DOCSLIB.ORG

The Bishop's Presence Is a Present

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Bishop's Presence Is a Present Friday, January 12, 2018 The Bishop George Ahr HS Volume 48 One Tingley Lane Number 2 Satoma Edison, New Jersey 08820 Newsmagazine The Bishop’s Presence Is A Present See article on page 11... Inside... Fallout Boy P. 5 Holiday stories P. 9 Sports spotlight P. 13 Student Artwork p.2 Self-love P. 6 Cotillion P. 10 Swimming P. 14 Cookie vs. cookie p.3 Christmas concert P. 7 Ahr Star Mass P. 11 Winter Track P. 15 “The Last Jedi” p.4 Sophomore traditions P. 8 California fires P. 12 Ads P. 16 8 Job # School HJ HJ Job # 4977 School Bishop George Ahr High School 8 Special Instructions Special Instructions 2 Template Template 3 WICS551101L WICS551101R ©2010 Herff Jones, Inc., ©2010 Herff Jones, Inc., Even All Rights Reserved All Rights Reserved Odd Page Page Black Ink Includes Spot Color(s) Process 4-Color (CMYK) Black Ink Includes Spot Color(s) x Process 4-Color (CMYK) 2 CREATIVITY The Satoma Newsmagazine • Friday • January 12 • 2018 Top left: Artwork by Abigail Chadwick ‘21 Top right: Artwork by Sydney Samuelson ‘21 Bottom Right: Artwor by Ally Wonski ‘18 Next quarter satoma will hold a creative writiNg aNd art coNtest. The Holiday Rush studeNts who waNt to By: Nicole Petrick have their work published Holiday shopping, Rushing around, Cries from the customers, managers’ frown. should coNtact ms. byrNe Nothing compares to the holiday rush, Except maybe when it’s left in the dust. ([email protected]) Christmas is a time to put all the hustle and bustleaway, But instead we choose to indulge in holiday layaways. Wrapping paper, and crisp ribbons are wrapped as one Christmas trees and jolly lights add to the fun. T HE S ATOMA S TAFF Gift Cards and gift sets are bundled and wrapped, While paychecks and credit cards get caught in the trap. WI S HE S BGA A A long time ago Christmas had a bigger reason, But now all that’s lost in the material season. Presents instead of people, is what I fear H APPY N EW Y EAR ! will soon be the meaning of Holiday Cheer. 8 Job # 4977 School Bishop George Ahr High School HJ HJ Job # School 8 Special Instructions Special Instructions 2 Template Template 3 WICS551101L WICS551101R ©2010 Herff Jones, Inc., ©2010 Herff Jones, Inc., Even All Rights Reserved All Rights Reserved Odd Page Page Black Ink Includes Spot Color(s) x Process 4-Color (CMYK) Black Ink Includes Spot Color(s) Process 4-Color (CMYK) The Satoma Newsmagazine • Friday • January 12 • 2018 OPINION 3 In the defense of oatmeal raisin Dear read- both stocked heavily. On the would have been instantly ers, when left platter, there are choco- reminded of the nightmarish garland and late chip, and on the right conditions of a rocky field Principal: Sr. Donna Marie Trukowski Associate Principal: Harry Ziegler the gentle oatmeal raisin. You are now due to the hostile, unfriendly, Vice Principal: Brian Brogno glow of confronted with this enthrall- and rigid edges. As you place Campus Minister: warm hearts ing puzzle. Right or left? the circle of despair from ba- Sr. Cynthia Marie Babyak decorate our Oatmeal raisin or Chocolate sicness into your mouth, all Technology Coordinator: homes ev- Chip? Salvation or Condem- the joy and hope for a deli- Michael Kowalczyk ery year in nation? cious Christmas treat turns to late Decem- Reader, if you chose the ash. As you spit out the hor- Editor-in-Chief ber, we are confronted with a platter on your right, you rendous disgrace for a cook- Simon Llaguno moral dilemma so herculean have chosen correctly. You ie, everyone attending the in nature that most of us fail place your fingers on the oat- Christmas party turns to look