DOCSLIB.ORG

Brockhampton Announces Headlining North American Tour Tickets on Sale Thursday at 10 Am Local Time Ginger out Now Via Question Everything/Rca Records

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Brockhampton Announces Headlining North American Tour Tickets on Sale Thursday at 10 Am Local Time Ginger out Now Via Question Everything/Rca Records BROCKHAMPTON ANNOUNCES HEADLINING NORTH AMERICAN TOUR TICKETS ON SALE THURSDAY AT 10 AM LOCAL TIME GINGER OUT NOW VIA QUESTION EVERYTHING/RCA RECORDS LISTEN: GINGER https://smarturl.it/xGINGER What the press is saying about GINGER: "weird and wonderful genre-buster" NPR "the best music of their career" Rolling Stone "their tightest and potentially most memorable album yet" Variety (August 26, 2019) - Right on the heels of the release of their fifth studio album, GINGER, BROCKHAMPTON announces a headlining North American tour. The Heaven Belongs To You tour will kick off October 26th in Vancouver with stops in Austin, Atlanta and New York before concluding December 13th in Los Angeles. UK rapper slowthai is set to open on all November and December tour dates except for festival stops. Merch pre-sale begins Wednesday at 10 AM PT and general on-sale begins Thursday at 10 AM local time. All tickets are available here. GINGER arrived last week via Question Everything/RCA Records and includes previously released songs "NO HALO," "IF YOU PRAY RIGHT," "I BEEN BORN AGAIN," and "BOY BYE." The band celebrated the album with a free special release show in Los Angeles, FRIDAY THERAPY, where they performed the album live in full to a packed-out Fonda Theater with special guests Dominic Fike, JPEGMAFIA, Deb Never, and 100 Gecs. The tour announcement follows the news of their upcoming set at Tyler, The Creator's 8th annual Camp Flog Gnaw Carnival where they will play alongside Solange, YG, and Tyler himself. Earlier this summer, the boyband made a triumphant return to the stage at Governor's Ball which launched a run of summer festival dates. This spring saw the release of Kevin Abstract's critically acclaimed solo album ARIZONA BABY. Following the album's release, the group's founder discussed his art, personal growth, and the future of BROCKHAMPTON in GQ's first ever Pride digital cover story. GINGER is the next chapter of BROCKHAMPTON's rapid rise over the last two years. Following the release of their first 3 studio albums in 2017, the boyband's first major label album, iridescence,debuted at #1 on the Billboard 200 and R&B/Hip-Hop charts last year. The group also toured the globe extensively in 2018, including a run of 5-star reviewed, sold-out European tour dates, a sold-out tour of Australia and New Zealand, and a successful North American tour highlighted by a sold-out three-night residency at New York's Terminal 5 and a sold-out two-night residency at Los Angeles' The Shrine. Listen to GINGER above, check out upcoming live dates below, and stay tuned for more from BROCKHAMPTON coming soon. Upcoming Live Dates 10/26 - Vancouver, BC @ PNE Forum 10/27 - Seattle, WA @ WAMU Theater 10/30 - Salt Lake City, UT @ The Union Event Center 11/1 - Phoenix, AZ @ The Van Buren* 11/3 - Las Vegas, NV @ Day N Vegas 11/5 - Fresno, CA @ Rainbow Ballroom* 11/8 - Palo Alto, CA @ Frost Amphitheater* 11/9-11/10 - Los Angeles, CA @ Camp Flog Gnaw Carnival 11/13 - San Antonio, TX @ The Aztec Theatre* 11/14 - Dallas, TX @ The Bomb Factory* 11/15 - Austin, TX @ ACL Live at The Moody Theater* 11/17 - New Orleans, LA @ The Fillmore* 11/19 - Miami, FL @ The Fillmore* 11/20 - Altanta, GA @ Coca-Cola Roxy* 11/22 - New York, NY @ Hulu Theater at Madison Square Garden* 11/24 - Boston, MA @ Agganis Arena* 11/25 - Washington DC @ The Anthem* 11/27 - Philadelphia, PA @ The Fillmore* 11/29 - Toronto, ON @ Coca-Cola Coliseum* 11/30 - Detroit, MI @ Masonic Temple* 12/3 - Minneapolis, MN @ The