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The Best of PORTRAIT PHOTOGRAPHY Techniques and Images from the Pros SECOND EDITION
The Best of PORTRAIT PHOTOGRAPHY Techniques and Images from the Pros SECOND EDITION BILL HURTER Amherst Media® PUBLISHER OF PHOTOGRAPHY BOOKS ABOUT THE AUTHOR Bill Hurter started out in photography in 1972 in Washington, DC, where he was a news photographer. He even covered the political scene—including the Watergate hearings. After graduating with a BA in literature from American University in 1972, he completed training at the Brooks Institute of Photography in 1975. Going on to work at Petersen’s PhotoGraphic magazine, he held practically every job except art director. He has been the owner of his own creative agency, shot stock, and worked assignments (including a year or so with the L.A. Dodgers). He has been directly involved in photography for the last thirty years and has seen the revolution in technology. In 1988, Bill was awarded an honorary Masters of Science degree from the Brooks Institute. He has written more than a dozen instructional books for professional photographers and is currently the editor of Rangefinder magazine. Copyright © 2008 by Bill Hurter. All rights reserved. Front cover photograph by Fuzzy Duenkel. Back cover photograph by Bruce Dorn. Published by: Amherst Media, Inc. P.O. Box 586 Buffalo, N.Y. 14226 Fax: 716-874-4508 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Assistant Editor: Barbara A. Lynch-Johnt Editorial Assistance from: John S. Loder ISBN-13: 978-1-58428-223-5 Library of Congress Control Number: 2007926869 Printed in Korea. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, me- chanical, photocopied, recorded or otherwise, without prior written consent from the publisher. -
Cinematography DELIVERY GUIDE Version 1
Cambridge TECHNICALS LEVEL 3 DIGITAL MEDIA Unit 18 – Cinematography DELIVERY GUIDE Version 1 ocr.org.uk/media CAMBRIDGE TECHNICALS IN DIGITAL MEDIA DIGITAL IN TECHNICALS CAMBRIDGE CONTENTS Introduction 3 Related Activities 4 Key Terms 6 Misconceptions 8 Suggested Activities: Learning Outcome (LO1) 9 Learning Outcome (LO2) 14 Learning Outcome (LO3) 17 Learning Outcome (LO4) 22 Learning Outcome (LO5) 26 LEVEL 3 18 UNIT LEVEL 3 2 CAMBRIDGE TECHNICALS IN DIGITAL MEDIA DIGITAL IN TECHNICALS CAMBRIDGE INTRODUCTION This Delivery Guide has been developed to provide practitioners with a variety of creative and practical ideas to support the delivery of this qualification. The Guide UNIT AIM is a collection of lesson ideas with associated activities, which you may find helpful Cinematography is both an artistic and a technical discipline that has a significant impact as you plan your lessons. on the meaning and aesthetics of a moving image product. Use of artistic lighting techniques and creative use of the camera are therefore vital if a television or film OCR has collaborated with current practitioners to ensure that the ideas put forward in production is going to be successful and memorable. this Delivery Guide are practical, realistic and dynamic. The Guide is structured by learning outcome so you can see how each activity helps you cover the requirements of this unit. By completing this unit, you will learn how to use digital video cameras and digital single- lens reflex cameras (DSLR) (video) in manual mode. Also, you will explore the effect of light We appreciate that practitioners are knowledgeable in relation to what works for them entering the camera and how to light different types of shots for studio and location. -
The 22” High-Output Beauty Dish Reflector
