SISSON-DISSERTATION-2014.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

SISSON-DISSERTATION-2014.Pdf CITIES WITHOUT END: ELIZABETHAN LITERATURE AND THE LIMITS OF REPUBLICANISM by Andrew Sisson A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland August, 2014 © 2014 Andrew Sisson All Rights Reserved ABSTRACT This is a study of the responses of three major Elizabethan writers—Philip Sidney, Edmund Spenser, and William Shakespeare—to the classical republican account of political personality. Much recent scholarship has sought to demonstrate the relevance and availability of republican thought in England in the years before 1600. Taking those facts as established, I ask instead how and why authors apparently well positioned to take up republican concepts declined to do so, or took them up only in such a way as to emphasize their problematic character. My proposal is that the most troubling features of the republican ethic appeared when it was considered in the dimension of time. The defining feature of that ethic is the reciprocal, mutually definitive relationship between good action (“virtue”) and good structure (“balance”). We become virtuous by acting in the establishment, direction, and defense of a civic structure that, in turn, allows our action to remain virtuous by balancing it against that of our fellow citizens. The three authors who are the focus of this study represent alternative critical positions on republicanism, so defined, from the perspective of its temporal character. Sidney and Spenser each seek, in opposite ways, to loosen the definitional relationship between enduring structures and virtuous action. For Sidney, political life must be oriented to a structure more durable than one standing and falling by mere action; for Spenser political action is vitiated unless it can look beyond its attachment to the endurance of worldly structures. Alone of the three, Shakespeare accepts on its own terms the republican nexus of structure and action; what he finds in it, however, is not a prospect of permanently joining virtue and stability, balance and dynamism, but rather a vision of the tragic finitude entailed by their incommensurability. ii Advisors: Richard Halpern, Drew Daniel iii ACKNOWLEDGEMENTS First thanks are due to Richard Halpern, my advisor: without his intellectual example and sage guidance, this piece of work would surely be a much poorer thing than it is; without his patient and unstinting support it surely would not exist at all. I am grateful, too, to Drew Daniel, whose ability to ask the right questions has improved it in innumerable ways large and small. My gracious institutional home during the years of writing has been the Expository Writing Program, in which I have had the honor of working alongside such remarkable and dedicated teachers as Pat Kain, Will Evans, Anne-Elizabeth Brodsky, and George Oppel. Much of my thinking about republicanism owes a debt to conversations with George. The Renaissance Reading Group continues to be an invaluable resource for vital, invigorating discussion. Over the years, Caroline Domenghino, Rob Higney, Jason Hoppe, Mark Noble, Chris Nygren, Ben Parris, Maggie Vinter, and Tony Wexler have been sustaining presences. My deepest gratitude of all is reserved for Meredith. iv TABLE OF CONTENTS Introduction 1 1. Constitution, Constancy, and Crisis in the Old Arcadia 31 2. After Rome; Or, Why Spenser Was Not a Republican 76 3. Othello and the Unweaponed City 119 Works Cited 161 v INTRODUCTION History would be for ever unsatisfying if it did not cast a wider net for the truth; for if in one aspect it is the study of change, in another aspect it is the study of diversity. The historian like the novelist is bound to be glad that it takes all sorts of men to make a world. Like the novelist he can regret only one kind—the complete bore—and take care not to describe him with too great verisimilitude. For the rest, all is grist to his mill. His greatest limitation would be a defect of imaginative sympathy, whether it were the refusal to go out to understand a Scotsman or the refusal to put all his humanity into the effort to understand a Jesuit, a tyrant, or a poet. —Herbert Butterfield, The Whig Interpretation of History1 This is a study of the responses of three major Elizabethan writers—Philip Sidney, Edmund Spenser, and William Shakespeare—to the classical republican account of political personality. In recent years, those who have taken up this and similar topics have usually done so with the intention of showing how far minds of this period possessed the capacity and the inclination to respond affirmatively to republican ideas, whether accessed through continental sources or through older traditions of English humanism. My concern is roughly the opposite. Accepting the premise that republican concepts were in fact a readily available way of cognizing the norms of political conduct and its proper institutional framework, I ask instead how and why other minds equally well positioned to appreciate the force of those concepts declined to take them up, or took them up in such a way as to emphasize their problematic and unstable character. The answers, I propose, require restoring to view a line of analysis that once featured prominently in the work of scholars of republicanism such as Zera Fink and J.G.A. Pocock, but has since fallen into relative obscurity, according to which what distinguishes the republican position most 1 Butterfield, The Whig Interpretation of History (1931; repr., New York: W.W. Norton, 1965), 95-6. 