2006-2007 Annual Report July 1, 2006 – June 30, 2007
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Dorot: the Mcgill Undergraduate Journal of Jewish Studies Volume 15
Dorot: The McGill Undergraduate Journal of Jewish Studies Volume 15 – 2016 D O R O T: The McGill Undergraduate Journal of Jewish Studies D O R O T: The McGill Undergraduate Journal of Jewish Studies Published by The Jewish Studies Students’ Association of McGill University Volume 15 2016 Copyright © 2016 by the Jewish Studies Students’ Association of McGill University. All rights reserved. Printed in Canada. No part of this book may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles or reviews. The opinions expressed herein are solely those of the authors included. They do not necessarily reflect those of the Department of Jewish Studies or the Jewish Studies Students’ Association. ISSN 1913-2409 This is an annual publication of the Jewish Studies Students’ Association of McGill University. All correspondence should be sent to: 855 Sherbrooke Street West Montreal, Quebec, Canada H3A 2T7 Editor in Chief Caroline Bedard Assistant Editors Akiva Blander Rayna Lew Copy Editors Lindsay MacInnis Patricia Neijens Cover Page Art Jennifer Guan 12 Table of Contents Preface i Introduction v To Emerge From the Ghetto Twice: Anti-Semitism and 1 the Search for Jewish Identity in Post-War Montreal Literature Madeleine Gomery The Origins of Mizrahi Socio-Political Consciousness 21 Alon Faitelis The “Israelization” of Rock Music and Political Dissent 38 Through Song Mason Brenhouse Grace Paley’s Exploration of Identity 54 Madeleine Gottesman The Failure of Liberal Politics in Vienna: 71 Alienation and Jewish Responses at the Fin-de-Siècle Jesse Kaminski Author Profiles 105 Preface Editor-in-chief, Caroline Bedard, and five contributors put together a terrific new issue of Dorot, the undergraduate journal of McGill’s Department of Jewish Studies. -
ISRAEL DISCOUNT BANK LTD. Registration No
T087 Public ISRAEL DISCOUNT BANK LTD. Registration no. 520007030 The securities of the corporation are listed for trading on the Tel Aviv Stock Exchange Abbreviated name: Discount Address: 23 Yehuda Halevi St., Tel Aviv 65136, Israel Tel: 972-3-5145582; 972-3-5145544; Fax: 972-3-5171674 e-mail: [email protected] Transmission date: January 2, 2011 Reference: 2011-01-000504 Israel Securities Authority Tel Aviv Stock Exchange Ltd. www.isa.gov.il www.tase.co.il Status of Capital and Registers of Securities of the Corporation and Changes Therein Regulation 31E of the Securities Regulations (Periodic and Immediate Reports), 5730-1970 Regulation 31 (a) of the Securities Regulations (Periodic and Immediate Reports), 5730-1970 1. Status of the securities of the corporation following the change: Stock Issued and Paid-up Capital Number Number of Exchange Registered in Name and Class Securities in Number in Security Current Name of of Security Authorized Previous Registration Number Nominee Capital Report Number Company Ordinary A shares of NIS 0.1 par 691212 1,961,000,000 1,053,794,600 1,053,869,295 788,657,560 value each – Discount A 6% cumulative preferred shares of 6910012 40,000 40,000 40,000 0 NIS 0.00504 par value each – Discount Cumulative Preferred Subordinated debentures – Disc A 6910079 30,000,000 30,000,000 30,000,000 30,000,000 Debentures Unlisted option warrants 6910087 4,053,309 4,053,309 3,399,550 0 convertible into shares – Discount Op 2006 Hybrid capital notes (Series A) – 6910095 1,147,242,389 1,147,242,389 1,147,242,389 -
PRESSEMITTEILUNG 20.12.2017 Aviv Geffen Im
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 20.12.2017 Aviv Geffen im Januar auf Tour Im Januar kommt Aviv Geffen erneut nach Deutschland, um bei vier Shows Songs von Blackfield zu präsentieren, dem gemeinsamen Projekt des israelischen Superstars mit dem gefeierten Prog-Rocker Steven Wilson. Im Februar erschien das jüngste Album „V“, anschließend ging Geffen mit Band auf Tour, um das Werk live zu präsentieren, das von den doch sehr unterschiedlichen Künstlerpersönlichkeiten profitiert. Wilson, das Musikgenie, ist ein sehr bedachtsamer Mensch, beschäftigt sich in seinen Songs viel mit sich und seinem teils eher dunkel angehauchten Seelenleben. Aviv Geffen hingegen richtet seine Stimme nach außen – in seinen Songs fordert er den Frieden zwischen Israel und den arabischen Ländern, er singt an gegen Krieg, Gewalt und Terror, er ist die Stimme des modernen Israel. Überhaupt ist er in seiner Heimat ein echter Star und dominiert die Hallen und die Hitparaden weit vor ausländischen Künstlern. Er tourte mit U2 und produzierte seine Alben mit Tony Visconti und Trevor Horn, der der Mischung aus Glamrock und Indie-Pop seinen Stempel aufgedrückt hat. Die beiden Musikerpersönlichkeiten Geffen und Wilson könnten kaum unterschiedlicher sein – doch genau deshalb ergänzen sie sich schon so lange so gut. Das wahre Potenzial der gemeinsamen Musik von Blackfield kommt aber ganz besonders in den reduzierten Versionen zum Ausdruck, die Geffen für die kommende Tour vorbereitet und arrangiert hat. 19.01.2018 Köln - Luxor 24.01.2018 Hamburg - Knust 29.01.2018 München - Strom 30.01.2018 Berlin - Frannz Tickets für die Shows gibt es ab Montag, den 27. -
