Dayton Ballet Company Records
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Valerie Roche ARAD Director Momix and the Omaha Ballet
Celebrating 50 years of Dance The lights go down.The orchestra begins to play. Dancers appear and there’s magic on the stage. The Omaha Academy of Ballet, a dream by its founders for a school and a civic ballet company for Omaha, was realized by the gift of two remarkable people: Valerie Roche ARAD director of the school and the late Lee Lubbers S.J., of Creighton University. Lubbers served as Board President and production manager, while Roche choreographed, rehearsed and directed the students during their performances. The dream to have a ballet company for the city of Omaha had begun. Lubbers also hired Roche later that year to teach dance at the university. This decision helped establish the creation of a Fine and Performing Arts Department at Creighton. The Academy has thrived for 50 years, thanks to hundreds of volunteers, donors, instructors, parents and above all the students. Over the decades, the Academy has trained many dancers who have gone on to become members of professional dance companies such as: the American Ballet Theatre, Los Angeles Ballet, Houston Ballet, National Ballet, Dance Theatre of Harlem, San Francisco Ballet, Minnesota Dance Theatre, Denver Ballet, Momix and the Omaha Ballet. Our dancers have also reached beyond the United States to join: The Royal Winnipeg in Canada and the Frankfurt Ballet in Germany. OMAHA WORLD HERALD WORLD OMAHA 01 studying the work of August Birth of a Dream. Bournonville. At Creighton she adopted the syllabi of the Imperial Society for Teachers The Omaha Regional Ballet In 1971 with a grant and until her retirement in 2002. -
Audition Guidelines & Frequently Asked
AUDITION GUIDELINES & FREQUENTLY ASKED QUESTIONS Explore Your Potential and Realize Your Dream Patricia Lavoie, Artistic Director ABOUT SOUTHERN NH YOUTH BALLET Welcome to Southern NH Youth Ballet (SNHYB), the official performing company of Southern NH Dance Theater. The Youth Ballet has been educating dancers and inspiring audiences throughout New Hampshire since 1998. For more than 15 years the Youth Ballet has also been the resident Nutcracker Performing Company at the historic Palace Theatre in Manchester, NH. By providing young dancers with unique performance opportunities, intensive dance training and individual coaching, the Youth Ballet continues to inspire the youth in our community by fostering their artistic growth and enriching their lives. EXPLORE YOUR POTENTIAL AND REALIZE YOUR DREAM There are many benefits for company members of Southern NH Youth Ballet. Some of those opportunities include: • Participation in several performing opportunities • Perform with a live orchestra in The Nutcracker at the Palace Theatre in downtown Manchester • Work with some of the industry’s leading choreographers • Dance alongside professional dancers • Exposure to the dance community on a national level HOW DO I BECOME A MEMBER OF THE YOUTH BALLET? By attending the company auditions held in the fall of each year. Participation in the Youth Ballet is voluntary and open to all Southern NH Dance Theater students enrolled in ballet levels 5 through 7. There are no age requirements for students in ballet levels 5-7. It is very important to remember that the Youth Ballet is designed for the serious dancer. A commitment of this level is viewed by our staff as a family commitment. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
May 2012 Calendar of Events
MAY 2012 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information LINCOLN CENTER THEATER JUILLIARD SCHOOL NEW YORK PUBLIC LIBRARY is current as of 4000 Miles Yiwen Shen, composition FOR THE PERFORMING ARTS A play by Amy Herzog Paul Hall 6 PM Music of the Revue Era April 2, 2012 Directed by Daniel Aukin Bruno Walter Aud. 6 PM Mitzi E. Newhouse Theater 8 PM JUILLIARD SCHOOL May 1 Tuesday Jun Sun, piano May 3 Thursday FILM SOCIETY OF NEW YORK CITY BALLET Paul Hall 8 PM DAVID RUBENSTEIN ATRIUM LINCOLN CENTER First Position Discussion AT LINCOLN CENTER LINCOLN CENTER THEATER To view the Film Society's Join NYCB docents for an informal Target Free Thursdays April schedule, visit discussion on the program. 