Final Mckinleyville Town Center Survey Results Part 2
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Chessington World of Adventures Guide
Chessington World of Adventures Guide Overview One of three theme parks located in Greater London that are operated by Merlin Entertainments Group, Chessington World of Adventures combines a host of rides and shows with a world-class zoo. Whereas nearby LEGOLAND Windsor is aimed at families with kids aged 2-12, and Thorpe Park caters for teens and young adults, Chessington offers something for just about every age group. In addition to the theme park and zoo, the site is also home to the Holiday Inn Chessington, a safari-themed hotel that overlooks the Wanyama Village & Reserve area. History The origins of Chessington World of Adventures can be traced back to 1931, when a new zoo was established in the grounds of a fourteenth century country mansion by entrepreneur Reginald Goddard. The zoo was eventually acquired by the Pearsons Group in 1978, which subsequently merged with the Madame Tussauds chain to form The Tussauds Group. The newly-formed company embarked on an ambitious £12 million project to build a theme park on the site, and Chessington World of Adventures opened to the public in 1987. Attractions Africa Penguins of Madagascar Live: Operation Cheezy Dibbles User rating: (3 votes) Type: Live show Opening date: Mar 23, 2012 A new Madagascar-themed show set to open in 2015 to celebrate the "Year of the Penguins" Penguins of Madagascar Mission: Treetop Hoppers User rating: (2 votes) Type: Drop tower Height: 20 feet Manufacturer: Zamperla Model: Jumpin' Star Minimum rider height: 35 inches Opening date: 2001 Penguins of Madagascar Mission: Treetop Hoppers is a child-friendly take on the classic drop tower attraction. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Riis's How the Other Half Lives
How the Other Half Lives http://www.cis.yale.edu/amstud/inforev/riis/title.html HOW THE OTHER HALF LIVES The Hypertext Edition STUDIES AMONG THE TENEMENTS OF NEW YORK BY JACOB A. RIIS WITH ILLUSTRATIONS CHIEFLY FROM PHOTOGRAPHS TAKEN BY THE AUTHOR Contents NEW YORK CHARLES SCRIBNER'S SONS 1890 1 of 1 1/18/06 6:25 AM Contents http://www.cis.yale.edu/amstud/inforev/riis/contents.html HOW THE OTHER HALF LIVES CONTENTS. About the Hypertext Edition XII. The Bohemians--Tenement-House Cigarmaking Title Page XIII. The Color Line in New York Preface XIV. The Common Herd List of Illustrations XV. The Problem of the Children Introduction XVI. Waifs of the City's Slums I. Genesis of the Tenements XVII. The Street Arab II. The Awakening XVIII. The Reign of Rum III. The Mixed Crowd XIX. The Harvest of Tare IV. The Down Town Back-Alleys XX. The Working Girls of New York V. The Italian in New York XXI. Pauperism in the Tenements VI. The Bend XXII. The Wrecks and the Waste VII. A Raid on the Stale-Beer Dives XXIII. The Man with the Knife VIII.The Cheap Lodging-Houses XXIV. What Has Been Done IX. Chinatown XXV. How the Case Stands X. Jewtown Appendix XI. The Sweaters of Jewtown 1 of 1 1/18/06 6:25 AM List of Illustrations http://www.cis.yale.edu/amstud/inforev/riis/illustrations.html LIST OF ILLUSTRATIONS. Gotham Court A Black-and-Tan Dive in "Africa" Hell's Kitchen and Sebastopol The Open Door Tenement of 1863, for Twelve Families on Each Flat Bird's Eye View of an East Side Tenement Block Tenement of the Old Style. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
Does It Have Fur Or Feathers? a Categorisation of Theme Park Attractions
Does it have fur or feathers? A Categorisation of Theme Park Attractions Author: Frank Cornelissen Author ANR: U0396714 Supervisor: Pieter Cornelis 2nd Reader: Greg Richards Date: August 17th, 2010 Tilburg University Tilburg School of Social and Behavioural Sciences Department of Leisure Studies Preface & Acknowledgements One should think that the concept of ‘once bitten, twice shy’ would apply after finishing my bachelor thesis, yet a little over four months ago I once again found myself at the beginning of what then seemed an impossible task. The goal? To devise an empirically founded categorisation of theme park attractions. That task may seem simply at first, but when looking at attractions in the likes of, to name but a few, Tower of Terror, Hocus Pocus Hall, The Flying Dutchman, Lisebergtower, Hex or Dragon Khan, it will seen become apparent that each and every of these attractions is highly unique. As the seemingly endless imagination and the incredible skills that come into play in converting the most impossible of ideas into reality was part of what raised my interest in the theme park industry many years ago, that didn’t come as a surprise. It did, however, make things considerably more difficult. Luckily, I wasn’t on my own in taking on this challenge. First and foremost I would like to thank my supervisor Pieter Cornelis; I would not have been able to finish my thesis without his support, guidance, wisdom and ruthless criticism. I sincerely appreciate the advice Fetene Tekle, Marie-Anne Mittelhaeuser and especially Theo van der Weegen have given me regarding statistics in general and dimension reduction of dichotomous data in particular. -
