Stories So Big They Have to Be Sung!
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01 Comunicato Stampa Betroffenheit
ANTEPRIMA TORINODANZA FESTIVAL 2018 DEBUTTA IL 17 E IL 18 MAGGIO ALLE FONDERIE LIMONE MONCALIERI “BETROFFENHEIT” COREOGRAFIA E DIREZIONE DELLA CANADESE CRYSTAL PITE - SPETTACOLO INSERITO NELLA STAGIONE DEL TEATRO STABILE DI TORINO – TEATRO NAZIONALE L’edizione 2018 di Torinodanza si apre alle Fonderie Limone di Moncalieri il 17 maggio 2018 alle 20.45 (con replica il 18 maggio alle 20.45) con il debutto, in prima nazionale e unica data italiana, di Betroffenheit creato dalla coreografa Crystal Pite e dall’attore drammaturgo Jonathon Young, entrambi canadesi. Questa “anteprima” realizzata in collaborazione con il Teatro Stabile di Torino – Teatro Nazionale costituisce il biglietto da visita del Festival e prelude all’ormai abituale programmazione autunnale di Torinodanza (10 settembre - 1 dicembre) che inaugurerà definitivamente nel mese di settembre. Betroffenheit, con la coreografia e la direzione di Crystal Pite, è un esempio di fusione di danza e teatro contemporanei che lega la Stagione di prosa del Teatro Stabile con l’anteprima del Festival. «La storia del trauma vissuto da Jonathon Young (la morte della figlia e della nipote a causa di un incendio n.d.r.), il suo personale Betroffenheit è al centro di questa avventura. Jonathon mi ha coinvolto nella sfida di utilizzare le nostre discipline artistiche per lottare contro la sofferenza e il suo coraggio mi ha permesso di mostrare coerenza. Sono molto riconoscente per questa opportunità di essere al suo fianco per guardare in questo difficile terreno che è il dolore e di esplorarlo in un onesto processo di creazione. Sono stata sorpresa di constatare la gioia che è nata all’interno di questo progetto e profondamente commossa per la curiosità di Jonathon che si è dato a cuore aperto. -
The Nominees for Best Feature Length Drama
2012 LEO AWARDS NOMINEES & WINNERS BEST FEATURE LENGTH DRAMA WINNER Sisters&Brothers Carl Bessai, James Brown, Emily Alden - Producers NOMINEES Daydream Nation Christine Haebler, Trish Dolman - Producers Doppleganger Paul Katherine Hazon, Oliver Linsley, Dylan Akio Smith, Kris Elgstrand - Producers Marilyn Christopher Petry, Kaleena Kiff, Bruce Borland - Producers The Odds Simon Davidson, Kirsten Newlands, Oliver Linsley - Producers Page 1 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST DIRECTION FEATURE LENGTH DRAMA WINNER Carl Bessai Sisters&Brothers NOMINEES Dylan Akio Smith, Kris Elgstrand Doppleganger Paul Paul A. Kaufman Magic Beyond Words: The J.K. Rowling Story Christopher Petry Marilyn Simon Davidson The Odds Page 2 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST SCREENWRITING FEATURE LENGTH DRAMA WINNER Kris Elgstrand Doppleganger Paul NOMINEES Melodie Krieger, Jim Cliffe Donovan's Echo Christopher Petry Marilyn Aaron Houston Sunflower Hour Simon Davidson The Odds Page 3 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST CINEMATOGRAPHY FEATURE LENGTH DRAMA WINNER Jon Joffin Daydream Nation NOMINEES Michael C. Blundell Hamlet Pieter Stathis Hit 'n Strum Mathias Herndl Magic Beyond Words: The J.K. Rowling Story Norm Li The Odds Page 4 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST PICTURE EDITING FEATURE LENGTH DRAMA WINNER Sabrina Pitre Sisters&Brothers NOMINEES Jamie Alain Daydream Nation Mark Shearer Donovan's Echo Kirby Jinnah Marilyn Greg Ng Sunflower Hour Page 5 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST OVERALL SOUND FEATURE LENGTH -
2020 Visitors Guide a Storied Past, a Glorious Future: a Season to Celebrate the Elixir of Power
