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Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P. -
Strategic Management Can New Players Still Compete with the Giants?
Master Thesis Business Administration – Strategic Management Can new players still compete with the giants? Analyzing the creation of new platforms and how their strategies change overtime in the music platform industry Author: Maikel Coeleman Student number: S4357736 Supervisor: Dr. S. Khanagha Second examiner: Dr. G.W. Ziggers Date: 25-8-2018 1 Table of contents 1. Introduction ......................................................................................................................................... 4 1.1 Problem Statement ....................................................................................................................... 5 1.2 Relevance ...................................................................................................................................... 8 1.3 Outline Thesis ................................................................................................................................ 9 2. Theoretical background ..................................................................................................................... 10 2.1 How to deal with the dilemmas of platform creation ................................................................. 10 2.2 Roger’s diffusion of innovations .................................................................................................. 10 2.3 First-, second- & late-movers ...................................................................................................... 17 3. Methodology .................................................................................................................................... -
Internet Based Distribution and Visualization of a 3D Model of the University of Cologne Campus
3rd ISDE DIGITAL EARTH SUMMIT 12-14 June, 2010, Nessebar, Bulgaria INTERNET BASED DISTRIBUTION AND VISUALIZATION OF A 3D MODEL OF THE UNIVERSITY OF COLOGNE CAMPUS Willmes, C.*, Baaser, U., Volland, K. and G. Bareth Institute of Geography (GIS & RS), University of Cologne Albertus-Magnus-Platz, 50923 Cologne, Germany *corresponding author; Phone: +49-(0)221-470-6234, [email protected] Abstract Visualization of 3D geodata integrated into a web browser based user interface is still a key issue in geoinformation science research. In a short overview of state of the art solutions for this demand, the key advantages and disadvantages of each of those solutions are lined out. As a solution which combines most of the advantages identified before, a CityGML based 3D model of the University of Cologne Campus and the setup of an OGC conform Web Perspective View Service for internet based visualization of this model is described. Keywords 3D geodata visualization, 3D model, 3D buildings, CityGML, 3D-SDI, WPVS. 0. INTRODUCTION In this paper an implementation of a CityGML (Kolbe et. al 2008) based 3D model of the University of Cologne Campus buildings and the setup of an OGC Web Perspective View Service (WPVS) based visualization of this model is presented. The considerations to choose the WPVS technique for the system setup and the implementation of this web service will be described in the following of this paper. Study area for this project is the University of Cologne Campus area for which a GIS is available, the CampusGIS (CampusGIS 2010). The CampusGIS provides general and spatial campus information, e. -
Insideradio.Com
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO WEDNESDAY, JANUARY 7, 2015 Radio 2015: Big ideas on the Washington agenda. It will be the year of copyrights, predicts one radio industry lobbyist, as a new Republican-controlled Congress takes over and big issues dominate the agenda. Inside-the-Beltway players say the issue for 2015 will be how far lawmakers can get with their lofty goals, a list that includes many potential pitfalls for radio. While radio royalties may win the prize for best staying power across multiple sessions, radio’s biggest challenge in the 114th Congress may have nothing to do with music. “The fallout from the election strongly suggests that tax reform is one of the first things that are going to be on the table,” says Dan Jaffe, head of the Association of National Advertisers’ government relations office in Washington. It’s one of the few areas where there seems to be agreement between the White House and Capitol Hill, with an interest in, at the very Radio 2015: All this least, stretching out the timeline for marketers looking to deduct their advertising expense. Tax reform week Inside Radio will examine the also polls well with voters. “It’s the biggest threat to the ad deduction ever,” Jaffe warns. A coalition biggest issues facing of groups is working the backrooms of Congress, trying to maintain the status quo. But with an issue broadcasters, along that crosses partisan lines, no one is ready to predict which way a tax reform bill could come together. -
Introduction How Do You Turn Your Passion for App Development Into a Serious Business? the App Developer Business Kit by Admob Is Here to Help
