Hugh Hopper North & South (Volume 3) Mp3, Flac

Hugh Hopper North & South (Volume 3) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: North & South (Volume 3) Country: UK Released: 2014 Style: Jazz-Rock, Contemporary Jazz MP3 version RAR size: 1133 mb FLAC version RAR size: 1790 mb WMA version RAR size: 1495 mb Rating: 4.9 Votes: 400 Other Formats: MP1 MIDI AC3 AU WMA VQF AA Tracklist 1 Wanglo Saxon 2 Miniluv 3 Shuffle Demons 4 Lullaby Letterbomb 5 Sliding Dogs 6 Frankly Speaking 7 Lux Beta Companies, etc. Phonographic Copyright (p) – Gonzo Multimedia Copyright (c) – Christine Hopper Recorded At – The Lemon Tree, Aberdeen Manufactured By – www.keyproduction.co.uk Pressed By – Sony DADC UK Ltd. Credits Bass Guitar, Composed By – Hugh Hopper Drums, Percussion – Mike Travis Edited By, Mastered By, Producer – Michael King Executive-Producer – Rob Ayling* Illustration – Jos Thomassen Keyboards [Electric] – Paul Flush Liner Notes – Michael Travis*, Steve Kettley Tenor Saxophone, Soprano Saxophone – Steve Kettley Notes Hugh's Exuberant Collaboration With Scottish Drummer Mike Travis Stereophonic Analogue Soundboard Recording Special thanks to Mike Travis and Steve Feigenbaum for providing this Rare Private Recording Third volume in a serie of 10 albums of hitherto unreleased recordings, to honour the legacy of Canterbury legend Hugh Hopper. Barcode and Other Identifiers Barcode: 5060230864297 Matrix / Runout: wwww.keyproduction.co.uk IFPILY33 HST242CDV2 01 Mastering SID Code: IFPI LY33 Mould SID Code: IFPI AEW39 Related Music albums to North & South (Volume 3) by Hugh Hopper Hugh Hopper / Alan Gowen - Two Rainbows Daily Merle Travis - The Merle Travis Guitar Hopper / Dean / Tippett / Gallivan - Mercy Dash Soft Machine Legacy - Live At The New Morning Various - An Introduction To Canterburied Sounds Hugh Hopper - Hopper Tunity Box Randy Travis, - Daevid Allen with Hugh Hopper & Pip Pyle - Brainville Live In The UK.

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ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime.
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22Nd International Congress on Acoustics ICA 2016
Page intentionaly left blank 22nd International Congress on Acoustics ICA 2016 PROCEEDINGS Editors: Federico Miyara Ernesto Accolti Vivian Pasch Nilda Vechiatti X Congreso Iberoamericano de Acústica XIV Congreso Argentino de Acústica XXVI Encontro da Sociedade Brasileira de Acústica 22nd International Congress on Acoustics ICA 2016 : Proceedings / Federico Miyara ... [et al.] ; compilado por Federico Miyara ; Ernesto Accolti. - 1a ed . - Gonnet : Asociación de Acústicos Argentinos, 2016. Libro digital, PDF Archivo Digital: descarga y online ISBN 978-987-24713-6-1 1. Acústica. 2. Acústica Arquitectónica. 3. Electroacústica. I. Miyara, Federico II. Miyara, Federico, comp. III. Accolti, Ernesto, comp. CDD 690.22 ISBN 978-987-24713-6-1 © Asociación de Acústicos Argentinos Hecho el depósito que marca la ley 11.723 Disclaimer: The material, information, results, opinions, and/or views in this publication, as well as the claim for authorship and originality, are the sole responsibility of the respective author(s) of each paper, not the International Commission for Acoustics, the Federación Iberoamaricana de Acústica, the Asociación de Acústicos Argentinos or any of their employees, members, authorities, or editors. Except for the cases in which it is expressly stated, the papers have not been subject to peer review. The editors have attempted to accomplish a uniform presentation for all papers and the authors have been given the opportunity to correct detected formatting non-compliances Hecho en Argentina Made in Argentina Asociación de Acústicos Argentinos, AdAA Camino Centenario y 5006, Gonnet, Buenos Aires, Argentina http://www.adaa.org.ar Proceedings of the 22th International Congress on Acoustics ICA 2016 5-9 September 2016 Catholic University of Argentina, Buenos Aires, Argentina ICA 2016 has been organised by the Ibero-american Federation of Acoustics (FIA) and the Argentinian Acousticians Association (AdAA) on behalf of the International Commission for Acoustics.