A Study of the Rap Music Industry in Bogota, Colombia by Laura
The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia by Laura L. Bunting-Hudson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Laura L. Bunting-Hudson All Rights Reserved ABSTRACT The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia Laura L. Bunting-Hudson How do rap artists in Bogota, Colombia come together to make music? What is the process they take to commodify their culture? Why are some rappers able to become socially mobile in this process, while others are less so? What is technology’s role in all of this? This ethnography explores those questions, as it carefully documents the strategies utilized by various rap groups in Bogota, Colombia to create social mobility, commoditize products and to create a different vision of modernity within the hip-hop community, as an alternative to the ideals set forth by mainstream Colombian society. Resistance Art Poetry (RAP), is said to have originated in the United States but has become a form of international music. In conducting ethnographic research from December of 2012 to October 2014, I was able to discover how rappers organize themselves politically, how they commoditize their products and distribute them to create various types of social mobilities. In this dissertation, I constructed models to typologize rap groups in Bogota, Colombia, which I call polities of rappers to discuss how these groups come together, take shape, make plans and execute them to reach their business goals. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
The College Current (Vol
Valparaiso University ValpoScholar Old School Publications University Archives & Special Collections 3-17-1900 The College Current (Vol. 5, No. 2) Valparaiso College Follow this and additional works at: https://scholar.valpo.edu/oldschoolpubs Recommended Citation Valparaiso College, "The College Current (Vol. 5, No. 2)" (1900). Old School Publications. 158. https://scholar.valpo.edu/oldschoolpubs/158 This Newsletter is brought to you for free and open access by the University Archives & Special Collections at ValpoScholar. It has been accepted for inclusion in Old School Publications by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. .; rrent SOUVENIR NUMBER. Louisville Medical College, mtmbtr Of tbt JISSOtiation Of Jlmtritan mtdital £OIItgts. 1869 1899 modtrn ~acilitits, . 6radtd Coursts, • ~rtt 1nfirmary Dtpartmtnf, __ Tullv Equipptd Caboratorits, Unsurpasstd CliniC'al .Jidvantagts, Suptrior PraC'fiC'al 1nstruC'tion. The Thirtieth Session of the Louisville Medical College began October 3rd, 1899, and terminates the last of March, 1900, This well..-known institution is supplied with every facility for Modern Medical Teaching, and its Laboratory and Clinical Departments are complete, For announcements or other information regarding the college, address the secretary, GEO. M. WARNER, M. D., 304 South Second Street, LOUISVILLE, KY. Vol. 5· VALPARAISO, INDIANA, MARCH 17, 190 0. No.2· G. W. DO'l'Y, EDITOR which, being far removed from the ions as the New Auditor_ium, and Entered at the Valparaiso Postoffice as boarding bouse routine, were highly when completed and fully equipped econd-class mail matter. appreciated. With heartful thanks with all tbe necessary apparatus will PUBLISHED BY THE for their entertainment, the company cost about $50, oou. -
Theme Park Favourite Rides, Chessington World of Adventure, Planning a New Ride
THEME PARK FAVOURITE RIDES, CHESSINGTON WORLD OF ADVENTURE, PLANNING A NEW RIDE Type of module Creative Communication Target group 12–15-year-old learners Level A2 Written by Fehér Judit aangol_7_diak_4.inddngol_7_diak_4.indd 1 22006.12.31.006.12.31. 112:42:012:42:01 A kiadvány az Educatio Kht. kompetenciafejlesztő oktatási program kerettanterve alapján készült. A kiadvány a Nemzeti Fejlesztési Terv Humánerőforrás-fejlesztési Operatív Program 3.1.1. központi program (Pedagógusok és oktatási szakértők felkészítése a kompetencia alapú képzés és oktatás feladataira) keretében készült, a suliNova oktatási programcsomag részeként létrejött tanulói információhordozó. A kiadvány sikeres használatához szükséges a teljes oktatási programcsomag ismerete és használata. A teljes programcsomag elérhető: www.educatio.hu címen. Szakmai vezető: Kuti Zsuzsa Szakmai bizottság: Enyedi Ágnes, dr. Majorosi Anna, dr. Morvai Edit Szakértők: Faragó Lívia, Fehér Judit, Tartsayné Németh Nóra Szakmai lektor: Poór Zsuzsanna Idegen nyelvi lektor: Peter Doherty Alkotószerkesztő: Sákovics Lídia Grafi kai munka: Walton Promotion Kft. Hangfelvételek: Phoenix Stúdió Felelős szerkesztő: Burom Márton © Szerzők: Fehér Judit, Csibi Erzsébet, Helen Sherwin, Hunya Márta, K. Szabó Ilona Educatio Kht. 2008 angol_12-15_1.indd 1 2009.05.05. 16:10:14 THEME PARK 1.5 TASK SHEET Find information about adventures in Chessington Theme Park and answer the questions below. Read fast! Do not try to understand everything, only concentrate on the questions! 1 Which level is good for a very small child? 2 Which level is good for a family with children? 3 Which level has the most exciting rides? 4 Which rides can't you get on? 5 Which level rides would you be the most interested in? aangol_7_diak_4.inddngol_7_diak_4.indd 5 22006.12.31.006.12.31. -
