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The Art of Victorian Photography
THE ART OF VICTORIAN Dr. Laurence Shafe [email protected] PHOTOGRAPHY www.shafe.uk The Art of Victorian Photography The invention and blossoming of photography coincided with the Victorian era and photography had an enormous influence on how Victorians saw the world. We will see how photography developed and how it raised issues concerning its role and purpose and questions about whether it was an art. The photographic revolution put portrait painters out of business and created a new form of portraiture. Many photographers tried various methods and techniques to show it was an art in its own right. It changed the way we see the world and brought the inaccessible, exotic and erotic into the home. It enabled historic events, famous people and exotic places to be seen for the first time and the century ended with the first moving images which ushered in a whole new form of entertainment. • My aim is to take you on a journey from the beginning of photography to the end of the nineteenth century with a focus on the impact it had on the visual arts. • I focus on England and English photographers and I take this title narrowly in the sense of photographs displayed as works of fine art and broadly as the skill of taking photographs using this new medium. • In particular, • Pre-photographic reproduction (including drawing and painting) • The discovery of photography, the first person captured, Fox Talbot and The Pencil of Light • But was it an art, how photographers created ‘artistic’ photographs, ‘artistic’ scenes, blurring, the Pastoral • The Victorian -
In Concert with Teaching Strategies That Have a Solid Theoretical Basis
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Teaching and Learning Technology”. In Section 1 of this course you will cover these topics: Learning And Instruction Computer Applications In Education The Impact Of The Computer On Education Topic : Learning And Instruction Topic Objective: At the end of this topic student would be able to understand: Computer's Role In Instruction Instructional Technology Early Applications The Internet Era Outcomes Research Social Context Gagne's Nine Events of Instruction Definition/Overview: The first topic establishes a framework for looking at the computer's role in instruction and examines its role in student learning. A brief review of behaviorist and constructivist theories of instruction and learning is presented. The intent is to demonstrate that the computer can be a practical tool usedWWW.BSSVE.IN in concert with teaching strategies that have a solid theoretical basis. We recognize that thinking patterns and learning styles vary and that many different cognitive processes and intelligences should be valued. This topic presents a brief overview of types of intelligences, perception and motivation in order to emphasize the importance of analyzing student populations and matching instructional materials to student needs. Recognizing the important role that software plays in instruction and learning, a good deal of discussion takes place on the selection and evaluation of effective software. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1.Computer's Role in Instruction American education has long incorporated technology in K-12 classrooms tape recorders, televisions, calculators, computers, and many others. -
Estimation and Correction of the Distortion in Forensic Image Due to Rotation of the Photo Camera
Master Thesis Electrical Engineering February 2018 Master Thesis Electrical Engineering with emphasis on Signal Processing February 2018 Estimation and Correction of the Distortion in Forensic Image due to Rotation of the Photo Camera Sathwika Bavikadi Venkata Bharath Botta Department of Applied Signal Processing Blekinge Institute of Technology SE–371 79 Karlskrona, Sweden This thesis is submitted to the Department of Applied Signal Processing at Blekinge Institute of Technology in partial fulfillment of the requirements for the degree of Master of Science in Electrical Engineering with Emphasis on Signal Processing. Contact Information: Author(s): Sathwika Bavikadi E-mail: [email protected] Venkata Bharath Botta E-mail: [email protected] Supervisor: Irina Gertsovich University Examiner: Dr. Sven Johansson Department of Applied Signal Processing Internet : www.bth.se Blekinge Institute of Technology Phone : +46 455 38 50 00 SE–371 79 Karlskrona, Sweden Fax : +46 455 38 50 57 Abstract Images, unlike text, represent an effective and natural communica- tion media for humans, due to their immediacy and the easy way to understand the image content. Shape recognition and pattern recog- nition are one of the most important tasks in the image processing. Crime scene photographs should always be in focus and there should be always be a ruler be present, this will allow the investigators the ability to resize the image to accurately reconstruct the scene. There- fore, the camera must be on a grounded platform such as tripod. Due to the rotation of the camera around the camera center there exist the distortion in the image which must be minimized. -