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Gruppo È Nella Classica Formazione in Quartetto Con Elton Dean, Mike Ratledge, Hugh Hopper E Robert Wyatt
Page 3 of 9 gruppo è nella classica formazione in quartetto con Elton Dean, Mike Ratledge, Hugh Hopper e Robert Wyatt. Era un periodo di tensioni e di riflessioni. Elton Dean cercava di tirare i compagni sempre più verso il jazz e l'avanguardia. Robert Wyatt non voleva abbandonare gli scenari del rock dadaista. Gli altri due partner erano un po' indecisi. I due concerti che si erano tenuti in Olanda nei giorni immediatamente precedenti non erano andati troppo bene, poco pubblico, troppo nervosismo. Ma la magia del pubblico appassionato di Amsterdam riesce a far decollare la macchina morbida. I temi sono affrontati in maniera un po' aspra, secca, senza compiacimenti, ma l'incantesimo riesce per l'ennesima volta e il concerto si sviluppa con intensità, foga e determinazione. Curiosamente Wyatt non è mai impegnato alla voce e il gruppo si esibisce solo sul versante strumentale. Ci sono temi ancora in fase embrionale, come le splendide “Teeth” e “Virtually” che poi verranno presentate nell'album Fourth che i Soft Machine stavano registrando in quei mesi e che verrà completato poche settimane dopo questo mini tour olandese. Con l'album Floating World Live ci spostiamo ad una versione successiva dei Soft Machine. L'album, pubblicato da Moonjune Records, ci propone una registrazione dal vivo effettuata nel gennaio 1975 dalla ormai mitica Radio Bremen, certamente una delle emittenti che più hanno contribuito a mantenere viva un'epoca ormai lontana grazie alle preziose documentazioni dei concerti da loro coraggiosamente organizzati. La band è agli inizi di una nuova fase e l'arrivo di Allan Holdsworth alla chitarra elettrica diventa l'occasione per ristrutturare completamente il repertorio del gruppo.
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Cuneiform Artist News, Tours & Websites Winter 2010
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Bio Information: LED BIB Title: SENSIBLE SHOES (Cuneiform Rune 283)
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Daevid Allen Live at the Roundhouse 1971 Mp3, Flac, Wma
Daevid Allen Live At The Roundhouse 1971 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Live At The Roundhouse 1971 Country: UK Released: 2012 Style: Experimental, Psychedelic Rock, Free Improvisation, Poetry MP3 version RAR size: 1191 mb FLAC version RAR size: 1834 mb WMA version RAR size: 1226 mb Rating: 4.4 Votes: 154 Other Formats: VOC MP4 MP2 MP3 AIFF VOX MPC Tracklist 1 Introduction 0:26 2 What Do You Really Want? 4:16 3 Prostitute Poem: Rational Anthem 3:48 4 Poet For Sale 8:41 5 Love Is A Careless Sea 4:10 6 I Am Your Animal 4:58 7 Capt. Shaw And Mr Gilbert 3:05 8 I Am Your Fantasy 5:04 9 Fred The Fish 2:52 10 Death Of Rock 10:20 Companies, etc. Phonographic Copyright (p) – Gonzo Multimedia Copyright (c) – Gonzo Multimedia Manufactured By – www.keyproduction.co.uk Pressed By – Sony DADC UK Ltd. Credits Bass – Hugh Hopper Drums – Robert Wyatt Guitar, Voice [Spoken Word], Tape [Tape Loops] – Daevid Allen Saxophone [Sax] – Elton Dean Violin [Uncredited] – Gerry Fields Voice [Spoken Word And Vocal Improv (Space Whisper)] – Gilli Smyth Notes Artist credits as from front cover & CD; spine & back sleeve have Daevid Allen & Friends. The violinist is not named on the cover ["Mystery violinist"] but it is well documented that it was Gerry Fields. Barcode and Other Identifiers Barcode: 5060230862682 Mastering SID Code: IFPI LY34 Mould SID Code (Variant 1): IFPI AEW39 Mould SID Code (Variant 2): IFPI AEW04 Matrix / Runout: www.keyproduction.co.uk HST115CD 01 Related Music albums to Live At The Roundhouse 1971 by Daevid Allen Various - Canterbury Tales Daevid Allen & Euterpe - Good Morning Hopper / Dean / Tippett / Gallivan - Cruel But Fair / Mercy Dash Gong Avec Daevid Allen - Continental Circus Goddess T - Electric Shiatsu Daevid Allen's University Of Errors - Jet Propelled Photographs Daevid Allen, Microcosmique - Five Semitones - Tones For Healing And Meditation Gong - The World Of Daevid Allen And Gong Daevid Allen - Banana Moon Daevid Allen - Opium For The People / Alien In New York.