2020 VISITORS GUIDE A STORIED PAST, A GLORIOUS FUTURE: A SEASON TO CELEBRATE THE ELIXIR OF POWER Irresistible – that’s the only way to describe the variety, quality and excitement that make up the Stratford Festival’s 2020 season. First, there is our stunning new Tom Patterson Theatre, with ravishingly beautiful public spaces and gardens. Its halls, bars and café will be filled throughout the season with music, comedy nights, panel discussions and outstanding speakers to make our Festival even more festive. In the wake of an election in Canada, and in anticipation of one in the U.S., our season explores the theme of Power. Recent years have seen a growing acceptance of the naked use of power. Brute force is in vogue on the world stage, from international trade to immigration and the arms race – and, closer to home, in elections, in the workplace and even in social media engagements. Through comedy, tragedy, song, dance and farce, the plays and musicals of our 2020 season explore the dynamics of power in society, politics, art, gender and family life. In our new Tom Patterson Theatre, we present the two plays that launched the Stratford adventure in 1953: All’s Well That Ends Well and Richard III. The new venue is also home to a new musical, Here’s What It Takes; a new movement-based creation, Frankenstein Revived; and a series of improvisational performances – each one unique and unrepeatable – called An Undiscovered Shakespeare. But the fun isn’t all confined to one theatre. Our historic Festival Theatre showcases two of Shakespeare’s greatest plays, Much Ado About Nothing and Hamlet, as well as Molière’s brilliant satire The Miser and the first major new production in decades of the mischievous musical Chicago. -
News Release: Kidd Pivot 2020
111–2750 Quadra Street, Victoria BC Canada V8T 4E8 DanceVictoria.com Media Contact: Tracy Smith [email protected] 250-595-1829 FOR IMMEDIATE RELEASE January 21, 2020 Dance Victoria presents the theatrical event of the season by award-winning choreographer Crystal Pite and actor/writer Jonathon Young Revisor February 7 + 8, 2020, 7:30 pm, Royal Theatre VICTORIA, B.C. – Two of Canada’s most ground-breaking artists have joined forces again to create an innovative contemporary dance theatre work called Revisor touring to the Royal Theatre on February 7 and 8, 2020. By the creators of the international sensation, Betroffenheit, Crystal Pite and Jonathon Young’s Revisor takes inspiration from the 1836 play, The Inspector General, by Nikolai Gogol. Revisor satirizes the greed and pettiness of small-town citizens who mistake a low-level clerk for a high-ranking government inspector. Soon the community is wining, dining, and bribing him. Eight dancers embody the recorded dialogue of some of Canada’s finest actors (Jonathon Young, Ryan Beil, Nicola Lipman, Alessandro Juliani and Meg Roe) in this warped pantomime/karaoke ballet with broad, exaggerated gestures. The gestures are akin to movement ventriloquism. Choreographer Crystal Pite explains, "[The dancers] are lip-synching with their whole bodies. The choreography can move analogously with the rhythm of the text and reflect its message, or it can be at odds with it, creating tension between what we're hearing and what we're seeing." The show itself is continually “revised” throughout the performance. Halfway through, Jay Gower Taylor’s set disappears, Tom Visser’s lighting takes over and the dancers reappear in contemporary dress. -
Sexual Orientation, Politics and Portraying Bette Davis P.28
Our Spring 4 Pet Issue p. 19-27 Oscar-Winning Screen Icon Talks ‘Up For Grabs’ Sexual Orientation, Politics and Portraying Bette Davis p.28 March 9, 2017 Jackson Could Face August Supreme Court Scraps VOL. 2510 | FREE Ballot Initiative Consideration of Gavin Grimm Case WWW.PRIDESOURCE.COM PAGE 8 PAGE 14 BTL Announces Challenge Gift to ACLU of Michigan COVER pg. 13 28 All About Susan OUR PETS NEWS 19 Horses’ Haven Provides Humane 6 Powering Progress Together at Michigan Summit Care for Majestic Creatures 8 NDO Supporters in Jackson Say ‘Love Rules’ 20 Connecting Neighbors Through 10 Local Leaders Host Title IX Panel Discussion Our Dogs 14 Supreme Court Scraps Consideration of 21 Places to Adopt Pets in Michigan Gavin Grimm Case 14 Transgender Task Force Relaunched Amid 22 Pet Etiquette for Hotel Stays Ongoing Anti-trans Attacks 24 Pet Events in Michigan p. 19-27 17 Connecticut Lawmakers Consider Banning ‘Conversion Therapy’ ORGANIZING POLITICS COMMUNITY CONNECTIONS OPINION 10 Parting Glances 10 Viewpoint: LGBTQ Community Stands with Jackson 11 Creep of the Week: Dave Daubenmire 13 BTL Announces $5,000 Challenge Gift to ACLU of Michigan LIFE 28 Oscar-Winning Screen Icon Talks ‘Up For Grabs’ Sexual Orientation, Politics and Portraying Bette Davis Progressive 30 Happenings 32 Hear Me Out Summit 34 Classifieds Looks for Transgender Task 35 Puzzle and Comic Big Bash Planning 37 Deep Inside Hollywood Solutions Force Relaunched ‘No Place Like Home’ COMMUNITY CONNECTIONS pg. 6 38 Campus Chat: Local LGBT University Student Reacts pg. 14 pg. 38 to Trump Presidency 38 Affirmations: There’s No Place Like Home VOL. -
