Elephant Man: a Closer Look 1
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Casting Announced for Asolo Rep's MORNING AFTER GRACE Directed by Peter Amster; Production Runs Jan
MORNING AFTER GRACE Page 1 of 6 ***For Immediate Release*** December 19, 2017 Casting Announced for Asolo Rep's MORNING AFTER GRACE Directed by Peter Amster; Production runs Jan. 17 - March 4 (SARASOTA, December 19, 2017) — Asolo Rep continues its repertory season with MORNING AFTER GRACE, a poignant comedy about new love for the older set. Penned by playwright Carey Crim, a fresh voice for the American stage, and directed by Asolo Rep Associate Artist Peter Amster (Asolo Rep: Born Yesterday, Living on Love, The Matchmaker, and more), MORNING AFTER GRACE previews January 17 and 18, opens January 19 and runs in rotating repertory through March 4 in the Mertz Theatre, located in the FSU Center for the Performing Arts. The morning after a funeral, Abigail and Angus awake from a whirlwind, booze-fueled one- night-stand on Angus' couch. And so begins this unconventional comedy, set in a not-so- distant Florida retirement community. As Abigail and Angus uncover the meaning of their hook-up and future, Abigail's neighbor Ollie, a retired baseball pro, struggles to find a way to make sense of his past and the secret he's hidden for decades. Hilarious and heart- warming, MORNING AFTER GRACE reminds us that it is never too late to rediscover love, and yourself, again. -more- MORNING AFTER GRACE Page 2 of 6 MORNING AFTER GRACE premiered at the Purple Rose Theatre Company in 2016. Asolo Rep's production of the play has provided an exciting opportunity for Carey Crim to be in rehearsals and work with Peter Amster to hone and fine tune the play even further. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
PDU Case Report XXXX/YY Date
planning report D&P/3147/01 5 March 2014 100 Whitechapel Road Land and Building Fronting Fieldgate Street & Vine Court, London, E1 1JG in the London Borough of Tower Hamlets planning application no. PA/13/03049 Strategic planning application stage 1 referral Town & Country Planning Act 1990 (as amended); Greater London Authority Acts 1999 and 2007; Town & Country Planning (Mayor of London) Order 2008 The proposal Demolition of existing vehicle workshop and erection of extension to the prayer hall at the East London Mosque, residential development comprising 241 open market and affordable housing units including studio, one, two, three and four bedroom apartments in buildings up to 18 storeys, basement parking, public realm improvements, pedestrian link from Fieldgate Street to Whitechapel Road. The applicant The applicant is Alyjiso and Fieldgate Ltd. and the architect is Webb Gray. Strategic issues The development of this mixed-use scheme accommodates both the extension of the East London Mosque and residential uses on a constrained site within the City Fringe Opportunity Area. The proposal is broadly in accordance with strategic planning policy, and is supported. However, further discussion is required regarding housing quality, children’s play space provision, inclusive design, sustainability and transport. Recommendation That Tower Hamlets Council be advised that while the application is generally acceptable in strategic planning terms the application does not comply with the London Plan, for the reasons set out in paragraph 86 of this report; but that the possible remedies set out in this paragraph could address these deficiencies. Context 1 On the 20 January 2014 the Mayor of London received documents from Tower Hamlets Council notifying him of a planning application of potential strategic importance to develop the above site for the above uses. -
William and Mary Theatre Main Stage Productions
WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
Davenant Foundation School Foundation School