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Earshot Jazz
fn One Ear ■ The quartet S tin k h o rn has signed a distribution deal with Omnitone Records, the highly regarded independent New York jazz label, which w ill distribute the group’s just-released new CD, Tunguska, in the U nited States, Italy, Portugal, and Spain. The quartet, w hich is Michael Monhart (saxes), Brian Heaney (electric guitar) H o w a rd O u c h i (drums), and John Morris (electric bass), is also planning a tour o f the East Coast and the Midwest. In August it w ill perform at Seattle’s first progressive rock/jazz festival, T h e P rogm an C o m e th (August 16 18), at the M oore Theatre, w hich w ill also present Soft Machine w ith A lla n H o ld s w o rth , Hugh Hopper, E lto n D e a n , and John Marshall, as well as former Gong members Daevid Allen and P ip P yle and their current bands. More information on The Progman Cometh event is available online at www.twomonkeyfinger.com. For more on Omnitone, see www.omnitone.com. S tinkhorn’s website is at www.stinkhorn- music.com. News of bassist M att Sperry , long a fixture on the Seattle improvised-music scene until moving to Oakland, Cal., a few years ago. He appears on three o f the four CDs in a new A n th o n y B raxton box set Six Compositions (Gtm) 2001 (Rastascan Records), that was set to appear late last m onth.
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The History of Rock Music: 1966-1969
The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Canterbury 1968-73 (These are excerpts from my book "A History of Rock and Dance Music") The Canterbury school of British progressive-rock (one of the most significant movements in the history of rock music) was born in 1962 when Hugh Hopper, Robert Wyatt, Kevin Ayers, Richard Sinclair and others formed the Wilde Flowers. Wyatt, Ayers, Hopper and their new friends Daevid Allen and Mike Ratledge formed the Soft Machine; whereas Sinclair and the others went on to form Caravan. Soft Machine (103), one of the greatest rock bands of all times, started out with albums such as Volume Two (mar 1969 - apr 1969) that were inspired by psychedelic-rock with a touch of Dadaistic (i.e., nonsensical) aesthetics; but, after losing Allen and Ayers, they veered towards a personal interpretation of Miles Davis' jazz-rock on Three (may 1970 - jun 1970), their masterpiece and one of the essential jazz, rock and classical albums of the 1970s. Minimalistic keyboards a` la Terry Riley and jazz horns highlight three of the four jams (particularly, Hopper's Facelift). The other one, Moon In June, is Wyatt's first monumental achievement, blending a delicate melody, a melancholy atmosphere and deep humanity.
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July 8 2006, A&E Arts in Rotation Soft Machine Legacy Is a Very Pale
July 8 2006, A&E Arts In Rotation Soft Machine Legacy is a very pale ghost of the wildly erratic free-form jazz-folk-rock-R&B-blues-raga group Soft Machine that emerged from the intellectually explosive and artistically liberal atmosphere in Canterbury in the mid-1960s. The original Soft Machine contained, in various combinations over the next decade, such notable members of the British pop-jazz avant garde as bassist/composer Kevin Ayers, singer/drummer Robert Wyatt, singer-songwriter Daevid Allen, keyboardist Michael Ratledge, bassist Hugh Hopper, drummer John Marshall, sax players Elton Dean and Karl Jenkins and guitarists Allan Holdsworth and John Etheridge. The four-piece revival called Soft Machine Legacy - Hopper, Etheridge, Marshall and Dean - manages to evoke much of the progressive spirit of the original band and the heady era that spawned it in the live concert DVD, Soft Machine Legacy, shot last December at the venerable Paris concert club New Morning, only a few weeks before Dean passed away. The 10-song set, ubiquitously available on countless Internet music retail sites for less than $20, includes classics "Ash," "Baker's Treat," "KiteRunner" and "Strange Comfort," as well as several more recent Machine-worthy originals and pre-performance interviews with the 60-something band members who trace with witty, provocative repartee their personal memories of the distant and strange history of one of Britain's most inventive and influential musical collectives. -- Greg Quill .
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