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Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Clas109.04 Rebirth Demeter & Hades
CLAS109.04 REBIRTH M Maurizio ch.4.1 HISTORY—Homeric Hymn to Demeter before class: skim HISTORY context; refer to leading questions; focus on ancient texts Active Reading FOCUS • H.Hom.2 & Plut.Mor. cf. CR04 H.Hom.Cer. G. Nagy trans. (Maurizio p.163‐174 is fine) use CR04 Plutarch Moralia: Isis & Osiris 15‐16 (Plut.Mor.357A‐D) NB read for one hour, taking notes (fill in worksheets) RAW notes & post discussion question @11h00 W Maurizio ch.4.3 COMPARE—In the Desert by the Early Grass before class: skim COMPARE context; refer to leading questions; focus on ancient text Active Reading FOCUS • Early Grass (edin‐na u2 saĝ‐ĝa2‐ke4) use CR04 Jacobsen 1987 translation (Maurizio p.188‐194 is NOT fine) NB read for one hour, taking notes; finish previous as necessary RAW notes & post discussion question @12h00 F Maurizio ch.4.2 THEORY—Foley 1994 before class: skim also modern 4.4 RECEPTION paragraph synopsis of Foley, H. 1994. “Question of Origins.” Womens Studies 23.3:193‐215 NB read for one hour, practice summarizing; finish previous as necessary tl; dr & post discussion responses @11h00 Q04 • QUOTE QUIZ Gen.6‐11, Aesch.Prom., H.Hom.Cer., Plut.Mor.357A‐D; Early Grass FINAL notes @23h59 DRAFT 01 @23h59 • following guidelines DEMETER & HADES How does myth represent the natural world (e.g. pre‐scientific explanation)? How does myth represent religious ritual? How does myth represent social order? Homeric Hymn to Demeter1 G. Nagy 1 I begin to sing of Demeter, the holy goddess with the beautiful hair. -
The Linnaean Collections
THE LINNEAN SPECIAL ISSUE No. 7 The Linnaean Collections edited by B. Gardiner and M. Morris WILEY-BLACKWELL 9600 Garsington Road, Oxford OX4 2DQ © 2007 The Linnean Society of London All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. The designations of geographic entities in this book, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of the publishers, the Linnean Society, the editors or any other participating organisations concerning the legal status of any country, territory, or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. The Linnaean Collections Introduction In its creation the Linnaean methodology owes as much to Artedi as to Linneaus himself. So how did this come about? It was in the spring of 1729 when Linnaeus first met Artedi in Uppsala and they remained together for just over seven years. It was during this period that they not only became the closest of friends but also developed what was to become their modus operandi. Artedi was especially interested in natural history, mineralogy and chemistry; Linnaeus on the other hand was far more interested in botany. Thus it was at this point that they decided to split up the natural world between them. Artedi took the fishes, amphibia and reptiles, Linnaeus the plants, insects and birds and, while both agreed to work on the mammals, Linneaus obligingly gave over one plant family – the Umbelliforae – to Artedi “as he wanted to work out a new method of classifying them”. -
The Rape of Persephone in a Berlin Papyrus *
Les Études classiques 83 (2015), p. 237-260. THE RAPE OF PERSEPHONE IN A BERLIN PAPYRUS * 1. Introduction For the last century, scholars have discussed the existence of one or more Orphic poems about the rape and rescue of Persephone 1. Today, the Berlin Papyrus BKT 5. 1, p. 7-18 nº I 2, dated to the 2nd-1st BCE, is com- monly recognized to have traces of an ancient Orphic poem, which we know from various references 2. The papyrus contains a prose account in which there are some quotations of a poem attributed to Orpheus, but very similar to the Homeric Hymn to Demeter (h. Cer.) 3. For this reason the h. Cer. has traditionally served as the main reference for the reconstruction, analysis and study of this poem. Yet, the paraphrase of the poem relates a version of the rape which differs in many aspects from the h. Cer., so many questions have arisen about the relationship between these texts. Two main positions have been taken: either the Berlin Papyrus contains verses of a * This contribution is part of the Research Project “Fiestas dionisíacas fuera del Ática” (FFI 2012-31814), funded by the Spanish Ministerio de Economía y Competiti- vidad. 1. Following L. MALTEN (1909b), O. KERN (1922, p. 115-116) distinguishes four poems: (1) a very ancient poem, of which no fragments remain, but that would have been the source for Eur., Hel., 1301-1367; (2) a Sicilian poem preserved in a gold tablet from Thurii (OF 492); (3) a review of the Homeric Hymn to Demeter (h. -
