Shaw's “Shakespear”
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Tadcaster (1877)
TesioPower jadehorse Tadcaster (1877) WAXY 18 WHALEBONE PENELOPE 1 Sir Hercules Wanderer 11 Peri Thalestris 2 Birdcatcher (1833) Chanticleer 3 Bob Booty Ierne 23 Guiccioli Escape 27 Flight Y Heroine 11 The Baron (1842) WAXY 18 WHISKER PENELOPE 1 Economist Octavian 8 Floranthe Caprice 36 Echidna (1838) Whitelock 2 BLACKLOCK Coriander Mare 2 Miss Pratt ORVILLE 8 Gadabout Minstrel 24 Stockwell (1849) Buzzard 3 SELIM Alexander Mare 2 Sultan Williamson's Ditto 7 Bacchante Mercury Mare 8 Glencoe (1831) Dick Andrews 9 Tramp Gohanna Mare 3 Trampoline WAXY 18 Web PENELOPE 1 Pocahontas (1837) BENINGBROUGH 7 ORVILLE Evelina 8 Muley WHISKEY 2 Eleanor Y Giantess 6 Marpessa (1830) WHISKEY 2 Marmion Y Noisette 28 Clare GOHANNA 24 Harpalice Amazon 3 Doncaster (1870) WHALEBONE 1 Camel Selim Mare (24) 24 TOUCHSTONE Master Henry 3 Banter Boadicea 14 Orlando (1841) SELIM 2 Langar Walton Mare 6 Vulture Bustard 35 Kite Olympia 13 Teddington (1848) Comus 25 HUMPHREY CLINKER Clinkerina 8 Rockingham Swordsman 2 Medora Trumpator Mare 1 Miss Twickenham (1838) GOHANNA 24 Election Chesnut Skim 5 Electress STAMFORD 30 Stamford Mare Miss Judy 2 Marigold (1860) Whitelock 2 BLACKLOCK Coriander Mare 2 Buzzard Delpini 30 Miss Newton Tipple Cyder 8 Ratan (1841) Smolensko 18 Picton Dick Andrews Mare 3 Picton Mare SELIM 2 Selim Mare Pipator Mare 9 Ratan Mare (1852) Comus 25 HUMPHREY CLINKER Clinkerina 8 Melbourne Cervantes 8 Cervantes Mare Golumpus Mare 1 Melbourne Mare (1844) HAMBLETONIAN 1 Phantom Precipitate Mare (5) 5 Lisbeth Rainbow 29 Elizabeth Belvoirina 5 Pot80's 38 -
English Renaissance
1 ENGLISH RENAISSANCE Unit Structure: 1.0 Objectives 1.1 The Historical Overview 1.2 The Elizabethan and Jacobean Ages 1.2.1 Political Peace and Stability 1.2.2 Social Development 1.2.3 Religious Tolerance 1.2.4 Sense and Feeling of Patriotism 1.2.5 Discovery, Exploration and Expansion 1.2.6 Influence of Foreign Fashions 1.2.7 Contradictions and Set of Oppositions 1.3 The Literary Tendencies of the Age 1.3.1 Foreign Influences 1.3.2 Influence of Reformation 1.3.3 Ardent Spirit of Adventure 1.3.4 Abundance of Output 1.4 Elizabethan Poetry 1.4.1 Love Poetry 1.4.2 Patriotic Poetry 1.4.3 Philosophical Poetry 1.4.4 Satirical Poetry 1.4.5 Poets of the Age 1.4.6 Songs and Lyrics in Elizabethan Poetry 1.4.7 Elizabethan Sonnets and Sonneteers 1.5 Elizabethan Prose 1.5.1 Prose in Early Renaissance 1.5.2 The Essay 1.5.3 Character Writers 1.5.4 Religious Prose 1.5.5 Prose Romances 2 1.6 Elizabethan Drama 1.6.1 The University Wits 1.6.2 Dramatic Activity of Shakespeare 1.6.3 Other Playwrights 1.7. Let‘s Sum up 1.8 Important Questions 1.0. OBJECTIVES This unit will make the students aware with: The historical and socio-political knowledge of Elizabethan and Jacobean Ages. Features of the ages. Literary tendencies, literary contributions to the different of genres like poetry, prose and drama. The important writers are introduced with their major works. With this knowledge the students will be able to locate the particular works in the tradition of literature, and again they will study the prescribed texts in the historical background. -
Issue 9 W Inter 2002 50P -- Seems to Have Been a Rather Sleepy Room Œ and Suggested It Might Be —Put in a Figure
AP Society Newsletter '9 9Deliver this to SENH,-SE, Roger Aksakov, Montaigne and The ,9 ord The Anthony Powell Society I prithee post.an debonair 1ooks o French, 6er.an and Italian He is the handso.e upstairs lodger 4erse. Po ell also came across an Newsletter At No. 10 1runswick S2uareB autographed copy of Stendhal/s book on Italian Painting on the shelves in this Issue 9 W inter 2002 50p 77 seems to have been a rather sleepy room - and suggested it might be 9put in a figure. One of the Library Committee, closed case.B A Hero of Our Club œ Anthony the height, or depth, of the ,lit8, a Captain Aennedy appears to have been a Powell at The Travellers 1930- back oodsman lumbered across to the dedicated follo er of the Turf and pressed After all his hard ork in improving the 2000: Part Two Marshall/s solitary table. for the scarce Library funds to be applied Library, Po ell as a natural choice as to buying form7guides and 3ho‘s 3ho in Chairman of the Library Committee from 9Ah, Portal, there you are! I hear Racing. Then, in Covember 194D, 6arold :une 1949 on ards. In the autumn of The edited text of a talk delivered at the Royal Flying Corps have been Cicolson, Alan Pryce7:ones, LE :ones 1951 he presented a first edition copy of A The Travellers Club, 04 March 2002 doin‘ right ully well. Keep up the Eauthor of that evocative trilogy, A :uestion o -pbringing to the club Ehe good work!$ 4ictorian 1oyhood, Edwardian 5outh and had earlier presented some of his pre7 ar by Hugh Massingberd 6eorgian A ternoonF and a certain 9A2 novels, as ell as John Aubrey and His [Part One of this talk as published in the After the ar, The Travellers/ Library Po ellB ere brought in 9to ginger things Friends in 1949F and this coincided ith Autumn 2002 Newsletter] regarded by many, including :ohn upB, as Po ell ould have put it. -
