Django Reinhardt in Memoriam 1908-1954 Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Django Reinhardt in Memoriam 1908-1954 Mp3, Flac, Wma Django Reinhardt In Memoriam 1908-1954 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: In Memoriam 1908-1954 Country: Japan Released: 1979 Style: Gypsy Jazz MP3 version RAR size: 1500 mb FLAC version RAR size: 1138 mb WMA version RAR size: 1980 mb Rating: 4.9 Votes: 172 Other Formats: ADX AIFF WMA MP1 AHX XM AUD Tracklist Hide Credits Georgia A1 Bass – L. Vola*Guitar – Joseph Reinhardt, P. Ferret*Guitar [Solo] – Django ReinhardtViolin – Stephan Grappelly* Hot Lips A2 Guitar – M. Bianchi*, P. Ferret*Guitar [Solo] – Django ReinhardtViolin – Stephan Grappelly* Avalon Alto Saxophone – Andre Ekyan*, Charles Lisse*Bass – Eugene D'Hellemmes*Drums – Maurice A3 ChaillouGuitar – Django ReinhardtPiano – Stephan Grappelly*Tenor Saxophone – Alix Combelle, Coleman HawkinsTrombone – Guy PaquinetTrumpet – Arthur Briggs, Noel Chibout*, Pierre Allier Parfum A4 Guitar – Django Reinhardt Oriental Shuffle A5 Bass – L. Vola*Guitar – Joseph Reinhardt, P. Ferret*Guitar [Solo] – Django ReinhardtViolin – Stephan Grappelly* After You've Gone A6 Bass – L. Vola*Guitar – Joseph Reinhardt, P. Ferret*Guitar [Solo] – Django ReinhardtViolin – Stephan Grappelly* Tears B1 Guitar – M. Bianchi*, P. Ferret*Guitar [Solo] – Django ReinhardtViolin – Stephan Grappelly* Improvisation B2 Guitar – Django Reinhardt Finesse B3 Bass – Billy Taylor*Clarinet – Barney BigardGuitar – Django ReinhardtTrumpet – Rex Stewart Shine B4 Bass – L. Vola*Guitar – Joseph Reinhardt, P. Ferret*Guitar [Solo] – Django ReinhardtViolin – Stephan Grappelly* Rose Room B5 Guitar – M. Bianchi*, P. Ferret*Guitar [Solo] – Django ReinhardtViolin – Stephan Grappelly* Star Dust B6 Bass – Eugene D'Hellemmes*Drums – Maurice ChaillouGuitar – Django ReinhardtPiano – Stephan Grappelly*Tenor Saxophone – Coleman Hawkins Companies, etc. Phonographic Copyright (p) – RCA Records Manufactured By – RVC Corporation Credits Liner Notes – Bill Zeitung Notes ℗1979 RCA Records Comes with insert in Japanese. Barcode and Other Identifiers Matrix / Runout (Side A Stamped Runout): Ⓑ PG 128MA 111+ Matrix / Runout (Side B Stamped Runout): Z PG 128MB 111+ Other versions Category Artist Title (Format) Label Category Country Year In Memoriam Django EPC-1100 1908-1954 (3x7", RCA Victor EPC-1100 US 1955 Reinhardt Comp) In Memoriam Django Bluebird , 123824-2 1908-1954 (CD, 123824-2 Argentina 2010 Reinhardt RCA Comp) RJL-2530, In Memoriam RJL-2530, Django RCA, RCA, PG-128, 1908-1954 (LP, Comp, PG-128, Japan 1981 Reinhardt RCA LPM-1100 Mono, RE) LPM-1100 Django In Memoriam LPM-1100 RCA Victor LPM-1100 US 1955 Reinhardt 1908-1954 (LP, Comp) Django In Memoriam LPM-1100 RCA Victor LPM-1100 US 1955 Reinhardt 1908-1954 (LP, Comp) Related Music albums to In Memoriam 1908-1954 by Django Reinhardt Stephane Grappelly And His Hot Four Featuring Django Reinhardt - Stephane And Django Django Reinhardt - Rythme Futur Django Reinhardt & Stephane Grappelly With The Quintet Of The Hot Club Of France - Souvenirs Django Reinhardt Et Le Quintette Du Hot Club De France - Swing 42 / Mabel Django Reinhardt - The Last Studio Sessions Django Reinhardt - The Legendary Django Django Reinhardt & Le Quintette Du Hot Club De France Avec Stéphane Grappelly - What Is This Thing Called Love? / Si Tu Savais Django Reinhardt - The Great Artistry Of Django Reinhardt Django Reinhardt, Stephane Grappelli - Django Reinhardt And Stephane Grappelli With The Quintet Of The Hot Club Of France Django Reinhardt - Stephane Grappelly With Quintet Of The Hot Club Of France, The - Django Reinhardt & Stephane Grappelly With The Quintet Of The Hot Club Of France.
