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‰ J Œœhold Œ Œœ J Œ‰ Œ J Œœ Œ Œœb Œn Œ Œbœ Œ Œ Www Œ Œ

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‰ J Œœhold Œ Œœ J Œ‰ Œ J Œœ Œ Œœb Œn Œ Œbœ Œ Œ Www Œ Œ 7 Db b b j bœ & b b œ. bœ Œ ‰ œ œ œ. œ Œ ‰ œ œ œ œ œ comes and you are down in a riv - er of wor - ry ’c au s e I’m here. Don’t need to j j j j j j bb b ‰ bœ ‰ œ ‰ œ bœ ‰ œ ‰ œ ‰ œ œ & b œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? b b œ ‰ ≈ œ ‰ bœ ≈ œ œ ‰ ≈ œ ‰ bœ ≈ œ [9] b b J J J J 3 b b bœ ‰ œ ‰ j & b b œ Œ œ œ œ œ Œ œ œ troub - ble and a - bout to drown. Just hold suf - fer, baby, ’c au s e I’m here. j j j j j j j b b bœ ‰ œ ‰ œ ‰ œ bœ ‰ œ ‰ œ ‰ œ & b b œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ ? b b œ ‰ ≈ œ ‰ bœ ≈ œ œ ‰ ≈ œ ‰ bœ [11] b b J J J J bœ To Coda Ab Cb Db fi b b & b b œ Œ Œ œ œ bœ Œ Œ œ œ Œ Œ œ on, I’m com - i n’. Hold on, œ I’m b b j j j & b b œ bœ Rockschoolœ œ Grade‰ Piecesœ bœ œ œ ‰ œ bœ œ œ ‰ œ œ œ œ. œ œ œ bœ œ œ œ. œ œ œ œ Holdœ Onœœ I’mœ Comin’œ. œœœ œ . J . J J ? b b œ œ œ œ œ œ œ œ [13] b bœ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ Sam & Dave | Hold On I’m Comin’ SONG TITLE: HOLD ON I’M COMIN’ A œ œ b ALBUM: HOLD ON, I’M COMIN’ œ œ œ RELEASED: 1966 4 œ œ œ œ œ THE MUSICAL STAVE shows pitches and & 4 œ œ b LABEL: STAX/ATLANTIC rhythms and is divided by lines into bars. œ b œCDœ EFG ABC DEFGABC b Œ ‰ j Œ Œ Pitches are named aer the rst seven letters & b œ bœ GENRE: RHYTHM AND BLUES/SOUL œ œ bœ œ of the alphabet. com - i n’. Justœ hold on, I’m œ œ ? 4 œ œ œ œ œ 4 œ œ œ VOCALS: SAM MOORE AND œ œ œ œ œ DAVE PRATER BAND: BOOKER T AND THE MGS Grace Note: Play the grace note on Pedal Marking: Depress and then release the b j or before the beat depending on the sustain pedal. Multiple pedal operations in a b AND THE MAR-KEYS HORNS style of music, then move quickly to short space of time may be simplied as shown b b œ œ ‰ w the note it leads onto. in the last two beats of the bar below. & bœ . œ œ œ œ œ. GUITAR: STEVEœ CROPPERœ œ w BASS: DONALD “DUCK” DUNN J DRUMS: AL JACKSON JR. 3 j 4 œ œ œ &4 œ ˙. &4 œ œ œ ˙. œ œ ? KEYBOARDS: BOOKER T. JONES ° ° b b TENOR SAXOPHONE: [16] b b œ œ œ œ CHARLESœ “PACKY” AXTON bœ nœ œ œ œ œ œ œ œ œ Spread Chord: Play the chord from the bottom note up Glissando: Play the notes between the notated SAXOPHONE: DON NIX œ (top down only if there is a downward arrow head). pitches by sliding over the keyboard with the e nal note should sound by the appropriate ngers or ngernails. TRUMPET: WAYNE JACKSON notated bar position. TROMBONE: WAYNE JACKSON They enjoyed huge success whilst signed to the Stax # ORGAN: ISAAC HAYES 4 g ˙ g ˙ label and during this time their record sales were & 4 g ˙˙ g ˙˙ & h gliss. g n ˙ g h second only to Aretha Franklin. They are credited WRITTEN BY: ISAAC HAYES, with helping define the Soul genre with their single ‘Soul Man’. They were one of the first black groups to Tremolando: Oscillate at speed Finger Markings: ese numbers represent DAVID PORTER between marked notes. your ngers. 