2014 YWC Anthology
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The 1957 Hourglass, the Staff Has Departed from the Usual Format
T~e 1957 HOURGlASS presented by TH£ COlUfnBIH SCHOOl Ro c h ester , ne w Yo r ~ Volume 66 fORfWORO In offering the 1957 Hourglass, the staff has departed from the usual format. We present the book in a style and order depicting our theme, "Growth and Service," two intangibles of the spirit of Columbia. Our pages open with the tiny twigs, our Nursery Schoolers, and follow through years of growth and increasing service. They close with the class which, full grown in the Columbia spirit, will go forth to new worlds to the traditional strains of "Lead on, 0 King Eternal, the day of march has come." 2 OfOICATIOn It was before Pearl Harbor, but Hitler's armies were already on the march. Franklin Roosevelt was elected the first third-term President of the United States. Cincinnati beat Detroit in the World Series, and Joe Louis was World Heavyweight Champion. Our parents were seventeen years younger, trim of figure, ebullient in spirit. In that year, or close to it, to each of them was born a baby daughter. There follows a seventeen-year story of parents' sacrificing their own in terests for their daughters', and giving them the benefits of a Columbia School education. With the exception of the date and the events, the story is the same for parents of the entire school, Nursery through the Senior class. To all Parents of Columbia Girls, to express our heartfelt thank you for your continued love, guidance, and understanding, this 1957 Hourglass is affectionate! y dedicated. 3 AOrTIIniSTRATIOn MRS. SIMPSON MISS SKILLIN As we at Columbia sing the words of our Take one bit of protoplasm complete with Alma Mater, "Spirit of Columbia," there all the elements of carelessness, thoughtless flashes through our minds a thought insep ness, and the undirected energy of youth. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
“Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan. -
Your Guide to Hospice Care If You Have an Emergency, Call Us Anytime, Day Or Night
Your guide to hospice care If you have an emergency, call us anytime, day or night. Our nurses are here 24/7 to assist you. Call us anytime you need us. If you are in pain, not comfortable, feeling stressed or just need to be reassured, call us — that is why we are here. We will help coordinate your care and ensure you receive services promptly and specifically targeted to meeting your goals and keeping you comfortable. Please call us before visiting the emergency room, seeing a physician or scheduling a test or procedure to determine if it will be covered as part of your hospice care. All services related to the terminal illness or related conditions need to be preapproved by the hospice provider, otherwise the patient will be financially responsible for those services. 3 Open a door to renewed hope When most people think of hospice, the word “hope” rarely comes to mind. Novant Health Hospice is working to change that perception. By definition, hope is the feeling that what is desired is also possible, or that events will turn out for the best. In hospice, we hear our patients and families hope for a positive outcome related to whatever circumstances they are experiencing. To us, hope for our patients means helping them live life to its fullest — spending quality time surrounded by those they love. We focus on going beyond meeting needs to creating special moments in the lives of our patients and their loved ones. We also help prepare family and friends for the loss of a loved one and help them deal with their grief through compassion, counseling and bereavement support. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Barbara Mandigo Kelly Peace Poetry Contest Winners