Cashbox Editorial New York Editorial PHIL DIMAURO KEN TERRY CHARLES PAIKERT a Forward Look to ’77 Hollywood Editorial J.B
THE INTERNATIONAL MUSIC RECORD WEEKLY VOLUME XXXVIII — NUMBER 33 — January 1. 1977 ^GEORGEALBERT N President and Publisher MARTY OSTROW Executive Vice President DAVID BUDGE West Coast Advertising GARYCOHEN Editor In Chief JULIAN SHAPIRO East Coast Editor cashbox editorial New York Editorial PHIL DIMAURO KEN TERRY CHARLES PAIKERT A Forward Look To ’77 Hollywood Editorial J.B. CARMICLE JOHN MANKIEWICZ LINDA CAUTHEN COOKIE AMERSON As 1976 draws to a close, an in-depth look at the year that passed and an analysis ROBERT ROHWER DAVID BOYLES of the changes that went down, tend to indicate that the coming year might also be MIKE FALCON one of turmoil. And yet what that turmoil means and where it will lead is anybody’s Research HOWARD LOWELL. Director guess. STEVE OSTROW BOB SPEISMAN 1976 saw the resurgence — and demise — of some smaller independent LARRY CARLAT JEFF RAY manufacturers, long recognized as the lifeblood of the industry. Even this week WAYNE MARECI BILL FEASTER there are changes in the structure of some of the “little guys” — some are growing, CAROL RANDAL JUDY ALBERT improving and releasing, while others are closing, cutting back or consolidating. DAN SEIDEN CAROLE SUYDAM Clear trend? None whatsoever. Coin Machine The same is true at the new artist level. Certainly there were quite a few new Chicago CAMILLE COMP ASIO, Manager artists that broke during the calendar year of 1 976. But were there as many as there Hollywood DAVID BOYLES could have been? Did any one company garner a proportionately higher number of Art Director new artist development awards, signifying they found that “secret formula?” Not WOODY HARDING Circulation necessarily. -
Summer Fun Indoors! Outdoors!
2016 Special Bonus Issue Full house! Four generations under one roof KIDS AT Summer The bucks PLAY fun indoors! stop here Ten-year-olds Outdoors! saving ... for a house?! Everywhere in between! Summer yummin' Cool recipes for little foodies The Dawson Difference At The Alexander Dawson School, we can’t predict the future, but we can teach children how to shape it. Stellar academic programs, an emphasis Dawson gave me the room to be As a Dawson student I developed a solid Whether it’s delivering a presentation on holistic education, and adaptability to creative. For example, I wrote my foundation in writing, study skills, and or taking a test, there isn’t a single student interests make Dawson a fantastic first play in the eighth grade. It was problem solving. While it has been over identifiable thing that has been more place to learn, explore, and grow. Dawson’s a western melodrama we performed 15 years since I first attended Dawson, I beneficial to me than my educational decision to be the first middle school in for the entire School. People thought still rely on those basic foundational skills experience at Dawson. I was Las Vegas to offer Mandarin allowed me it was funny and I loved that reaction. to guide me through the challenges of encouraged to be an independent to establish a strong lingual foundation I Dawson’s performing arts teacher my Ph.D. program at Wake Forest thinker and I still use the tools I was continued to build through high school told me to take that feeling and try University Medical School. -
Abstract Balance by Eva Snyder B.A
Abstract Balance By Eva Snyder B.A. Music and Computer Science Mount Holyoke College Balance, a three-song extended play album, was recorded in Nashville, Tennessee in March of 2017 and debuted during an evening length senior recital on April 15th, 2017 at Mount Holyoke College. This paper details the processes of networking, marketing, and recording I have undertaken to produce my first professional album in the country music genre. Throughout this year, I have explored entrepreneurship in a new light and seen firsthand the issues that come along with the music industry. Using strong networking skills that I have developed, I have crafted my own solutions to said roadblocks. I have utilized new apps to quickly grow a supportive fanbase and interviewed fellow artists of differing levels of success searching for advice. In addition, I have emailed, phoned and met face-to-face with industry professionals as well as produced three radio-quality original songs while working seamlessly with highly accredited engineers in Nashville. Reflecting upon this year-long adventure will provide me with useful insights as to what worked and what did not work in regards toward advancing my professional music career. In the years to come, I hope Balance will spark other recording projects and be the stepping stone for me to become a successful songwriter in Music City. 1 BALANCE Eva Snyder 2 Acknowledgments I would like to thank... My Dziadziu and Babciu for providing the music that accompanies my life My family for instilling music in me since before