1 sharply from its adjacent competitors is its notion of temporality, of political action and structure as phenomena in time.2 In its most condensed form, that analysis runs as follows. The community characterized and valorized as “the republic” is one through which the citizen becomes virtuous by participating in its establishment, direction, and defense. Because this community is neither cosmopolis nor Church militant, but a localized political organization defined by a particular formal structure, it might conceivably collapse as an effect of events in time; then again, because that structure is so ordered as to cultivate and mobilize the maximum of virtue in its support, it conceivably might not; and therefore the endurance of the institution that conditions virtue becomes at once virtue’s object and its measure. In what follows, I seek to demonstrate, first, the degree to which just such a temporal paradigm orients Sidney’s, Spenser’s, and Shakespeare’s respective understandings of what the republican ethic is really about, and, second, the seriousness and sophistication with which each in his very different way probes its external limits and internal tensions. My aim, then, is not to posit republicanism as a framework for the critical evaluation of Elizabethan institutions, as others have sought to do, but rather to reconstruct a series of Elizabethan frameworks for the critical evaluation of republicanism as a philosophy of institutions and action. I What is the classical republican account of political personality? Perhaps it will be easier to begin by saying what classical republicanism is, and then to work our way back to the 2 Fink, The Classical Republicans: An Essay in the Recovery of a Pattern of Thought in Seventeenth-Century England (Evanston: Northwestern UP, 1945); Pocock, The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition (Princeton: Princeton UP, 1975), discussed at greater length below. 2 notion of political personality—that is, the range of moral commitments, practices, and dispositions that define one as a political actor—implicit in it. As a first approximation to a definition, let us say that classical republicanism is a tradition, tracing itself to Aristotle, Polybius, and Cicero, holding that the best kind of state is one in which the members of a citizen body rule and are ruled as political equals, bound by the rule of law and by the imperative to pursue the interests of the community as a whole, neither subject to the dominance of an external power nor dependent on the patronage of an internal faction. (I use classical here in both senses: “drawn from ancient texts” as well as “canonically typical but admitting of variations.” Throughout this study, unless otherwise noted, “republican” and “republicanism” may be taken as synonymous with “classical republican” and “classical republicanism.”) At this point it is customary to invoke the warning of John Adams that “there is not a more unintelligible word in the English language than republicanism”; Adams also said that on this point “any other man of sense and learning,” provided he “has any regard to his character,” would find himself compelled to say the same.3 Chastening as this may be, it should be noted that the context of Adams’s remark was his frustration at the variety of specific constitutional structures—“constitutional” in the Aristotelian sense of being concerned with the organization of political offices and the allocation of powers among them—that could be denominated as “republics” and hence their advocates as “republicans.”4 It would be more accurate, then, to say that republic is virtually an unintelligible word, because of the persisting ambiguity whether it refers to some more or less specific empirical phenomenon (say, government without a king, or government under the law) irrespective of the type of arguments by which it is justified, or 3 Adams to Mercy Otis Warren, 8 August 1807. Collections of the Massachusetts Historical Society, vol. 4, 5th series (Boston: Massachusetts Historical Society, 1878), 432. 4 Aristotle, Politics, trans. Carnes Lord (Chicago: U of Chicago P, 1984), 1278b. 3 whether it is simply the name for any constitutional form whose appeal rests upon the normative principles characteristic of the republican tradition. Does one become a “republican” by supporting a “republic,” or does something become a “republic” because “republicans” can plausibly support it? In the tradition of classical republicanism, it is clear that definitional priority runs in the latter direction.
