Bass Guitar PERSONALITY TITLES METHODS
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ...................................................................................... -
Classic Obs' #5
PEARL JAM . GIGATON Nouvel album disponible le 27 mars Disponible en version CD et double-vinyle Plus d’infos sur pearljam.com edito CLASSIC OBS’ N°5 - MARS / AVRIL 2020 BIMESTRIEL METAL Black is beautiful Directeur de la publication Si choc ? So chic ! Ambassadeur de l’art abject du black metal sous la bannière Behemoth, le chanteur Charles Provost / guitariste Nergal redevient Adam Darski et préfère, au sein de Me And That Man, son riff charmeur Éditorialiste plutôt que destructeur. Ce side-project enraciné dans le jardin culturel américain se joue du blues, du Jean-Christophe Baugé folk, qui ont tous deux survécu aux séismes musicaux susceptibles de les ringardiser. Songs Of Love And Death (2017), périlleux exercice d’équilibriste entre fidélité au concept et emprunt à l’air du temps, est le Conception graphique premier volet d’une franchise contrainte à la réinvention. Comme il n’y a pas de petite entreprise, mais Sponge (www.burnyourdesign.com) que de grandes aventures, un second et nouvel album, New Man, New Songs, Same Shit Vol. 1, attendu le 28 mars chez Napalm Records, tente d’habiller de nouveauté certains archétypes musicaux grâce à Rédaction un réseau d’obligés. Au premier rang duquel Mat McNerney, chanteur de Grave Pleasures, qui, avec la François Alaouret, chanson à boire black « Burning Churches » garantit sa première réaction épidermique à l’association Jean-Christophe Baugé, « Provocs Hellfest ça suffit » en amont du concert du groupe à Clisson le 20 juin. N’en déplaise aux Laurent Bendahan, Elody Di Cocco, misandres professionnelles -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
Gary Grainger
FREE! FREE EVENT! Gary Grainger and the PRS Band STEVE MORSE AUGUST 14 at 7 PM DAV E LARUE AT SWEETWATER LIVE AT Gary Grainger Join us for an evening of incredible music, & as renowned bassist Gary Grainger takes the stage with the PRS Band. As a session and touring bassist, Gary has played with AUGUST 19 AT 7PM luminaries from all corners of the music world. At this special, FREE workshop, he'll be performing songs backed by a phenomenal band along with talking about his signature Sponsored by PRS bass and why he chooses PRS. We hope to see you there! INCREDIBLE LIVE Aboutthe BAND PERFORMANCE! GUITAR Legendary guitarist Steve Morse and bassist Dave Paul Reed Smith LaRue are coming to Paul is the founder and owner of Paul Reed Sweetwater for a special Smith Guitars, as well as being an avid guitarist. evening of music. The pair Steve Morse Dave LaRue play together in the Dixie Steve’s career has Dave has been touring DRUMS spanned rock, country, and recording with Greg Grainger Dregs and the Steve Morse the Dixie Dregs and funk, jazz, classical, The younger brother of Gary Grainger, Greg has played Band, and together they’ll and fusion, with him the Steve Morse Band since 1988. When not with Kim Waters, Acoustic Alchemy, Maysa, and the display their incredible serving as guitarist Sax Pack. working with the Morse musicianship and talk for Deep Purple, the Steve Morse Band, and band, LaRue keeps busy GUITAR about Ernie Ball Music Man Dixie Dregs, among working with other Mike Ault others. -
Travis Larson Band Travis Larson Band Travis Larson Band Travis Larson Band Travis Larson Band Travis Larson Band S S E R P S S E R P S S E R P S S E R P R P S Q a F
TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND PRESS PRESS PRESS PRESS PR FAQS Travis Larson Band TRAVIS LARSON BAND TRAVIS LARSON BAND Guitar Player Magazine GP Editors' Top Three 2011 ES TRAVIS LARSON BAND Guitar Hero goes from tender to full throttle "Silky bends, sweet legato lines, and tuneful shred... instrumen- "...A smoking instrumental power trio...With tons of technique Burn Season (PRCN-1005) BURN SEASON Rockshow DVD SOUNDMIND (PRCN-1009) TRAVIS LARSON BAND Suspension tal rock fans should catch this guy." -Guitar Player Magazine to burn..." -Expose Magazine Precision Records (2004) Precision Records (2003) Itching for something that will sound as good Rock Show DVD Tracing the evolution of the rock guitar instrumentalist would probably start with Les Paul and S (Precision) Silky bends, sweet legato lines, and tuneful shred characterize Larson's playing speeding down the interstate as it does in your Guitar freaks Precision Records (PRCN-1004) move into the realm of the surf movement, the technical advances of Hendrix and Clapton, and “Melodically tasty, the playing is smoothly condent while "A lot of meat on the barbecue..." on these 12 cuts. Some stellar