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Viene a México Anish EXCELSIOR MIÉrcoles 13 DE ABRIL DE 2016 [email protected] @Expresiones_Exc ANISH KAPOOR VIENE A MÉXICOFotos: Tomadas del libro Anish Kapoor, editorial Phaidon y AFP Arqueología, de la Lisson Gallery, que representaba por entonces a la nueva corriente de esculto- biología es la res británicos, incluidos Richard Deacon y Tony Cragg. primera exposición A los 36 años ya estaba representando al Reino Unido en la Bienal de Venecia de monográfica a gran 1990 y al año siguiente recibió el premio Turner, al que otros han llegado mucho escala dedicada en después. La fama desde entonces ha ido en ascenso. En 2012, The Sunday Times nuestro país a la obra lo situó entre los artistas británicos más ricos y calculó su fortuna en 49 millones del artista indio de euros. Para muchos, la consagración Cloud Gate, escultura pública. Chicago, 2006. con su escultura Marsyas, una inmensa POR LUIS CARLOS SÁNCHEZ obra hecha de acero y PVC color carne, [email protected] que llenó totalmente el Turbine Hall de la Tate Modern de Londres. penas en marzo pasa- Su retrospectiva en la Royal Academy do, el artista indio Anish of Arts en 2009 fue vista por 275 mil per- Kapoor (Bombay, 1954) sonas y se convirtió en una atracción su se ubicó de nuevo en el pieza Disparos en el rincón (2008-2009), ojo de la crítica. Por una que consiste en un cañón que disparaba suma desconocida ad- cargas de nueve kilos de cera a 80 kiló- quirió los derechos de uso exclusivo del metros por hora sobre un muro blanco Apigmento Vantablack, una sustancia que en el que se iba formando un cuadro in- absorbe el 99.965% de luminosidad. An- ArcelorMittal Orbit, Londres, 2012. forme. También es autor de ArcelorMittal tes, varios artistas ya habían utilizado el Orbit, la escultura más alta de Europa, color, pero Kapoor pensó que era el ma- una estructura de mil 400 toneladas de terial que siempre estuvo buscando, una acero y 114.5 metros de alto que se con- sustancia capaz de producir el negro más virtió en símbolo de los Juegos Olímpicos negro. Toda una paradoja para un artista de Londres 2012. que trabajó mucho tiempo con el color. Kapoor, además, se hizo con los dere- “Gran parte de las piezas de Kapoor chos exclusivos de un color (Vantablack); son como una paradoja: a pesar de que de organizar una coreografía junto con la tienen esa seducción matérica que va en- bailarina española Tamara Rojo y Amnis- volviendo al espectador mientras va re- tía Internacional para reclamar la libera- corriéndolas, también tienen un punto Anish Kapoor nació en Bombay en 1954. Dirty Corner, Versalles, París, 2011. ción de presos políticos como Ai Weiwei donde son demasiado herméticas, por- o de declarar: “tal vez suene anticuado y que se contienen a ellas mismas. Hay una Muchas de las esculturas de Kapoor no sólo son públicas, sino también monumentales. hasta arrogante, pero creo que después doble situación en ellas de seducción y de OBRA MUNDIAL de algún tiempo el artista puede tener la hermetismo, y no obstante, no dejan de 3 Turning the World Upside Down, 3 Sky Mirror (escultura temporal) 3 Ark Nova, sala de conciertos infla- autoridad de encabezar un punto de vista generar a nivel de concepción una poé- Israel, 1995. Nueva York, 2006. ble hecha con Arata Isozaki, 2011. —no el mío, sino algo más amplio— hacia tica del espacio”, dice la curadora Cecilia una utopía colectiva. Y eso es lo que ne- Delgado Masse. 3 Marsyas, Londres, 2002. 3 Tall Tree & The Eye, Bilbao, 2009. 3 Leviathan, París, 2011. cesitamos hacer en este momento”, como La actual directora del Muca Roma 3 Cloud Gate, Millennium Park 3 Temenos del proyecto Tees Valley 3 Dirty Corner, París, 2011. le dijo en una entrevista al diario El País. es también la curadora asociada de Ar- Chicago, 2006. Giants, Teeside Ingalterra, 2010. 3 ArcelorMittal Orbit, Londres, 2012. El trabajo de Kapoor, agrega Delgado, queología, biología, la primera exposi- “tiene que ver mucho con esa genealogía ción monográfica a gran escala dedicada ocuparán las salas 1, 2, 3 y 9 del Museo ofrece un panorama de los diversos ma- oriental y occidental que lo lleva a gene- en México a la obra de Anish Kapoor. “Es Universitario de Arte Contemporáneo teriales y las distintas aproximaciones rar piezas, esculturas o instalaciones que una exposición que ya tenía mucho tiem- (MUAC) a partir del 28 de mayo próximo. que él va integrando a nivel de construc- revelan una destreza impecable a nivel po pensándose, el trabajo de Anish re- “Es una iniciativa importante del MUAC ción de espacio”, cuenta. de manufactura y también a nivel de una vela una destreza increíble a nivel de la y creo que tendrá una gran relevancia a Considerado un genio por muchos, investigación constante que él va hacien- propia materia