1 is the thumb, 2 the index gain success in the charts with a song featuring the nger and so on. PRODUCED BY: JIM STEWART word ‘Soul’. Legendary producer, Jerry Wexler said 1 2 3 4 5 of the duo: “their live act was filled with animation, harmony and seeming goodwill”. He mentioned that bw w the pair had very different types of voices, however, & & œ œ The song is the first release from the debut album œ œ œ of Soul duo Sam and Dave, of the same title. likening Sam to Sam Cooke or Solomon Burke and Dave’s darker and more gravelly voice to Levi Stubbs The title for the track apparently came about when (from the band, the Four Tops). > Isaac Hayes was trying to get his songwriting partner, œ (accent) • Accentuate note (play it louder). D. al Coda • Go back to the sign ( ), then play until It is often said that the success of Stax’s artists was % % David Porter to leave the restrooms at Stax Studios the bar marked To Coda then skip to the fact they had access to the house bands: Booker T the section marked Codafi . and return to recording. The tile walls and floors of fi the restroom produced an echo and reverb that was and the MGs and the Mar-Keys Horns (both of which D.C. al Fine • Go back to the beginning of the song and often featured a collection of the same musicians). ^ play until the bar marked Fine (end). often used on Stax recordings. The recording team œ (accent) • Accentuate note with great intensity. had placed a speaker into the men’s restroom to pipe They were world-class musicians who often Una Corda • Use so pedal the music in and then placed a microphone in there, contributed to the development and recording process to ensure the reverberated sound then returned to in the studio. The song has also featured in the films Blues Brothers . • Repeat the bars between the repeat signs. the studio. When Isaac Hayes told Porter to ‘hurry and American Gangster . œ (staccato) • Shorten time value of note. up’, the microphone picked up his response: “hold on, . I’m coming”. 1. 2. • When a repeated section has dierent endings, play the rst ending only the rst time and the second ending only the Sam and Dave – nicknamed “double dynamite” - second time. – performed together for twenty years from 1961 œ (accent) • Accentuate note with more arm weight. – 1981. The duo recorded Soul and R&B songs. Piano Grade 5 7 Hold On I’m Comin’ Sam & Dave 104 q = Ab Cb b j j b bb 4 œ œ ‰ œ œ ‰ & œ bœ œ œ œ. œ œ œ œ bœ bœ œ œ œ. œ œ œ œ . J . J ? b 4 b bb 4 œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ Db Ab b b & b b ∑ Ó Œ 1. Don’tbœ youœ b b j j & b b œ œ ‰ œ œ ‰ œ bœ œ œœ œœ. œœ œ œ œ œ bœ œ œ œ. œ œ œ œ J . J ? b b œ œ œ œ œ œ œ œ [3] b b œ œ œ œ œ œ bœ nœ 7 Ab 3 b b bb Œ Œ Œ Œ œ & œ œ œ. bœ œ œ œ ev - er be sad. bœ œ Lean on (2.) way, your lov-er. If you get b b j j j j j j & b b œ ‰ ‰ ‰ œ ‰ ‰ ‰ œ bœ œ œ œ œ bœ œ œ œ ? b b j ‰ œ ≈ œ ‰. r j ‰ œ ≈ œ ‰. r [5] b b œ œ œ bœ œ œ œ bœ 3 3 bb b Œ ‰ j ‰ Œ ‰ bœ & b œ bœ œ. œ œ bœ œ œ me when times are bad.bœ œ When the day cold I will be your cov-er. Don’t have to j j j j j j bbbb œ ‰ ‰ ‰ œ ‰ ‰ ‰ & œ bœ œ œ œ œ bœ œ œ bœ r ? b b j ‰ œ ≈ œ ‰. r j ‰ œ ≈ œ ‰. bœ [7] b b œ œ œ bœ œ œ œ Piano Grade 5 Grade Piano Words & Music by Isaac Hayes & David Porter 8 © Copyright 1966 Irving Music/Pronto Music. Warner/Chappell North America Limited/Rondor International Inc. All Rights Reserved. International Copyright Secured. 7 Db b b j & b b œ. bœ Œ ‰ œ œ œ. bœ œ Œ ‰ œ œ œ œ œ comes and you are down in a riv - er of wor - ry ’c au s e I’m here. Don’t need to j j j j j j bb b ‰ bœ ‰ œ ‰ œ bœ ‰ œ ‰ œ ‰ œ & b œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? b b œ ‰ ≈ œ ‰ bœ ≈ œ œ ‰ ≈ œ ‰ bœ ≈ œ [9] b b J J J J 3 bb b bœ œ Œ ‰ j & b œ Œ ‰ œ œ œ œ œ œ troub - ble and a - bout to drown. Just hold suf - fer, baby, ’c au s e I’m here. j j j j j j j b b bœ œ œ œ bœ œ œ œ & b b œ ‰ œ ‰ œ ‰ œ œ œ ‰ œ ‰ œ ‰ œ ‰ œ œ œ œ ? b b œ ‰ ≈ œ ‰ bœ ≈ œ œ ‰ ≈ œ ‰ bœ [11] b b J J J J bœ To Coda Ab Cb Db fi b b & b b œ Œ Œ œ œ bœ Œ Œ œ œ Œ Œ œ on, I’m com - i n’.
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