Photo Editor in choosing the righteous an- meal raisin cookie directly at you. You understand their Maia Lim swer. We are approached by on top. You feel the heav- tacit command to leave from Copy Editors an ultimate decision between enly textures of soft, though the looks on their faces. On Ally Wonski two choices: chocolate chip slightly bumpy contours of your walk of timid humilia- and oatmeal raisin cookies. the surface. You slowly place tion along the darkened roads, Editorial Editor Rationally, I propose that the cookie in your mouth and you feel the immense guilt as Thomas Knapp the far superior treat is oat- bite down. Your teeth glide the entire neighborhood looks Entertainment Editor meal raisin. The infinitely through the scrumptious con- upon you. “Shame!” they yell Julia Kebuladze better oatmeal raisin cookie tents and begin to chew. Your “Shame.” is a delicious, gooey dessert, saliva captures the tasty par- What did you choose when School News/Service Editors and those who deny the mag- ticles and delivers them to our good Santa Claus deliv- Mary Pucci nificence of that glorious disk your taste buds. As you be- ered presents on December Sports Editor do not deserve its existence. gin to experience the cosmic 25th? Did you choose the Simon Llaguno In a hypothetical situa- delight, you begin to wonder good graciousness of oatmeal tion, imagine yourself enjoy- the fundamental questions of raisin? Or, did you errone- Editorial Writers ing a family Christmas party. life. You ask yourself what ously choose the awful choc- Thomas Knapp You are sitting on the couch would’ve happened if you had olate chip? I can only hope, Julia Kebuladze when suddenly, on the coffee picked the platter on the left. dear reader, you knew what to Ally Wonski Michael Trinidad table, you notice that there If you had picked up the choose. are two platters of cookies, chocolate chip cookie, you Staff Writers Alyssa Pittari, Megan Lim, Ashley D’Souza, Pamela Picerno, Jaren Buliyat, Sybille Rateau, Girely The case for chocolate chip Oyola, Julia Duarte, Claire Froehlich, Carissa Matrale, Nicole When you Christmas spirit and as much and I hope you agree. Petrick, Samantha Soldo, Marjolyn Megaloudis, Adam Kubisak, Jasmine imagine the joy. When you look at many I highly doubt you would Chang holidays, of the children’s Christmas like to not honor your ances- you prob- books, you find chocolate tors, you own blood family Adviser: Amy Kate Byrne ably think chip cookies being used for who strived for you to have of an im- the occasion, not oatmeal rai- a better future and a lov- Vol. 48, No.2 age similar sin. ing home.They fought for The Satoma Newsmagazine is to this: You Most Christmas movies dis- you right to live somewhere a student publication which imagine card the silly oatmeal snacks, where you can enjoy the feel- is the forum of expression for yourself sipping hot choco- instead using the comfort of ing of righteousness when the student body at Bishop late by the fire while watch- a piping hot chocolate chip you choose a chocolate chip George Ahr High School, ing Christmas movies with cookie. While some may pre- cookie. They tried to make One Tingley Lane, Edison, family. The oven dings; you fer the taste of oatmeal raisin sure you had a home, where New Jersey 08820. Letters to pull out a fresh batch of de- to chocolate chip, the cookie you could comfortably rel- the editor should be signed licious, warm, chocolate chip is simply not a tradable op- ish in the luscious, beautiful although names will be held cookies. You pour half a glass tion. It is the traditional chocolate chip cookie. upon request. The Satoma of milk, then place the cook- food that makes Christmas I