Recommended publications
  • Conversations with Bill Kristol
    Conversations with Bill Kristol Guest: Paul Cantor Professor of English, University of Virginia Taped March 15, 2021 Table of Contents I. Comedy and Skepticism (0:15 – 13:05) II: Shakespeare's Comedy (13:05– 46:32) III: Love and Friendship (46:32 – 1:23:40) I. Comedy and Skepticism (0:15 – 13:05) KRISTOL: Hi, welcome back to CONVERSATIONS. I'm Bill Kristol, very pleased to be joined again by my friend Paul Cantor, Professor of Literature at the University of Virginia. He has been a guest on many conversations ranging in topics from Shakespeare to popular culture, to fiction, to Westerns in movies and novels. But today, we're going to talk about Shakespeare and comedy. Before we get into that, I should say that you can watch a whole series of lectures by Paul, excellent lectures on Shakespeare, at the Shakespeare and Politics page of Great Thinkers, www.thegreatthinkers.org. So, go to www.thegreatthinkers.org, click on Shakespeare and politics, and you'll get a very well curated page with Paul's lectures and actually, the earlier conversations we've had on Shakespeare, et cetera. But enough of the promotion, let's get to the topic, so Paul, thanks for being with me. CANTOR: Pleasure being here. I know it's virtual. KRISTOL: Yeah. I know, next time. Next time in — CANTOR: Yeah, I think so. KRISTOL: Next time in reality, but. So, Shakespeare and comedy. So you wanted to talk about comedy? With most people interested in Shakespeare, the tragedies come to mind first, and they're more serious and heavy and weighty and all that.
    [Show full text]
  • Literature As History; History in Literature
    MEJO The MELOW Journal of World Literature February 2018 ISSN: Applied For A peer refereed journal published annually by MELOW (The Society for the Study of the Multi-Ethnic Literatures of the World) Facts, Distortions and Erasures: Literature as History; History in Literature Editor Manpreet Kaur Kang 1 Editor Manpreet Kaur Kang, Professor of English, Guru Gobind Singh IP University, Delhi Email: [email protected] Editorial Board: Anil Raina, Professor of English, Panjab University Email: [email protected] Debarati Bandyopadhyay, Professor of English, Viswa Bharati, Santiniketan Email: [email protected] Himadri Lahiri, Professor of English, University of Burdwan Email: [email protected] Manju Jaidka, Professor of English, Panjab University Email: [email protected] Neela Sarkar, Associate Professor, New Alipore College, W.B. Email: [email protected] Rimika Singhvi, Associate Professor, IIS University, Jaipur Email: [email protected] Roshan Lal Sharma, Dean and Associate Professor, Central University of Himachal Pradesh, Dharamshala Email: [email protected] 2 EDITORIAL NOTE MEJO, or the MELOW Journal of World Literature, is a peer-refereed Ejournal brought out biannually by MELOW, the Society for the Study of the Multi-Ethnic Literatures of the World. It is a reincarnation of the previous publications brought out in book or printed form by the Society right since its inception in 1998. MELOW is an academic organization, one of the foremost of its kind in India. The members are college and university teachers, scholars and critics interested in literature, particularly in World Literatures. The Organization meets almost every year over an international conference.
    [Show full text]
  • A Study of Similarities Between Dalit Literature and African-American Literature
    A STUDY OF SIMILARITIES BETWEEN DALIT LITERATURE AND AFRICAN-AMERICAN LITERATURE J. KAVI KALPANA K. SARANYA Ph.D Research Scholars Ph.D Research Scholars Department of English Department of English Presidency College Presidency College Chennai. (TN) INDIA Chennai. (TN) INDIA Dalit literature is the literature which artistically portrays the sorrows, tribulations, slavery degradation, ridicule and poverty endured by Dalits. Dalit literature has a great historical significance. Its form and objective were different from those of the other post-independence literatures. The mobilization of the oppressed and exploited sections of the society- the peasants, Dalits, women and low caste occurred on a large scale in the 1920s and 1930s,under varying leaderships and with varying ideologies. Its presence was noted in India and abroad. On the other hand African American writing primarily focused on the issue of slavery, as indicated by the subgenre of slave narratives. The movement of the African Americans led by Martin Luther King and the activities of black panthers as also the “Little Magazine” movement as the voice of the marginalized proved to be a background trigger for resistance literature of Dalits in India. In this research paper the main objective is to draw similarities between the politics of Caste and Race in Indian Dalit literature and the Black American writing with reference to Bama’s Karukku and Alice Walker’s The Color Purple. Keywords: Dalit Literature, African American writings, marginalized, Slave narratives, Black panthers, Untouchable, Exploitation INTRODUCTION In the words of Arjun Dangle, “Dalit literature is one which acquaints people with the caste system and untouchability in India.