A Method of Content-Based Image Retrieval for the Generation of Image Mosaics
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2007 A Method Of Content-based Image Retrieval For The Generation Of Image Mosaics Michael Snead University of Central Florida Part of the Computer Engineering Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Snead, Michael, "A Method Of Content-based Image Retrieval For The Generation Of Image Mosaics" (2007). Electronic Theses and Dissertations, 2004-2019. 3358. https://stars.library.ucf.edu/etd/3358 A METHOD OF CONTENT-BASED IMAGE RETRIEVAL FOR THE GENERATION OF IMAGE MOSAICS by MICHAEL CHRISTOPHER SNEAD B.S. University of Central Florida, 2005 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in the School of Electrical Engineering and Computer Science in the College of Engineering & Computer Science at the University of Central Florida Orlando, Florida Spring Term 2007 © 2007 Michael Christopher Snead ii ABSTRACT An image mosaic is an artistic work that uses a number of smaller images creatively combined together to form another larger image. Each building block image, or tessera, has its own distinctive and meaningful content, but when viewed from a distance the tesserae come together to form an aesthetically pleasing montage. This work presents the design and implementation of MosaiX, a computer software system that generates these image mosaics automatically. -
FP4 Plus Is an Exceptionally Fine Grain, Medium Speed Black and White Film
HARMAN technology Limited TECHNICAL INFORMATION F P4 PLUS ISO 125/22º, BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE ILFORD FP4 Plus is an exceptionally fine grain, medium speed black and white film. It is ideal for high quality indoor and outdoor photography, particularly when giant enlargements are to be made. In addition to general photography, FP4 Plus is also suited to copying and internegative work, and has many applications in scientific, technical and industrial photography. FP4 Plus is robust and will give usable results even if it is overexposed by as much as six stops, or underexposed by two stops. It is compatible with all major processing systems, including those which give the standard short fixing and washing times. FP4 Plus 35mm film is coated on 0.125mm/5-mil acetate base and is available in 24 or 36 exposure cassettes, or in bulk lengths of 17 or 30.5 metres (56 and 100ft). FP4 Plus 35mm film is supplied in DX coded cassettes, suitable for all 35mm cameras. FP4 Plus roll film is coated on 0.110mm/4-mil clear acetate base with an anti- halation backing which clears during development. It is available in 120 lengths and is edge numbered 1 to 19. FP4 Plus sheet film is coated on 0.180mm/7-mil polyester base with an anti- halation backing which clears during development. It is available in a wide range of standard sizes. The emulsion faces the user when sheet film is held in the position shown opposite. EXPOSURE RATING FP4 Plus has a speed rating of ISO 125/22º to daylight. -
AV Solutions Range Guide August 2020 the Sony Solution
NEW WAYS TO INSPIRE Live Your Vision C AV Solutions Range Guide August 2020 The Sony Solution When it comes to professional AV technology, Sony provides much more than just great products. We create solutions that make visual communications and knowledge sharing even smarter and more efficient. Contents We empower organizations of every industry, sector and size with advanced audio-visual tools that help them go further. From schools to universities, small business to big business, retail to automotive, healthcare to faith-based worship and more, we have the perfect solution. Visual Imaging Welcome Projectors Cameras Our comprehensive suite of TEOS solutions intelligently manage all of your connected devices, while our powerful collaboration tools enable real-time The Sony Solution 3 F-Series laser 18 SRG Series 43 knowledge sharing. Discover new levels of detail with our class-leading P-Series laser 24 POV and BOX cameras 44 BRAVIA Professional Displays, and take your presentations further with our bright, captivating range of Laser Projectors.While our renowned lineup of CW-Series 26 BRC Series 45 Service and Support PTZ cameras feature progressive technologies ideal for remote working and F-lamp 28 IP Remote Controllers 46 distance learning applications. CH-lamp 30 SupportNET 5 E-lamp 32 Visual Simulation and Support is at the heart of everything we do. With our SupportNET, you’ll Visual Entertainment always get the best service for your business. With specialist advice and a host of support features included as standard, we’ve got -
"Alfred Stieglitz: Known and Unknown" on View at the National