The Funeral of Mr. Wang Was Typical
6 Of Rules and Regulations Governing Mourning Grief involves the loss of a social relationship that had served as an anchor. This loss disorients. Not knowing what to do, the grief-stricken want to be showed what to do, told what to do. A standardized ritual to follow step by step and a person to guide one through it can help. In the language of “governmentality” theorists, grief is a time to be governed, whether this governing is to be done by familial elders, religious specialists, secular ritual practitioners, or government employees.1 In this regard, the funeral of Mr. Wang was typical. Mr. Wang’s children, espe- cially his younger daughter, were exhausted from the extra work of caring for their father during his dying days. In this period, the children avoided discussing death. While they told the middle daughter to return from England, too much talk of dying and funerals would have made it seem like they had abandoned all hope of a cure and were wishing their father dead. Mr. Wang himself was never directly told of his prognosis. When death occurred, the children were exhausted, bereaved, and unprepared. They needed someone to tell them how to proceed. A little nudge from their helper led them to Mr. Chen. They were more than happy to have him to guide them through the process. While all rituals might involve standardized procedure, funerals especially are times for limiting choice. Here a contrast with weddings illuminates. In modern marriages, choice is a necessary component. When the Communist Party came to power in 1949, it banned purely arranged marriages. -
Gothic Riffs Anon., the Secret Tribunal
Gothic Riffs Anon., The Secret Tribunal. courtesy of the sadleir-Black collection, University of Virginia Library Gothic Riffs Secularizing the Uncanny in the European Imaginary, 1780–1820 ) Diane Long hoeveler The OhiO STaTe UniverSiT y Press Columbus Copyright © 2010 by The Ohio State University. all rights reserved. Library of Congress Cataloging-in-Publication Data hoeveler, Diane Long. Gothic riffs : secularizing the uncanny in the european imaginary, 1780–1820 / Diane Long hoeveler. p. cm. includes bibliographical references and index. iSBn-13: 978-0-8142-1131-1 (cloth : alk. paper) iSBn-10: 0-8142-1131-3 (cloth : alk. paper) iSBn-13: 978-0-8142-9230-3 (cd-rom) 1. Gothic revival (Literature)—influence. 2. Gothic revival (Literature)—history and criticism. 3. Gothic fiction (Literary genre)—history and criticism. i. Title. Pn3435.h59 2010 809'.9164—dc22 2009050593 This book is available in the following editions: Cloth (iSBn 978-0-8142-1131-1) CD-rOM (iSBn 978-0-8142-9230-3) Cover design by Jennifer Shoffey Forsythe. Type set in adobe Minion Pro. Printed by Thomson-Shore, inc. The paper used in this publication meets the minimum requirements of the american national Standard for information Sciences—Permanence of Paper for Printed Library Materials. ANSi Z39.48-1992. 9 8 7 6 5 4 3 2 1 This book is for David: January 29, 2010 Riff: A simple musical phrase repeated over and over, often with a strong or syncopated rhythm, and frequently used as background to a solo improvisa- tion. —OED - c o n t e n t s - List of figures xi Preface and Acknowledgments xiii introduction Gothic Riffs: songs in the Key of secularization 1 chapter 1 Gothic Mediations: shakespeare, the sentimental, and the secularization of Virtue 35 chapter 2 Rescue operas” and Providential Deism 74 chapter 3 Ghostly Visitants: the Gothic Drama and the coexistence of immanence and transcendence 103 chapter 4 Entr’acte. -
Violence in Elizabethan and Jacobean Drama Linwood Clay Powers III
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1969 Violence in Elizabethan and Jacobean drama Linwood Clay Powers III Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the English Language and Literature Commons Recommended Citation Powers, Linwood Clay III, "Violence in Elizabethan and Jacobean drama" (1969). Master's Theses. Paper 866. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. VIOLmlOE IM ELIZABE"rHAN AND J.ACOBEAU DRAHA Lll1WOOD CLAY POWERS Ill A THESIS SUBMI'l'TED TO 'l'HE GRADUATE FACULTY OF THE UNIVEHSITY OF P.Imn10no IN CANDIDACY FOR THE DIDREE OF MASTER OF ARTS AUGUST 1969 Introduction Elizabethan and Jooobea.n tragedy contains some of the most violent scenes in the history of English drama. Dif!'erent playwrights treat their potentially' violent themes in di££erent manners; there!'ore, this paper will exandne· the tJ'l)es 0£ violence employed by the different dramatists. In dealing with a. subject as broad in scope as this one, it is necessary to limit the study to a. sel.ection of key- dramatists. The drWll3.tists -were selected because they re.fleet a certain t.ype of drama. which was prevalent during their careers. For example, Kyd t-ms the earliest to deal with revenge tragedy1 Marlowe used the super villain as the pro. -
