1 people found the following review helpful. Four StarsBy Rockygreat book Desire Under The ElmsA Play in Three PartsBy Eugene O'NeillDesire Under the Elms is a 1924 play written by Eugene O'Neill. Like Mourning Becomes Electra, Desire Under the Elms signifies an attempt by O'Neill to adapt plot elements and themes of Greek tragedy to a rural New England setting. It was inspired by the myth of Phaedra, Hippolytus, and Theseus. A film version was produced in 1958, and there is an operatic setting by Edward Thomas.Desire Under the Elms was inspired by plot elements and characters from the Euripides play Hippolytus. In it, Phaedra, Theseus' wife, attempts to seduce his son, chaste Hippolytus. After this fails and Hippolytus threatens to reveal her unfaithfulness, Phaedra commits suicide. Theseus finds a letter that Phaedra carried accusing Hippolytus of raping her. Enraged, Theseus (using one of three wishes that his father Poseidon promised him) curses his son with banishment or death. After Hippolytus is fatally wounded by an encounter with a bull, Artemis arrives to reveal the truth to Theseus, and Hippolytus dies after absolving his father.The characters Eben, Abbie, and Ephraim roughly correspond with Hippolytus, Phaedra, and Theseus respectively. Both plays are driven by a love triangle between a father, a son, and a stepmother, and the tragedy arises from misguided actions made by the stepmother. In Phaedra's case it is her lust of her husband's son and the falseness of her letter. O'Neill takes this one step further in 'rsquo;Desire Under the Elms'rsquo; and makes Abbie's misguided action the begetting and murder of her child. A strong cast delivers a pared-down version of O Neill s melodrama with both warts and intensity intact. Orson Bean makes Ephraim Cabot, the old New England farmer with a new young wife, the roaring caricature he is, but a touch of an accent (Scots? Irish?) gives him more dimension. Amy Brenneman portrays his wife, Abbie s, desperation, determination, passion, and crudity, and Paul Adelstein his son, Eben s, wild emotions and limited intelligence. Adelstein and Brenneman play the tragic scene at the heart of the story at full tilt. Occasionally sound effects distract (for example, a swinging screen door). But this solid version allows the power of this American classic to come through. --AudioFile MagazineFrom the Inside FlapEugene O' Neill's tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons disapprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions. An L.A. Theatre Works full-cast performance featuring Paul Adelstein, Orson Bean, Amy Brenneman, Dwier Brown, Maurice Chasse and Charlie Kimball.About the AuthorEugene O'Neill [EV5wv.ebook] Desire Under The Elms: A Play in Three Parts By Eugene O'Neill PDF [EV5wv.ebook] Desire Under The Elms: A Play in Three Parts By Eugene O'Neill Epub [EV5wv.ebook] Desire Under The Elms: A Play in Three Parts By Eugene O'Neill Ebook [EV5wv.ebook] Desire Under The Elms: A Play in Three Parts By Eugene O'Neill Rar [EV5wv.ebook] Desire Under The Elms: A Play in Three Parts By Eugene O'Neill Zip [EV5wv.ebook] Desire Under The Elms: A Play in Three Parts By Eugene O'Neill Read Online.
Load more

Recommended publications
  • The Collective Unconscious in Eugene O`Neill`S Desire Under The
    Aleppo University Faculty of Arts and Humanities Department of English The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study By Diana Dasouki Supervised by Prof. Dr. Iman Lababidi A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Literature 2018 i Dasouki Declaration I hereby certify that this work, "The Collective Unconscious in Eugene O`Neill`s Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw`s Pygmalion and Man and Superman: A Comparative Study", has neither been accepted for any degree, nor is it submitted to any other degrees. Date: / / 2018 Candidate Diana Dasouki ii Dasouki Testimony I testify that the described work in this dissertation is the result of a scientific research conducted by the candidate Diana Dasouki under the supervision of Prof. Dr. Iman Lababidi, professor doctor at the Department of English, Faculty of Arts and Humanities, Aleppo University. Any other references mentioned in this work are documented in the text of this dissertation. Date: / / 2018 Candidate Diana Dasouki iii Dasouki Abstract This dissertation explores the theory of the collective unconscious in Eugene O'Neill's Desire Under the Elms and Mourning Becomes Electra and George Bernard Shaw's Pygmalion and Man and Superman. The main objective is to study how the work of Jung has awakened interest in the unconscious and archetype psychology. The collective unconscious is a useful theory because studying literature, myth and religion through archetypes can reveal many deep and hidden meanings.