Open Mind: the Best of Blackfield
Blackfield – Open Mind: The Best Of Blackfield (58:20, CD, Vinyl, Digital, KScope/Edel, 2018) An dieser Stelle soll nicht das Für und Wider von „Best Of“‘- Compilations diskutiert werden. Fakt ist, dass solche Releases eben nicht für den Fan gemacht sind, denn dieser hat sowieso schon alles von seinen angebeteten Stars, sondern für solche Klientel, denen die Hitvariante des jeweiligen Akteurs vollkommen ausreicht. Diese allerdings wirklich zum Kauf zu bewegen, ist in Zeiten von Spotify & Co. ein immer schwieriger werdendes Unterfangen. Nach fünf regulären Alben geht es aber schon okay, sich mit einer Werkschau zu präsentieren. Von Porcupine Tree-Fans wurde das Sideproject von Steven Wilson, das dieser seit 2001 mit dem israelischen Musiker Aviv Geffen betrieb, immer reichlich stiefmütterlich behandelt. Und dies, weil die Songs und die Musik an sich schon tendenziell unter Pop rangieren – Pop, mit dem für Wilson und Geffen so typisch-perfekten Songwriting wohlgemerkt. „Open Mind“ enthält dann auch eine respektable Auswahl aus den von 2004 bis 2017 veröffentlichten Originalalben, wobei gewichtungstechnisch vor allen das Debüt sowie das 2017er Werk „V“ mit jeweils vier Songs gesteigerte Berücksichtigung findet. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Es ist aber auch hier wie bei anderen Bands mit einem Rock’n Pop Aspekt – wo viel Licht ist eben auch viel Schatten. -
Table of Contents
Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us. -
The Story of Israel at 66 Through the Songs of Arik Einstein
1 The Soundtrack of Israel: The Story of Israel at 66 through the songs of Arik Einstein Israel turns sixty six this year and a so much has happened in this seemingly short lifetime. Every war, every peace treaty, every struggle, and every accomplishment has left its impact on the ever changing character of the Jewish State. But throughout all of these ups and downs, all of the conflicts and all of the progress, there has been one voice that has consistently spoken for the Jewish nation, one voice that has represented Israelis for all 66 years and will continue to represent a people far into the future. That is the voice of Arik Einstein. Einstein’s music, referred to by Prime Minister Benjamin Netanyahu as the “soundtrack of Israel,” transcended generations. Einstein often took the words of high-brow Israeli poets such as Chaim Nachman Bialik, Rahel, Nathan Alterman and Avraham Halfi and turned them into rock anthems sung by vibrant Israeli youth. Einstein captured the heart and soul of Israelis old and young. For every Zionist, peacenik, settler, hopeless romantic, nostalgia aficionado and child (or child at heart) in Israel, there is at least one Arik Einstein song that speaks to them. For every historic Israeli moment, there is an Arik Einstein song that represents the emotion of a united nation, or a shuttered people. Although fairly unknown outside of Israel, Arik Einstein was loved by all, and mourned by all after his sudden death in November of 2013, when tens of thousands of Israelis joined together to pay their respects to the iconic Sabra at a memorial service in Rabin Square in Tel Aviv. -
Municipal Amalgamation in Israel
TAUB CENTER for Social Policy Studies in Israel Municipal Amalgamation in Israel Lessons and Proposals for the Future Yaniv Reingewertz Policy Paper No. 2013.02 Jerusalem, July 2013 TAUB CENTER for Social Policy Studies in Israel The Taub Center was established in 1982 under the leadership and vision of Herbert M. Singer, Henry Taub, and the American Jewish Joint Distribution Committee. The Center is funded by a permanent endowment created by the Henry and Marilyn Taub Foundation, the Herbert M. and Nell Singer Foundation, Jane and John Colman, the Kolker-Saxon-Hallock Family Foundation, the Milton A. and Roslyn Z. Wolf Family Foundation, and the American Jewish Joint Distribution Committee. This volume, like all Center publications, represents the views of its authors only, and they alone are responsible for its contents. Nothing stated in this book creates an obligation on the part of the Center, its Board of Directors, its employees, other affiliated persons, or those who support its