MISALLIANCE : Know-The-Show Guide
The Shakespeare Theatre of New Jersey MISALLIANCE: Know-the-Show Guide Misalliance by George Bernard Shaw Know-the-Show Audience Guide researched and written by the Education Department of The Shakespeare Theatre of New Jersey Artwork: Scott McKowen The Shakespeare Theatre of New Jersey MISALLIANCE: Know-the-Show Guide In This Guide – MISALLIANCE: From the Director ............................................................................................. 2 – About George Bernard Shaw ..................................................................................................... 3 – MISALLIANCE: A Short Synopsis ............................................................................................... 4 – What is a Shavian Play? ............................................................................................................ 5 – Who’s Who in MISALLIANCE? .................................................................................................. 6 – Shaw on — .............................................................................................................................. 7 – Commentary and Criticism ....................................................................................................... 8 – In This Production .................................................................................................................... 9 – Explore Online ...................................................................................................................... 10 – Shaw: Selected -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
Cary M. Mazer 8132 Cadwalader Ave. Elkins Park, PA 19027
Cary M. Mazer 8132 Cadwalader Ave. Elkins Park, PA 19027 Phone and FAX: (215) 635-1365 [email protected] http://web.sas.upenn.edu/cmazer/ Education: PhD Columbia University 1980 Theatre MA Columbia University 1976 Theatre AB Princeton University 1974 English Academic Employment: Professor of Theatre Arts and English (with tenure), University of Pennsylvania, 2016- present. Associate Professor of Theatre Arts and English (with tenure), University of Pennsylvania, 2002-2016. Associate Professor of English (with tenure), University of Pennsylvania, 1987-2002. Assistant Professor of English, University of Pennsylvania, 1980-87. Lecturer in English, University of Pennsylvania, 1979-80. Preceptor in Theatre, Columbia University, summer 1979. Publications: Books: Double Shakespeares: Emotional-Realist Acting and Contemporary Performance (Madison, NJ: Fairleigh Dickinson University Press, 2015). Reviews: Katherine Steele Brokaw, Theatre Survey 57 (2016), 473-5; Russell Jackson, Shakespeare Survey 69 (2016), 462-3. Editor, volume 15 (William Poel, H. Granville Barker, Tyrone Guthrie, Sam Wanamaker) of Great Shakespeareans, general editors Peter Holland and Adrian Poole (London: Bloomsbury/Arden, 2013). Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages (Ann Arbor: UMI Research Press, 1981). Reviews: Ralph Berry, Dalhousie Review 63 (1983): 526- 32; Richard Allen Cave. Theatre Notebook 37 (1983): 140-41. Plays: Dear Birthmother Letter Got Your Back Benefit Performance, or, The Other Jew. Swing Set. Mazer February 26, 2018 2 A Puppeteer with the Palsy Perform Scenes from Shakespeare, or, The Ghost in the Machine. Seven Lectures on Hamlet. Script-in-hand reading, Drake Theatre, Philadelphia, 2017. Shylock’s Beard. Winner of the Association for Theatre in Higher Education (ATHE) Award for Excellence in Playwriting, 2016. -
Noted English Actresses in American Vaudeville, 1904-1916