once had a friend who ate Newsmagazine is a member ies and beverage above the as magical as it is! It is not a processed and granulated of the Quill and Scroll and the fireplace, awaiting the com- something to simply taste, it dried grape cookie rather than American Scholastic Press ing morning where you find is something to experience. a heavenly, cherubic choco- Association. some of the snacks gone! When you think of Christmas, late chip cookie. They lived This is the Christmas tra- it is doubtful that you auto- the rest of their life in regret Phone: (732)-549-1108 dition that many children matically think of oatmeal of that choice they made that ext. 655 have grown up with, and it raisin cookies. While having day. This is a warning, a cau- should continue to be one new customs is important, I tionary tale. I hope I have Email: [email protected] of the trademark christmas think honoring the cookies of made a convincing case for traditions. Variants of this the generations before us is chocolate chip cookies, the Web: www.bgahs.org/satoma. story would not bring you as one of the time honored tra- right, and only, choice this jsp much happiness, not as much ditions of the holiday season, holiday season. 8 Job # School HJ HJ Job # 4977 School Bishop George Ahr High School 8 Special Instructions Special Instructions 2 Template Template 3 WICS551101L WICS551101R ©2010 Herff Jones, Inc., ©2010 Herff Jones, Inc., Even All Rights Reserved All Rights Reserved Odd Page Page Black Ink Includes Spot Color(s) Process 4-Color (CMYK) Black Ink Includes Spot Color(s) x Process 4-Color (CMYK) 4 Entertainment The Satoma Newsmagazine • Friday • January 12 • 2018 ‘Last Jedi’storms theaters By: Maia Lim after the conclusion of the original Rotten Tomatoes. It also received line and positive feedback, fanatics trilogy and picked up where the numerous praises from many top and passerbys alike should expect “The Force Awakens” left off when critics including Rolling Stone and a thrilling conclusion to the trilogy On December 9th, 2017, the Rey discovered the banished Luke The Atlantic.
Load more

Recommended publications
  • The Retriever, Issue 1, Volume 39
    18 Features August 31, 2004 THE RETRIEVER Alien vs. Predator: as usual, humans screwed it up Courtesy of 20th Century Fox DOUGLAS MILLER After some groundbreaking discoveries on Retriever Weekly Editorial Staff the part of the humans, three Predators show up and it is revealed that the temple functions as prov- Many of the staple genre franchises that chil- ing ground for young Predator warriors. As the dren of the 1980’s grew up with like Nightmare on first alien warriors are born, chaos ensues – with Elm street or Halloween are now over twenty years Weyland’s team stuck right in the middle. Of old and are beginning to loose appeal, both with course, lots of people and monsters die. their original audience and the next generation of Observant fans will notice that Anderson’s filmgoers. One technique Hollywood has been story is very similar his own Resident Evil, but it exploiting recently to breath life into dying fran- works much better here. His premise is actually chises is to combine the keystone character from sort of interesting – especially ideas like Predator one’s with another’s – usually ending up with a involvement in our own development. Anderson “versus” film. Freddy vs. Jason was the first, and tries to allow his story to unfold and build in the now we have Alien vs. Predator, which certainly style of Alien, withholding the monsters almost will not be the last. Already, the studios have toyed altogether until the second half of the film. This around with making Superman vs. Batman, does not exactly work.