Recommended publications
  • Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK
    [Show full text]
  • Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
    Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297).
    [Show full text]
  • 01 Combelle Jazz Story
    Combelle, Jazz Story extraits d’un texte de Pierre Lafargue La dynastie des Combelle a affirmé de bonne heure ses prérogatives sur le développement du jazz en France: - François, le père, saxophoniste alto, - Alix, le fils, saxophoniste ténor - et Philippe, le petit-fils, batteur toujours en exercice. Il est d’ailleurs curieux de constater qu’Alix Combelle démarra dans la musique tout gamin, en jouant de la batterie -dont il avait étudié la technique avec un musicien de la Garde Républicaine, Delfosse, confrère de François - avant de se consacrer au saxophone. Au contraire, son fils Philippe débuta dans l’orchestre paternel aux saxophones (ténor et baryton) et n’adopta qu’ultérieurement la batterie, qu’il travailla sous la tutelle de Félix Passerone, timbalier de l’Opéra. François Combelle (ci-dessus chez Selmer), disparu en 1953, était l’un des plus éminents solistes de la célèbre Musique de la Garde Républicaine, dont il assuma même la direction lors de l’enregistrement de plusieurs disques chez Pathé vers la fin des années vingt. À titre indicatif, mentionnons Mon Paris (one-step) et Savez-Vous (fox-trot) chez Pathé (ref. saphir 6889). Le saxophoniste des Mitchell’s Jazz Kings étant tombé malade, c’est François Combelle qui est chargé de le remplacer au pied levé dans cet orchestre vedette du “Casino de Paris” (Cf. “Le Jazz en France” Vol. I - Pathé 1727251). En dépit de son manque d’expérience du jazz, il est jugé seul capable d’exécuter certaines interprétations ardues. Ce seront les premiers contacts de la famille Combelle avec la “musique populaire des nègres d’Amérique’’, comme on l’écrivait dans les catalogues de disques de l’époque.
    [Show full text]
  • The Assimilation of American Jazz in Trance, 1917-1940
    le hot the assimilation of american jazz in trance, 1917-1940 William h. kenney iii The assimilation of American jazz music in France, an instance of the cultural transmission of an emerging American musical art, began at the time of World War I. Within the subsequent history of jazz in France lies the tale of the progressive mastery of the two principles of improvisation and rhythmic swing and the modification of American sounds to suit the particular cultural terrain of France between the two World Wars. The process was eased by the obvious fact that France already contained, indeed originated in some cases, the basics of western music: instrumental definitions, chromatic and diatonic scales and the myriad chords from which they were constructed. Still, the principles of melodic and particu­ larly harmonic improvisation were little known in France as was the surprising phenomenon of rhythmic swing so that when early jazz arrived in that country French musicians knew most of the vocabulary of jazz without knowing how to make jazz statements. A small number of French musicians learned to "sing" with a swing and in the process created their own "école française de jazz." Ragtime and the musical precursors of jazz were carried from the U.S.A. to France by military bands sent by the American government in 1917. The most famous was the 369th Infantry Regiment's Hell Fighters Band, an all-Black outfit organized and led by James Reese Europe. Europe was a pioneer of ragtime in New York City where he had organized 0026-3079/84/2501-0005S01.50/0 5 concerts of Black music, headed the famous Clef Club, and accompanied Irene and Vernon Castle's introduction of the foxtrot in America.