    [Show full text]
  • The Speculative Fiction of Octavia Butler and Tananarive Due
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Digital Commons@Wayne State University Wayne State University DigitalCommons@WayneState Wayne State University Dissertations 1-1-2010 An Africentric Reading Protocol: The pS eculative Fiction Of Octavia Butler And Tananarive Due Tonja Lawrence Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Lawrence, Tonja, "An Africentric Reading Protocol: The peS culative Fiction Of Octavia Butler And Tananarive Due" (2010). Wayne State University Dissertations. Paper 198. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. AN AFRICENTRIC READING PROTOCOL: THE SPECULATIVE FICTION OF OCTAVIA BUTLER AND TANANARIVE DUE by TONJA LAWRENCE DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: COMMUNICATION Approved by: __________________________________________ Advisor Date __________________________________________ __________________________________________ __________________________________________ __________________________________________ © COPYRIGHT BY TONJA LAWRENCE 2011 All Rights Reserved DEDICATION To my children, Taliesin and Taevon, who have sacrificed so much on my journey of self-discovery. I have learned so much from you; and without that knowledge, I could never have come this far. ii ACKNOWLEDGMENTS I am deeply grateful for the direction of my dissertation director, help from my friends, and support from my children and extended family. I would like to express my deepest gratitude to my dissertation director, Dr. Mary Garrett, for exceptional support, care, patience, and an unwavering belief in my ability to complete this rigorous task.
    [Show full text]
  • HERTOG SUMMER COURSES LITERATURE & POLITICS Week-By
    HERTOG SUMMER COURSES LITERATURE & POLITICS Week-By-Week Schedule Literature & Politics Week 1 – Shakespeare’s Rome Sun., July 10 Mon., July 11 Tues., July 12 Wed., July 13 Thurs., July 14 Fri., July 15 Sat., July 16 Session 1 Session 2 Session 3 Session 4 Session 5 Cantor Cantor Cantor Cantor Cantor GW Rm 111 GW Rm 111 GW Rm 111 GW Rm 111 GW Rm 111 9 AM – Noon 9 AM – Noon 9 AM – Noon 9 AM – Noon 9 AM – Noon Free Time & Private Holocaust Museum Free Time & Private Weekly Group Lunch Study Tour Study Hertog HQ Summer Fellows Class 3 & 4 Arrive 2:00 PM – 4:00 PM 12:30 PM – 2:00 PM Free Time & Private Speaker: Study Reception with Walter Reich Dinner Gen. James Mattis Harvey Mansfield Hoover Institution Hertog HQ Hertog HQ (1399 New York Ave, Free Time & Private Ste. 500) Study 4 PM – 6 PM 6:00 PM – 8:00 PM 2:30 PM – 4:00 PM Free Time & Private Study Hertog Summer Courses – Summer 2016 1 Literature & Politics Week 2 – Lincoln as Statesman & Literary Artist Sun., July 17 Mon., July 18 Tues., July 19 Wed., July 20 Thurs., July 21 Fri., July 22 Sat., July 23 Session 2 Session 3 Session 4 Session 5 Schaub Schaub Schaub Schaub GW Rm 111 GW Rm 111 GW Rm 111 GW Rm 111 10:00 AM – 12:30 PM 9 AM – Noon 9 AM – Noon 9 AM – Noon Careers in Washington Reception Gettysburg Staff Ride Group Lunch Weekly Group Lunch Summer Fellows Max Eden, Kate Class 3 & 4 Depart Depart from GW Rm 11 Havard, Reagan Hertog HQ Before 11 am Hertog HQ Free Time & Private Thompson at 7:30 AM 12:30 PM – 1:30 PM Study 12:30 PM – 2:00 PM Hertog HQ 5:00 PM – 8:00 PM Speaker: Arthur Brooks AEI (1785 Free Time & Private Free Time & Private Massachusetts Study Study Avenue NW) 2:00 PM – 4:00 PM Hertog Summer Courses – Summer 2016 2 HERTOG 2016 SUMMER COURSES LITERATURE & POLITICS SYLLABUS Week 1 SHAKESPEARE’S ROME Paul Cantor, professor, University of Virginia Week 2 LINCOLN AS STATESMAN AND LITERARY ARTIST Diana Schaub, professor, Loyola University Location: This class will take place at George Washington University’s Elliott School: 1957 E Street NW, Room 111.