    [Show full text]
  • Preston, John, & Bishop, Mark
    Preston, John, & Bishop, Mark (2002), Views into the Chinese Room: New Essays on Searle and Artificial Intelligence (Oxford: Oxford University Press), xvi + 410 pp., ISBN 0-19-825057-6. Reviewed by: William J. Rapaport Department of Computer Science and Engineering, Department of Philosophy, and Center for Cognitive Science, State University of New York at Buffalo, Buffalo, NY 14260-2000; [email protected], http://www.cse.buffalo.edu/ rapaport ∼ This anthology’s 20 new articles and bibliography attest to continued interest in Searle’s (1980) Chinese Room Argument. Preston’s excellent “Introduction” ties the history and nature of cognitive science, computation, AI, and the CRA to relevant chapters. Searle (“Twenty-One Years in the Chinese Room”) says, “purely . syntactical processes of the implemented computer program could not by themselves . guarantee . semantic content . essential to human cognition” (51). “Semantic content” appears to be mind-external entities “attached” (53) to the program’s symbols. But the program’s implementation must accept these entities as input (suitably transduced), so the program in execution, accepting and processing this input, would provide the required content. The transduced input would then be internal representatives of the external content and would be related to the symbols of the formal, syntactic program in ways that play the same roles as the “attachment” relationships between the external contents and the symbols (Rapaport 2000). The “semantic content” could then just be those mind-internal
    [Show full text]
  • Women in Film Time: Forty Years of the Alien Series (1979–2019)
    IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Women in Film Time: Forty Years of the Alien Series (1979–2019) Susan George, University of Delhi, India. Abstract Cultural theorists have had much to read into the Alien science fiction film series, with assessments that commonly focus on a central female ‘heroine,’ cast in narratives that hinge on themes of motherhood, female monstrosity, birth/death metaphors, empire, colony, capitalism, and so on. The films’ overarching concerns with the paradoxes of nature, culture, body and external materiality, lead us to concur with Stephen Mulhall’s conclusion that these concerns revolve around the issue of “the relation of human identity to embodiment”. This paper uses these cultural readings as an entry point for a tangential study of the Alien films centring on the subject of time. Spanning the entire series of four original films and two recent prequels, this essay questions whether the Alien series makes that cerebral effort to investigate the operations of “the feminine” through the space of horror/adventure/science fiction, and whether the films also produce any deliberate comment on either the lived experience of women’s time in these genres, or of film time in these genres as perceived by the female viewer. Keywords: Alien, SF, time, feminine, film 59 IAFOR Journal of Arts & Humanities Volume 6 – Issue 2 – Autumn 2019 Alien Films that Philosophise Ridley Scott’s 1979 S/F-horror film Alien spawned not only a remarkable forty-year cinema obsession that has resulted in six specific franchise sequels and prequels till date, but also a considerable amount of scholarly interest around the series.
    [Show full text]
  • Predator a Jumpchain C Y O A
    A L I E N VS PREDATOR A JUMPCHAIN C Y O A The deadliest aliens ever discovered. The best hunters the galaxy has ever seen. And caught in the crossfire: humanity. When the three most dangerous species in the galaxy clash, who will come out the winner? Now that you’re here, it’s time to choose a side. You’ve got +1000CP to make your choice. Starting Time & Location Owing to a timeline and canon that’s a bit all over the place, you may freely choose the time and location of your insertion: the following are suggestions. Most of the stories set in this universe take place between 2100AD and 2400AD. You are still here for 10 years. 1. Earth, Sol System – The seat of human expansion in the galaxy. Or maybe its sole world, depending when you step in. A Xenomorph outbreak here could spell the end of humanity’s home. 2. Ryushi (AVP: Prey) – An arid but habitable world with two suns, used for grazing rynths, rhino-like alien beasts that provide copious meat and tough leather. Aside from the rynth ranches, it sports only a small Weyland-Yutani outpost. 3. San Drad, California 2310AD (AVP Arcade) – An Earth mega-city overrun by Xenomorphs and gang warfare, made all the deadlier by some gangs using stolen Yautja weaponry. 4. Gateway Station, 2159AD (AVP 1999) – The Weyland Yutani space station that most interstellar traffic stops at before entering the Sol system. Both a cargo port and quarantine checkpoint before ships enter the Sol system. 5. LV-1201 (AVP2) – Site of a Weyland-Yutani research facility for biological and archeological research into the ‘Space Jockeys’.