Introduction How do you turn your passion for app development into a serious business? The App Developer Business Kit by AdMob is here to help. You’ve got a brilliant idea for an app that strikes when you least expect it! Fast forward two months and your app is built, it works and all your friends have tested it (but you’ve told only a handful of work colleagues about it). You release it but you’re not quite sure what to do next. The Business Kit is a guide for entrepreneurial developers to turn their app into a successful business. It has four sections packed with tips and advice from developers and industry leaders. From an idea to an app Understand the principles for success, and hear advice from some of the world’s top app developers. Growth Attract more users, expand into more markets and use analytics to improve your app. Think big How to go from one great app to a portfolio of great apps and important considerations for expanding your business. Nine takeaways Nine tips to help you become a more successful developer. Why apps, why now? Annual global revenue for apps reached $27BN in 2013[1], and is forecast to climb to $75BN by 2017[2], with sophisticated developers opting for freemium revenue models rather than paid. What’s driving this enor- mous growth? Three important trends: The appetite for smartphones is immense. Sales of smartphones surpassed sales of feature phones tration exceeds 50%.[4] People are spending more time on mobile devices. Mobile is becoming the most popular way to get online, exceeding time spent using desktop computers.[5] Users love apps. -
Vol. 80 Thursday, No. 185 September 24, 2015
Vol. 80 Thursday, No. 185 September 24, 2015 Pages 57509–57692 OFFICE OF THE FEDERAL REGISTER VerDate Sep 11 2014 19:01 Sep 23, 2015 Jkt 235001 PO 00000 Frm 00001 Fmt 4710 Sfmt 4710 E:\FR\FM\24SEWS.LOC 24SEWS tkelley on DSK3SPTVN1PROD with WS II Federal Register / Vol. 80, No. 185 / Thursday, September 24, 2015 The FEDERAL REGISTER (ISSN 0097–6326) is published daily, SUBSCRIPTIONS AND COPIES Monday through Friday, except official holidays, by the Office PUBLIC of the Federal Register, National Archives and Records Administration, Washington, DC 20408, under the Federal Register Subscriptions: Act (44 U.S.C. Ch. 15) and the regulations of the Administrative Paper or fiche 202–512–1800 Committee of the Federal Register (1 CFR Ch. I). The Assistance with public subscriptions 202–512–1806 Superintendent of Documents, U.S. Government Publishing Office, Washington, DC 20402 is the exclusive distributor of the official General online information 202–512–1530; 1–888–293–6498 edition. Periodicals postage is paid at Washington, DC. Single copies/back copies: The FEDERAL REGISTER provides a uniform system for making Paper or fiche 202–512–1800 available to the public regulations and legal notices issued by Assistance with public single copies 1–866–512–1800 Federal agencies. These include Presidential proclamations and (Toll-Free) Executive Orders, Federal agency documents having general FEDERAL AGENCIES applicability and legal effect, documents required to be published Subscriptions: by act of Congress, and other Federal agency documents of public interest. Assistance with Federal agency subscriptions: Documents are on file for public inspection in the Office of the Email [email protected] Federal Register the day before they are published, unless the Phone 202–741–6000 issuing agency requests earlier filing. -
Towards Automatic 3D Reconstruction of Pitched Roofs in Monocular Satellite/Aerial Images
TOWARDS AUTOMATIC 3D RECONSTRUCTION OF PITCHED ROOFS IN MONOCULAR SATELLITE/AERIAL IMAGES by Zachary Blair B.A.Sc., Simon Fraser University, 2008 a Thesis submitted in partial fulfillment of the requirements for the degree of Master of Applied Science in the School of Engineering Science Faculty of Applied Sciences c Zachary Blair 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced without authorization under the conditions for \Fair Dealing." Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. APPROVAL Name: Zachary Blair Degree: Master of Applied Science Title of Thesis: Towards Automatic 3D Reconstruction of Pitched Roofs in Monocular Satellite/Aerial Images Examining Committee: Dr. Ljiljana Trajkovic Chair Dr. Parvaneh Saeedi, Senior Supervisor Dr. Shahram Payandeh, Supervisor Dr. Ivan Bajic, Internal Examiner Date Approved: October 22, 2012 ii Partial Copyright Licence Abstract This thesis presents a novel method for estimating the three-dimensional shape of pitched roofs in monocular satellite/aerial images by utilizing the acquisition geometry (both sun and camera). This method consists of four steps: rooftop extraction, texture and vent removal, identification of planar sections, and 3D roof model generation. During the fourth step, 3D reconstruction candidates are partially rendered and iteratively compared against the original image to evaluate a fitness function. The experimental results illustrate that the proposed framework can derive 3D building rooftop models, including estimates for roof pitch, from single satellite/aerial images in situations where previous techniques fail. -
Utilização De Ferramentas E Serviços Google Para O Desenvolvimento De Projetos De Engenharia, Arquitetura E Urbanismo
UTILIZAÇÃO DE FERRAMENTAS E SERVIÇOS GOOGLE PARA O DESENVOLVIMENTO DE PROJETOS DE ENGENHARIA, ARQUITETURA E URBANISMO 1. Introdução A empresa Google Inc. nasceu em 1998, quando Larry Page e Sergey Brin, dois estudantes da Stanford University, resolveram criar um sistema de busca de hipertextos na internet. A palavra “Google” é uma brincadeira com a palavra “googol”, o termo matemático para 1 seguido de 100 zeros, que se encaixa muito bem no objetivo de construir um sistema de busca de larga escala (BRIN; PAGE, 1998). O Google desenvolveu e disponibiliza, muitas vezes de forma gratuita, diversas ferramentas e serviços, tais como: Google Web Search, Google Translator, Google Mail (Gmail), Google Maps, Google StreetView, Google Earth, Google SketchUp, Google Building Maker, Google Image Search, Google Play, Google Drive, Google Chrome, YouTube, Orkut, Picasa, entre outros. A lista completa pode ser encontrada em Google Inc. (2013a). Segundo a empresa, a missão do Google é organizar a informação mundial e fazê-la universalmente acessível e útil (GOOGLE INC., 2013b). Muitas destas ferramentas oferecidas pelo Google podem ser utilizadas para o desenvolvimento de projetos preliminares e estudo de viabilidade em áreas como Engenharia, Arquitetura e Urbanismo. O geoprocessamento no Google começou em 2004, quando o mesmo adquiriu a empresa de mapeamento digital Keyhole e lançou o Google Maps e o Google Earth em 2005. Com o passar do tempo, o Google Maps evoluiu muito e hoje permite a visualização de trânsito em tempo real, a geração de rotas a partir de pontos de origem e destino e a visualização imagens ao nível da rua (StreetView). -
