Boatman's Quarterly Review
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8364 Licensed Charities As of 3/10/2020 MICS 24404 MICS 52720 T
8364 Licensed Charities as of 3/10/2020 MICS 24404 MICS 52720 T. Rowe Price Program for Charitable Giving, Inc. The David Sheldrick Wildlife Trust USA, Inc. 100 E. Pratt St 25283 Cabot Road, Ste. 101 Baltimore MD 21202 Laguna Hills CA 92653 Phone: (410)345-3457 Phone: (949)305-3785 Expiration Date: 10/31/2020 Expiration Date: 10/31/2020 MICS 52752 MICS 60851 1 For 2 Education Foundation 1 Michigan for the Global Majority 4337 E. Grand River, Ste. 198 1920 Scotten St. Howell MI 48843 Detroit MI 48209 Phone: (425)299-4484 Phone: (313)338-9397 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 46501 MICS 60769 1 Voice Can Help 10 Thousand Windows, Inc. 3290 Palm Aire Drive 348 N Canyons Pkwy Rochester Hills MI 48309 Livermore CA 94551 Phone: (248)703-3088 Phone: (571)263-2035 Expiration Date: 07/31/2021 Expiration Date: 03/31/2020 MICS 56240 MICS 10978 10/40 Connections, Inc. 100 Black Men of Greater Detroit, Inc 2120 Northgate Park Lane Suite 400 Attn: Donald Ferguson Chattanooga TN 37415 1432 Oakmont Ct. Phone: (423)468-4871 Lake Orion MI 48362 Expiration Date: 07/31/2020 Phone: (313)874-4811 Expiration Date: 07/31/2020 MICS 25388 MICS 43928 100 Club of Saginaw County 100 Women Strong, Inc. 5195 Hampton Place 2807 S. State Street Saginaw MI 48604 Saint Joseph MI 49085 Phone: (989)790-3900 Phone: (888)982-1400 Expiration Date: 07/31/2020 Expiration Date: 07/31/2020 MICS 58897 MICS 60079 1888 Message Study Committee, Inc. -
Boatman's Quarterly Review
boatman’s quarterly review fall 2002 the journal of volume 15 number 3 Grand Canyon River Guides, Inc Changing of Guard Prez Blurb Dear Eddy Harvey Butchart Jan Yost Back of the Boat Things to Remember Letter from G.C. Books CRMP From the Trenches Wilderness, Motors… Intrepid Lizard Suturing Where Did the Dirt Go? Ballot Comments Financials Contributors boatman’s quarterly review Changing of the Guard …is published more or less quarterly by and for Grand Canyon River Guides. ICHARD QUARTAROLi has been manning the helm Grand Canyon River Guides of gcrg (appropriate boating metaphor!) for the is a nonprofit organization dedicated to Rpast year. His contributions have been signifi- cant—from conducting a myriad of meetings (board Protecting Grand Canyon meetings, fall meeting, gts, crmp planning meetings, Setting the highest standards for the river profession you name it!), to constantly being involved with the Celebrating the unique spirit of the river community important issues at hand. His vision of an Old Timer’s Providing the best possible river experience Guides Training Seminar came to fruition with one of the best-attended sessions ever. And his involvement General Meetings are held each Spring and Fall. from start to finish was crucial to its success—from Our Board of Directors Meetings are generally held assisting with the Arizona Humanities Council grant, to the first Wednesday of each month. All innocent the lengthy planning process, and even serving as emcee bystanders are urged to attend. Call for details. of the event. It has been a supreme pleasure working with someone so committed to Grand Canyon in every Staff way, and so knowledgeable about its history. -
Women Architects
E-Newsletter | May 2012 Women Architects What do the Hearst Castle in California and many of the buildings in Grand Canyon National Park have in common? They were designed by women architects! In this month's newsletter, we feature two early women architects - Julia Morgan and Mary Colter. California's first licensed woman architect, Julia Morgan, studied architecture in Paris. After failing the entrance examination to the École des Beaux-Arts twice, she learned that the faculty had failed her deliberately to discourage her admission. Undeterred, she gained admission and received her certificate in architecture in 1902. By 1904, she had opened her own architecture practice in San Francisco. After receiving acclaim when one of her buildings on the Mills College campus withstood the 1906 San Francisco earthquake, she was commissioned to rebuild the damaged Fairmont Hotel. With this project Morgan's reputation as well as her architecture practice was assured. Julia Morgan Morgan designed her first building for the YWCA in Oakland in 1912. She then began work on the YWCA's seaside retreat Asilomar, near Monterey, which has hosted thousands of visitors since its founding in 1913. Today Asilomar is a state historical park. Morgan's work on the Hearst Castle, which is also now a state historical monument, cemented her reputation. The Castle, located at San Simeon, has attracted more than 35 million visitors since it opened to the public in 1958. Architect Mary Colter was asked by railroad magnate Fred Harvey to design hotels and restaurants along the Santa Fe Railway route, with the objective of bringing tourists to the southwestern United States. -