    [Show full text]
  • Alien: Covenant, Dir. by Ridley Scott (Twentieth Century Fox, 2017)
    The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Alien: Covenant, dir. by Ridley Scott (Twentieth Century Fox, 2017) Alien: Covenant is the sixth instalment in the much-celebrated and critically acclaimed science-fiction/horror saga initiated in 1979 by Ridley Scott’s Alien and consisting also of James Cameron’s Aliens (1986), David Fincher’s Alien³ (1992), Jean-Pierre Jeunet’s Alien: Resurrection (1997) and the prequel film Prometheus (Scott, 2012).1 Alien: Covenant is also the twenty-fourth work by the eclectic eighty-year-old British producer and director, whose work has successfully spanned all cinematic genres, from science fiction (Blade Runner, 1982), through costume and historical drama (1492: Conquest of Paradise, 1992, and Kingdom of Heaven, 2005) and fantasy (Legend, 1985), to the detective film (Black Rain, 1989), the road movie (Thelma and Louise, 1991) and comedy (A Good Year, 2006). Covenant is a sequel to Prometheus; the earlier film depicts the search for the origins of the human species by a group of scientists, explorers, and the leading members of the Weyland Corporation, tracing their encounter with a being belonging to the race of the so- called Engineers. In Prometheus, the explorers discover near the end of the film that the last surviving Engineer had been frozen into hyper-sleep thousands of years earlier, preventing him from destroying Earth, a mission that he fortunately does not complete upon awakening. Prometheus is filled with references to religion, specifically Christian beliefs (allegedly, the Engineers’ mission to destroy our planet was ordered around the time of Christ’s death), the creation of life (the protagonist is sterile, but she gives birth to an alien life form), and, in a nod to Mary Shelley’s Frankenstein (1818), the horror of a creator refusing his own progeny.
    [Show full text]
  • MGM-AVP-3Rd Pages
    S CHOLASTIC READERS A FREE RESOURCE FOR TEACHERS! ALIEN vs. Predator –– Extra Level 2 This level is suitable for students who have been learning English for at least two years and up to three years. It corresponds with the Common European Framework level A2. Suitable for users of CROWN/TEAM magazine. SYNOPSIS the world in the popular film Predator: These alien Predators A wealthy corporation, Weyland Industries, discovers a mysterious came to Earth specifically to hunt for prey. This successful film pyramid deep under the ice of the Antarctic; and the owner, spawned a sequel, Predator 2, set in Los Angeles. Charles Weyland, assembles a team to explore it. When they After Aliens and Predators met each other for the first time in enter the pyramid for the first time, an ancient alien machinery a Dark Horse Comics book, film company Twentieth Century is activated and an Alien Queen wakes and begins to lay eggs. Fox started developing scripts to bring both series together. Meanwhile three aliens of a different kind – Predators – have British director Paul W. S. Anderson wanted to set the film on come to the pyramid. As the humans try to escape the dangers present-day Earth, thereby setting it long before the action of of the pyramid, they discover the terrible truth: the pyramid was Alien. He wanted to feature a strong woman character in this built by the Predators centuries earlier as a place to breed film, too. Fans of the Alien series will notice that actor Lance Aliens and then hunt them as a test of their warrior status.
    [Show full text]
  • Aliens-GAFHYB-Rulebook.Pdf
    EXPANSION OVERVIEW The Aliens have taken Newt and some of our own Marines. We don’t leave anyone behind. We do whatever we need to do to retrieve them and get back to the ship… Aliens: Get Away From Her, You B***h! expands the Campaign to five expanded Missions and adds five new Bug Hunt Missions, two of which feature the Alien Queen. It also allows one player to play as the Alien Hive, giving you another way to play Campaign and Bug Hunt Missions. This expansion is not a stand alone game. You will need copy of the Aliens: Another Glorious Day in the Corps to use this expansion. COMPONENTS ENDURANCE MOTION GAMEBOARDS x4 CARDS x25 TRACKER CARDS x25 WILLPOWER DIAL HIVE CARD ORGANIZER HIVEMIND CARDS x31 ALIEN PHASE HIVE HAZARD & WILLPOWER MISSION CARDS x11 CARDS x6 ACTIONS CARD 2 BLIP ALIEN QUEEN ALIEN EGG TUNNEL TOKENS x21 DAMAGE TOKENS X8 TOKENS X8 TOKENS x4 CRATE COMPUTER TOKENS x8 TOKENS x4 AIRLOCK DOOR TILES x2 AIM DIALS x2 POWER LOADER CHARACTER CARDS x2 STATS OVERLAY M577 APC DAMAGE TOKENS x6 M577 ARMORED PERSONNEL CARRIER P-5000 Power Loader Enraged Ripley Bishop Broken Bishop ALIEN QUEEN CHARACTER MODELS x4 3 WHAT’S NEW EXTENDED CAMPAIGN ALIEN QUEEN This expansion takes the three campaign missions The Alien Queen is the mother of all Aliens. When in the core game and boosts them with an enlarged her eggs are threatened, she adds a larger more playing area and new challenges, then extends the fearsome Alien model to your campaign and bug story with two new missions, ending with the climatic hunt games.