    [Show full text]
  • On Eugene O'neill Inheritance to Greek Tragedy in Desire
    Journal of Literature and Art Studies, November 2015, Vol. 5, No. 11, 1042-1046 doi: 10.17265/2159-5836/2015.11.010 D DAVID PUBLISHING On Eugene O’Neill Inheritance to Greek Tragedy in Desire Under the Elms JING Jing HUO Feng-chun Changchun University, Changchun, China NO.20 Junior Middle School of Siping, Siping, China In Desire Under the Elms, Eugene O’Neill not only adopts some elements from Greek tragedies, but brings more different ideas for readers, such as supernaturalism, and the degeneration of the tragic heroes or the peasant like language and sets more comic elements. Under his powerful pen, a marvelous drama is displayed before the audience, which combines the traditional elements and modern creations perfectly. This paper aims to explore the important elements in the play and compare those with what are used in Desire Under the Elms so as to draw the conclusion that Eugene O’Neill not only uses the traditional written skills but also improves the development and inheritance of Greek tragedies. Keywords: Greek tragedy, development, inheritance Introduction Eugene O’Neill is unquestionably American greatest playwright who won Noble Prize for literature in 1936. He wanted contemporary American drama to achieve the power of ancient Greek tragedies. Before O’Neill’s time, Americans saw only imported plays from Europe, melodrama’s farces and sentimental comedies. O’Neill wrote 45 plays which were highly experimental in form and style, combining literary theories of symbolism, naturalism, and expressionism. He had a great influence on later American playwrights, and on those of other countries. With Desire Under the Elms, Eugene O’Neill establishes himself a playwright of genius.
    [Show full text]
  • Eugene O'neill
    STUDY GUIDE EUGENE O’NEILL’S AH, WILDERNESS! DIRECTED BY STEVEN ROBMAN MAR.5 – MAY 20, 2017 Study Guides from A Noise Within A rich resource for teachers of English, reading arts, and drama education. Dear Reader, We’re delighted you’re interested in our study guides, designed to provide a full range of information on our plays to teachers of all grade levels. A Noise Within’s study guides include: • General information about the play (characters, synopsis, timeline, and more) • Playwright biography and literary analysis • Historical content of the play • Scholarly articles • Production information (costumes, lights, direction, etc.) • Suggested classroom activities • Related resources (videos, books, etc.) • Discussion themes • Background on verse and prose (for Shakespeare’s plays) Our study guides allow you to review and share information with students to enhance both lesson plans and pupils’ theatrical experience and appreciation. They are designed to let you extrapolate articles and other information that best align with your own curricula and pedagogic goals. More information? It would be our pleasure. We’re here to make your students’ learning experience as rewarding and memorable as it can be! All the best, Alicia Green Pictured: Donnla Hughes, Romeo and Juliet, 2016. PHOTO BY CRAIG SCHWARTZ. DIRECTOR OF EDUCATION TABLE OF CONTENTS Ah, Wilderness! Character List ........................................4 Synopsis .........................................................5 Playwright Biography: Eugene O’Neill ..................................6 Eugene O’Neill Timeline ....................................7 Eugene O’Neill on Ah, Wilderness! . 8 Ah, Wilderness! Themes ..................................10 America in 1906 ........................................11 Music of Ah, Wilderness! . 12 “Those Awful Books”. 13 “Love Poetry” and Socialism (with a Dash of Anarchy) ........14 Glossary ............................................15 Essay Questions .....................................17 Activities ........................................