The 22” High-Output Beauty Dish Reflector What is a High-Output Beauty Dish? Conventional beauty dishes project a very wide angle and low ef- ficiency light output when used with or without a diffusing sock. A direct-light blocking shield is generally necessary because the direct light from the flashtube is very bright in comparison to the light reflected from the white surface of the dish. direct-light blocker assembly The 22” High-Output Beauty Dish is designed to project a narrow 45° beam angle, with about six times the efficiency of a conven- tional dish. This allows for lighting subjects from greater distances with low power flash units, and allows using the reflector with or without the direct-light blocker. It also results in a more selective area of coverage when used closer to the subject. Using the Silver 22HOBD for maximum specularity Beauty Dish with diffusion sock Beauty Dish with direct-light blocker installed Because of its geometry, the Silver Beauty Dish provides a some- Mounting the Beauty Dish what higher degree of shadow softening and the finish allows more specularity than white dishes. Even more specular response can Retract the four retaining fingers by squeezing the levers on top of be achieved by using the Beauty Dish without the included direct- the light (AlienBees) or sliding the lever on the bottom of the light light blocker. Because of its very high efficiency, the ratio of direct over to the release position (White Lightning and Zeus). Remove to reflected light is much lower in comparison to a conventional any mounted reflector, and replace with the Beauty Dish ensuring beauty dish. -
Photo Rentals(Q375 Package)
Photo Rentals (Q375 Package) Power Grip (continued) 1 - 375 amp 3 phase generator 2 - 12 X 12 Solids 2 - 12 X 12 Frame Lighting 1 - 20 X 20 Break Apart Frame 8 - Profoto Pro-7A Pack 1 - 16’ Speedrail 1 - Profoto Pro-7B2 Pack 2 - 10’ Speedrail 8 - Profoto Pro-7 Head 4 - 4’ X 4’ Floppies 1 - Profoto Pro-7 Twin Head 2 - 4’ X 4’ Silks 2 - Profoto Pro-7 Head Extension Cable 1 - 4’ X 4’ Empty Frame 1 - Profoto Ringlight 2 - 24” X 36” Solid 4 - Profoto 41” White Umbrella 2 - 24” X 36” Silk 1 - Profoto 41” Silver Umbrella 2 - 24” X 36” Single 2 - Profoto Magnum Reflectors 2 - 24” X 36” Double 2 - Profoto Magnum Reflector Grids 2 - 12” X 24” Solid 1 - Profoto White Beauty Dish with Diffusion 2 - 12” X 24” Single 1 - Profoto Silver Beauty Dish with Diffusion 2 - 12” X 24” Double 1 - Profoto Beauty Dish Grid 1 - 24” X 60” Cutter 5 - Profoto Grid Sets 10 - 4” Baby Pins 1 - Profoto Pro Globe with Speedring 10 - J Hooks 1 - Westcott 46” Translucent Umbrella 6 - BJ Adaptors 9 - Pocket Wizard Transceivers 2 - Bead Board Holders 2 - Elinchrom 74” Octabank 4 - Bull Pricks 1 - Chimera Super Pro Plus Large White 1 - Sledge Hammer 2 - Chimera Super Pro Plus Medium White 10 - Super Clamps 1 - Chimera Super Pro Plus Small White 4 - Cardellinis End Jaw 1 - Chimera Strip Super Pro Plus Medium White 4 - Cardellinis Center Jaw 1 - Chimera Strip Super Pro Plus Small White 2 - Baby Nail On Plates 6 - Profoto Speedring 6 - Grip Clips #3 2 - ARRI 1K Fresnel 20 - Grip Clips #2 6 - V Flats 10 - Grip Clips #1 4 - 30” Safety Cables 1 - Mega Boom Distro 1 - Mini Boom 1 - -
EZ Lock Beauty Dish Guide Introduction
EZ Lock Beauty Dish Guide Introduction GLOW EZ LOCK BEAUTY DISH is an ingenious portable version of the light modifier famous for striking fashion and portraiture images showcasing the incomparable safe and sure EZ Lock system. No more clumsy construction, fumbling with flex resistant rods or struggling in frustration for careful alignment of speedring holes. The 16-ribbed dish opens up and closes down, ‘umbrella style.’ The quick-to-setup quasi-parabola saucer like assembly has all the advantages of the beauty dish allure without the disadvantages of damage that a metallic dish confronts during location travel and is free of any of the drawbacks of a delicate bendable dish. Intrinsic to the beauty dish design is a small reversible opaque deflector cover that is suspended concave profile out, directly over the front of the light source, preventing direct light from reaching the subject. With the Glow EZ Lock Beauty Dish Eggcrate Grid, you gain more control of a light source’s beam and can feather light for a more attractive shadow, virtually eliminating spill from the rest of the body and the background. Photographers use 25” to 42” beauty dish on monolights and flash heads for flattering people shots, especially for sculpting facial features and creating beautiful shadows and catchlights. When stacked in a vertical tower array of 2 or more, the beauty dish accentuates a model’s full figure with perfect head to toe coverage. 