moments include the slick lines on the opener, home stereo system? Look no further than Burn Guitarist/keyboardist Travis Larson has a bit of Steve Morse have a new then into more modern axe grinders like Eric Johnson and Joe Satriani. Add to the stack a cat technically brilliant, and production is so sonically crisp the -Axe Magazine "Nevermore," the swooping whammy work on "Down on Victory," and the Season, the third studio album from the Travis sensibility to his technically nimble melodic/harmonic guitar work, With the release of their second full length CD Suspension, The Travis named Travis Larson, and you have yourself the ultimate guitar solo experience. -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
On Training Neural Networks to Intuitively Classify Music Genre
1 On Training Neural Networks to Intuitively Classify Music Genre Alexander Reid Earlham College TABLE OF CONTENTS K-fold Cross Validation paradigm, as this has proven to be effective against undesirable biases in this context. Page Ultimately the results of this study were 63% accuracy I Introduction 1 on the stock dataset of ten genres, while accuracy on II Musical Genre Classification 4 the combination of the dataset & the Dummy Plug, III Historical Contributions 6 which contained an additional twenty genres, was 45% IV Contemporary Analogues 12 accuracy on average. This approach & the framework created around it can be seen as a mechanism for audio V Contributions of this Study 14 platforms to quickly, intelligently, & effectively reply to VI Discussion of Results 16 the contemporary surge in the development of musical VII Conclusion 18 genres. References 18 Index Terms—Music, Genre Classification, Artifi- Related Works 19 cial Neural Networks ... Abstract—This study is centered around the chal- I. INTRODUCTION lenge of musical style classification, and in particular this study approaches this issue from the point of view of op- N this paper the challenge of musical genre timally training Artificial Neural Networks to accomplish I classification is explored—utilizing cited stud- this task. In the past, Artificial Neural Networks have ies as both references and generalizable perspec- been some of the most effective methods for approach- tives of this field of work as a whole. Specifically ing this issue, as the cited studies depict. This study this paper views this problem from the perspec- sought to classify music into ten musical genres: Pop, tive of training Neural Networks to accomplish Rock, Heavy Metal, Reggae, Country, Techno, Blues, Jazz, HipHop/Rap, & Dance using an Artificial Neural this task optimally. -
RJ461 61 Key Full Size Musical Keyboard User Guide
RJ461 61 Key Full Size Musical Keyboard User Guide Important Information Be sure to obey the following information so as not to harm yourself or others or damage this instrument or other external equipment. Power adapter: • Please use only the specified AC adapter supplied with the product. An incorrect or faulty adapter can cause damage to the electronic keyboard. • Do not place the AC adapter or power cord near to any source of heat such as radiators or other heaters. • To avoid damaging the power cord, please ensure that heavy objects are not placed on it and that it is not subject to stress or over bending. • Check the power plug regularly and ensure it is free from surface dirt. Do not insert or unplug the power cord with wet hands. Do not open the body of the electronic keyboard: • Do not open the electronic keyboard or try to disassemble any part of it. If the device is not functioning correctly, please stop using it and send it to a qualified service agent for repair. Use of the electronic keyboard: • To avoid damaging the appearance of the electronic keyboard or damaging the internal parts please do not place the electronic keyboard in a dusty environment, in direct sunlight or in places where there are very high or very low temperatures. • Do not place the electronic keyboard on an uneven surface. To avoid damaging internal parts do not place any vessel holding liquid onto the electronic keyboard as spillage may occur. Maintenance: • To clean the body of the electronic keyboard wipe it with a dry, soft cloth only. -
Guitar/Bass/Mandolin’ (As Applicable)