    [Show full text]
  • Eugene O'neill Review: Style Sheet
    Eugene O’Neill Review: Style Sheet (Jan. 2021) Essays in the Eugene O’Neill Review are aimed primarily at a community of scholars with a serious interest in O’Neill. Contributors, however, should not mistake “scholarly” for “pedantic” or “dull.” The word, rather, indicates bold and lively intellection, diligent research, sober thought, tren- chant analysis, correct and readable prose, and the conscientious preparation of manuscripts. Generally, the EOR follows the “notes and bibliography” system explicated in the current edition of the Chicago Manual of Style. The present document reiterates some particularly relevant guidance from the CMS and records journal-specific deviations from that source. Unless textual comparisons are at issue, prefer O’Neill’s Complete Plays, ed. Travis Bogard, 3 vols. (New York: Library of America, 1988). For Exorcism, not included in that set, use the Yale edition. Please check your manuscript against this style sheet before submitting it. Guidelines specifically for reviews and other commissioned pieces are available from the editor. FILE PREPARATION & MANUSCRIPT FORMATTING (MS WORD) • Use the current version of MS Word. • Use Times New Roman, 12-pt., throughout. • Use 1” margins, all around; justify left margin only. • Double-space the full manuscript, including endnotes. • Begin paragraphs with standard tabulation. Exception: Set the first sentence of your contribution, and the first sentences of any new sections, flush left. • When quotations of more than four lines are necessary, set them apart from the main text, preceded and succeeded by an extra line-space. Flush these quotations left. • Otherwise, do not insert extra line-spaces between paragraphs; i.e., select “No Paragraph Space” on MS Word/Design/Paragraph Spacing.
    [Show full text]
  • The Ambivalence of Love and Hate in Desire Under the Elms: a Psychological and Mythological Approach
    THE AMBIVALENCE OF LOVE AND HATE IN DESIRE UNDER THE ELMS: A PSYCHOLOGICAL AND MYTHOLOGICAL APPROACH Cumhur Yılmaz MADRAN* ÖZET Bu çalışma modern trajedi yazarlarından biri olan Eugene O’Neill’in Desire Under the Elms adlı oyununda sevgi ve nefret arasındaki ikilemi psikolojik ve mitolojik açıdan incelemeyi amaçlamaktadır. O’Neill oyununu yazarken dönemin diğer yazarları gibi mitolojik bir yöntem kullanmıştır. Modern bir trajedi yaratırken, klasik Yunan trajedilerinden faydalanmıştır. Oyun incelenirken psikolojik ve arketipsel analizden faydalanılarak, karakterlerin bilinçaltı dünyaları derinlemesine analiz edilmektedir. Ayrıca bu çalışma O’Neill’in hangi klasik Yunan trajedilerinden nasıl ve ne ölçüde faydalandığını incelemeyi de amaçlamaktadır. Anahtar Kelimeler: Arketip, Trajedi, Psikoloji, Mitoloji. ABSTRACT The present analysis is intended to shed some light on the psychological and mythological aspects of the ambivalence of love and hate in Eugene O’Neill’s Desire Under the Elms. The study is confined to the psychological, mythological and classical traits represented in the play. The introduction part revolves mainly around the general background information about the psychological and mythological approaches O’Neill is assumed to have used. This brief investigation is hoped to familiarise the reader with Eugene O’Neill as a modern dramatist who makes use of the classical patterns of tragedy. Keywords: Archetype, Tragedy, Psychology, and Mythology. Introduction The first decade of the twentieth century saw several crucial developments in the field of ideas. Scientific explanations became more subtle and harder for the layman to understand. Put in the most simplified and general terms, it can be said that the world of the twentieth century was felt to be much more complex than the world as it had been known before, and especially more complex than the orderly world that had been presented to the reader in Victorian literature.