o de los propios materia- nivel internacional”, agrega la curadora Kapoor es hijo de una mujer judía-ira- do de la materialidad; desde hace mucho les que va usando, es uno de los artistas asociada, quien trabaja de cerca con la quí y de un hidrógrafo de la marina india. realmente existía ese interés de una ex- más importantes en el ámbito interna- británica Catherine Lampert y se ha en- En 1970 se trasladó a Londres para estu- posición de Anish Kapoor en el MUAC”. cional”, adelanta Delgado, en exclusiva cargado de la curaduría principal. diar en el Hornsey College of Art y en el Arqueología, biología ha sido acor- para Excélsior. Delgado afirma que “no es propia- Chelsea School of Art Desing. En la ado- dada directamente con Kapoor. “Es una La muestra será más grande que la mente una retrospectiva” pero la selec- lescencia halló consuelo a su conmoción exposición que el MUAC concibe bajo la montada en el Guggenheim de Bilbao ción abarca piezas que Kapoor realizó anímica en el sicoanálisis y pronto co- idea de integrarlos a él como a Lampert, en 2010. Estará compuesta de 23 piezas, desde 1980, hasta algunas de sus pro- menzó a destacar como artista. Sus escul- dentro de su programación, estarán aquí tres de ellas “grandes instalaciones” que ducciones nuevas, de 2015. “La muestra turas con pigmentos llamaron la atención los dos”, concluye la curadora asociada. Sí es Caravaggio Confronta a genios El cuadro Judith decapitando a Holofernes, del pintor italiano Cervantes (1547-1616) era “un genio intuitivo y (nacido en 1571 y muerto en 1610), recientemente descubierto desigual”, en cambio, Shakespeare (1564-1616) en el granero de una casa del suroeste de Francia, es un obra es considerado “como un extraterrestre por su "auténtica", afirmaron ayer varios expertos a pesar de las riqueza léxica, que es bastante alta, al grado de dudas de otros especialistas. >6 la inverosimilitud”, afirma Ignacio Padilla. >4 Foto: AFP 2: EXPRESIONES MIÉRCOLES 13 DE ABRIL DE 2016 : EXCELSIOR ¿Qué me pongo? TOMAZ PANDUR MARCELINO PERELLÓ Garganta Profunda (la lección) Murió en ¿Cómo fue posible que una operación tan secreta y delicada, llevada a cabo por especialistas en espionaje, saliera a la luz pública? s raro que los poderosos pier- sin duda, habría sido condenado y desin- dan. En el campo de batalla, en vestido. Durante todo ese tiempo Garganta el de futbol o en el de la política. Profunda, desde el anonimato, no cesó de ir el ensayo Sólo sucede cuando otro, más proporcionando datos y detalles de la artera EFE El director teatral esloveno se infartó poderoso que ellos, les inflige maniobra. Todos los intentos de contrarres- [email protected] la derrota, cuando cometen un error fatal o tar el demoledor ataque fueron desactivados en un escenario; alistaba El rey Lear. Ecuando se produce aquello que llamamos uno a uno. SKOPJE.— El director de tea- “concurso de circunstancias”. Una de las fi- La situación, fíjese usted bien, amigo tro esloveno Tomaz Pandur En 2015 participó en el Cervantino guras más poderosas del planeta, desde hace mío, no podía ser más dramática. Los hom- falleció ayer a causa de un al menos 200 años, es sin duda la del Pre- bres del Presidente, sus incondicionales en infarto durante un ensayo en Pandur preparaba sidente de Estados Unidos. Dos de ellos, tal los que debía contar para su defensa, ya no Skopje, informó el Teatro Na- una versión teatral de vez los más emblemáticos, perdieron cuando eran gente de confianza. Entre ellos se en- cional Macedonio. Cien años de soledad. fueron asesinados: Abraham Lincoln en 1865 contraba, con toda certeza, Garganta Pro- Pandur, que estaba ensa- —pasado mañana se cumplirán 151 años— y funda. ¿Pero cómo saber quién era, si es que yando El rey Lear, murió en el John F. Kennedy en 1963. También corrieron era sólo uno? ¿En quién apoyarse, a quién escenario y, según la prensa, tan trágica suerte James A. Garfield en 1881 y encargar la contraofensiva? Nixon aún no los actores que estaban a su William McKinley 20 años después. lo sabía, pero el único que hubiera podido lado le prestaron los primeros Y hay un quinto, al que de alguna mane- desentrañar la trama ¡era precisamente Gar- auxilios, aunque sin éxito. ra le fue peor. No perdió la vida en el lance, ganta Profunda! Sangrienta encrucijada, El director murió literal- pero perdió fama, prestigio y respeto. Fue reconozca usted. Digna de todo un Shakes- mente en brazos de sus com- exhibido como un truhán, como aquellos peare. Las intrigas de Palacio. Amargas a pañeros, añaden los medios. condenados durante la Colonia a los que más no poder para quien las padece, apasio- Según el relato de los acto- obligaban a recorrer las calles en túnica y un nantes para quien las contempla desde lejos.
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