Armory* 12/4 - Milwaukee, WI @ Eagles Ballroom* 12/6 - Chicago, IL @ Aragron Ballroom* 12/9 - Denver, CO @ The Mission Ballroom* 12/13 - Los Angeles, CA @ The Hollywood Palladium* * = w/ slowthai 2020 1/4 - Brisbane, AU @ FOMO Brisbane 1/5 - Adelaide, AU @ FOMO Adelaide 1/10 - Perth, AU @ Belvoir Amphitheatre 1/11 - Sydney, AU @ FOMO Sydney 1/12 - Melbourne, AU @ FOMO Melbourne 1/15 - Auckland, NZ @ Trusts Outdoors GINGER cover BROCKHAMPTON GINGER Question Everything/RCA Records August 23, 2019 1. NO HALO 2. SUGAR 3. BOY BYE 4. HEAVEN BELONGS TO YOU 5. ST. PERCY 6. IF YOU PRAY RIGHT 7. DEARLY DEPARTED 8. I BEEN BORN AGAIN 9. GINGER 10. BIG BOY 11. LOVE ME FOR LIFE 12. VICTOR ROBERTS Follow BROCKHAMPTON on: https://www.brckhmptn.com/ https://www.facebook.com/brckhmptn https://twitter.com/brckhmptn https://www.instagram.com/brckhmptn https://www.youtube.com/user/ALlVESINCEFOREVER https://soundcloud.com/bockhampton (Download hi-res assets HERE) For BROCKHAMPTON inquiries please contact: Bradley or Nick at Orienteer [email protected] | [email protected] Theola Borden at RCA Records [email protected] .
Load more

Recommended publications
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers.
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Virtuella Artister På Scen Virtual Music Artists on Stage
    Virtuella artister på scen Samspelet mellan artisterna och publiken i livekonsertvideor Virtual music artists on stage The interaction of artists and the audience in live concert videos Hella Selle Designprojekt: Find Me Grafisk design Examensarebte på kandidatnivå, 30 hp VT 2020 Handledare design: Oskar Aspman Handledare uppsats: Åsa Harvard-Maare Abstract Denna studie är en inventering av tre lösningar till hur det digitala kan sättas in i ett livekonsertsammanhang, med hjälp av bland annat AR. Studien undersöker genom en videoanalys, de tre virtuella artisterna Gorillaz, Hatsune Miku och K/DAs liveuppträdanden. Tre konsertvideor från ett särskilt tillfälle med motsvarande musikvideo användes som material för analysen. Utifrån frågeställningen undersöks hur de olika semiotiska fälten samspelar, samt ett avsnitt där sambandet mellan grafisk design och AR diskuteras. Frågorna som studien fokuserat på är hur den digitala aspekten av en virtuell artist återges vid livekonserten, samt hur den virtuella artisten kan interagera med såväl levande musiker som med publiken. Analysen visar att alla tre exempel interagerar med publiken i olika mån. Hur den digitala artisten tolkas och återges vid en livekonsert löses genom olika teknologier och med olika metoder. Trots de tydliga skillnaderna har de en sak gemensamt: trots att artisten är virtuell gör samspelet med publiken konsertupplevelsen verklig. sökord augmented reality, Gorillaz, grafisk design, Hatsune Miku, K/DA, semiotiska fält, videoanalys, virtuella artister Innehållsförteckning 1 Inledning
    [Show full text]
  • Record of the Week
    ISSUE 754 / 16 NOVEMBER 2017 TOP 5 MUST-READ ARTICLES record of the week } CISAC reports global Sober Mary J Blige. Produced royalty collections for by Maths Time Joy, the songwriters, music Mahalia track has received some composers and Asylum/Atlantic Records serious love online from publishers grew by Sober: out now / Album: Spring 2018 The Fader, Dummy and 6.8% to €8bn in 2016. Complex, including a recent (RotD) Sober from 19-year-old session video for the Berlin- singer-songwriter Mahalia is based Colors studio that has } Steve Stoute launches an exquisite R&B gem that clocked up over 1.9 million in three months last night (15 Mixmag, her music is quickly UnitedMasters, with showcases why she is a views on YouTube. Her music November) at the Hoxton becoming synonymous with backing from Alphabet. rising star and one to watch has so far amassed over eight Square Bar and Kitchen, the trials of everyday life for (Medium) for