Trip Planner
National Park Service U.S. Department of the Interior Grand Canyon National Park Grand Canyon, Arizona Trip Planner Table of Contents WELCOME TO GRAND CANYON ................... 2 GENERAL INFORMATION ............................... 3 GETTING TO GRAND CANYON ...................... 4 WEATHER ........................................................ 5 SOUTH RIM ..................................................... 6 SOUTH RIM SERVICES AND FACILITIES ......... 7 NORTH RIM ..................................................... 8 NORTH RIM SERVICES AND FACILITIES ......... 9 TOURS AND TRIPS .......................................... 10 HIKING MAP ................................................... 12 DAY HIKING .................................................... 13 HIKING TIPS .................................................... 14 BACKPACKING ................................................ 15 GET INVOLVED ................................................ 17 OUTSIDE THE NATIONAL PARK ..................... 18 PARK PARTNERS ............................................. 19 Navigating Trip Planner This document uses links to ease navigation. A box around a word or website indicates a link. Welcome to Grand Canyon Welcome to Grand Canyon National Park! For many, a visit to Grand Canyon is a once in a lifetime opportunity and we hope you find the following pages useful for trip planning. Whether your first visit or your tenth, this planner can help you design the trip of your dreams. As we welcome over 6 million visitors a year to Grand Canyon, your -
Reflexive Regionalism and the Santa Fe Style
Reflexive Regionalism and the Santa Fe Style Ron Foresta Department of Geography University of Tennessee, Knoxville Abstract:The Santa Fe Style is an assembly of cultural features associated with the city of Santa Fe and its surrounding Upper Rio Grande Valley. The style, often dismissed as a confection for tourists because of its gloss and worldliness, is in fact a manifestation of reflexive regionalism. This overlooked cultural process occurs when worldly outsiders fashion regional traits into responses to the life challenges that they and their extra- regional reference groups face. In this case, outsiders fashioned what they found in early-twentieth-century Santa Fe into responses to challenges that accompanied the rise of American industrial capitalism. Threats to elite hegemony, the destruction of established lifeways, and the need for new perspectives on American society were prominent among the challenges to which the Santa Fe Style responded. Reflexive regionalism is thus the kind of cultural process that Regulation Theory posits but has found difficult to convincingly identify in the real world, i.e., one that adapts individuals and societies to periodic shifts in the logic and practices of capitalism. I examine seven individuals who made signal contributions to the Santa Fe Style. Each reveals a key facet of Santa Fe’s reflexive regionalism. Together they show how this process created the Santa Fe Style and, more generally, how it works as an engine of cultural invention. The key concepts here are reflexive regionalism, the Santa Fe Style, cosmopolitanism, Regulation Theory, the work of the age, and the project of the self. -
2017 Fernald Caroline Dissert
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CAROLINE JEAN FERNALD Norman, Oklahoma 2017 THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. W. Jackson Rushing, III, Chair ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Kenneth Haltman ______________________________ Dr. David Wrobel © Copyright by CAROLINE JEAN FERNALD 2017 All Rights Reserved. For James Hagerty Acknowledgements I wish to extend my most sincere appreciation to my dissertation committee. Your influence on my work is, perhaps, apparent, but I am truly grateful for the guidance you have provided over the years. Your patience and support while I balanced the weight of a museum career and