    [Show full text]
  • A Comparison Between Eugene O'neill's Desire Under The
    Int.J.Eng.Lang.LitINTERNATIONAL & Trans.Studies JOURNAL OF ENGLISH LANGUAGE, LITERATURE Vol.1.Issue. 4.2014 AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE Vol.1.Issue.4.,2014 PORTRAYAL OF CHARACTERS: A COMPARISON BETWEEN EUGENE O’NEILL’S DESIRE UNDER THE ELMS AND SAM SHEPARD’S BURIED CHILD Dr. TANU GUPTA1, RAMANDEEP MAHAL*2 1Associate Professor, Department of Humanities, Maharishi Markandeshwar University Mullana Ambala. 2Research Scholar, Department of Humanities, Maharishi Markandeshwar University Mullana Ambala ABSTRACT The main aim of this paper is to study both these American dramas, their similarities and contradictions based on the anomalous and erratic behavior especially in the rural families. This paper intends to scrutinize the unusual and abnormal interaction among the family members. Fate plays an important role as it affects the family as observed in both of the works of these American dramatists Eugene O’Neill and Sam Shepard. A glimpse into their lives shows that their works have been equally affected. O’ Neill’s characters live alternating lives and some link has RAMANDEEP MAHAL been busted between all these characters themselves, which includes the past both mythical and historical. America is shown to be Article Info: deracinated and these so called myths have been developed into Article Received:20/12/2014 fantasies and dreams. The families depicted in the plays of Shepard Revised on: 28/12/2014 usually deal with the themes of hereditary, escalating disintegration and Accepted on: 29/12/2014 the alienation of the American family.
    [Show full text]
  • Desire Under the Elms
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE EUGENE O'NEILL'S SLAVES TO STONE WALLS: DENIAL VERSUS ACCEPTANCE IN DESIRE UNDER THE ELMS A thesis submitted in partial satisfaction of the requirements for the degree of Bachelor of Arts with Honors in English by Richard Paul Buller May 1988 The Thesis of Richard Paul Buller is approved: Dr. Lawrence D. Stewart, Honors Advisor California State University, Northridge ii Dedications This thesis is dedicated with love to my parents, Hurley Clyde Buller and Billie Joan McClanahan, for their unwavering support of and encouragement for my education. They are truly special, enlightened people. I also wish to acknowledge Dr. Lesley Johnstone and Dr. Lawrence D. Stewart. Dr. Johnstone has patiently guided me through this paper, and her advice and meticu­ lous annotations have been greatly appreciated! Dr. Stewart has been my friend and mentor these past five years, and I do not know where I would be without him. Finally, I want to thank my friend Anthony Miles Escalante, for always being there, for always listening. iii " . My special thanks to Teddy Zamora for her invaluable help with the electronic typesetting of this thesis. iv ABSTRACT EUGENE O'NEILL'S SLAVES TO STONE WALLS: DENIAL VERSUS ACCEPTANCE IN DESIRE UNDER THE ELMS by Richard Paul Buller Bachelor of Arts in Honors English 1988 marks the centennial of Eugene O'Neill's birth. Much is being done world- wide to commemorate the event, but at the same time, long-standing questions have resurfaced which challenge his stature as one of the greatest American playwrights. For example, do the bleak, unhappy characters and events in much of his drama actually have redeeming value? Do what have been called the "soap opera" tendencies of his plays allow us to respect them as literature? Was O'Neill really a visionary genius, or was he only a depressed man who penned crude melodrama? It is my opinion that in order to address such questions, it is necessary to approach O'Neill thematically.