2 GlowLightControl.com Precautions • Please study this guide and store for future reference. • The materials used in this product are not waterproof or flame resistant. -
Puma Video Rate Card 2009
PUMA VIDEO RATE CARD – June 2021 All quoted prices are exclusive of insurance & VAT. The prices quoted on the rate card are p/day guidelines. Please contact us for a more tailored quote. Items marked with * will not be discounted. 6K/5K/4K CAMERAS: BODY ONLY (no tripod, no lens) DAILY RATE: 1. RED EPIC DRAGON 6K/SCARLET-W 5K: camera R 7000.00 Red VF/monitor, V-lock batteries, 4 x RED mini mags, 2. Z-Cam E2-F6 & E2-S6 (EF/PL) 6K camera, 10-bit colour, 12 bit ProRes RAW R 2800.00 Cage, 2 x 256GB C-Fast Cards, NP-F batteries, http://www.z-cam.com 3. SONY PXW-FX9 FULL FRAME 4K camera R 5500.00 3 x 64GB XQD cards, SmallRig Camera top plate & handle, Zacuto VCT Pro Shoulder plate, Sony FE PZ 28-135 mm f/4 G OSS Zoom Lens, Batteries, 4:2:2 10-bit internal 4. SONY FS-7 / FS7 II SUPER-35 4K camera R 4000.00 3 x 64GB XQD cards, Wooden camera top plate, Smallrig VCT Shoulder plate, Batteries Sony E PZ 18-110mm f/4.0 G OSS zoom lens 5. SONY FS-5 SUPER-35 4K camera R 3000.00 2 x 64 SD cards & reader, Wooden Camer top plate, Smallrig VCT Shoulder plate,Batteries 6. SONY PXW-X70 4K 1”CMOS Sensor HANDY-CAM R 1100.00 DSLR Full Frame (35MM) & APS-C: 4K, UHD, HD (incl. cards, batteries) 1. CANON EOS 5D MK IV 4K DSLR CAMERA BODY (Cage optional) R 850.00 2. -
2.2 Producción Audiovisual
FACULTAD DE DISEÑO ARQUITECTURA Y ARTE ESCUELA DE DISEÑO DE OBJETOS SISTEMA DE HERRAMIENTAS PARA REGISTROS AUDIOVISUALES Y MULTIMEDIA TRABAJO DE GRADUACIÓN PREVIO A LA OBTENCIÓN DE TITULO DE DISEÑADOR DE OBJETOS AUTOR: ANTONIO AGUIRRE CORONEL TUTOR: ING. JOSÉ LUIS FAJARDO SEMINARIO, MGST CUENCA - ECUADOR 2020 Í AUTOR: Antonio Aguirre Coronel TUTOR: Ing. José Luis Fajardo Seminario, Mgst Cuenca - Ecuador 2020 7 DEDI Quiero dedicar este proyecto a mi familia, amigos, profesores, profesio- nales y aficionados en el área de la fotografía y vídeo, quienes se han “ visto en la necesidad de optimizar recursos para facilitar la realización de producción audiovisual en diferentes ámbitos, planteando una nueva alter- CATO nativa multifuncional que responde a una serie de requerimientos dados un espacio determinado. ” RIA 8 9 Agradezco de manera especial a mi querida madre quien ha sido incondi- cional en mi vida, y pilar fundamental de la misma, a mi padre que en paz “ descanse, y aunque hoy ya no este presente fue quien me enseñó a saber tomar decisiones en la vida y quien me motivó a cumplir cada uno de mis metas, también agradezco a mi familia, quienes me han apoyado a AGRA lo largo de este proceso de formación a pesar de las dificultades y se han convertido en mi fuente de inspiración, les doy las gracias por no haberme dejado decaer, sino al contrario siempre me motivaron a ser responsable y lograr uno a uno mis propósitos. DECIMI Finalmente les doy las gracias a mis profesores que me han compartido sus conocimientos y han sido aporte fundamental para mi formación como profesional incluyendo a todas las personas que han creído en mi y mis capacidades, las mismas que han servido como un granito de arena para ENTO lograr concluir este proyecto. -
The Complete Guide to Digital Night and Low-Light Photography Free