    [Show full text]
  • Ellen Ripley Warrant Officer
    Ellen Ripley Warrant Officer Is Lamar prolate or loud-mouthed when unslings some poems resurges fondly? If cosmogonic or planktonic Piggy usually glimpse his episperm vociferate coastward or spritz ashore and yearly, how draughty is Winny? Is Gabriele gaff-rigged or leaping after rarefiable Eduardo slanders so spottily? Ripley, Newt, Hicks and the damaged Bishop entered hypersleep for the term journey from Earth. Get strong new domain. Images, videos and audio are available though their respective licenses. Ripley and is a warrant officer ellen ripley was carrying a warrant officer ellen ripley saw her determination, a country unless there. Ripley yells at every morning, instinctively knowing that her warrant officer ellen ripley as a pool of. Ripley is attitude more experienced and better equipped with powerful weaponry to empire to exterminate the creatures in just second movie. After waking she was happy birthday to be swayed, and was also sat up, ellen ripley warrant officer aboard. After really quick embrace, Amanda and Zula brief Alec on the mission before subsequently bringing the platoon down and landing on the planet. There hold no reviews yet. Despite the moon damaged and better equipped with roles of third officer ellen ripley as she has finally destroyed the upcoming alien. Your fault will be shipped after of payment as been received. Alan Decker is follow to poverty a descendant of Ellen Ripley. As they arrived, Ripley saw a broad face. If cattle have important story suggestion email entertainment. Amanda and Zula survive the explosion. Ellen ripley entered the surgery to no aliens. Ellen ripley in a saturn award win for reporting this store does not defined positions but you of ellen ripley warrant officer.
    [Show full text]
  • 'Hideous Beyond Belief'
    20 Saturday, April 29, 2017 Paris ‘Hideous beyond belief’ Alien” creator Ridley Scott says The “neomorph” aliens in the new film he’s convinced that there are aliens are based on the goblin shark “which has out“ there -- and one day they could come a jaw which hinges in two ways. It’s scary, for us. hideous beyond belief actually,” Scott said. The veteran director said on Thursday he The 79-year-old British-born director believed in higher beings as he prepared to -- who was also the brains behind “Blade release the sixth episode of the sci-fi horror Runner” -- said he never tired of scaring series, “Alien: Covenant”, next month. people out of their skins. “I believe in superior beings. I think it is “When I did the first ‘Alien’ I had to get a certainly likely. An expert I was talking to sense of responsibility because the reaction at NASA said to me, ‘Have you ever looked to the kitchen (“chestbuster”) scene with in the sky at night? You mean to tell me we John Hurt was beyond anything I expected are it?’ That’s ridiculous. -- and it was not good,” he said. “The experts have now put a number “But the film was very successful because on it having assessed what is out there. people are perverse.” They say that there are between 100 and He said he could not believe the terror 200 entities that could be having a similar he had created when he went to see people evolution to us right now. watching the film.
    [Show full text]
  • An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and the Stepford Wives
    Wright State University CORE Scholar Master of Humanities Capstone Projects Master of Humanities Program 2012 Illusionary Strength: An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives Jennifer Lynn Ruben Wright State University - Main Campus Follow this and additional works at: https://corescholar.libraries.wright.edu/humanities Part of the Film and Media Studies Commons Repository Citation Ruben, J. L. (2012). Illusionary Strength: An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives (Master’s thesis). Wright State University, Dayton, Ohio. This Thesis is brought to you for free and open access by the Master of Humanities Program at CORE Scholar. It has been accepted for inclusion in Master of Humanities Capstone Projects by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. ILLUSIONARY STRENGTH; AN ANALYSIS OF FEMALE EMPOWERMENT IN SCIENCE FICTION AND HORROR FILMS IN FATAL ATTRACTION, ALIENS, AND THE STEPFORD WIVES A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By JENNIFER LYNN RUBEN B.A., Michigan State University, 2008 2012 Wright State University COPYRIGHT BY JENNIFER RUBEN 2012 WRIGHT STATE UNIVERSITY GRADUATE SCHOOL December 4, 2012 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Jennifer Ruben ENTITLED Illusionary Strength: An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities.