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: May 20, 2002 "Alfred Stieglitz: Known and Unknown" On View at the National Gallery of Art, June 2 - September 2, 2002 Provides New Insights into the 50-Year Career of This Seminal Artist Washington, DC--Alfred Stieglitz has been renowned for his introduction of modern European art to America and for his support of contemporary American artists, but he was first and foremost a photographer. His photographs, which span more than five decades from the 1880s through the 1930s, are widely celebrated as some of the most compelling ever made. Alfred Stieglitz: Known and Unknown, on view at the National Gallery of Art West Building June 2 through September 2, 2002, presents 102 of Stieglitz's photographs from the National Gallery's collection. Encompassing the full range and evolution of his art, the exhibition includes many works that have not been exhibited in the last fifty years. It highlights less well-known images in order to demonstrate how they expand our understanding of the development of his art and his contributions to 20th-century photography. The exhibition, which is the culmination of a multi-year project on Stieglitz at the National Gallery, also celebrates the publication of Alfred Stieglitz: The Key Set, a definitive study of this seminal figure in the history of photography. Consisting of 1,642 photographs, the key set of Stieglitz's photographs was donated to the National Gallery by Georgia O'Keeffe in 1949 and 1980 and contains the finest example of every mounted print that was in Stieglitz's possession at the time of his death. -
Film Grain, Resolution and Fundamental Film Particles
FFFiiilllmmm GGGrrraaaiiinnn,,, RRReeesssooollluuutttiiiooonnn aaannnddd FFFuuunnndddaaammmeennntttaaalll FFFiiilllmmm PPPaaarrrtttiiicccllleeesss Version 9 March 2006 Tim Vitale © 2006 use by permission only 1 Introduction 1 2 Fundamental Film Particles – Silver-Halide 0.2 - 2.0 um 3 Feature Size and Digital Resolution: Data Table 1 4 Dye Clouds are the Fundamental Particles Color Film 6 3 Film Grain 6 Dye Clouds are the Film Grain in Color Film 6 Film Grain in Black-and-White Film 7 Cross-Section of Film 9 Grain Size Variability 9 RMS Granularity – Film Image Noise 9 RMS Granularity of Several Films: Data Table 2 10 Film Resolution – Sharpness 10 System Resolving Power Equation 12 Lens Issues Effecting Resolution 12 Film Issues Effecting Resolution 12 Evaluation a System: Camera, Lens and Film 13 Selected Film & Lens Resolution Data: Data Table 3 13 Camera System Resolving Power: Data Table 4 14 Measuring Film Grain 14 Print Grain Index 14 Size of Perceived Film Grain: Example 15 Size Domains for Enlargement & Magnification: Data Table 5 15 Maximum Resolution of a Microscope: Data Table 6 16 4 Eliminating Film Grain from an Image 18 Drum Scan Aperture 18 Feature size vs. Digital Resolution vs. Film: Data Table 7 19 Scan Resolution in Flatbed Scanning 19 Wet Mounting for Film Scanning 20 New Generation of Flatbed Scanners 21 Future Generation of Scanners – Epson Perfection V750-M 23 Software for Diminishing Film Grain 24 1 Introduction The purpose of this complex essay is to demonstrate the following: • Fundamental film particles (silver -
Seminar 'Typ 1 Aufgaben Qualitätsvoll Erstellen'
Seminar ’Typ 1 Aufgaben qualitätsvoll erstellen’ Konzett, Weberndorfer LATEX in der Schule Oktober 2019 1 / 41 1 Bilder einfügen 2 Erstellen von GeoGebra Grafiken Konzett, Weberndorfer LATEX in der Schule Oktober 2019 2 / 41 1 Bilder einfügen 2 Erstellen von GeoGebra Grafiken Konzett, Weberndorfer LATEX in der Schule Oktober 2019 3 / 41 Bilder einfügen Bilder können über folgenden Befehl eingebettet werden: Konzett, Weberndorfer Bilder einfügen Oktober 2019 4 / 41 Bilder einfügen Bilder können über folgenden Befehl eingebettet werden: \includegraphics[width=0.5\textwidth]{Grafik.jpg} Konzett, Weberndorfer Bilder einfügen Oktober 2019 4 / 41 Bilder einfügen Bilder können über folgenden Befehl eingebettet werden: \includegraphics[width=0.5\textwidth]{Grafik.jpg} Wichtig: Die Bilder müssen in dem selben Ordner liegen wie die .tex-Datei (oder der Dateipfad muss angegeben werden) Konzett, Weberndorfer Bilder einfügen Oktober 2019 4 / 41 Bilder einfügen A Mit LTEX ⇒ PDF : Konzett, Weberndorfer Bilder einfügen Oktober 2019 5 / 41 Bilder einfügen A Mit LTEX ⇒ PDF : Einfügen von Standard-Grafikformaten möglich (.jpg, .png, .pdf,...) Konzett, Weberndorfer Bilder einfügen Oktober 2019 5 / 41 Bilder einfügen A Mit LTEX ⇒ PDF : Einfügen von Standard-Grafikformaten möglich (.jpg, .png, .pdf,...) Aber: Kein Einbetten von Geogebra-Grafiken möglich Konzett, Weberndorfer Bilder einfügen Oktober 2019 5 / 41 Bilder einfügen A Mit LTEX ⇒ PDF : Einfügen von Standard-Grafikformaten möglich (.jpg, .png, .pdf,...) Aber: Kein Einbetten von Geogebra-Grafiken möglich A -
1902. 5, Forensic Photography, Digital Cameras, and Digital Imaging Archive