    [Show full text]
  • The Dramatic Work of Eugene O'neill Considered As to His Use of Literary Dialect As a Unifying Element
    THE DRAMATIC WORK OF EUGENE O'NEILL CONSIDERED AS TO HIS USE OF LITERARY DIALECT AS A UNIFYING ELEMENT by Janet M. Marshall A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts in the Division of Languages and Literature Morehead State University September 1976 THE DRAMATIC WORK OF EUGENE O ' NEILL CONSIDERED AS TO HIS USE OF LITERARY DIALECT AS A UNIFYING ELEMENT Janet M. Marshall Morehead Sta University, 1976 Director of Thesis On the surface level it must appear to the reader(s} that a writer using literary dialect will do so because of using a dialect, with which the audience is familiar or a dialect which the me mbers of the audience use to a substantial degree . Further, if the motive is one of establishing verisimilitude, the writer will be faithful to the dialect unique to each character, if for no other purpose than being at one with an oral reality of discourse . Many writers of literary dialect--among them such figures as Whittier, Lowell, and Poe, in this country-- have been unsuccessful in the usage of dialect. The burden placed on general or wide audiences, the difficulty of representing the phonology of the dialect , and the distraction of the dialect itself are among major reasons for lack of writer-success in using dialect. 1 2 Krappe and Ives have discussed the nature of dialect and reasons for its lack of success, overall. However, some writers who have not articulated in terms of any literary criticism their employment of dialect have used dialect in a wider perspective.
    [Show full text]
  • Three Plays: Desire Under the Elms / Strange Interlude / Mourning Becomes Electra Pdf, Epub, Ebook
    THREE PLAYS: DESIRE UNDER THE ELMS / STRANGE INTERLUDE / MOURNING BECOMES ELECTRA PDF, EPUB, EBOOK Eugene Gladstone O'Neill | 424 pages | 01 Nov 1996 | Random House USA Inc | 9780679763963 | English | New York, United States Three Plays: Desire under the Elms / Strange Interlude / Mourning Becomes Electra PDF Book I thought it was one of the most real experimental plays I'd ever read because it really scared me in an intimate way, so it wasn't removed from the understandable like many experimental works are, and yet there was nothing normal about it. Each of these plays contains four to five acts, with only the first act of The Haunted being divided into actual scenes. Lavinia enters from the hall. He knows Christine awaits his death to be free. Get A Copy. Do ye bear that mark of Cain? Orin has grown dreadfully thin and bears the statue-like attitude of his father. Leech admits that his work, originally published in England, could make no use of the Gelbs' monumental biography or the compendium by Oscar Cargill and others in O'Neill and His Plays. Though I do think it is too long, even though the length is necessary for the ending. May 15, Allison rated it liked it Recommends it for: people who aren't afraid of dark nights of the soul. Ephraim runs into Eben later that night and tells him he will not have the farm now that Ephraim has a son. At their best, O'Neill's adaptations have clarified their Greek predecessors in ways countless re-readings of the originals hardly could.
    [Show full text]
  • E.G.O the Passions of Eugene Gladstone O'neill
    E.G.O.: The Passions of Eugene Gladstone O’Neill A full-length play in two acts by Jo Morello Registered WGAW1068640 by Jo Morello 6620 Grand Point Avenue University Park, FL 34201-2125 Phone: 941-351-9688 FAX: 941-306-5042 [email protected] or [email protected] E.G.O.: The Passions of Eugene Gladstone O’Neill, 11/12/2009 ii I- E. G. O.: The Passions of Eugene Gladstone O’Neill A full-length play in two acts by Jo Morello 2M, 2F; some doubling Running time: approx. 55 minutes for each act. Unit set with suggested sets and costumes. Suggested music may be available from author on CD-ROM Synopsis Raised in the theatre as the son of matinee idol James O’Neill, Eugene O’Neill struggled to measure up to and ultimately surpass his father. At 29, he had a wife and son behind him and a life of playwriting ahead— complicated by struggles with alcohol, disease and “the things life has done”—when he met widowed fiction writer Agnes Boulton, 24. Upon his insistence that they must share “an aloneness broken by nothing,” she left her daughter with her parents to marry him—but that aloneness was broken when they had two children of their own, Shane and Oona (the future Mrs. Charlie Chaplin). While married to Agnes, O’Neill won two Pulitzer Prizes (Beyond the Horizon, Anna Christie) and wrote Strange Interlude, which would bring a third Pulitzer. (His fourth Pulitzer, for Long Day’s Journey Into Night, was awarded posthumously.) O’Neill began his own “Interlude” in 1927 with beautiful, domineering, second-rate actress Carlotta Monterey while sending Agnes passionate proclamations of love.