    [Show full text]
  • Download the Alto Saxophone of Andre Ekyan
    1 The ALTOSAX and CLARINET of ANDRE EKYAN Solographers: Jan Evensmo & Christian Dangleterre Last update: Feb. 28, 2020 2 Born: Meudon, France, Oct. 24, 1907 Died: near Alicante, Spain, Aug. 9, 1972 Introduction: We learned first to know Andre Ekyan at the famous “Crazy Rhythm” with Coleman Hawkins from 1937, battling with Benny Carter on altosax. Later we discovered that he was one of the top vintage altosax artists in Europe. History: Self-taught as a musician. Led band at Le Perroquet in Paris in the 1920s, then played with Jack Hylton (London, 1930-31), Gregor (1932-33) and Tommy Dorsey (1936). Made a number of recordings as a leader between 1935 and 1946; on those from the period 1937-41 his altosax and clarinet soli were accompanied by Django Reinhardt. Also played with Tommy Benford, Benny Carter, Coleman Hawkins (1937), Ray Ventura (1938), Joe Turner, Jack Butler, Frank “Big Boy” Goudie (1939), again with Ventura (Switzerland, 1941) and with Bobby Nichols (1945) and Mezz Mezzrow. In 1950 he recorded again with Reinhardt as a member of the Quintette du Hot Club de France (ref. The New Grove Dictionary of Jazz). 3 ANDRE EKYAN SOLOGRAPHY JACK HYLTON & HIS ORCHESTRA London/Milan/Berlin/Paris, Jan.-April, 1931 Personnels including Andre Ekyan (cl, as, ts, vo). Several recording sessions for HMV(E), some have been available, and there is no reason to believe there are any altosax soli on these quasi-jazz sessions. Postscripit of May 10, 2017: But there is at least one interesting item: London, Feb. 3, 1931 Movie short, Pathetone, “The Magic Box”, illustrating the processing of HMV records: Choo Choo (cl)-Solo 8 bars.
    [Show full text]
  • DJANGO REINHARDT Vol.6
    120726bk Django6 10/6/04 9:21 PM Page 8 Also available in the Naxos Jazz Legends series 8.120688* 8.120707 8.120714* 8.120727* 8.120729* 8.120760 * Not available in the USA NAXOS RADIO Over 50 Channels of Classical Music • Jazz, Folk/World, Nostalgia www.naxosradio.com Accessible Anywhere, Anytime • Near-CD Quality 120726bk Django6 10/6/04 9:21 PM Page 2 DJANGO REINHARDT Vol.6 Personnel Track 1: Django Reinhardt, guitar; Philippe Tracks 9 & 18: Django Reinhardt, guitar; Hubert ‘Nuages’ Brun, Pierre Allier, Alex Renard, trumpets; Guy Rostaing, Alix Combelle, clarinet & tenor; Original 1940 recordings by Django’s Music and Paquinet, trombone; Andre Ekyan, alto; Alix Joseph Reinhardt, guitar; Tony Rovira, bass; The Quintet of the Hot Club of France Combelle, tenor; Charlie Lewis, piano; Pierre Pierre Fouad, drums Ferret, guitar; Emmanuel Soudieux, bass Tracks 10–16: Django Reinhardt, guitar; Hubert The Quintet of the Hot Club of France, co-led by when he was just beginning. One night while Track 2: Django Reinhardt, guitar; Philippe Rostaing, clarinet & tenor; Joseph Reinhardt, guitarist Django Reinhardt and violinist Stephane asleep in a caravan, a batch of flowers caught fire Brun, Pierre Allier, Alex Renard, Al Piguillem, guitar; Tony Rovira, bass; Pierre Fouad, drums Grappelli, were in England on 1 September 1939 and Reinhardt was seriously burned. Doctors in a trumpets; Guy Paquinet, Gaston Moat, Pierre Tracks 19: Django Reinhardt, guitar; Hubert when Nazi Germany started World War II by hospital were seriously thinking of amputating his Deck, trombones; Andre Ekyan, alto; Alix Rostaing, clarinet & tenor; Alix Combelle, tenor; invading Poland.
    [Show full text]
  • En Avant La Musique ! Avec Hervé Brisse Raphaël Chassin, Le Magicien Ide La Caisse Claire Eiueignemml / J^Onmaiion
    ^ lemGi^n£mfiat / jjowmüon. / pnatkjue / di^u&ion 9 Confédération musicale de France magazine musical - publication bimestrielle - www.cmfjournal.org n°519 - août 2005 W&; V*v'' En avant la musique ! avec Hervé Brisse Raphaël Chassin, le magicien ide la caisse claire eiueignemmL / j^onmaiion. / pnahcjue / difolJu&tort les principaux dossiers parus dans les 6 derniers numéros... ■ ]-CMF n° 513, août 2004 - La basse électrique avec Francis Darizcuren. • L'impressionnante machine à groover, par Bernard Zielinski. - Le programme des concours 2005. Tenez-vous informé p de l'activité de la CMF ■ J-CMF n° 514, octobre 2004 ! - L'Orchestre national d'harmonie des jeunes, session 2004. 1 et de son - Stage national d'accordéon, 3e édition. programme - Le saxophone à l'honneur, avec Daniel Gremelle. pédagogique : ■ ]-CMF n° 515, décembre 2004 - Le 1er Championnat national de brass band à Paris. 1 examens, concours - Ivan Milhiet, la musique passionnément. stages... - Les résultats du DADSM. p de l'actualité ■ J-CMF n° 516, février 2005 ïjgs des musiciens et • Palmarès du Concours d'Excellence. • A propos du 104e congrès de la CMF. leurs rendez-vous : • Jean-Christophe Cholet, promenades en harmonie. festivals, concerts, ■ J-CMF n° 517, avril 2005 créations, manifestations - Le 104e Congrès de la CMF, compte rendu (1er volet). - Musique assistée por ordinateur : la M.A.O. en régions... - Analyses d'œuvres. - Journée nationale des orchestres symphoniques et à cordes. ■ J-CMF n° 518, juin 2005 - Les temps forts du 104e Congrès de la CMF. - Rencontre : Coulisses 4, quatuor de trombones. 103 bd de Magenta mais aussi ses rubriques régulières..