in 2018. With its chilled million combined streams Mahalia will be supporting today’s youth. And if, like boom-bap beat offering and garnered support from Jorja Smith on her UK tour us, you adore clever and } Viagogo and Stubhub a gorgeous soundbed for 1Xtra, Radio 1, The Guardian, in February next year before expressive songwriting with have their offices Mahalia’s smooth vocals, the NME and a position within headlining Omeara in London a luscious vibe and sublime raided. (Guardian) track effortlessly glides along i-D’s prestigious Class of on 14 March. Recently hailed vocals, then Mahalia is one in a hazy vibe reminiscent 2018 list.
    [Show full text]
  • Edition 2019
    YEAR-END EDITION 2019 Global Headquarters Republic Records 1755 Broadway, New York City 10019 © 2019 Mediabase 1 REPUBLIC #1 FOR 6TH STRAIGHT YEAR UMG SCORES TOP 3 -- AS INTERSCOPE, CAPITOL CLAIM #2 AND #3 SPOTS For the sixth consecutive year, REPUBLIC is the #1 label for Mediabase chart share. • The 2019 chart year is based on the time period from November 11, 2018 through November 9, 2019. • All spins are tallied for the full 52 weeks and then converted into percentages for the chart share. • The final chart share includes all applicable label split-credit as submitted to Mediabase during the year. • For artists, if a song had split-credit, each artist featured was given the same percentage for the artist category that was assigned to the label share. REPUBLIC’S total chart share was 19.2% -- up from 16.3% last year. Their Top 40 chart share of 28.0% was a notable gain over the 22.1% they had in 2018. REPUBLIC took the #1 spot at Rhythmic with 20.8%. They were also the leader at Hot AC; where a fourth quarter surge landed them at #1 with 20.0%, that was up from a second place 14.0% finish in 2018. Other highlights for REPUBLIC in 2019: • The label’s total spin counts for the year across all formats came in at 8.38 million, an increase of 20.2% over 2018. • This marks the label’s second highest spin total in its history. • REPUBLIC had several artist accomplishments, scoring three of the top four at Top 40 with Ariana Grande (#1), Post Malone (#2), and the Jonas Brothers (#4).
    [Show full text]
  • KEVIN ABSTRACT RELEASES ARIZONA Baby FEATURING 3
    KEVIN ABSTRACT RELEASES ARIZONA baby FEATURING 3 NEW SONGS "BIG WHEELS" + "JOY RIDE" + "GEORGIA" Kevin Abstract by Ashlan Grey STREAM: ARIZONA baby http://smarturl.it/ARIZONAbaby So many therapists in Hollywood. Maybe I should be spilling my life story to a stranger watching a clock, but I'd rather talk through music. You bring the audience along this journey where you both walk the line of not knowing what's real and what's fake. The duality of the American Dream. Everyone thinks I'm morally righteous because of a few headlines. Duality. Call your dad and tell him how he made you feel, Ian. This is the sweet spot between self discovery and celebration. The space beneath the circuit board of emotion. This is ARIZONA baby. Today, Kevin Abstract is releasing three new songs with his new project ARIZONA baby. The release includes the previously teased "Big Wheels" and "Georgia," which arrived with a music video last night, as well as the never-before heard track "Joy Ride." Produced by Jack Antonoff and Romil Hemnani, these three songs find Kevin embarking on a sonic journey of self-discovery in real-time, reflecting on the events of the past few years and confronting the reality of where he sees himself fitting into the American narrative. On Monday, Abstract cryptically teased what appears to be three release dates for ARIZONA baby on social media. ARIZONA baby is the first solo material from Abstract since his 2017 sophomore album American Boyfriend and the first new BROCKHAMPTON material after their relentless two-year run in which they released 4 albums and signed with RCA Records.