“The Golden Calf”: Noted English Actresses in American Vaudeville, 1904-1916 Leigh Woods Vaudeville began as a popular American form, with roots in barrooms before audiences of generally Z unsophisticated tastes. By the time it reached its Jessie Millward was known in her native zenith as a popular form during the first two decades country as a heroine in melodramas. Wholesome of this century, however, it showed a pronounced and fresh-faced, she had entered professional acting taste for foreign attractions rather than for the native in 1881, and joined Sir Henry Irving’s prestigious ones that earlier had anchored its broad accessibility. Lyceum company in London as an ingenue the In these years just after the turn of the century, following year. Her first tour of the United States notable foreign actors from the English-speaking came in 1885, and later that year she acted at what theatre made their ways into vaudeville, aligning would become the citadel of London melodrama, the form, though usually in fleeting and superficial at the Adelphi with William Terriss (Millward, ways, with the glamor and prestige the contempor- Myself 315-16). Her name became indissolubly ary stage enjoyed. This pattern bespeaks the linked with Terriss’ as her leading man through willingness to borrow and the permutable profile their appearances in a series of popular melodramas; that have characterized many forms of popular and this link was forged even more firmly when, entertainment. in 1897, Terriss died a real death in her arms Maurice Barrymore (father to Ethel, Lionel and backstage at the Adelphi, following his stabbing John) foreshadowed what would become the wave by a crazed fan in one of the earliest instances of of the future when, in 1897, he became the first violence which can attend modern celebrity (Rowel1 important actor to enter vaudeville. -
The English-Speaking Aristophanes and the Languages of Class Snobbery 1650-1914
Pre-print of Hall, E. in Aristophanes in Performance (Legenda 2005) The English-Speaking Aristophanes and the Languages of Class Snobbery 1650-1914 Edith Hall Introduction In previous chapters it has been seen that as early as the 1650s an Irishman could use Aristophanes to criticise English imperialism, while by the early 19th century the possibility was being explored in France of staging a topical adaptation of Aristophanes. In 1817, moreover, Eugene Scribe could base his vaudeville show Les Comices d’Athènes on Ecclesiazusae. Aristophanes became an important figure for German Romantics, including Hegel, after Friedrich von Schlegel had in 1794 published his fine essay on the aesthetic value of Greek comedy. There von Schlegel proposed that the Romantic ideals of Freedom and Joy (Freiheit, Freude) are integral to all art; since von Schlegel regarded comedy as containing them to the highest degree, for him it was the most democratic of all art forms. Aristophanic comedy made a fundamental contribution to his theory of a popular genre with emancipatory potential. One result of the philosophical interest in Aristophanes was that in the early decades of the 18th century, until the 1848 revolution, the German theatre itself felt the impact of the ancient comic writer: topical Lustspiele displayed interest in his plays, which provided a model for German poets longing for a political comedy, for example the remarkable satirical trilogy Napoleon by Friedrich Rückert (1815-18). This international context illuminates the experiences undergone by Aristophanic comedy in England, and what became known as Britain consequent upon the 1707 Act of Union. -
House of Lords Library Note: the Life Peerages Act 1958
The Life Peerages Act 1958 This year sees the 50th anniversary of the passing of the Life Peerages Act 1958 on 30 April. The Act for the first time enabled life peerages, with a seat and vote in the House of Lords, to be granted for other than judicial purposes, and to both men and women. This Library Note describes the historical background to the Act and looks at its passage through both Houses of Parliament. It also considers the discussions in relation to the inclusion of women life peers in the House of Lords. Glenn Dymond 21st April 2008 LLN 2008/011 House of Lords Library Notes are compiled for the benefit of Members of Parliament and their personal staff. Authors are available to discuss the contents of the Notes with the Members and their staff but cannot advise members of the general public. Any comments on Library Notes should be sent to the Head of Research Services, House of Lords Library, London SW1A 0PW or emailed to [email protected]. Table of Contents 1. Introduction ................................................................................................................... 1 2. Life peerages – an historical overview .......................................................................... 2 2.1 Hereditary nature of peerage................................................................................... 2 2.2 Women not summoned to Parliament ..................................................................... 2 2.3 Early life peerages..................................................................................................