activities. Translation: Ruvik Danieli Editing and layout: Laura Brass Center address: 15 Ha’ari Street, Jerusalem Telephone: 02 5671818 Fax: 02 5671919 Email: [email protected] Website: www.taubcenter.org.il ◘ Internet edition Municipal Amalgamation in Israel Lessons and Proposals for the Future Yaniv Reingewertz Abstract This policy paper deals with municipal amalgamations in Israel, and puts forward a concrete proposal for merging 25 small municipalities with adjacent ones. According to an estimate based on the results of the municipal amalgamations reform carried out in Israel in 2003 (Reingewertz, 2012), thanks to the economies of scale in providing public services, these unifications are expected to generate savings of approximately NIS 131 million per annum. -
Download: 15Th Tau Isff 2013.Pdf
The 15th International Student Film Festival Tel Aviv June 19th-24th 2013 Summary Report The 15th International Student Film Festival Tel Aviv The 15th International Student Film Festival took place on June 19th-24th 2013 in Tel Aviv Cinemateque. This year, the Festival was produced as an annual event for the first time (rather than being a biannual event). Still, as one of the biggest and most important in its field, the Festival set its goal to portray a vast portrait of current international student films, create a unique and free environment for cinematic discourse and to expose the students to new and classic films, technologies, creators and more. The biggest event of the festival was the "2013 CILECT Prize", featuring 100 short student films from all over the world. 80 international students arrived to Israel for the festival, as well as a dozen lecturers of film studies from major international film schools (all from CILECT institutes). Alongside the International Panorama (CILECT Prize), the Israeli Competition was held, the largest and most important in Israel, the Mediterranean and Arab Countries Competition. Also for the first time – we held an Israeli independent Short Films Competition (short films who weren't produced as part of an academic institute). The Festival collaborated with the Israeli Film & TV Academy, and initiated a new academy award for the best Israeli Short Film. The winning film will be chosen out of a shortlist created by the Festival's jury. We believe this will give the Israeli student films a greater exposure for the wide audience as well as for the film industry persons, members of the academy, thus giving young filmmakers new opportunities. -
Lasers and Optical Fibers in Medicine By
ὐ SEARCH MENU (/) Info/Buy (http://store.elsevier.com/product.jsp?isbn=9780124019409) ˃ View on ScienceDirect (http://www.sciencedirect.com/science/book/9780124019409) Lasers and Optical Fibers in Medicine By • Abraham Katzir, Tel Aviv University, Israel The increasing use of fiber optics in the field of medicine has created a need for an interdisciplinary perspective of the technology and methods for physicians as well as engineers and biophysicists. This book presents a comprehensive examination of lasers and optical fibers in an hierarchical, three-tier system. Each chapter is Vdiveiwd efdu liln dteos tchrirpetei obnasic secti... Audience Biophysicists in industry; surgeons in all areas; electronics and chemical engineers; and optical fiber technologists. Book information • Published: October 1993 • Imprint: ACADEMIC PRESS • ISBN: 978-0-12-401940-9 Reviews "Dr. Katzir, an acknowledged expert on the use of optical fibers in medicine, has written his book for the novice and expert alike... [He] has provided many clear examples and figures to explain fundamental concepts. Furthermore, the emphasis in the fundamentals sections is on conceptual understanding; mathematical rigor is generally left to more appropriate texts... The book is extremely well illustrated and easy to read throughout. The technical jargon is minimal and the emphasis on concepts is universal. The instructive nature of the book makes this an excellent introductory text for the engineering and biophysics student, as well as the postdoctoral/medical fellow who is new to this interdisciplinary field of lasers and optical fibers in medicine. It should also serve as a good reference to this rather broad field." --OPTICAL ENGINEERING "This is a really excellent book, dealing with almost all aspects of the technology and application of medical lasers and optical fibres. -
Graded Index Silver Halide Infrared Waveguides and Fibers – Fabrication, Properties and Applications
