A Dictionary of Borges
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Letters of Marcus Tullius Cicero to Several of His Friends
UC SOUTHERN REGIONAL LIBRARY FACILITY AA 000 464 615 4 Ex Libris C. K. OGDEN w m '»? ^ .'. -vX , \ > • I LETTERTHE OF Marcus Tulliiis Cicero T O Several of his Friends: With REMARKS By W I L L I A M M E L M O T H, Efqi Quo fit ut omnis Votlva pateat veluti defcripta tabella Vita fenis. HoR. THE THIRD EDITION. IN THREE VOLUMES. VOL. III. i:x.:\/usfj{eg. 6V^//. LONDON: Printed for J. Dodsley, in Pall-mall. 177J, SRLF URl fft LETTERS.,...— , E^-nij OF Marcus Tullius Cicero T O Several of his F R i E N d So BOOK XI. LETTER L To Tiro. letter encourages me to hope that A.u.70?. find better : I am fure at YOURyou yourfelf leaftj I moil fincerely wifh that you may. I intreat you therefore to confecrate all your cares to that end ; and by no means indulge fo miftaken a fufpicion as that I am difpleafed you are not with me. With me you are, in the bell fenfe of that exprelTion, if you are tak- ing care of your health : which I had much rather you Ihouid attend^ than on myfelf. For Vol. UI. B tho' 2 The letters Book XL .v.u.7o8.tho'' I always both fee and hear you with plea- lure that will j pleafure be greatly increafed, when I fhali have the fatisfaftiory at the fame tii-n* to be afiured that you are perfectly well. My work is at prefcnt fufpended \ as I can- not make ufe of my own hand: however I em- ploy myfclf a good deal in reading. -
An Experiment with Time Free
FREE AN EXPERIMENT WITH TIME PDF J.W. Dunne | 256 pages | 01 Apr 2001 | Hampton Roads Publishing Co | 9781571742346 | English | Charlottesville, VA, United States What | An Experiment with Time See what's new with book lending at the Internet Archive. Uploaded by artmisa on December 24, Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker. Audio Software icon An illustration of a 3. Software Images icon An illustration An Experiment with Time two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. EMBED for wordpress. An Experiment with Time more? Advanced embedding details, examples, and help! My head An Experiment with Time flopped re the technical details but was astonished that here for the first time somebody has experienced and documented how I dream - Very pleased to have read it, I feel exonerated and recognised :. I enjoyed reading it. But I am not sure it is a book many will enjoy. Folkscanomy: A Library of Books. Additional Collections. An Experiment With Time : J.W. Dunne : Free Download, Borrow, and Streaming : Internet Archive Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. -
CS Lewis and JW Dunne
Volume 37 Number 2 Article 5 Spring 4-17-2019 The Last Serialist: C.S. Lewis and J.W. Dunne Guy W B Inchbald Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Inchbald, Guy W B (2019) "The Last Serialist: C.S. Lewis and J.W. Dunne," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 37 : No. 2 , Article 5. Available at: https://dc.swosu.edu/mythlore/vol37/iss2/5 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract C.S. Lewis was influenced yb Serialism, a theory of time, dreams and immortality proposed by J.W. Dunne. The closing chapters of the final Chronicle of Narnia, The Last Battle, are examined here. Relevant aspects of Dunne’s theory are drawn out and his known influence on the works of Lewis er visited. -
The Iqta' System of Iraq Under the Buwayhids Tsugitaka Sato
THE IQTA' SYSTEM OF IRAQ UNDER THE BUWAYHIDS TSUGITAKA SATO* In 334 A. H. (946 A.D.), having established his authority in Baghdad, Mu'izz al-Dawla granted iqta's in the Sawad to his commanders, his asso- ciates, and his Turks. This is the formation of the so-called "military" iqta' system in the Islamic history. The appearance of the military iqta's brought about not only the evolution of the Islamic state, but also the transformation of the Iraqi society during the 10-11th centuries and of the other countries in the following periods. Nizam al-Mulk understood this as the change from bistagan (cash pay) to iqta',(1) while al-Maqrizi described as the change from 'ata' to iqta' in the same meaning.(2) As for the iqta' system under the Buwayhids, H. F. Amedroz first translated the Miskawayh's text into English with annotations,(3) and then C. H. Becker tried to realize the iqta' system in the history of 'Lehen' from the early Islamic period to the Ottoman Turks.(4) A. A, al-Duri, who studied the economic history of the Buwayhid Iraq, made clear the character of iqta' comparing it with milk (private land) and waqf, though the reality of iqta' holding remained to be investigated in future.(5) On the other hand, Cl. Cahen published the general survey of iqta' in the history of the Islamic land holding, which gave us usefull informations concerning the right and obligation of soldiers, and the fall of peasants by way of himaya (protection) and the loan at high interest.(6) We also find the general description of iqta' in the study of H. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
The Unique Ibn Al-Bawwab Manuscript