Queer Women and Non-Binary Artists Resisting an Emptied Stage
Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage by Laine Yale Zisman Newman A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre and Performance Studies Centre for Sexual Diversity Studies (collaborative program) Women & Gender Studies Institute (collaborative program) University of Toronto © Copyright by Laine Zisman Newman 2018 Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage Laine Zisman Newman Doctor pf Philosophy Centre for Drama, Theatre, & Performance Studies University of Toronto 2018 Abstract For marginalized queer artists, inequitable distribution of and access to performance space impact both the development process and production of artistic works. While a lack of ongoing or resident performance space for women’s productions in Canada has been documented (see, for example, Rina Fraticelli; Rebecca Burton; and Michelle MacArthur), less research has been conducted on queer women’s and non-binary artists’ experience of space in the industry. Theatre and performance scholars (see, for example, Gay McAuley, Una Chaudhuri, Jill Dolan, and Laura Levin) have provided the groundwork for exploring the relationship among theatre sites, identities, and productions; and queer geographers such as Natalie Oswin, Julie Podmore, Catherine Nash, and Kath Browne have developed invaluable theories and methodologies to unsettle the assumed neutrality of space. However, few scholars have brought these fields together, particularly in the context of performance in Canada. This doctoral project applies queer and feminist theories of geography to queer women’s and non-binary artists’ performance to explore how insecure and inequitable access to physical space affects both experiences of finding one’s place in the theatre industry and articulations of an imagined place on stage. -
The Score Press Kit FINAL Apr27
presents Running Time: 83:22 minutes Genre: Dramatic Musical Format: High Definition PRESS KIT For Sales Information Contact: World Sales IndieCan Entertainment Avi Federgreen 194 Glenholme Avenue Toronto, ON M6E 3C4 T: 416.898.3456 E: info@indiecanent/com SHORT SYNOPSIS A groundbreaking musical drama about a scientist whose own genetic history threatens her career, her lab and her life. “Are you ready to kick the ass genomic?” Dr. Lynn Magnusson is a brilliant geneticist racing to isolate a cancer-causing gene. All that’s standing in her way is competition from a well funded French lab, a ticking biological clock that leads to a risky office romance, and her own fears that she might carry the same Huntington’s gene that killed her mother. Based on the award-winning play by Electric Company Theatre, The Score explores the human elements and revolutionary implications of the rapidly advancing world of genetics and uses humour, music and dance to transform scientific ideas into universal themes of identity, freedom and creation. SYNOPSIS The Score tells the story of Dr. Lynn Magnusson, a woman at the helm of a cutting-edge but under-funded lab that is racing towards a significant discovery of genetics-based cancer research. In order to beat the odds at being the first to discover an elusive cancer trigger and maintain her funding, she contemplates sharing research and resources with a lab in Paris, headed by JP Martineau. Meanwhile she is being courted by Ameritech Pharmaceuticals, a multinational company that may be the answer to her lab’s financial woes. -
Reading Betroffenheit As Postdramatic Theatre: an Analysis of Crystal Pite's Collaborative Work with the Electric Company Thea