TEL AVIV UNIVERSITY THE IBY AND ALADAR FLIESCHMAN FACULTY OF ENGINEERING Department of Electrical Engineering – Physical Electronics GRADED INDEX SILVER HALIDE INFRARED WAVEGUIDES AND FIBERS – FABRICATION, PROPERTIES AND APPLICATIONS Thesis submitted for the degree “Doctor of Philosophy” by Dekel Ben-Zion Submitted to the senate of Tel-Aviv University May 2002 TEL AVIV UNIVERSITY THE IBY AND ALADAR FLIESCHMAN FACULTY OF ENGINEERING Department of Electrical Engineering – Physical Electronics GRADED INDEX SILVER HALIDE INFRARED WAVEGUIDES AND FIBERS – FABRICATION, PROPERTIES AND APPLICATIONS Thesis submitted for the degree “Doctor of Philosophy” by Dekel Ben-Zion This research work was carried out at Tel Aviv University under the supervision of Prof. Natan Croitoru from the Department of Electrical Engineering – Physical Electronics and Prof. Abraham Katzir from the School of Physics and Astronomy – Applied Physics Department. May 2002 This work was carried out under the supervision of Prof. Natan Croitoru Prof. Abraham Katzir To Amira, Ron, and Nadav In memory of my parents Ida and Aaron Acknowledgements I would like to express my deepest gratitude to my supervisors, Prof. Natan Croitoru and Prof. Abraham Katzir for their guidance and support throughout this work. My deepest thanks to Prof. Abraham Katzir who impressed me with his professionalism and creativity, as much as he inspired, supervised and helped me along on my scientific path. Special thanks to Arie Levite who is not only an excellent, professional and skillful assistant, but also a close friend, with whom I spent many interesting hours. I would like to thank all of my colleagues in the Applied Physics group, conducted by Prof. -
Jerusalem: Facts and Trends 2013
Jerusalem Institute for Israel Studies Founded by the Charles H. Revson Foundation Jerusalem: Facts and Trends 2013 Maya Choshen Michal Korach Inbal Doron Yael Israeli Yair Assaf-Shapira 2013 Publication Number 427 Jerusalem: Facts and Trends 2013 Maya Choshen, Michal Korach, Inbal Doron, Yael Israeli, Yair Assaf-Shapira © 2013, The Jerusalem Institute for Israel Studies The Hay Elyachar House 20 Radak St., 92186 Jerusalem http://www.jiis.org Table of Contents About the authors .......................................................................................................... 5 Preface ............................................................................................................................. 6 Area ................................................................................................................................. 7 Population ....................................................................................................................... 7 Population size .................................................................................................................. 7 Geographic distribution of the population ........................................................................ 9 Population growth ............................................................................................................. 9 Age of the population ...................................................................................................... 10 Sources of Population Growth ................................................................................... -
Prof. Avner Faingulernt ‒ Curriculum Vitae
Avner Fainguelernt – Curriculum Vitae Prof. Avner Faingulernt – Curriculum Vitae [email protected] Work Address: School of Audio & Visual Arts, Sapir College D.N. Hof Ashkelon 79165 - Israel Tel: +972-8-680-2708 Fax: +972-8-680-2634 [email protected] Present Position: Appointed October 2001 Founder and Dean emeritus - School of Audio & Vis- ual arts Sapir College http://cinema.sapir.ac.il Founder and Director emeritus of Cinema South Fes- tival http://csf.sapir.ac.il Chief editor Cinema South book Education: Page 1 of 17 Avner Fainguelernt – Curriculum Vitae 2005 - 2009 M. Phil - PhD. Social Sciences, Media and Cultural Stud- ies at University of East London Dissertation topic - The Father's Return in the Modern European Cinematic Odysseys Director of Studies: Prof. Haim Bresheeth Supervisors: Dr. Paul Gormley Dr. Anat Pick 1990 - 1993 B.A. Department of Film and Television Depart- ment of Psychology at Tel Aviv University, Israel Employment History: 2001- 2017 Dean - school of Audio & Visual Arts - Sapir College 2012 -2017 Head of MA/MFA Film, Theory & Production Sapir 2002 -2017 Founder and Director of Cinema South Festival 2006 -2017 Founder & Co Editor of The Curator book- Cinema South 2011-2017 Lecture at MA program at the faculty of humanities in Culture and Cinema, Haifa University 2013-2017 Visiting Professor FAMU Prague Documentary Department 2012 Visiting professor at Columbia University N.Y.C – Israel Jew- ish Studies 1997- 2016 Independent producer and director 1995-1996 Documentary director for Keshet broadcast