    [Show full text]
  • JUST a MOOD: BENNY CARTER in EUROPE by Brian Goggin
    JUST A MOOD: BENNY CARTER IN EUROPE By Brian Goggin Introduction Benny Carter, nicknamed ‘The King’ for good reason, was one of the most prolific and talented musicians in any musical field and must continue to rank as the greatest jazz ‘all- rounder’ in a career that ran from the early 1920s up to shortly before his death aged 95 in 2003. Even by 1946 when he disbanded his last regular big band aged 39, his output and achievements as a multi-instrumentalist, arranger, composer and leader at that point are astonishing and read like a life’s work. The primary skills that cemented Carter’s place in jazz history were his leading abilities as an alto saxophonist, arranger and composer. He is regarded, with Johnny Hodges, as the leading early stylist on alto saxophone.1 His second and favourite instrument was the trumpet which he played regularly into middle age, and less frequently in later years. Louis Armstrong praised his trumpet playing2 as did Dizzy Gillespie: Benny Carter is a multi-talented musician. … Benny is a magnificent trumpet player. … He used to blow out his trumpet players.3 Carter played clarinet regularly until the mid-1940s, albeit with decreasing frequency by then. His clarinet playing was well received by both his peers and music critics alike. Doc Cheatham recalled ‘… my favourite clarinet player of all time was Benny Carter. I don’t know of anyone who could play more clarinet than Benny …’4 and writer Whitney Balliett commented ‘One of the persistent sorrows of jazz is Carter’s 5 abandonment of the clarinet …’ His superb abilities on Benny Carter, mid 1930s.
    [Show full text]
  • 120734Bk Django7 14/10/04 10:40 AM Page 8
    120734bk Django7 14/10/04 10:40 AM Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Also available in the Naxos Jazz Legends series 8.120581 8.120626* 8.120672 8.120688* 8.120726 8.120760 * Not available in the USA NAXOS RADIO Over 50 Channels of Classical Music • Jazz, Folk/World, Nostalgia www.naxosradio.com Accessible Anywhere, Anytime • Near-CD Quality 120734bk Django7 14/10/04 10:40 AM Page 2 Django Reinhardt Vol.7 Personnel Track 1: Coleman Hawkins, tenor; with MICHEL tenors; Benny Carter, Andre Ekyan, altos; Americans in Paris, Part One WARLOP ORCHESTRA: Arthur Briggs, Noel Stephane Grappelli, piano; Django Reinhardt, Original Recordings 1935-1937 Chiboust, Pierre Allier, trumpets; Guy Paquinet, guitar; Eugene d’Hellemmes, bass; Tommy trombone; Andre Ekyan, Charles Lisee, altos; Benford, drums Alix Combelle, tenor; Stephane Grappelli, piano; Track 9: DICKY WELLS & HIS ORCHESTRA: In the 1930s, Europe was a haven for some of they made for a perfect match. Starting in 1933 Django Reinhardt, guitar; Eugene d’Hellemmes, Dicky Wells, trombone; Bill Coleman, Bill the top black American jazz musicians. It offered they worked together regularly as co-leaders of bass; Maurice Chailloux, drums Dillard, Shad Collins, trumpets; Django three main advantages. 1) It was an escape from the Quintet Of The Hot Club Of France, a group Track 2: Coleman Hawkins, tenor; Stephane Reinhardt, guitar; Richard Fullbright, bass; Bill the institutional racism of the United States also including two rhythm guitars and a bass.