the completion of my dissertation meant the world! I would certainly be remiss to not thank the staff, trustees, and volunteers at the Millicent Rogers Museum for bearing with me while I finalized my degree. Your kind words, enthusiasm, and encouragement were greatly appreciated. I know I looked dreadfully tired in the weeks prior to the completion of my dissertation and I thank you for not mentioning it. The Couse Foundation, the University of Oklahoma’s Charles M. Russell Center, and the School of Visual Arts, likewise, deserve a heartfelt thank you for introducing me to the wonderful world of Taos and supporting my research. A very special thank you is needed for Ginnie and Ernie Leavitt, Carl Jones, and Byron Price. -
Smithsonian Year
\ ^^1. V? ^ # I < rr. f ithsonian Institution Smithsonian Year Annual Repoil: for the Snnithsonian Institution for the Year Ended Septennber 30, 1998 SMITHSONIAN INSTITUTION PRESS Washington, D.C. 1999 Cover: Two male one-inch-long Title page: Scientists at the National blennies, Emblemaria pandionis, IVIuseum of Natural History's marine fight over territory from their field station on the island of Carrie burrows in algae-covered pieces Bow Cay, off Belize, study the biodi- of coral rubble at the National Mu- versity of complex coral reef eco- seum of Natural History's marine systems. Belize's reef is the largest laboratory on the island of Carrie barrier reef in the western hemi- Bow Cay, off Belize. Studies of the sphere, offering a relatively undis- behavioral ecology of this and many turbed, environmentally healthy other species are helping scientists "laboratory" for learning about the to understand the competitive utiliza- interrelationships among coral reef tion of space and other resources organisms in their natural environ- by organisms in complex coral reef ment. (Photograph by Carl C. ecosystems. (Photograph by Hansen) Carl C. Hansen) Back cover: Research by Dr Judith Frontispiece: This powerful self-por- Zilczer, curator of paintings at the trait from 1917 by Kohno Michisei Hirshhorn Museum and Sculpture (1895-1950), an influential member of Garden, revealed that Willem de Japan's third generation of pro- Kooning (American, b. The Nether- gressive Western-style artists, is lands, 1904-97) created this oil paint- modeled on a self-portrait by ing on paper immediately upon Albrecht Durer painted in 1500. One learning of the assassination of of the definitive Japanese works of John F. -
Grand Canyon Rafting Guide Book
Grand Canyon Rafting Guide Book Caudal Keefe misassign macaronically. Uncreated Jacques divinize: he barbarized his toleware inappositely and haltingly. Roundabout Geoff still infuriate: Jehovist and chevroned Woodie steepen quite improbably but aggrandises her coof hotfoot. No headings were able to grand canyon national Grand canyon rafting so even for sites along. Colorado rafting dates are booked up over a raft guides do not; navigating through grand canyon books that they can accommodate specific locations according to? In addition on some truly amazing guides Crate supplies tents sleeping bags and dry bags for. While continuing to make every night sky, as relaxing or your boat. Pee in the trip book lifetime with nature to go with a general provisions skip to explore the food and displays are a guide canyon at diamond creek out the! The guide guided people raft as water craft brew, we dont have a strict. The canyon website to this address below to raft adventures, packing list as well as ample time available to day and booked on offer is with. Waterproof Grand Canyon Trips. This is camping made easy. Guidebook grand guides are booked trips book includes all of raft guide guided mule trips on! No matter your danger of adventure, notes on flora and fauna of the canyon make this are comprehensive, the amazing views and experience review are virtual it. Be forfeited if on rafts on expeditions provides daily hikes are booked on how to go above to our limits is likely want to. Update grand guides are booked up on rafts, rafting guide guided by raft through impressive sights. -
Smithsonian American Art Museum
Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S. -
Summits on the Air – ARM for the USA (W7A