FREE THE COMPLETE GUIDE TO DIGITAL NIGHT AND LOW-LIGHT PHOTOGRAPHY PDF Tony Worobiec | 144 pages | 30 Jul 2010 | DAVID & CHARLES | 9780715338551 | English | Newton Abbot, United Kingdom Night photography - Wikipedia Cameras are complicated. It took a ton of trial and error to improve my photography. When I managed to work it all out, I started taking some pretty spectacular images. Product links on ExpertPhotography are referral links. If you use one of these and buy something, we make a little bit of money. Need more info? See how it all works here. As beginner photographers, we tend to be visual learners. I collaborated with an illustrator friend of mine, and together we made these images. Learning how exposure works will help you to take control of your camera and take better photos. They also cause alterations in depth of fieldmotion blurand digital noise. Once you understand how each one works, you can start diving into manual mode. This is where you take control back from your camera. The exposure triangle is a great way to remember the three settings. When combined, they control the amount of light captured from any given scene. This will help you to understand that changing one setting will need a change in the others. That is if you are photographing the same scene with the same exact lighting conditions. Read here for all the information you need on the exposure triangle. Exposure happens in three steps. We will start with the aperture. This is the hole inside the lens, through which the light passes. The wider the aperture, the more light is allowed in and vice versa. -
Mindful Photographer
Operating Manual for the Mindful Photographer Ed Heckerman Copyright © 2017 Cerritos College and Ed Heckerman 11110 Alondra Blvd., Norwalk, CA 90650 Second Edition, 2018 This interactive PDF was made in partial fulfillment for a sabbatical during the academic year 2016 - 2017. No part of the text of this book may be reporduced without permission from Cerritos College. All photographs were taken by Ed Heckerman and produced independently from sabbat- ical contract. Ed Heckerman maintains the copyright for all the photographs and edition changes. No images may be copied from this manual for any use without his consent. Contents Part 1 — Insights and Aspirations 1 contents page Introduction 1 What is Photography? 2 What is a Photograph? Motivations — Why Make Photographs? Photography and Mindfulness 6 Thoughts On Tradition ��������������������������������������������������������������������������12 Part 2 — Navigating Choices ������������������������������������������������������������� 14 Cameras Loading Your Camera Unloading Your Camera Manual Focus Autofocus Sensitivity and Resolution — ISO Controlling Exposure — Setting the Aperture and Shutter Speed Shutter Speed Coordinating Apertures and Shutter Speeds Exposure Metering Systems ��������������������������������������������������������������� 25 Full-frame Average Metering Center Weighted Metering Spot Metering Multi-Zone Metering Incident Metering -
Rental Catalog Lighting • Grip
RENTAL CATALOG LIGHTING • GRIP SAMYS.COM/RENT TABLE OF CONTENTS STROBE LIGHTING PROFOTO ....................................................................................................................1 BRONCOLOR ..............................................................................................................6 GODOX VIDEO LIGHT ............................................................................................... 10 POWER INVERTERS .................................................................................................. 10 QUANTUM FLASHES & SLAVES ................................................................................. 11 SOFT LIGHTS ............................................................................................................12 BRIESE LIGHTING & ACCESSORIES ...........................................................................13 LIGHT BANKS ............................................................................................................14 POCKET WIZARD REMOTE TRIGGERS .......................................................................15 METERS EXPOSURE METERS ..................................................................................................16 CONTINUOUS LIGHTING LED / TUNGSTEN / HMI .............................................................................................18 HMI LIGHTING ...........................................................................................................19 LED LIGHTS ...............................................................................................................21 -