DAVENANT DAVENANT FOUNDATION SCHOOL FOUNDATION SCHOOL Chester Road, Loughton, Essex IG10 2LD. Telephone: 020 8508 0404 Facsimile: 020 8508 9301 E-mail: [email protected] Twitter: @DavenantFS @Davenant6thform “a community based firmly on Christian principles” Ofsted “parental commitment and support are significant factors in the school’s success” Ofsted “the school’s extra curricular provision is particularly strong” Ofsted www.davenantschool.co.uk Nurturing Mind, Body and Spirit Produced by: The School Brochure Specialist, FM Litho Design and Print. Tel: 01787 479479 • [email protected] • www.fmlitho.co.uk DAVENANT “a Christian school valuing the past with a vision of the future” It has been over fifty years since Davenant moved from Whitechapel to our present site, here in Loughton. The school has grown to be a highly regarded, Christian ecumenical school achieving excellent results for students of all abilities. Students, staff and the wider community work very hard to make Davenant a successful school. We see ourselves as a community that promotes individual excellence and nurtures the God given potential within each of us. Our ethos is based firmly on the commitment to “nurture mind, body and spirit” and, therefore, we work hard to ensure each student not only achieves their academic potential but also has a range of opportunities to be enriched and to enjoy new experiences away from the classroom. Also, Davenant is highly regarded for the work done in training and developing teachers so that our students receive the high quality teaching they deserve. Our expectations of each other are high. We demand a great deal of our students-hard work, the desire to learn, a determination to succeed and a willingness to contribute fully to the life of the school. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 . -
Małgorzata Bugaj Panoptikum 2019, 21:81-94
Małgorzata Bugaj Panoptikum 2019, 21:81-94. https://doi.org/10.26881/pan.2019.21.05 Małgorzata Bugaj University of Edinburgh “We understand each other, my friend”. The freak show and Victorian medicine in The Elephant Man. Anxieties around the human body are one of the main preoccupations in the cinema of David Lynch. Lynch’s films are littered with grotesque corporealities (such as the monstrous baby in Eraserhead¸1977; or Baron Harkonnen in The Dune, 1984) and those of disabled or crippled characters (the protagonist in the short Amputee; 1973; the one-armed man in Twin Peaks: Fire Walk with Me, 1992). The bodies in his films are often presented as fragmented (literally, cut off from the whole, or figuratively, by using close-ups) or distorted in the eye of the camera (a technique used, for example, in Wild at Heart, 1990, or Inland Empire, 2006). The director frequently highlights human biology, particularly in bodies that are shown to lose control over their physiological functions (vomiting blood in The Alphabet, 1968, or urinating in Blue Velvet, 1986). This interest in characters defined primarily through their abnormal corporeal forms is readily apparent in Lynch’s second feature The Elephant Man (1980) centring on a man severely afflicted with a disfiguring disease1. 5IFGJMN MPPTFMZCBTFEPO4JS'SFEFSJDL5SFWFTNFNPJSThe Elephant Man and Other Reminiscences (1923), revolves around three characters inspired by real- life personas: John Merrick (the titular ‘Elephant Man’ Joseph Carey Merrick, %PDUPS5SFWFT UIFBGPSFNFOUJPOFE4JS'SFEFSJDL5SFWFT and Bytes (Tom Norman, 1860-1930). Accordingly, the story shifts between dif- 1 It is worth noting that the film was released in the wake of a cultural rediscovery of the John Merrick story nearly a century after his death. -
HNRS 2021 Science in the Theatre and on Film