    [Show full text]
  • Double Issue
    Volume 41 Issue 2 Volume 41 Issue 3 Double Issue 63 Note to Readers Fall 2014 65 Sophie Bourgault The Unbridled Tongue: Plato, Parrhesia, and Philosophy 91 Richard Burrow Fulfillment in As You Like It 123 Alexandru Racu Strauss’s Machiavelli and Dostoyevsky’s Grand Inquisitor Book Reviews: 163 Steven H. Frankel Leo Strauss and the Crisis of Rationalism: Another Reason, Another Enlightenment by Corine Pelluchon 171 Michael Harding Political Philosophy Cross-Examined: Perennial Challenges to the Philosophic Life by Thomas L. Pangle and J. Harvey Lomax 181 Will Morrisey Locke, Science, and Politics by Steven Forde Spring 2015 201 Jonathan Culp Happy City, Happy Citizens? The Common Good and the Private Good in Plato’s Republic 227 Aryeh Tepper The Problematic Power of Musical Instruments in the Bible 247 Julien Carriere & Ancients and Moderns under the Empire of Circe: 279 Steven Berg Machiavelli’s The Ass, Translation and Commentary 313 Erik S. Root Liberal Education Imperiled: Toward a Resurrection of Reason and Revelation in Higher Education Book Reviews: 349 Fred Baumann Leo Strauss on Moses Mendelssohn, translated and edited by Martin D. Yaffe 359 Gregory A. McBrayer On the God of the Christians (and on one or two others) by Rémi Brague 367 Rafael Major Shakespeare’s Political Wisdom by Timothy W. Burns ©2015 Interpretation, Inc. All rights reserved. No part of the contents may be reproduced in any form without written permission of the publisher. ISSN 0020-9635 Editor-in-Chief Hilail Gildin, Dept. of Philosophy, Queens College Associate Editor-in-Chief Timothy W. Burns, Baylor University Associate Editors Daniel Ian Mark • Geoffrey Sigalet General Editors Charles E.
    [Show full text]
  • Shakespeare's Souls with Longing
    Digital Commons @ Assumption University Political Science Department Faculty Works Political Science Department 2011 Shakespeare's Souls with Longing Bernard J. Dobski Assumption College, [email protected] Dustin A. Gish College of the Holy Cross Follow this and additional works at: https://digitalcommons.assumption.edu/political-science-faculty Part of the English Language and Literature Commons Recommended Citation Dobski, Bernard J. and Dustin A. Gish. "Shakespeare's Souls with Longing." Souls With Longing: Representations of Honor and Love in Shakespeare. Edited by Bernard J. Dobski and Dustin A. Gish. Lexington Books, 2011. Pages 3-18. This Book Chapter is brought to you for free and open access by the Political Science Department at Digital Commons @ Assumption University. It has been accepted for inclusion in Political Science Department Faculty Works by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. Shakespeare’s Souls with Longing Bernard J. Dobski and Dustin A. Gish We discover in the works of William Shakespeare the wisdom of a poet whose art charms and entertains, even as it educates us. In the “eternal lines” of his plays and poetry, Shakespeare conjures a vivid gallery of characters for his audience and readers.1 His representations of human beings are as true to life as any nature has conceived, perhaps more true. We may wonder if there is a Falstaff or a Hamlet or a Cleopatra living in our midst from whom we can learn as much as we can from the characters that inhabit Shakespeare’s works. Through sustained reflection on his characters, we become keenly aware of our humanity and thus come to know ourselves more profoundly.