ORLANDO POLICE DEPARTMENT POLICY AND PROCEDURE 1902. 5, FORENSIC PHOTOGRAPHY, DIGITAL CAMERAS, AND DIGITAL IMAGING ARCHIVE EFFECTIVE: 9/14/2017 RESCINDS: 1902. 4 DISTRIBUTION: ALL EMPLOYEES REVIEW RESPONSIBILITY: INVESTIGATIVE SERVICES BUREAU COMMANDER ACCREDITATION STANDARDS: 14.03, 14.06, 14.07, 35.03 CHIEF OF POLICE: ORLANDO ROLÓN CONTENTS: 1. DEFINITIONS 2. USE OF DIGITAL CAMERA 3. PROCEDURES FOR CAPTURED IMAGES 4. DIGITAL IMAGING ARCHIVE 5. CARE AND STORAGE 6. TRAINING 7. MAINTENANCE AND REPAIR POLICY: This directive is intended to provide information about the Forensic Imaging Lab and the duties and services of the Forensic Photographer. It also provides direction regarding the use of issued digital cameras, the handling of digital media, and digital archiving. With the ongoing development of technology and the availability of personally-owned recording devices, smart phones, tablets, etc., all employees shall acknowledge that this policy shall apply to the capture, handling and archiving of all digital evidence, even if such evidence is collected on an employee’s personal device. This may include, but is not limited to, incidents where certain evidence may be irretrievably altered or lost prior to the arrival of a supervisor, corporal or CSI. This may also include circumstances where fire department officials, public works personnel and/or any wrecker service have responded and the nature of their lawful duties directly creates a danger for certain evidence remaining intact. Further examples would include situations where rapidly-changing weather conditions jeopardize the position or structure of the evidence being documented. PROCEDURES: 1. DEFINITIONS 1.1 FORENSIC PHOTOGRAPHY Forensic Photography is the provision of general and forensic photographic services, including photography of evidence, for use in investigations. -
The Latex Graphics Companion / Michel Goossens
i i “tlgc2” — 2007/6/15 — 15:36 — page iii — #3 i i The LATEXGraphics Companion Second Edition Michel Goossens Frank Mittelbach Sebastian Rahtz Denis Roegel Herbert Voß Upper Saddle River, NJ • Boston • Indianapolis • San Francisco New York • Toronto • Montreal • London • Munich • Paris • Madrid Capetown • Sydney • Tokyo • Singapore • Mexico City i i i i i i “tlgc2” — 2007/6/15 — 15:36 — page iv — #4 i i Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Addison-Wesley was aware of a trademark claim, the designations have been printed with initial capital letters or in all capitals. The authors and publisher have taken care in the preparation of this book, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The publisher offers discounts on this book when ordered in quantity for bulk purchases and special sales. For more information, please contact: U.S. Corporate and Government Sales (800) 382-3419 [email protected] For sales outside of the United States, please contact: International Sales [email protected] Visit Addison-Wesley on the Web: www.awprofessional.com Library of Congress Cataloging-in-Publication Data The LaTeX Graphics companion / Michel Goossens ... [et al.]. -- 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-321-50892-8 (pbk. : alk. paper) 1. -
Release Notes: Desktop Edition
Release Notes: Desktop Edition AutoVue 19.2c2: November 30, 2007 Installation • Please make sure you have AutoVue 19.2c1 installed before upgrading to AutoVue 19.2c2. Note: If you have an older version of AutoVue installed (e.g. AutoVue 19.2), please uninstall it before installing AutoVue 19.2c1 and upgrading to AutoVue 19.2c2. MCAD Formats • Added font substitution for missing native fonts: • CATIA 4 and CATIA 5 • Pro/ENGINEER • Unigraphics • Added support for Unigraphics NX5. • Performed bugs fixes for Unigraphics and CATIA 5. EDA Formats • Added font substitution for missing native fonts: • Altium Protel • OrCAD Layout • Cadence Allegro Layout • Cadence Allegro IPF • Cadence Allegro Extract • Mentor Board Station • Mentor PADS • Zuken CADSTAR • P-CAD • PDIF AEC Formats • Added font substitution for missing native fonts: • AutoCAD • MicroStation 7 and MicroStation 8 • Performed bug fixes for AutoCAD. Release Notes - AutoVue Desktop Edition - 1 - November 30, 2007 AutoVue 19.2c1: September 30, 2007 Packaging and Licensing • Introduced separate installers for the following product packages: • AutoVue Office • AutoVue 2D, AutoVue 2D Professional • AutoVue 3D Professional-SME, AutoVue 3D Advanced, AutoVue 3D Professional Advanced • AutoVue EDA Professional • AutoVue Electro-Mechanical Professional • AutoVue DEMO • Customers are no longer required to enter license keys to install and run the product. • To install 19.2c1, users are required to first uninstall 19.2. MCAD Formats • General bug fixes for CATIA 5 EDA Formats • Performed maintenance and bug fixes for Allegro files. General • Enabled interface for customized resource resolution DLL to give integrators more flexibility on how to locate external resources. Sample source code and DLL is located in the integrat\VisualC\reslocate directory.