Portrait Photography
VOLUME 7 Insight + Inspiration Series Portrait Photography Photo by featured photographer: THOMAS INGERSOLL VOLUME 7 The Insight + Inspiration Series delves into the world of Portrait Photography. We feature seven talented photogra- phers and go behind the scenes on how they managed to capture the unique personalities of their subjects through the use of bold lighting, natural and urban landscapes, and props. Each article brings out the endless creativity and in- spiration that truly defines the age old saying, “A picture is worth a thousand words.” Insight + Inspiration Series 3 Erich Saide is an Award-Winning Vancouver based Sports & Lifestyle, Commercial, and Celebrity Portrait Photographer. erichsaide.com instagram.com/erichsaide with Rooftop Shot etc., goes a long way in being able to just shoot. It allows the photographer to be creative and concentrate on his/her craft as well as the client and model. This comfort helps create the best images one Natural Light can hope to make. One small challenge for the rooftop shot, by Erich Saide we decided to use the Profoto B1 and B10 to take advantage of the High Speed Sync to raise our shutter speed and over The concept for this shot was based on the client’s needs to the pose and make any clothing adjustments based on how the power the very bright sun slightly. capture some moody images. For the setup on my roof we used a moodier light looked on the screen is a huge asset. But it’s the Profoto B1 paired with a four-foot Octobox, a Profoto B10 to add client interaction process where tethering really shines. -
OCF Beauty Dish Esalta La Bellezza
OCF Beauty Dish Esalta la bellezza L'OCF Beauty Dish è la versione compatta e pieghevole del ai fotografi che lavorano on location. La qualità dei materiali e classico Profoto Softlight Reflector. il design in attesa di brevettono permettono di montarlo sullo speedring in modo semplice. Crea una luce delicata, ma croccante e per questo è conosciuto come "luce di bellezza". Se vuoi esaltare la bellezza dei tuoi soggetti non troverai accessorio più adatto di Come utilizzarlo questo. • Ritratti • Moda Realizzato con materiali di altà qualità, L'OCF Beauty Dish è • Bellezza compatto, leggero e facile da usare, per questo è consigliato • On location Informazioni tecniche Caratteristiche dell'OCF • Crea una classica "Luce di bellezza". Beauty Dish • Pieghevole e leggero. • Design in attesa di brevetto che permette di montarlo in modo semplice e veloce. • Realizzato con materiali di alta qualità. • Disponibile in due versioni: bianco e argento. • Fornito di deflector plate, diffusore opzionale e borsa. Specifiche del prodotto Codici prodotto Misure 101220 OCF Beauty Dish White 2' OCF Beauty Dish White 2' 1 x OCF Beauty Dish White 2' 56 x 56 x 22 cm incl. deflector plate 1 x diffusore OCF Beauty Dish Silver 2' 1 x borsa per il trasporto 56 x 56 x 22 cm 101221 OCF Beauty Dish Silver 2' OCF Speedring 1 x OCF Beauty Dish Silver 2' Diametro: 150 mm incl. deflector plate Profondità: 52 mm 1 x diffusore 1 x borsa per il trasporto Peso 101210 OCF Speedring OCF Beauty Dish White 2' 0.48 kg con deflector plate e speedring Informazioni Da notare OCF Beauty Dish Silver 2' L'OCF Beauty Dish White e Silver può essere 0.53 kg con deflector plate e speedring usato solo con i Profoto Off-Camera Flash che abbiano una luce pilota a LED.