University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 Batik, ja, batik: Wiener Werkstätte Batik from the Los Angeles County Museum of Art and Cotsen Textile Traces Collections Michaela Hansen
[email protected] Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Hansen, Michaela, "Batik, ja, batik: Wiener Werkstätte Batik from the Los Angeles County Museum of Art and Cotsen Textile Traces Collections" (2016). Textile Society of America Symposium Proceedings. 988. http://digitalcommons.unl.edu/tsaconf/988 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Crosscurrents: Land, Labor, and the Port. Textile Society of America’s 15th Biennial Symposium. Savannah, GA, October 19-23, 2016. 169 Batik, ja, batik: Wiener Werkstätte Batik from the Los Angeles County Museum of Art and Cotsen Textile Traces Collections Michaela Hansen
[email protected] In 1919, the Viennese cultural critic Adolf Loos addressed a newspaper column to the “ninety percent” of female artists who “call themselves that because they can batik.” Bemoaning shop windows filled with batik cloths and neckties, Loos stated: “To the modern human being…batik [is] an abomination.” Derisively likening the skill required of a batik artist to “drop[ing] a May bug into an inkwell and then let[ting] it crawl around on a prettily dyed, magnificent piece of…pongee silk,” Loos advised practitioners to seek a dry cleaner to “fix” their dye work by erasing it.