    [Show full text]
  • View / Open OURJ Spring 2018 Lelkins.Pdf
    Oregon Undergraduate Research Journal 13.1 (2018) ISSN: 2160-617X (online) blogs.uoregon.edu/ourj Spitting Bars and Subverting Heteronormativity: An Analysis of Frank Ocean and Tyler, the Creator’s Departures from Heteronormativity, Traditional Concepts of Masculinity, and the Gender Binary Lizzy Elkins*, International Studies and Women’s, Gender and Sexuality Studies ABSTRACT This paper seeks to investigate an emerging movement of rap and pop artists who actively subvert structures of the gender binary and heteronormativity through their music. The main artists considered in this research are pop/rap/R&B artist Frank Ocean and rap artist Tyler, the Creator, both of whom have claimed fame relatively recently. Artists like Ocean and Tyler make intentional departures from heteronormativity and the gender binary, combat concepts such as ‘toxic masculinity’, and hint at the possibilities for normalization and destigmatization of straying from the gender binary through lyrics, metaphysical expressions, physical embodiments of gender, expression of fluid/non-heteronormative sexualities, and disregard for labels in their sexual and gendered identities. I will discuss the history and context around music as an agent for social change and address privileging of the black heterosexual cisgender man as the central voice to pop/rap/R&B in the following research. This project will draw on Beauvoirian philosophy regarding gender as well as contemporary sources of media like Genius, record sale statistics, and album lyrics. By illustrating and evaluating how these artists subvert traditional concepts of gender and sexuality, I hope to also shine a light on how their music, which reaches millions of people who are less aware of or accepting of gayness, catalyzes social change and is significant in this current political moment, which is an era of increasing public tolerance of queer ideas and less binary gender expression.
    [Show full text]
  • Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 25, 2020 Page 1 of 28 INSIDE Coronavirus Causes Dip in • Paradigm’s Streaming, But Children’s Music, Coronavirus Layoffs Panned by Music Video on Demand & Catalog Industry: ‘This Is Really Just Greed’ Are Bright Spots • LA Clippers Owner Reaches $400M BY ED CHRISTMAN Deal to Purchase The Forum From MSG Music industry executives hoped that the coronavirus Within that, all sales formats, as summarized by • Radio Stations quarantines might buoy music streaming activity with albums plus track equivalent albums, fell a whopping Adjust to Social- so much of the population isolated indoors. So far, 25.6% last week to 1.94 million from the prior week Distancing, Work- the opposite has occurred. In the last two full weeks total of 2.61 million units. From-Home Studios as the Covid-19 pandemic was spreading across the Before Covid-19 took hold in the U.S., streaming Amid Coronavirus world, the U.S. industry has had a moderate downturn was soaring: the week ending March 5 marked 2020’s • As Dow Jones in streaming, with even bigger drops in physical. highest streaming week, with 25.55 billion plays. Scores Single-Day Two weeks ago, in the week ended March 12, the But there is a bigger cloud on the horizon: as mil- Record, Live Nation industry saw a dip in music streaming — down by 1% lions of people lose their jobs due to the vast economic & MSG Stocks Post to 25.3 billion streams from 25.55 billion streams. But shutdowns, some music executives fear that they will Big Gains it would appear that the longer people stayed out of get rid of fixed expenses —- namely, music stream- • Spotify Pledges the office, the less music they consumed.