READING BETROFFENHEIT AS POSTDRAMATIC THEATRE: AN ANALYSIS OF CRYSTAL PITE’S COLLABORATIVE WORK WITH THE ELECTRIC COMPANY THEATRE IN VANCOUVER by Olga Ozkaya B.A., Koc University, 2015 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Theatre) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2018 ©Olga Ozkaya, 2018 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, a thesis/dissertation entitled: Reading Betroffenheit as Postdramatic Theatre: An Analysis of the Crystal Pite’s Collaborative Work with The Electric Company Theatre in Vancouver submitted by Olga Ozkaya in partial fulfillment of the requirements for the degree of MA in Theatre Studies Examining Committee: Dr. Kirsty Johnston Supervisor Dr. Hallie Marshall Additional Examiner ii Abstract In this thesis, I examine Vancouver-based, Canadian choreographer and dancer Crystal Pite’s artistic approach as a dance theatre artist with a focus on her multi-award winner work Betroffenheit (2015). Pite founded her dance theatre company Kidd Pivot in 2002. Since then she and the performers with whom she has collaborated have created Lost Action (2006), Dark Matters (2009), The You Show (2010), The Tempest Replica (2011), and Betroffenheit, all while gaining international fame and attention. In this thesis, I am most interested in the latter. Betroffenheit was co-created with Pite and actor Jonathon Young, co-founder and artistic director of Vancouver’s innovative and multi-award-winning Electric Company Theatre. Pite’s choreography integrates theatricality, movement, music, Young’s autobiographical narrative and text, and visual design. -
There Will Be No Intermission 2018
There will be no intermission 2018 GMC CANADA PHONE 780.486.3333 Visit us online at westerngmcbuick.com 184 Street & Stony Plain Road, Edmonton, AB Western GMC_5.25x8.25f.indd 1 2018-03-19 3:00 PM A Crow’s Theatre and Segal Centre for Performing Arts Production In partnership with 2b Theatre Company WE ARE NOT ALONE Written & Performed by Damien Atkins Featuring: Damien Atkins Directors: Chris Abraham & Christian Barry Design Consultant: Julie Fox Lighting Designer: Kimberley Purtell Sound Design: Thomas Ryder Payne in association with Dylan Green, Peter Balov, and Christian Barry Stage Manager: Kate Porter Production Manager: Daniel Oulton Apprentice Production Manager: Jenna Harris Theatre Network Production Manager: Scott Peters Technical Director: Tyler Ferguson THEATRE NETWORK • 3 THREE LITTLE PIGS PUBLISHING LTD would like to acknowledge 32nd Anniversary Live at the Roxy programme is published by Three Little Pigs Publishing Ltd. The Publisher Doug Miron for their assistance with the production Assistant to the Publisher Maggie Miron of this program. Program Coordinator Carol Houghton Three Little Pigs Publishing Ltd. Advertising Sales Doug Miron Three Little Pigs Publishing Ltd. Program and Advertising Design Tiina Andreakos Program Director Jeff Pesaruk Printed by Ion Print Solutions Celebrating 32 years of playbill publishing. Three Little Pigs Publishing produces programs for the Edmonton Arts Community as well as a variety of other programs in the Edmonton area. Edmonton’s longest serving playbill publisher. All rights reserved. Any reproduction in whole or in part is strictly prohibited without the permission of Theatre Network and Three Little Pigs Publishing Ltd. The Audience is Reading. -
Kidd Pivot’S Dance/Theatre Hybrid Revisor
FOR IMMEDIATE RELEASE Satire and Subversion Abound in World Premiere of Kidd Pivot’s Dance/Theatre Hybrid Revisor Canadian heavyweights Crystal Pite and Jonathon Young use farce to explore hyper- relevant themes of politics and moral bankruptcy Vancouver, BC – DanceHouse is thrilled to present the world premiere of Kidd Pivot’s Revisor, February 20-23, 2019 at 8pm at the Vancouver Playhouse. In their third collaboration, Kidd Pivot Artistic Director Crystal Pite and Electric Company Theatre Co-Founder Jonathon Young join forces to create a wildly innovative dance/theatre hybrid, mixing classic farce and the forces of radical change to craft a fizzing concoction that confounds expectations and inverts the official order. The bold physicality of Pite’s choreography for eight dancers embodies the eviscerating wit of Young’s script, recorded by some of Canada’s finest actors. “Following the overwhelming international success of 2015’s Betroffenheit, including 2017’s Olivier Award for Best New Dance Production, we are delighted that Pite and Young are collaborating once again. Not only that, we have the great fortune to present Kidd Pivot’s first Vancouver world premiere since 