4000 Miles Lindigo FREE for all ticketholders www.filmlinc.com A play by Amy Herzog Reunion Island music David H. Koch Theater 7:10 PM Directed by Daniel Aukin David Rubenstein Atrium FREE JAZZ AT LINCOLN CENTER Mitzi E. Newhouse Theater 8:30 PM NEW YORK CITY BALLET 2 & 8 PM Ethel Waters: All Balanchine Blues, Broadway, and Jazz JAZZ AT LINCOLN CENTER Serenade LINCOLN CENTER THEATER Juilliard Jazz Orchestra Hosted by Michael Feinstein with Kammermusik No. 2 Adriane Lenox, Catherine Russell Other Desert Cities The Music of Duke Ellington Brahms-Schoenberg Quartet on Broadway & Tracie Thoms David H. Koch Theater 7:30 PM & Dizzy Gillespie The Allen Room 7:30 PM A Play by Jon Robin Baitz With Frank Wess NEW YORK PUBLIC LIBRARY Directed by Joe Mantello James Burton III, conductor Booth Theatre 2 & 8 PM JAZZ AT LINCOLN CENTER FOR THE PERFORMING ARTS Dizzy's Club Coca-Cola Juilliard Jazz Orchestra 7:30 & 9:30 PM Star Quality: LINCOLN CENTER THEATER The Music of Duke Ellington The World of Noël Coward & Dizzy Gillespie War Horse JUILLIARD SCHOOL An exhibition of Coward's career. -
Finding Aid for Bolender Collection
KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by -
Miami City Ballet 37
Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha -
STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT By ©2016 Olivia Needham Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________________ Chairperson: Paul Laird ________________________________________ Véronique Mathieu ________________________________________ Bryan Haaheim ________________________________________ Philip Kramp ________________________________________ Jerel Hilding Date Defended: 04/15/2016 The Dissertation Committee for Olivia Needham certifies that this is the approved version of the following dissertation: STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT ________________________________________ Chairperson: Paul Laird Date Approved: 04/15/2016 ii ABSTRACT This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin writing through his two pieces, Suite italienne and Duo Concertant. In these works, Stravinsky’s use of neoclassicism is revealed in two opposite ways. In Suite Italienne, Stravinsky based the composition upon actual music from the eighteenth century. In Duo Concertant, Stravinsky followed the stylistic features of the eighteenth century without parodying actual music from that era. Important types of violin writing are described in these two works by Stravinsky, which are then compared with examples of eighteenth-century violin writing. iii Igor Stravinsky (1882-1971) was born in Oranienbaum (now Lomonosov) in Russia near St. -
Award Syllabus
South Island Ballet Award and PW Dance & Sportswear Junior South Island Ballet Award Friday 20th May to Sunday 22nd May 2016 | CHRISTCHURCH [Date and Time] [Street Address] Award Syllabus Table of Contents Page Award Overview 3 Conditions of Entry 4 Entry Form 5 Junior Criteria 6 Senior Criteria 7-8 Adjudicators 9-11 Sponsorship 12-13 Hotel Flyer 14 SOUTH ISLAND BALLET AWARD 2016 The Christchurch Ballet Society is proud to present the South Island Ballet Award for 2016. This major event will be the highlight of the South Island competition dance calendar. The Christchurch Ballet Society is offering a significant cash incentive to talented and dedicated dancers whose tuition is or has been provided by a ballet tutor located within the South Island. It is intended that by offering a cash scholarship this will assist the recipients of the award in furthering their training and studies in classical ballet. th nd Friday 20 May to Sunday 22 May 2016 | CHRISTCHURCH Senior Award Junior Award First Place $5000 Tuition Scholarship First Place $3000 Tuition Scholarship Silver Challenge Cup and Sash Silver Challenge Cup and Sash Second Place $2000 Tuition Scholarship Second Place $1000 Tuition Scholarship and Sash and Sash Third Place $1000 Tuition Scholarship Third Place $500 Tuition Scholarship and Sash and Sash **Finalists may also receive a cash incentive** Senior Age Group Junior Age Group 15 to 19 years as at 20th May 2016 12 to 14 years as 20th May 2016 ENTRY FEE and CLOSING DATE An entry fee of $150 (Non-refundable) will be required upon receipt of entry form. -