    [Show full text]
  • THE POLITICS of REPRESENTATION Some Native Canadian Women Writers
    THE POLITICS OF REPRESENTATION Some Native Canadian Women Writers Barbara Godard Ν,I ATivE CANADIAN CULTURE had never before received such public attention as it did in Toronto in the spring of 1989.1 At the Theatre Passe Muraille, Dry Lips Oughta Go to Kapuskasing, the latest play by Manitoba Cree Tomson Highway, played to packed houses and critical acclaim. Like its comple- ment, The Rez Sisters ( 1986-87 ), which also — though from women's perspectives — explored Reserve life, the traditional culture of the trickster, and gender politics, Dry Lips won the annual Dora award for the best production on the Toronto stage. Incidentally, this was Highway's third play to première in Toronto this year, The Sage, the Fool and the Dancer having played to equally full houses at the Native Centre in February. A play for young people had more limited exposure at a branch of the Toronto Public Library during National Book Week. Over at the Cumber- land, the audience mixed in the lobby to see Gary Farmer in another leading role, a fine comic performance by this Mohawk actor from the Six Nations Reserve near Brantford, in Powwow Highway, the latest version of the on-the-road-quest — Native style. There was a strong Native presence in the visual arts as well. Rebecca Belmore's (Ojibwa) "Ihkwewak ka-ayamiwhat : Means Women Who are Speak- ing" was featured in the issue of Parallelogramme that reproduced the texts from the 1987 exhibition, "Locations: Feminism, Art, Racism, Region — Writings and Artworks."2 This was a prelude to her summer appearance
    [Show full text]
  • Historiography of Translation of Novels of Resistance Literature from English to Persian
    Journal of Foreign Language Teaching and Translation Studies, ISSN: 2645-3592 Vol. 6, No.2, Spring 2021, pp.57-70 57 Historiography of Translation of Novels of Resistance Literature from English to Persian Leila Alinouri Department of English Translation Studies, Allameh Tabataba’i University, Tehran, Iran [email protected] Abstract Resistance literature deals with concepts such as subjugation and deliverance. Translation of this type of literature has played an important role in transferring such concepts to other countries. The purpose of this study is to present a quantitative-analytical study of the novels of resistance literature translated from English to Persian during the four administrations which were in power in Iran between 1978 and 2005. To this end, historiography approach proposed by Pym (2014) was applied. Primarily, the themes of the novels were classified based on Harlow (1987) and DeShazer’s (1994) model of classification of resistance literature. The themes include race discrimination, class conflict, war, colonialism, post-colonialism, and totalitarianism. Then, the translated novels of each administration were examined to see which ones covered the above themes. The results indicated that only 6% of the published translations of the period under study was allocated to resistance novels. It can be concluded that translation of resistance novels was marginalized, and Iranians were basically reading novels covering themes other than resistance literature. Keywords: Resistance Literature,class Conflict, Colonialism and postcolonialism, Totalitarianism, Racism, War Received: 2021-05-07 Accepted: 2021-07-29 Available Online: 2021-08-01 DOI: 10.22034/efl.2021.285157.1099 58 Historiography of Translation of Novels of … 1.