The Gathering by Ana Reisens Adult Category, First Place In the movie we sleep fearlessly on open planes because we cannot imagine any danger more tragic than those that have already passed. For weeks we have been arriving over the earth’s broken skin, over mountains and rivers, shaking the aching flagpoles from our shoulders. Now all the priests and imams and rabbis and shamans are gathered beside the others, teachers, brothers and kings and they’re sharing recipes and cooking sweet stories over fires. Suddenly we hear a voice calling from the sky or within – or is it a radio? – and it sings of quilts and white lilies as if wool and petals were engines. It’s a lullaby, a prayer we all understand, familiar like the scent of a lover’s skin. And as we listen we remember our grandmothers’ hands, the knitted strength of staying, how silence rises like warmth from a woven blanket. And slowly the lines begin to disappear from our skin and our memories spin until we’ve forgotten the I of our own histories and everyone is holy, everyone is laughing, weeping, singing, It’s over, come over, come in. And this is it, the story, an allegory, our movie – the ending and a beginning. The producer doesn’t want to take the risk. No one will watch it, he says, but we say, Just wait. All the while a familiar song plays on the radio and somewhere in a desert far away a soldier in a tank stops as if he’s forgotten the way. -
God's Good Creation VBS
GOD’S o s d od worl G the CREATIONGOOD For loved Vacation Bible School Dear Leaders and Friends, Welcome to “God’s Good Creation,” ELCA World Hunger’s vacation Bible school! Helping children learn about hunger, hope and the work to which God calls us in the world is key to ending hunger for good. This program celebrates the gifts that God has created – gifts that can help build a world where all are fed. Working together with all of creation, we can look forward to the future God has promised. The themes for each of the five days of vacation Bible school in this program are drawn from projects supported by gifts to ELCA World Hunger. As you run the program in your congregation, we encourage you to support this work by collecting gifts for ELCA World Hunger. The craft suggestion for the first day – a goat bank – can be a great way to do this! The days are divided into four main sections: a large group opening, “family” time with small groups, rotations of activities and a large group closing. Please feel free to adapt this anyway that you like! In the first pages, you will find a daily overview and a sample schedule, with customizable schedules that you can copy and hand out to group leaders for quick reference. When a large, hungry crowd gathered to hear Jesus, he fed all of them with loaves of bread and fish. Many of us remember how the story ends – with a miraculous banquet – but where it began is important, too: with a small child and the gifts of God’s creation. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
"A Date with the Hangman" Scott Omkt Owiak College of Dupage
The Prairie Light Review Volume 2 | Number 2 Article 30 Winter 3-11-1983 "A Date with the Hangman" Scott omkT owiak College of DuPage Follow this and additional works at: https://dc.cod.edu/plr Recommended Citation Tomkowiak, Scott (1983) ""A Date with the Hangman"," The Prairie Light Review: Vol. 2 : No. 2 , Article 30. Available at: https://dc.cod.edu/plr/vol2/iss2/30 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in The rP airie Light Review by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Pratri* Light RevUio, PagtS Tomkowiak: "A Date with the Hangman" THE WHITE RIDER he rode into the night, the destroyer of dragons, “ODE TO T.V. PRODUCTION 1” bringing golden light, the first ray master, he charged straight ahead, the fastest of fast, The lights are on. tearing through the red, the fiercest of fierce. The stage is set. The cameras wait in ready. twas a dangerous mission, deceit was about. The Director sits in the highest seat. twas a perilous mission, death was common. Nervous, hot and sweaty. he kept to his strategy, he kept to his goal he was swift with sheer liberty, he stood true and tall The floor manager awaits his first command, just to give the signal the night did grow darker, the day was't seen, The actor's raring to go, yet the evil was still thicker, the good seemd so far. -
Mare of Easttown