HNRS 2021 Science in the Theatre and on Film Fall, 2019 T, Th 4:30-5:50pm To be taught by: Vince LiCata Department of Biological Sciences Adjunct Professor School of Theatre [email protected] 8-5233 Doctor Atomic This course will focus on reading and discussion/analysis of science-based theatrical plays and films. Plays will be the primary emphasis, such that the course content ratio for the two genres will be about 80% plays, 20% movies. Texts to be studied will be fiction and creative non-fiction plays that have high scientific content, or underlying scientific content that is critical to the work. The course will examine how authors (including some of playwriting’s most recognized authors) have incorporated real scientific concepts or real science into stories that still make for compelling performance. Classical science fiction will not be included. We will also use parts of the book Science on Stage: From Doctor Faustus to Copenhagen by K. Shepherd-Barr, Princeton Press, 2006. (All plays and other materials will be provided in pdf format). There will be approximately 14 plays and 4 movies studied. Plays to Include: Galileo, Bertolt Brecht (1939): Hapgood and Arcadia, Tom Stoppard (1988 &1993); An Enemy of the People, Henrik Ibsen ((1882): Proof, David Auburn (2000): Doctor Faustus, Christopher Marlowe (1592); Oxygen, Carl Djerassi and Roald Hoffmann (2000): Miss Evers Boys, David Feldshuh (1990): Copenhagen, Michael Frayn (1998): A Number, Caryl Churchill (2002); Doctor Atomic (the opera), John Adams and Peter Sellars (2006). Possible Movies: The Score (2005); Experimenter (2015); And the Band Played On (1993); Brain Candy (1996): The Elephant Man (1980) Assignments and Grading will be similar to the normal requirements for English 2000: including: written essays, two exams, one oral presentation, and in-class discussion and participation. -
The Adventures of Homer Mcgundy, Revised
SFA College of Fine Arts and School of Theatre present --- 2010 esHvalof ! merlcan pI New ays Apr1l27 - Mag 1 Downslage Tlleahe Jump for Joy by Jack Heifner Tuesday, Apri127, and Friday, April 30, 7:30 p.m. The Adventures ofHomer McGundy, Revised by Barbara Lebow Wednesday, April 28, 7:30 p.m. and Saturday, May I, 2 p.m. Seduction by James McLure Thursday, April 29, and Saturday, May I, 7:30 p.m. Slcplicii I~ I\U:-.till SI"II...: lJlli'CI ... il) ANote from the Plavwright-in-Residence Welcome to the Seventh Biennial Festival of ew American Plays. We are proud to present exciting new works by our guest playwrights Barbara Lebow and James McLure. The plays you are about to see performed are presented as "staged readings." Professional theatres and producers use such readings in order to involve audiences and actors in the process of new play development. Plays are meant to be performed, and the best way to see whether a new play works is to present it in front of a live audience. This is where you come in-and we thank you for being here! Each play in the festival has had only ten rehearsals. The actors will be performing with the script in their hands, relying on their talent and training to interpret the text without the advantage of a long rehearsal process. These readings have been designed to concentrate on the words ofthe playwrights and the talents ofour young performers and designers. We have included a minimal amount of scenery, costumes and lights to give the writers what they envisioned in their scripts. -
13-20 Settles Street
13-20 SETTLES STREET WHITECHAPEL, LONDON E1 Freehold refurbishment opportunity 1 13–20 SETTLES STREET PROVIDES AN OPPORTUNITY TO ACQUIRE A RARE FREEHOLD PROPERTY IN AN AREA EXPERIENCING EXTRAORDINARY GROWTH. TO THE WEST ALDGATE IS BEING TRANSFORMED, TO THE NORTH THE TECH SECTOR EXPANDS FROM SHOREDITCH, AND TO THE EAST WHITECHAPEL WILL RECEIVE CROSSRAIL – JUST TWO MINUTES JOURNEY TIME FROM BOTH CANARY WHARF AND LIVERPOOL STREET. 2 3 EXECUTIVE SUMMARY • Freehold • A distinctive 1930s neo-Georgian property within the Whitechapel vision area • Excellent transport connectivity being approximately 500m from Whitechapel and Aldgate East Underground stations • The existing building comprises a net internal area of 17,107 sq ft (1,589 sq m) of office and ancillary accommodation arranged over lower ground, ground and one upper floor • Single let on an FRI lease to Trillium for Department of Work and Pensions at a rent of £150,000 per annum, expiring 1st April 2018 • The building has planning consent for a comprehensive refurbishment and addition of 3 further floors, with a proposed net internal area of 22,682 sq ft (2,107 sq m), and a change of planning use from A2 to B1 (offices) • Offers are invited in excess of £7,000,000, subject to contract and exclusive of VAT • A purchase at the level reflects a low capital value of £409 per sq ft on the existing accommodation and £308 per sq ft on the consented scheme 1 2 THE SHARD THE CITY OF LONDON TOWER OF LONDON ALDGATE ST KATHARINE DOCKS STATION BRICK LANE GOODMAN’S FIELDS SPITALFIELDS MARKET TOWER HILL STATION ALDGATE EAST STATION WHITECHAPEL STATION ROYAL LONDON HOSPITAL 3 4 LOCAL AREA Aldgate and Whitechapel are evolving to become an integral part of London’s Tech Belt. -