    [Show full text]
  • Unit 8 - Week 7 - Eugene O’Neill
    23/07/2018 American Literature and Culture - - Unit 8 - Week 7 - Eugene O’Neill. Desire under the Elms.Introduction to Eugen… X [email protected] ▼ Courses » American Literature and Culture Announcements Course Ask a Question Progress Mentor Unit 8 - Week 7 - Eugene O’Neill. Desire under the Elms.Introduction to Eugene O’Neill and his worksPlot/character/literary techniques/styl Course outline Assignment 7 The due date for submitting this assignment has passed. Due on 2016-09-07, 23:59 IST. How to access the portal Submitted assignment Week 1 - 1) Which among the following play by O’Neill was NOT awarded a Pulitzer Prize? 1 point Introduction to the course. Beyond the Horizon Henry James. Anna Christie The Portrait of a Both Your Houses Lady. Introduction to Strange Interlude Henry James and Long Day’s Journey into Night his works Plot/character/literary No, the answer is incorrect. techniques/style Score: 0 Week 2 - Accepted Answers: Theodore Both Your Houses Dreiser. An American 2) Which among the folloiing play by O’Neill autobiographical? 1 point Tragedy.Plot/character/literary techniques/style The Glass Menagerie Orpheus Descending Week 3 - Herman Long Day’s Journey Into Night Melville. Moby Dick Servitude The Calms Of Capricorn Week 4 - No, the answer is incorrect. ”Flannery O’Connor. “Good Score: 0 Country Accepted Answers: People.”/ Ernest Long Day’s Journey Into Night Hemingway. The Sun Also “The play Emperor Jones (1920) by O’Neill received much attention for casting an ………X………… RisesPlot/character/literary lead, which was an innovation in American theatre.
    [Show full text]
  • ANALYSIS Desire Under the Elms (1924
    ANALYSIS Desire Under the Elms (1924) Eugene O’Neill (1888-1953) “The emotions as well as the intellect and the understanding must throw off completely the desire to turn back to protecting motherly arms and a world of make believe. O’Neill chose to express the idea of this struggle in the terms and symbols of Greek incest tragedy, and the first play of this new struggle was called Desire Under the Elms. Nothing could explain more clearly the exact implications of this play than O’Neill’s description of the elm trees brooding over the Cabot farmhouse in New England in which the entire action takes place. These two enormous elms ‘bend their trailing branches down over the roof.’ They appear to protect and at the same time subdue. There is a sinister maternity in their aspect, a crushing jealous absorption. They have developed from their intimate contact with the life of man in the house an appalling humanness. They brood oppressively over the house…. He was writing a play of extraordinary emotional intensity in which, consciously or unconsciously, he was using the incest formula of Greek tragedy to express that first terrific battle of the soul to escape from its own chains to childhood…. The desire of the soul to remain in its prison conquers, for the moment, the desire to escape. Unless the play is understood in this perspective, and in this profound relationship to the pagan symbols of similar soul struggles, it loses all meaning in the scheme of the poet’s quest. The main characters of Desire Under the Elms are old Ephraim Cabot, hard fisted and stony hearted owner of the old farm, who frequently confuses himself with an ‘old testament ‘God, Whom he believes to be both hard and lonesome; Simeon and Peter Cabot, Ephraim’s sons by a first wife; Eben Cabot, his son by a second wife, now dead, from whom he inherited the farm; and Abbie Putnam, a proud and possessive younger woman whom Ephraim brings back to the farm as his third wife, to the consternation of his sons, who see their inheritance threatened.
    [Show full text]