** THESE MATERIALS ARE CONFIDENTIAL AND FOR INTERNAL USE ONLY ** MARE OF EASTTOWN Episode 107 "Sacrament" Written by Brad Ingelsby Directed by Craig Zobel PRODUCTION DRAFT - 10/04/19 BLUE PRODUCTION DRAFT - 10/29/19 PINK PAGES REVISED - 11/01/19 YELLOW PAGES REVISED - 12/18/19 GREEN PAGES REVISED - 1/13/20 SECOND WHITE PAGES REVISED – 2/03/20 SECOND BLUE PAGES REVISED – 2/14/20 SECOND PINK PAGES REVISED – 2/28/20 SECOND YELLOW PAGES REVISED – 3/11/20 SECOND GREEN PAGES REVISED – 8/20/20 THIRD WHITE PAGES REVISED – 9/04/20 THIRD BLUE PAGES REVISED – 9/17/20 THIRD PINK PAGES REVISED – 9/26/20 THIRD YELLOW PAGES REVISED – 9/30/20 THIRD GREEN PAGES REVISED – 11/01/20 © 2019 Home Box Office, Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, reproduced, sold or distributed by any means, or quoted or published in any medium, including on any web site, without the prior written consent of Home Box Office. Distribution or disclosure of this material to unauthorized persons is prohibited. Disposal of this script copy does not alter any of the restrictions previously set forth. 107 - Third Green Collated (11/01/2020) 1. 1 EXT. LEHIGH RIVER - FALLEN OAK TREE - LATE DAY 1 MARE advances deeper into the woods. The river is louder and angrier out here, the forest primeval. Up ahead, a towering old-growth white oak has fallen, impeding her path. She scales the massive trunk, climbing between limbs as crooked as witch fingers. And she presses on. 2 EXT. -
Q&A REPORTING, INC. [email protected] Page 1 MICRC 05/11/21 6:02 Pm Public Hearing Captioned by Q&A Reporting, Inc., W
DISCLAIMER: This is NOT a certified or verbatim transcript, but rather represents only the context of the class or meeting, subject to the inherent limitations of realtime captioning. The primary focus of realtime captioning is general communication access and as such this document is not suitable, acceptable, nor is it intended for use in any type of legal proceeding. MICRC 05/11/21 6:02 pm Public Hearing Captioned by Q&A Reporting, Inc., www.qacaptions.com >> CHAIR KELLOM: So as Chair of the Commission I call this meeting of the Michigan Independent Citizens Redistricting Commission to order at 6:02. This Zoom webinar is also being live streamed on YouTube. For anyone in the public watching who would prefer to watch via a different platform than they are currently using, please visit our social media at redistricting Michigan to find the link for viewing on YouTube. Our live stream today includes closed captioning. Closed captioning, ASL interpretation and Spanish and Arabic translation services will be provided for effective participation in this meeting. E-mail us at [email protected] for additional viewing options. Or details on accessing language translation services for this meeting. People with disabilities needing other specific accommodations should also contact [email protected]. This meeting is being recorded and will be available at www.Michigan.gov/micrc. For viewing at a later date. This meeting is also being transcribed and those transcriptions will be made available and posted on Michigan.gov/micrc along with written public comment submissions. There is also a public comment portal that may be accessed by visiting Michigan.gov/micrc. -
By Dr. Shiva Ghaed
R O U T E 9 1 H e a l i n g f r o m M a s s V i o l e n c e & T r a u m a b y D r . S h i v a G h a e d Copyright 2018 by Shiva Geneviève Ghaed All Rights Reserved 1 TABLE OF CONTENTS Acknowledgments Prologue 1 150 Minutes of Terror 2 Getting in the Trenches with my Patients 3 Road to Recovery: My Story 4 Road to Recovery: The Community 5 Laying the Groundwork: Dr. G’s Bucket Rules 6 Trauma 411 7 How PTSD Develops 8 Sleep Basics 9 Why Avoidance Makes It Worse 10 Finding New Meaning After Trauma 11 Anxiety and Panic 12 How to Change Unhelpful Thinking 13 Healthy Communication 14 Tips on Managing Nightmares 15 Leading Change by Example 16 Understanding Emotions and De-Coding Anger 17 Why Compassion Matters 18 Intrusive Memories and Catastrophic Thoughts 19 Role of Depression in Trauma 20 Grief and Loss 21 Cumulative Trauma 22 The Lessons We Have Learned 23 Final Thoughts 2 ACKNOWLEDGEMENTS I would like to thank my parents for teaching me the value of public service and community involvement, my sister for staying with me in cyberspace through a terrifying night, and all my friends and family for their unconditional support. The following people also merit mention for their support of the Route 91 community. The world is a better place because of you: Gary Martin and Mike Stack, managers of InCahoots in San Diego, CA – without your generosity we would not have had a place to come together and heal.