    [Show full text]
  • Discography Compiled by Evert (Ted) Kaleveld and Lily Coleman
    Discography Compiled by Evert (Ted) Kaleveld and Lily Coleman Abbreviations ts tenor saxophone arr arranger v vocal as alto saxophone vib vibraphone ~s baritone saxophone vn violin bs bass saxophone wb washboard bj banjo Country of record origin eel celesta (Where no country of origin is given, USA is cl clarinet understood.) d drums E England db double bass F France H flute I Italy flh Hugel hom N Netherlands g guitar Sz Switzerland ldr leader Record types org organ EP 45 rpm extended play p piano ss soprano saxophone (Issue numbers of78 rpm records are shown in roman t trumpet type; those oflong-playing records are shown in italic.) tb trombone 1929 57712-1 Springfield Stomp Victor V 38117 Sep 6 New York Luis Russell and his Orchestra 1931 Bill Coleman, Henry .. Red" Allen (t); J .C. Higgin­ Sep23 NewYork botham(tb, v); AlbertNicholas(cl, as); Charlie Holmes Don Redman and his Orchestra (as, ss); Teddy Hill (ts); Luis Russell (p, ldr); Walter Bill Coleman, Henry .. Reel" Allen, Leonard Davis (t); Johnson (llj); Pops Foster (db); Paul Barbarin ( d, vib) Claucle]ones, Fred Robinson, Benny Morton (tb); Ed­ 402938-c The New Call of the Freaks Okeh 8734 ward lnge, Rupert Cole (cl, as); Don Redman (as, v, 402939-c Feeling the Spirit GCH:v) Okeh 8766 ldr, arr); Robert Carroll (ts); Horace Henclerson (p, 402940-b Jersey Lightning Okeh 8734 arr); Talcott Reeves (llj, g); Bob Ysaguirre (db, tuba}; Manzie]ohnson(d, vib); Lois Deppe(v} 1929 E 37222-A I Heard Unissued Sep13 NewYork E 37223-A Trouble, why pick on me? Lou and his Ginger Snaps [ =
    [Show full text]
  • 533-Larry Adler, Harmonica with John Kirby Orchestra: Star Dust/: Creole Love Call
    533-Larry Adler, harmonica with John Kirby orchestra: Star dust/: Creole love call. Decca BM 4294.US. (V+) . P.50:- 9832-Larry Adler (The virtuoso of the mouth organ): Japanese sandman / Somebody stole my gal/: Some of these days / Dardanella. Decca F 6421.UK. (E-) . P.75:- 9802-Larry Adler, the virtouse of the Mouth-Organ: Cheek to cheek/: Isn´t this a lovely day, Top Hat. Rex 8650.UK. (V) . P.50:- 1702-Juan Akoni, ukulele w piano acc.: Hawaiian Butterfly/: What do you want to make those eyes at me for. Zonophone Rec. 1847.UK. (E-) . P.100:- 301-Peter Alexander och Sunshinekvartetten, Adalbert Luczkowskis orkester: Tschip-Tschiu-Tschi, F/: Cara mia, V. Polydor 49491.S, DE. (E) . P.50:- 920-Peter Alexander, Die Mickeys und das metropol-Tanzorchester: Hannelore, Marschfox/: Bella, bella Donna, F. Odeon SD 5732.Austria.1953 (N-) . P.50:- 1910-All Star Stompers: Hotter than that/: Big butter and egg man. Gazell 1016.US, SE.1947 (E+) from Circle J 1025 resp J 1024. P.100:- 1701-Henry Allen and orchestra, voc: Allen: Rosetta/: Dinah Lou, F. Parlophone R 2886.US. (E+) . P.125:- 1200-Gitta Alpar mit Orchesterbegleitung, Leitung: Dr. Weissmann: DasVellchen vom Montmartre: Warum weiss dein Herz nichts von mir/: Ich sing mein Lied im Regen und Schnee. Odeon O 11412.DE. (V) . P.30:- 1805-Fransisco Alves com Orchestra, Dir: Lirio Panicali: Chuvas de veräo, samba/: Maria Bonita, cancäo Mexicana. Odeon 12923.Brasil. (E+) . P.75:- 2011-Fransisco Alves com Eduardo Patané e sua Orquestra: Velhas cartas de amor, samba/: A noite triste em que vocé näo vem, valsa cancao.
    [Show full text]
  • Les Cartes Blanches Et Chroniques
    qwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzx cvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwe rtyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjkl zxcvbnmqwertyuiopasdfghjklzxcvbnmrtyuiopasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiop asdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwerLes Cartes Blanches et Chroniques tyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjkl zxcvbnmrtyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghDe Tchen Nguyen jklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiop asdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwer tyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbn27 juin 2009 - 19 mars 2012 mqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmrtyuiopasdfghjklzxcv bnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopa sdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwert yuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmrtyuiopasdfghjklzxcvbnmqwertyuiopasdfghjklzxcv
    [Show full text]