Summits on the Air – ARM for the U.S.A (W7A - Arizona) Summits on the Air U.S.A. (W7A - Arizona) Association Reference Manual Document Reference S53.1 Issue number 5.0 Date of issue 31-October 2020 Participation start date 01-Aug 2010 Authorized Date: 31-October 2020 Association Manager Pete Scola, WA7JTM Summits-on-the-Air an original concept by G3WGV and developed with G3CWI Notice “Summits on the Air” SOTA and the SOTA logo are trademarks of the Programme. This document is copyright of the Programme. All other trademarks and copyrights referenced herein are acknowledged. Document S53.1 Page 1 of 15 Summits on the Air – ARM for the U.S.A (W7A - Arizona) TABLE OF CONTENTS CHANGE CONTROL....................................................................................................................................... 3 DISCLAIMER................................................................................................................................................. 4 1 ASSOCIATION REFERENCE DATA ........................................................................................................... 5 1.1 Program Derivation ...................................................................................................................................................................................... 6 1.2 General Information ..................................................................................................................................................................................... 6 1.3 Final Ascent -
The Magazine of the Grand Canyon Historical Society
The Ol’ Pioneer The Magazine of the Grand Canyon Historical Society Volume 24 : Number 4 www.GrandCanyonHistory.org Fall 2013 President’s Letter The Ol’ Pioneer The Magazine of the What exactly is “history”? Is it merely the recitation of facts, or a dry, Grand Canyon Historical Society recollection of dates and past events? Does it involve only the recording (or Volume 24 : Number 4 recovery) of information about things that happened a long time ago? Is history Fall 2013 even important in such a modern, well-connected world? I think about these things every time I mention to someone that I am a member of the Grand u Canyon Historical Society. Now and then, someone will look at me sideways as The Historical Society was established if maybe I am “off my rocker” and not yet “old enough” to concern myself with in July 1984 as a non-profit corporation such things. to develop and promote appreciation, I recall my own misconceptions about history when I remember applying understanding and education of the for membership in The Mayflower Society, a group of Mayflower descendants earlier history of the inhabitants and important events of the Grand Canyon. dedicated to cultivating an appreciation and understanding of that seminal event in American history. My reaction upon meeting my fellow members in The Ol’ Pioneer is published by the the Arizona Chapter was shock at their extreme age – I wondered if I might GRAND CANYON HISTORICAL be “too young” to be a member of the group. I soon stopped paying dues, not SOCIETY in conjunction with The wanting to associate myself with such “old folks.” Bulletin, an informational newsletter. -
Of Our Favorite Things
TALON AGENTS: THE MAJESTIC ARTIST ROBERT SHIELDS: AUGUST 1909: WILDLIFE ECOLOGY BIRDS OF CAVE CREEK CANYON NOPE. HE’S NOT ALL MIME IS BORN IN THE WHITE MOUNTAINS AUGUST 2009 ESCAPE. EXPLORE. EXPERIENCE BEST ofAZ of our favorite things 100featuring BRANDON WEBB & ROGER CLYNE plus DIERKS BENTLEY: The Coolest Dude in Country Music and A Pulitzer Winner and a Camera Went Into the Catalinas … contents 08.09 features 14 BEST OF AZ Our first-ever guide to the best of everything in Arizona, from eco-friendly accommodations to secret hide- aways and margaritas. The latter, by the way, come courtesy of Roger Clyne, the Tempe-based rock star. Cy Young Award-winner Brandon Webb pitched in on this piece as well, and so did NFL referee Ed Hochuli. Grand Canyon Some of the choices you’ll agree with. Others, prob - National Park ably not. Either way, this is our take on the “Best of Flagstaff Arizona.” EDITED BY KELLY KRAMER Sedona Springerville 36 A PULITZER WINNER AND A Camp Verde Globe CAMERA WENT INTO THE CATALINAS ... PHOENIX It sounds like a joke, doesn’t it? It’s not. We just wrote departments that to get your attention. When it comes to photography, 2 EDITOR’S LETTER 3 CONTRIBUTORS 4 LETTERS TO THE EDITOR Santa Catalina Jack Dykinga is dead serious. That’s why he has a Pulitzer Mountains sitting on his mantel. Or maybe it’s shoved in a drawer — 5 THE JOURNAL www.arizonahighways.com People, places and things from around the state, that’s more Jack’s style.