In Re Pandora Media, Inc., 6 F. Supp. 3D 317 (S.D.N.Y. 2014)
IN RE PANDORA MEDIA, INC. 317 Cite as 6 F.Supp.3d 317 (S.D.N.Y. 2014) 225 F.Supp.2d 190, 213 (N.D.N.Y.2002) sonable fees and terms for through-to-the- (‘‘In order to hold an individual liable un- audience (TTTA) blanket license to per- der [the aiding and abetting provision], TTT form musical compositions in repertoire of plaintiff must also show that the individual performing-rights organization (PRO), aided or abetted a primary violation of the pursuant to consent decree. The court pro- [NYS]HRL committed by another employ- hibited PRO from withdrawing rights from ee or the business itself.’’ (alterations in petitioner to perform any compositions original) (internal quotation marks omit- over which PRO retained any licensing ted)). Because plaintiff’s underlying retal- rights, 2013 WL 5211927. iation claim under NYSHRL has been dis- missed or otherwise abandoned, any claim Holdings: After conducting a bench trial, she seeks to assert against Heifferon as an the District Court, Denise Cote, J., held aider and abettor of such alleged retaliato- that: ry conduct fails as a matter of law. (1) TTTA blanket license rate of 1.85% of Plaintiff’s claims under NYSHRL revenue was reasonable for every year against Heifferon in her individual capacity of license term and are dismissed. (2) service was not entitled to rate of IV. CONCLUSION 1.70% of revenue. For all of the foregoing reasons, Defen- Ordered accordingly. dants’ motion for summary judgment dis- missing the Amended Complaint in its en- tirety is granted. 1. Copyrights and Intellectual Property IT IS SO ORDERED. -
Google Earth Studio GSA Short Course
Google Earth Studio GSA short course Google Confidential and Proprietary 1 Agenda • Introduction • Special stories • Google Earth Studio - What is it? - Timeline editor - Publish the created content easily - Artwork creation - Animation creation - Other assets - User settings - Styles - Workgroups • Tips & tricks • Questions Google Confidential and Proprietary Special links - stories Many discoveries were done with Google Earth This week: 1 billions download was celebrated with this: http://www.oneworldmanystories.com/index.html One story I was a bit involved with: Found in South Africa: Key Link in Human Evolution? a 2 million year old hominid Google Confidential and Proprietary Introduction We are constantly improving our tools according to your feedback! Please help us to by letting us know what good or bad things you find! All feedback is good! We like the good but want to hear the bad as well! Google Confidential and Proprietary Google Earth Studio Google Earth Studio addresses the following aspects (to name a few): • An 'end to end solution' for Google Earth presentations • Collaborative editing (you can manage your own workgroup of students) • Quick creation of great content, going beyond Google Earth's capabilities and eliminating the need for external tools (like ‘Photoshop’, video post processing, ...) • A timeline editor like 'Final Cut Pro' for Earth content • Creation of high quality geo related animations • Data storage in the cloud - accessible only by workgroup members • Tool state gets saved into the cloud – you can work -
Get the Facts: Pandora Buys Fm Radio Station in A
GET THE FACTS: PANDORA BUYS FM RADIO STATION IN A BID TO UNDERCUT SONGWRITERS Pandora recently purchased radio station KXMZ-FM in Rapid City, South Dakota, in a bid to lower the licensing fees it pays songwriters and composers for public performances of their work. Pandora says this will help music creators and listeners, but the facts tell a much different story. SONGWRITERS DRIVE HUGE REVENUES FOR PANDORA • Pandora, a Wall Street-traded company, reported revenues of more than $920 million in FY2014 alone.1 • In contrast, ASCAP is a membership organization that operates on a not-for-profit basis to collect and distribute royalties to the more than 525,000 independent songwriters, composers and music publishers it represents.2 • Every 1,000 plays of a song on Pandora is worth about 9 cents in performance rights for its songwriters, composers and publishers ($0.00009 per stream). 3 • To put that in context, Miranda Lambert’s hit song “The House that Built Me” was streamed on Pandora nearly 22 million times, earning its songwriters and publishers roughly $1,788.48. Co-writer Allen Shamblin received only $894.14. Lady Antebellum’s 2011 Grammy-winning Song of the Year “Need You Now” was streamed nearly 72 million times on Pandora, earning its four songwriters and publishers $5,918.28. Co-writer Josh Kear received only $1,479.57. 4 • In 2014, Pandora paid all songwriters only about $36 million in total royalties, representing a mere 4% of the company’s revenue.5 PANDORA USES MORE MUSIC THAN TRADITIONAL RADIO • Internet radio and traditional AM/FM radio use music and generate revenue in very different ways.