    [Show full text]
  • IJRSS May19 Special Issue.Pdf
    International Journal of Research in Social Sciences Vol. 9 Issue 5, May 2019, (Special Issue) ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gate as well as in Cabell‘s Directories of Publishing Opportunities, U.S.A One-Day National-Level Conference Literatures of Resistance: Voices of the Marginalised 25th April 2019 Organised by Department of English Seshadripuram College No. 27, Nagappa Street, Seshadripuram, Bengaluru – 560 020 NAAC Acreditted ‗A‘ www.spmcollege.ac.in 1 International Journal of Research in Social Sciences http://www.ijmra.us, Email: [email protected] ISSN: 2249-2496Impact Factor: 7.081 ABOUT THE CONFERENCE „I would have liked to tell you the story… Had they not slit my lips‟ --Samih al-Qassim The word ‗Resistance‘ was observed for the first time in 1996 in Palestinian Literature as written by the Palestinian writer and critic, Ghassan Kanafani. ‗Resistance‘ means to counter an ideology or action or raise objections to the existing dominant, hegemonic dogmas and practices that are hierarchical and only subjugate the inferior furthermore. Resistance is bi-dimensional, carried out both through reading and writing of texts and may be applied to a gamut of discourses such as: colonial discourse, imperial culture, gender issues, caste and class differences, imbalances due to cultural clashes and so on. Resistance has existed as long as human history and culture that it attempts to counter and will continue to exist as long as civilisation does.
    [Show full text]
  • Download Download
    S K E N È Journal of Theatre and Drama Studies 6:2 2020 Jewish Theatres Edited by Piero Capelli SKENÈ Journal of Theatre and Drama Studies Founded by Guido Avezzù, Silvia Bigliazzi, and Alessandro Serpieri Executive Editor Guido Avezzù. General Editors Guido Avezzù, Silvia Bigliazzi. Editorial Board Simona Brunetti, Nicola Pasqualicchio, Susan Payne, Gherardo Ugolini. Managing Editors Valentina Adami, Emanuel Stelzer. Assistant Managing Editor Roberta Zanoni. Book Review Editors Chiara Battisti, Sidia Fiorato. Staff Petra Bjelica, Francesco Dall’Olio, Bianca Del Villano, Marco Duranti, Luca Laranga, Antonietta Provenza, Savina Stevanato, Angelica Vedelago. Typesetter Lorenza Baglieri. Advisory Board Anna Maria Belardinelli, Anton Bierl, Enoch Brater, Jean-Christophe Cavallin, Richard Allen Cave, Rosy Colombo, Claudia Corti, Marco De Marinis, Tobias Döring, Pavel Drábek, Paul Edmondson, Keir Douglas Elam, Ewan Fernie, Patrick Finglass, Enrico Giaccherini, Mark Griffith, Daniela Guardamagna, Stephen Halliwell, Robert Henke, Pierre Judet de la Combe, Eric Nicholson, Guido Paduano, Franco Perrelli, Didier Plassard, Donna Shalev, Susanne Wofford. Copyright © 2020 SKENÈ Published in December 2020 All rights reserved. ISSN 2421-4353 No part of this book may be reproduced in any form or by any means without permission from the publisher. SKENÈ Theatre and Drama Studies http://skenejournal.skeneproject.it [email protected] Dir. Resp. (aut. Trib. di Verona): Guido Avezzù P.O. Box 149 c/o Mail Boxes Etc. (MBE150) – Viale Col. Galliano, 51, 37138,
    [Show full text]
  • International Journal of Publication
    International Journal of Scientific & Engineering Research, Volume 7, Issue 11, November-2016 176 ISSN 2229-5518 International Journal of publication Abstract: This abstract contemplate on literature as activism which promotes the writer to think critically how this literature made known to be as an activism through the writings of Toni Morrison. She is one of the outstanding writers who contributed much on African American Literature. Her contribution to literature is highly appreciated, brought out the changes in the socio-political issues. African Americans were discriminated against and subject to racist attitudes. It explores the issues of freedom and equality long denied to Blacks in the United States. They often tried to exercise their political and social autonomy in the face of resistance from the white public. Throughout American history, African American has been discriminated against and subject to racist attitudes. This experience inspired some black writers, like Toni Morrison at least during the early years of African American literature to prove that they were the equals of European- American authors. The core focus of black feminist writing was based on racism, sexism, heterosexism, and classism in their lives. Key word:- Afro-American Literature, Black Feminism, Racism, Sexism —————————— —————————— African American Literature is the body of literature produced in the United States by writers of African descent. It has generally focused on the role of African-Americans within the larger American society and what it means to be an American. It explores the issues of freedom and equality long denied to Blacks in the United States. They often tried to exercise their political and social autonomy in the face of resistance from the white public.
    [Show full text]