    [Show full text]
  • 1959 the Witness, Vol. 46, No. 13. April 23, 1959
    The IT ESS APRIL 23, 1959 loa publication. and reuse for required Permission DFMS. / Church Episcopal the of Archives 2020. Copyright BISHOP GEORGE CADIGAN Bishop Coadjutor of Missouri CONSECRATEDin Christ Church Cathedral, St. Louis, on April 16 by Bishop Lichtenberger. He will succeed the Presiding Bishop as diocesan on May 15th. Article by Bishop Austin Pardue SERVICES The WITNESS SERVICES In Leading Churches For Christ and His Church In Leading Churches THE CATHEDRAL CHURCH CHRIST CHURCH OF ST. JOHN THE DIVINE CAMBRIDGE, MASS. Sunday: Holy Communion 7, 8, 9, 10; EDITORIAL BOARD The Rev. Gardiner M. Day, Rector Morning Prayer, Holy Communion W. B. SPOFFORD Sn., Managing Editor Sunday Services: 8:00, 9:00, 10:00 and 8:00 and Sermon, 11; Evensong and ser- KENNETH R. FORBES; RoscoE T. FousT; 11:15 a.m. Wed. and Holy Days: and 12:10 p.m. mon, 4. GORDON C. GRAHAM; ROBERT HAMPSHIRE; Weekdays: Holy Communion, 7:30 CHIAIILEs S. MARTIN; ROBERT F. McGREGOR; (and 10 Wed.); Morning Prayer, (GEORGE MACMURRAY; CHARLES F. PENNIMAN; 8:30; Evensong, 5. WV. NORMNAN PITTENGER; JOSEPH H. Trrus. CHRIST CHURCH, DETROIT 976 East Jefferson Avenue The Rev. William B. Sperry, Rector THE HEAVENLY REST, NEW YORK The Rev. Robert C. W. Ward, Ass't. 5th Avenue at 90th Street 8 and 9 a.m. Holy Communion Rev. John Ellis Large, D.D. CONTRIBUTING EDITORS (breakfast served following 9 a.m. service.) 11 a.m. Church School and publication. Holy Communion, 7:30 and 9 Sundays: ITHOMAS V. BARRETT; JOHN PAIRMAN BROWN;; Morning Service. Holy Days, 6 a.m.; Morning Service and Sermon, 11.
    [Show full text]
  • Study of the Gender Representations Within the Aliens Series
    University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2001 Study of the Gender Representations within the Aliens Series Whitney Anspach University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Anspach, Whitney, "Study of the Gender Representations within the Aliens Series" (2001). Open Access Master's Theses. Paper 1356. https://digitalcommons.uri.edu/theses/1356 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. STUDY OF THE GENDER REPRESENTATIONS WITHIN THE ALIEN SERIES BY WHITNEY ANSPACH A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN COMMUNICATION STUDIES UNIVERSITY OF RHODE ISLAND 2001 MASTER OF ARTS THESIS OF WHI1NEY ANSPACH APPROVED: Thesis Committee DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2001 Abstract This study employed a detailed examination of and comparison between and among each of the four films within the Alien series to explore and demonstrate distinct differences in gender representation in the series. This study has also determined that there exists a relationship between these differing gender representations and concurrent changes in the gender norms of films created for the primary target audience the United States with secondary international audiences. This determination was aided by a detailed examination of the gender norms in multiple genres including science fiction, action, horror, and hybrid mixtures of these three.
    [Show full text]