State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 31, folder “State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Revised (Pg. 2} May 8, 1975 10:00 a.m. THE WHIT£ HOUSE. WASHINGTON DINNER IN HONOR OF HIS EXCELLENCY THE PRIME MINISTER OF THE REPUBLIC OF SINGAPORE AND MRS. LEE May 8, 1975 8:00 p. m. Dress: Black tie ... long dresses for the ladies Arrival: 8:00 p. m .... at North Portico Entrance ... Prime Minister and Mrs. Lee, Ambassador and Mrs. Catto You and Mrs. Ford will greet Photo coverage of greeting Yellow Oval Room: Secretary and Mrs. Kissinger; His Excellency Sinnathamby Rajaratnam, Minister of Foreign Affairs of the Republic of Si~gapore; His Excellency The Ambassador of the Republic of Singapore and Mrs. Monteiro will assemble just prior to the 8: 00 p. m. arrival of Prin1e Minister and Mrs. Lee and Ambassador and Mrs. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 1997-2001 LOCATION: ROCKPORT ART ASSOCIATION 1997 June 12-July 6, 1997 David Deveau, Artistic Director
ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 1997-2001 LOCATION: ROCKPORT ART ASSOCIATION 1997 June 12-July 6, 1997 David Deveau, artistic director Thursday, June 12, 1997 Opening Night Gala Concert & Champagne Reception The Piano Virtuoso Recital Series Russell Sherman, piano Ricordanza, No. 9 from The Transcendental Etudes Franz Liszt (1811-86) Wiegenlied (Cradle-song) Liszt Sonata in B minor Liszt Sech Kleine Klavierstucke (Six Piano Piece), OP. 19 (1912) Arnold Schoenberg (1874-1951) Sonata No. 23 in F minor, Op. 57 “Appassionata” Ludwig van Beethoven (1770-1827) Friday, June 13, 1997 The International String Quartet Series The Shanghai Quartet Quartet in G major, Op. 77, No. 1, “Lobkowitz” Franz Josef Haydn (1732-1809) Poems from Tang Zhou Long (b.1953) Quartet No. 14 in D minor, D.810 “Death and the Maiden” Franz Schubert (1797-1828) Saturday, June 14, 1997 Chamber Music Gala Series Figaro Trio Trio for violin, cello and piano in C major, K.548 (1788) Wolfgang A. Mozart (1756-91) Duo for violin and cello, Op. 7 (1914) Zoltan Kodaly (1882-1967) Trio for violin, cello and piano in F minor, Op. 65 (1883) Antonín Dvořák (1841-1904) Sunday, June 15, 1997 Chamber Music Gala Series Special Father’s Day Concert Richard Stoltzman, clarinet Janna Baty, soprano (RCMF Young Artist) | Andres Diaz, cello Meg Stoltzman, piano | Elaine Chew, piano (RCMF Young Artist) | Peter John Stoltzman, piano David Deveau, piano The Great Panjandrum (1989) Peter Child (b.1953) Sonata for clarinet and piano (1962) Francis Poulenc (1899-1964( Jazz Selections Selected Waltzes and Hungarian Dances for piano-four hands Johannes Brahms (1833-1897) Trio in A minor for clarinet, cello and piano, Op. -
Dayton Ballet Company 2019–2020
2019–2020 SEASON Page 13 Message from the President Paul Helfrich, President & CEO, Dayton Performing Arts Alliance Welcome to the Schuster Center and Dayton Ballet’s presentation of The Nutcracker! We’re glad you’re here. The holiday season is always a busy time for the Dayton Performing Arts Alliance, and I want to make sure that you don’t miss any of it. We’re excited to be offering these performances of Dayton Ballet’s The Nutcracker with the sensational Dayton Philharmonic Orchestra, and we’re also looking forward to a special presentation of the wonderful jazz music from “A Charlie Brown Christmas” with the Jim Martinez Quartet on December 28. Attending The Nutcracker with family and friends is a cherished holiday tradition. Other December traditions include the Philharmonic’s presentation of Handel’s Messiah on December 18 and our New Year’s Eve concert on December 31. There’s also our free “Bach’s Lunch” concerts with the Carillon Brass; two performances at the Loft Theatre on Friday, December 13. Mainstage performances like The Nutcracker are some of our most visible offerings, but equally important performances take place in classrooms all around the Miami Valley. Over 70,000 young people in the Miami Valley benefited from DPAA education programs in the past year, including the Dayton Ballet School, Philharmonic Ensembles, Opera on the Road, Q the Music, Young People’s and Magic Carpet Concerts, ArtsConnect, and the Dayton Philharmonic Youth Orchestra, Youth Strings, and Junior Strings. Those programs are made possible through the support of generous contributors to our Annual Fund Campaign.