    [Show full text]
  • Shortlist Booklet
    sponsored by uk music video awards 19 the uk music video awards accepts entries from all around the globe for its annual awards competition. this year more than 1800 films were submitted for judging across a range of musical genres and crafts, and once again demonstrated the strength of creativity, experimentation and artistry alive in music filmmaking. the shortlisted work and people shown in this booklet have been judged to be the best in their categories – no small feat, given the strength of this year’s submissions. congratulations to everyone involved. judging for the awards started in august when 350 jury members were invited to vote in round 1. in round 2, the top-voted entries were reviewed by over 100 industry professionals in a series of live judging panels. jury members were also invited to vote for the individual awards for director, new director, producer, commissioner, artist and for the best production company award, based on a body of work from the past year. as ever, we are grateful for the participation of our jury members. It is thanks to them that the uk music video awards is a respected and valued competition. special thanks go to our friends at the mill and at the bfi for hosting judging sessions, and to 2018’s outstanding achievement winner carrie sutton, cut+run’s toby abbott, wpa’s barnaby laws and the mill’s charlie morris who chaired panels, as well as our editorial director, david knight. and so onwards to the awards night. the uk music video awards show will take place at london’s roundhouse on wednesday 23 october, when we will be presenting more than 30 awards for achievement in music video and music film.
    [Show full text]
  • Kvsc2019albumlist
    Artist Name Release Name (Sandy) Alex G House of Sugar Ages & Ages Me You They We Aggrolites, the Reggae Now! Alaskalaska The Dots Aldous Harding Designer Allah Las Lahs Altin Gun Gece American Football American Football (LP3) Anemone Beat My Distance Angel Olson All Mirrors Apex Manor Heartbreak City Apparat LP5 Arms Akimbo Seven Dollar Paycheck Baby Fuzz Plastic Paradise Bad Books III Bad Sounds Get Better Bajar, Nathan Playroom Barrie Happy to Be Here Beacon Gravity Pairs Beck Hyperspace Bedouine Bird Songs of a Killjoy Beirut Gallipolli Bellion, Jon Glory Sound Prep Bells Atlas The Mystic Benny Sings City Pop Better Oblivion Community Center Better Oblivion Community Center Bibio Ribbons Big Thief Two Hands, UFOF Big Wild Superdream Bird, Andrew My Finest Work Yet Black Belt Eagle Scout At the Party With My Brown Friends Black Keys, the Let's Rock Black Mountain Destroyer Blades, Michelle Visitor Blake, James Assume Form Blink-182 Nine Blood Orange Angel's Pulse Blum, Mal Pity Boy Bob Mould Sunshine Rock Bon Iver I, I Boogarins Sombrou Duvida Boy and Bear Suck on Light Boy Scouts Free Company Bracket Too Old to Die Young Briefs, the Platinum Rats Brijean Walkie Talkie Brockhampton Ginger Brother Ali & Evidence Secrets & Escapes Budos Band, the The Budos Band V Buke and Gase Scholars Bvrth Bvrth Cactus Blossoms, the Easy Way Cage the Elephant Social Cues Calexico & Iron and Wine Years to Burn Cape, Joey Let Me Know When You Give Up Carroll, Marley Flight Patterns Castle, Curt If I'm Here At All Catfish & the Bottlemen The Balance Cayucas Real Life Ceremony In the Spirit World Now Chain Wallet No Ritual Charly Bliss Young Enough Chastity Belt Chastity Belt Cherry Glazerr Stuffed & Ready Chills, the Snow Bound Chon Chon Chura, Stef Midnight Citizen Cope Heroin and Helicopters Clairo Immunity Claypool Lennon Delirium, the South of Reality Cleveland, Shana Night of the Worm Moon Clinic Wheeltappers and Shunters Clipping.
    [Show full text]