Capital Grant Release from the Whitechapel High Street Fund To
Commissioner Decision Report 24 May 2016 Report of: Classification: Aman Dalvi Unrestricted Corporate Director, Development and Renewal Report Title: Whitechapel High Street Fund as grant to London Small Business Centre to deliver capital refurbishment and accessible workspace at 206 Whitechapel Road (SITE 2) Originating Officer(s) Duncan Brown, Strategic Project Manager, Whitechapel Delivery Team Wards affected Whitechapel, Stepney Green, Spitalfields-and-Banglatown, Bethnal Green Key Decision? Yes Community Plan Theme A great place to live; A fair and prosperous community; A safe and cohesive community EXECUTIVE SUMMARY In July 2015, the Council entered into a jointly sponsored funding agreement known as the Whitechapel High Street Fund (WHSF) with the Greater London Authority (GLA) valued at £1.123 million to be spent in the geographical boundary of the Whitechapel Vision Masterplan SPD area by April 2017. The agreement consists of £520,000 awarded by the GLA matched by a £603,000 contribution from the Council (LBTH). Of this funding, £725,000 is allocated as capital funding for the refurbishment and reuse of vacant and underused spaces in order to contribute towards the delivery of workspace within the Whitechapel area. Of the £725,000 amount, the Council has until 30th September 2016 to allocate approximately £400,000 of unspent GLA match funding towards capital projects, or it must return these monies back to the GLA. Therefore timescales are critical to project spend being delivered within this timeframe. Following a six month pre-qualified site selection process (Call for Spaces) that commenced in September 2015 and bid selection process (Call for Bids) thereafter, this report recommends funding be released against SITE 2 (Royal Mail Group owned vacant unit at 206 Whitechapel Road) from the Whitechapel High Street Fund as grant directly towards the London Small Business Centre, to procure and deliver refurbishment works to enable new accessible workspace provision. -
The Elephant Man STAGE 1
The Elephant Man STAGE 1 Before Reading 5 What . .? She screamed, dropped his food on the floor, and ran out of the room. 6 Why . .? Because people couldn’t look at him in a TALKING ABOUT THE COVER lighthouse. • Why do you think the man is dressed in this way? Possible answers: (Is he dead, a ghost, ill, ugly, not human?) POLICE: Now, Mr Merrick. Where do you live, sir? • Is this going to be a ghost story, a horror story, a MERRICK: I don’t know. I don’t have a home. (I don’t sad story, a happy story? live anywhere.) • What do you think an ‘Elephant Man’ is? POLICE: Do you have any money, sir? (Someone who looks after elephants, knows a lot MERRICK: No, I don’t. about elephants, looks like an elephant) POLICE: Why not? What happened to your money? MERRICK: I had £50 in Belgium, but a man called Silcock took it away from me. BEFORE READING ACTIVITIES (PAGE 44) POLICE: You can’t stay in prison. Where do you want ACTIVITIES ANSWERS to go now? ACTIVITY 1 BEFORE READING MERRICK:To the London Hospital. 1 Yes 2 No 3 No 4 Yes 5 No 6 Yes 7 Yes POLICE: Why? Do you know somebody there? ERRICK ACTIVITY 2 BEFORE READING M : Yes. His name is Dr Treves. Look – here is Open answers. Encourage students to speculate and to his card. make guesses, but do not tell them the answers. They POLICE: Ah, I see. All right, sir. Let’s go and see him will find out as they read that the ‘yes’ answers are now.