2006’s Lost Action,” says Jim Smith, Artistic and Executive Director of DanceHouse. “This creative duo are each masters of their craft: Pite with the language of the body and Young with the spoken word, making their creative partnership incredibly potent. In Revisor, the co-creators use larger-than-life characters, subversive satirical tropes, and absurdist humour to tease out perceptive truths about politics, corruption, and our shared human foibles.” The title of the new work is inspired by an article Young read years ago about Russian theatre director Vsevolod Meyerhold’s 1926 non-realist production of Nikolai Gogol’s farce, Revizor (known in English as The Government Inspector). -
Keynote Speakers
Keynote Speakers We are excited to announce our keynote speakers for The Quest: Indigenous Education and Equity. Check back as we continue to update our keynote speaker lineup. Click on each image to learn more. Gabrielle Scrimshaw Indigenous Leadership & Education Expert Gabrielle Scrimshaw Indigenous Leadership & Education Expert Gabrielle Scrimshaw Gabrielle Scrimshaw is an inspiring and engaging speaker, who regularly presents and provides input to large North American corporations, professional associations, academic institutions, and non-profit organizations. Born and raised in Northern Saskatchewan, Gabrielle is a proud member of the Hatchet Lake First Nation. She has studied international business and policy in Australasia, Asia, the Americas and Europe. In addition, Gabrielle became the youngest Associate accepted into one of Canada’s most competitive post-graduate finance programs. That same year Gabrielle co-founded the Aboriginal Professional Association of Canada. The organization is of its kind in the Greater Toronto Area and offers services and programming to First Nations, Métis and Inuit professionals. Gabrielle is the first First Nations representative to be selected for the honour in Canada’s history. Gabrielle is passionate about diversity, leadership and innovation. As the first in her family to pursue post-secondary education and travel the globe, she is a believer in what hard work and a positive attitude can accomplish. Renu Mandhane Chief Commissioner, Ontario Human Rights Commission Renu Mandhane Chief Commissioner, Ontario Human Rights Commission Renu Mandhane Renu Mandhane was appointed Chief Commissioner of the Ontario Human Rights Commission in October 2015. She is the former Executive Director of the award-winning International Human Rights Program at the University of Toronto, Faculty of Law. -
Spring 2021 Catalogue
PLAYWRIGHTS CANADA PRESS spring 2021 SEXUAL MISCONDUCT OF THE MIDDLE CLASSES HANNAH MOSCOVITCH “Wasn’t there something deadly about the ‘young girl’ as an object of fiction?” The archetypal student-teacher romance is cleverly turned on its head for the post-#MeToo era in this striking new play by the acclaimed author of What a Young Wife Ought to Know and Bunny. Jon, a star professor and author, is racked with self-loathing after his third marriage crumbles around him when he finds himself admiring a student—a girl in a red coat. The girl, nineteen-year-old Annie, is a big fan of his work, and also happens to live down the street. From their doorways to his office to hotel rooms, their mutual admiration and sexual tension escalates under Jon’s control to a surprising conclu- sion that will leave you wanting to go back and question your perceptions of power as soon as you finish. APRIL | $18.95 5 3/8" x 8 3/8" | 96 pages | 9780369102300 “Beyond providing her signature sharp sense of DRA019000, DRA013000 humour . the intrigue in Moscovitch’s script is in 1f, 1m | premiered in December 2019 at the discovering why she’s playing with such traditional Tarragon Theatre in Toronto tropes, so out of character for the playwright who ALSO AVAILABLE: The Russian has written so frankly about female sexuality.” Play and Other Short Works | East —Carly Maga, Toronto Star of Berlin | The Mill | This is War | Little One and Other Plays | Infinity “Powerful and clever and funny.” | Bunny | What a Young Wife Ought —Ron Johnson, TRNTO to Know | The Children’s Republic “Everything about Sexual Misconduct of the Middle YOU MAY LIKE: The Virgin Trial Classes was perfect.