Also available: Pianoforte/Keyboard Pianoforte Duet Drum Kit Singing Brass Examination String Woodwind Accordion Organ/Keyboard Syllabus Guitar / Bass / Mandolin Theory of Music 2018-20 Australian and New Zealand Cultural Arts Limited A.B.N. 12 006 692 039 I.R.D. 74 370 878 P.O. Box 70, Greensborough Vic. 3088 Australia Phone: (03) 9434 7640 Fax: (03) 9434 1291 Email: [email protected] Web: www.anzca.com.au Australian and New Zealand Cultural Arts Limited 1 Foreword Australian and New Zealand Cultural Arts Limited is a non-profit examining body of the performing arts. It was formed in 1983, in response to a growing need among private music teachers for an examination system catering for a greater diversity of musical styles. In recognizing the vital role modern music plays, especially among the young, ANZCA set out to design its syllabuses to cater for both classical and modern streams. ANZCA hopes to stimulate and excite musicians by providing syllabuses that are at once refreshing and educational. All aspects of the syllabuses, including scales, aural tests, sight reading and improvisation, have been arranged in a logical sequential order, with due regard to the educational merit underlying each requirement. Modern and classical syllabuses are currently available for pianoforte, organ, guitar, singing, trumpet and flute, as well as contemporary syllabuses for keyboard, mandolin, bass, ukulele, drum kit, trombone, clarinet, saxophone, accordion, recorder, strings and theory of music. Group examinations are offered for practical examinations from Grades One to Four, in addition to the String Quartet (four levels) and Piano Duet (seven levels) syllabuses. -
ARLON Nagrywa Swój Drugi Studyjny Album We Współpracy Z Michałem
ARLON nagrywa swój drugi studyjny album we współpracy z Michałem Mierzejewskim i symfoniczną orkiestrą Sinfonietta Consonus! Nagrania rozpoczęły się 29 listopada 2014 roku, potrwają do lutego 2015 roku i będą realizowane w kilku miastach. Na płycie znajdzie się ponad 50 minut muzyki głównie autorstwa i w aranżacji lidera grupy, saksofonisty, klawiszowca i kompozytora Jacka Szotta, ale nie zabraknie dźwięków skomponowanych przez gitarzystę klasycznego i kompozytora, wokalistę zespołu, Wojciecha Mandzyna oraz przez gitarzystę zespołu Wiesława Rutkę. Autorką i tłumaczką tekstów jest anglistka i doktorantka literaturoznawstwa Uniwersytetu Rzeszowskiego, Anetta Mandzyn. W nagraniach drugiego albumu Arlonu weźmie udział około 40 muzyków, w tym orkiestra Sinfonietta Consonus, chór i oczywiście pięciu muzyków zespołu Arlon. Orkiestra Michała Mierzejewskiego pojawi się w dwóch zorkiestrowanych przez niego utworach Arlonu. Pomysł współpracy z Michałem Mierzejewskim zrodził się w 2013 roku, chwilę po wydaniu pierwszej płyty Arlon „On the Edge”. Paweł Zwirn – perkusista Arlon, endorser firmy Palisso i Jacek Szott zainicjowali pierwsze spotkanie muzyków w Krakowie przy okazji koncertu Neal Morse Band i wtedy odbyły się wstępne rozmowy na temat przyszłych wspólnych nagrań. Pomysł dojrzewał w trakcie prac nad nowym materiałem i niebawem został sfinalizowany. Oprócz przygotowywania nowej płyty, Arlon szykuje trasę koncertową. Tak o współpracy z zespołem pisze sam Michał Mierzejewski: „Współpraca z zespołem Arlon to będzie pierwszy "kontakt" orkiestry Sinfonietta Consonus z polską grupą. Jako aranżera, orkiestratora i założyciela orkiestry bardzo mnie ten fakt cieszy, gdyż współpracowaliśmy z wieloma zespołami rocka/metalu progresywnego, lecz byli to artyści zagraniczni. Tym bardziej jestem szczęśliwy z powodu zaproszenia Arlonu. Kompozycje, które otrzymałem do zorkiestrowania zapowiadają bardzo dobry i niepowtarzalny album. -
Utgave 16 - Våren 2005
Utgave 16 - Våren 2005 I denne fanzine: James LaBrie - Elements of Persuasion Mike Portnoy - Studiorapport og intervju Dream Theater - Live at Budokan Omtaler av bl.a.: Spockʼs Beard - Octane Kevin Moore - Graveyard Mountain Home D T John Petrucci - Suspended Animation N o r w a y DTNorway - Offisiell Norsk Dream Theater Fanklubb Lederen taler: Hei alle sammen Velkommen inn i et nytt og spennende år. Våren gir oss mange godsaker for oss som liker Dream Theater og prog-rock. James La- Brie kommer med soloskive og turne i Eu - ropa, John Petrucci kommer med soloskive og ikke minst, Dream Theater kommer med ny skive i juni med påfølgende turne! For oss i Norge blir det Sweden Rock som i første omgang er beste mu- lighet til å se Dream Theater i sommer. For meg er også spennende å sitte ved roret i DTNorway sammen med Kim-Arthur. Siden Nils Henrik gav seg er det nå meg som følger opp alle spørsmål fra medlemmene. Jeg vet hvor fruste - rende det kan være å vente lenge på svar på noe dere lurer på, så jeg vil prøve å være så kjapp som mulig. Noen har også fått en giro med fanzinen denne gangen. Det er da gått over ett år siden dere sist betalt og det er på tiden å fornye medlemsska - pet. DTNorway satte fanklubbrekord i 2004 med medlemsfor - deler med mange fanziner, 2 CDer, vorspiel i Oslo Spektrum OG fanklubb DVD! Vi skal prøve så godt vi kan å holde den trenden slik at dere fortsatt trives som medlemmer av DTNorway.