Theogony Translated by Hugh G
Hesiod: Theogony translated by Hugh G. Evelyn-White (1914) [Note: the letters ll refer to lines.) (ll. 1-25) From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis- holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me -- the Muses of Olympus, daughters of Zeus who holds the aegis: (ll. 26-28) `Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.' (ll. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
The Remains of Hesiod the Arcraean, Including the Shield of Hercules
i'iii»iiiiii^iiii,tii^^^ '^THE REMAINS OF HESIOD THE ASCRiEAN INCLUDING €fjc M)icili of l^erailf^, TRASSLATED INTO ENGLISH RHYME AND BLANK-VERSE; WITH A DISSERTATION ON THE LIFE AND iERA, THE POEMS AND MYTHOLOGY, OF HESIOD, AND COPIOUS NOTES. \ ^ THE SECOND EDITION, ^ BEVISED AND ENLARGED ^ BY CHARLES ABRAHAM ELTON, AOrnOR OF SPECIMENS OF THE CLASSIC POETS FHOM HOMES TO TRTPtHODORUS. 'O wpsV^uf xfl9apotv yivtrdf^iva; "KiBa^mv.—AAKAIOI, LONDON: PUINTED FOR BALDWIN, CRADOCBk, AND JOY, 47 PATERNOSTER.ROW. 1815. pfi UOIO C. Halriwin, Punter, Nffw Briilac'-sircet. London. l:l PREFACE. J. HE remains of Hesiod are not alone interesting to the antiquary, as tracing a picture of the rude arts and manners of the ancient Greeks. His sublime viewa of a retri- philosophic allegories ; his elevated butive Providence and the romantic or ; elegance, daring grandeur, with which he has invested the legends of his mytholog}', offer more solid reasons than the accident of coeval existence for the tradi- tional association of his name with that of Homer. Hesiod has been translated in Latin hexameters by Nicolaus Valla, and by Bernardo Zamagna. A French translation by Jacques le Gras bears date 1586. The earliest essay on his poems by our owni " countrymen appears in the old racy version of Tlie Works and Days," by George Chapman, the trans- lator of Homer, published in 1618. It is so scarce that " " Warton in The History of English Poetry doubts SI 2 IV PREFACE. its existence. Some specimens of a work equally curi- ous fioni its rareness, and interesting as an example of our ancient poetry, are appended to this translation. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
2013 Njcl Certamen Novice Division Round One
2013 NJCL CERTAMEN NOVICE DIVISION ROUND ONE 1. Translate this sentence into English: Mercātor rēgī vīnum vēndit. THE MERCHANT SELLS / IS SELLING WINE TO / FOR THE KING. B1: Translate this sentence: Rēx vīnum bibere nōn dēbet. THE KING SHOULD / OUGHT NOT DRINK THE WINE. B2: Finally, translate this sentence: Quod rēgīna et rēx sedent, ancilla eīs vīnum portat. BECAUSE THE QUEEN AND KING ARE SITTING, THE SLAVE GIRL BRINGS / CARRIES THE WINE TO THEM. 2. What city fell to a Roman siege in 146 B.C. thanks to the generalship of Scipio Aemilianus and the rhetoric of Cato the Elder? CARTHAGE B1: When had the siege of Carthage begun? 149 B.C. B2: What other city fell to the Romans in 146 B.C.? CORINTH 3. Who spent seven years on Ogygia pining for his homeland of Ithaca? ODYSSEUS / ULYSSES B1: What divine being held him there? CALYPSO B2: Who came to Calypso in the seventh year, demanding that she release Odysseus? HERMES 4. From what Latin noun with what meaning do we derive the word “invulnerable”? VULNUS (VULNERIS) – WOUND B1: From what Latin noun with what meaning do we derive the word “fumigate”? FŪMUS – SMOKE B2: From what Latin noun with what meaning do we derive the word “hospitality”? HOSPES – GUEST; HOST 5. What baby, unflustered by the surprising insertion of snakes into his crib, saved his own life and that of his half-brother by strangling the snakes? HERAKLES / HERCULES B1: What angry deity had placed the snakes in the crib? HERA / JUNO B2: Why, according to some stories, did Amphitryon not interfere with the snakes? HE WANTED TO KNOW WHICH CHILD WAS THE SON OF ZEUS / JUPITER NOVICE ROUND 3 – PAGE 1 6. -
THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus”
“THE ENDURING GODDESS: Artemis and Mary, Mother of Jesus” Carla Ionescu A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HUMANITIES YORK UNIVERSITY TORONTO, ONTARIO May 2016 © Carla Ionescu, 2016 ii Abstract: Tradition states that the most popular Olympian deities are Apollo, Athena, Zeus and Dionysius. These divinities played key roles in the communal, political and ritual development of the Greco-Roman world. This work suggests that this deeply entrenched scholarly tradition is fissured with misunderstandings of Greek and Ephesian popular culture, and provides evidence that clearly suggests Artemis is the most prevalent and influential goddess of the Mediterranean, with roots embedded in the community and culture of this area that can be traced further back in time than even the arrival of the Greeks. In fact, Artemis’ reign is so fundamental to the cultural identity of her worshippers that even when facing the onslaught of early Christianity, she could not be deposed. Instead, she survived the conquering of this new religion under the guise of Mary, Mother of Jesus. Using methods of narrative analysis, as well as review of archeological findings, this work demonstrates that the customs devoted to the worship of Artemis were fundamental to the civic identity of her followers, particularly in the city of Ephesus in which Artemis reigned not only as Queen of Heaven, but also as Mother, Healer and Saviour. Reverence for her was as so deeply entrenched in the community of this city, that after her temple was destroyed, and Christian churches were built on top of her sacred places, her citizens brought forward the only female character in the new ruling religion of Christianity, the Virgin Mary, and re-named her Theotokos, Mother of God, within its city walls. -
Dinosaurs and Pterosaurs in Greek and Roman Art and Literature? an Investigation of Young-Earth Creationist Claims
Palaeontologia Electronica palaeo-electronica.org Dinosaurs and pterosaurs in Greek and Roman art and literature? An investigation of young-earth creationist claims Phil Senter ABSTRACT Many young-Earth creationist (YEC) authors claim that ancient Greek and Roman writings describe dinosaurs and pterosaurs, and that Greco-Roman art illustrates Mesozoic reptiles. Such claims are used as “evidence” against evolutionary theory in an attempt to cast doubt on the separation of humans and such animals by millions of years. However, examination of the Greco-Roman materials in question reveals that none of them actually depict Mesozoic reptiles. In descriptions of “dragons” (Greek drakōn; Latin draco) in Greco-Roman literature—which YEC authors claim are dino- saurs—coils and the epithets ophis, serpens, and anguis reveal that the ancient authors are describing snakes, often large constrictors. This is the case for the draco described by Pliny. Phrygian dragons described by Aelian, the Vatican Hill child-eater mentioned by Pliny, the Bagradas River dragon, the legendary dragons that Alexander the Great supposedly encountered, and dragons in Greek mythology. An alleged thero- pod dinosaur in the Nile Mosaic of Palestrina is a mammal, possibly an otter. An alleged dinosaur in a Pompeii fresco is a crocodile. Herodotus’ description of winged snakes is anatomically incompatible with pterosaurs and possibly refers to cobras. Alleged pterosaurs on an Alexandrian coin are winged snakes. An alleged Etruscan pterosaur head sculpture depicts a mammal. Two alleged Tanystropheus in a Roman mosaic from Lydney Park, England are mythical sea monsters. These YEC claims now join the ranks of discredited “evidence” against evolutionary theory.