D.S.RICE THE UNIQUE IBN AL-BAWWAB MANUSCRIPT The text of the Qur'an was recorded'in the Prophet's lifetime, on a variety of writing materials.These inclu- ded such diverse materials as papyrus, parchment, leather, limestone slabs,shoulder blades,ribs, saddle- boards, &c. The Qur'an was first collectedunder the first caliph, Abu Bakr, and codified under the third caliph, 'Uthman. It was, in all likelihood, written on parchmenton both occasions,although one sourcehas it that papyrus was used on the first. All the early Qur'ans which have so far come to light are on parchment, with the exception of a small frag- ment on papyruswhich is attributed to the third Islamic century. The earliest Qur'ans w\ich have reachedus are written in variety of angular scripts commonly-but inappro- priately-describedas Kufic. No completeKufic Qur'an has, to my knowledge, survived and none is provided with a colophon. It is still a matter of controversy whether we possessany Qur'an which can be dated to the first century of the Muslim era.There are a number "signatures" of coclices which bear of the caliphs 'Uthman and 'Ali, but these have been shown to be later pious forgeries. Thanks to the studies published in the course of the last fifty years,especially by B. Moritz, J. von Karaba- cek, G. Bergstrásser,O. Pretzl,A. Grohmann, N. Abbott, and G. Levi della Vida much progresshas been made in the provisional dating of certain Kufic Qur'ans to the late first and to the second century of the Hijra. -
In “Death and the Compass” Borges Presciently Anticipates De
SYMMETRY OF DEATH w Adrian Gargett n “Death and the Compass” Borges presciently anticipates de- velopments in contemporary physics and scientific thought, I constructing a literary environment that systemically gives the lie t o the dream of rational determinism, suggesting instead some- thing like a “primordial disorder” out of which the shifting, provi- sional orders of culture and science emerge. In constructing a subtle and complex argument via the parallel in- teractions of a Deleuzo-guattarian mechanism, this project artfully attempts to weave the principal discursive strands into an animated investigative framework. The first strand is a close analysis of sections from “Death and the Compass”. The second is the articulation of the critical concepts from the Deleuzo-guattarian scheme. The third is the embedding of the issues of chance and causality within the work of Borges. J (NORTH) The first murder occurred in the Hotel du Nord – that tall prism which dominates the estuary whose waters are the colour of the de- sert. To that tower (which quite glaringly unifies the hateful white- ness of a hospital, the numbered divisibility of a jail and the general Variaciones Borges 13 (2002) 80 ADRIAN GARGETT appearance of a bordello) there came on the third day of December the delegate from Podolsk to the Third Talmudic Congress, Doctor Marcel Yarmolinsky, a grey-bearded man with grey eyes. (Labyrinths 106) Deleuze and Guattari cast literature as an exemplary mode to demonstrate systems of machinic functioning; how litera- ture/books/writing operates in terms of such functioning – in terms of a “rhizomatic” analysis as presented in “A Thousand Plateaus”.1 Deleuze and Guattari’s rhizomatic conceptual vehicle maps a schizoanalytic application to Borges disseminating literary texts. -
Elizabethan Sonnet Sequences and the Social Order Author(S): Arthur F
"Love is Not Love": Elizabethan Sonnet Sequences and the Social Order Author(s): Arthur F. Marotti Source: ELH , Summer, 1982, Vol. 49, No. 2 (Summer, 1982), pp. 396-428 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.com/stable/2872989 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to ELH This content downloaded from 200.130.19.155 on Mon, 27 Jul 2020 13:15:50 UTC All use subject to https://about.jstor.org/terms "LOVE IS NOT LOVE": ELIZABETHAN SONNET SEQUENCES AND THE SOCIAL ORDER* BY ARTHUR F. MAROTTI "Every time there is signification there is the possibility of using it in order to lie." -Umberto Ecol It is a well-known fact of literary history that the posthumous publication of Sir Philip Sidney's Astrophil and Stella inaugurated a fashion for sonnet sequences in the last part of Queen Elizabeth's reign, an outpouring of both manuscript-circulated and printed collections that virtually flooded the literary market of the 1590's. But this extraordinary phenomenon was short-lived. With some notable exceptions-such as the delayed publication of Shake- speare's sought-after poems in 1609 and Michael Drayton's con- tinued expansion and beneficial revision of his collection-the composition of sonnet sequences ended with the passing of the Elizabethan era. -
La Funesta Inmediación: Jorge Luis Borges Y El Anhelo De Un Saber Absoluto1
LA FUNESTA INMEDIACIÓN: JORGE LUIS BORGES Y EL ANHELO DE UN SABER ABSOLUTO1 MARTÍN GRASSI Pontificia Universidad Católica Argentina RESUMEN: La filosofía ha encontrado en la literatura de Jorge Luis Borges un ámbito único para reflexionar en torno de sus propios problemas. En este ensayo examinaré las tensiones y contradic- ciones que afloran dentro del paradigma metafísico de la inmediación y de la intuición. El cuento de «Funes, el memorioso» ofrece la ocasión para pensar en la imposibilidad del hombre de afirmar un sistema de signos o una facultad perceptiva que ignore el inexorable resto que guarde la diferencia entre lo real y lo representado. Una vida humana que se afirme en el ideal de un saber absoluto, de una visión ininterrumpida, es finalmente funesta. El hombre vive de las mediaciones y de las interrupciones, recuerda porque olvida, despierta porque sueña, conoce porque ignora: mira porque tiene párpados. PALABRAS CLAVE: inmediación; presencia; resto; lenguaje; memoria; Borges. The deadly immediacy: Jorge Luis Borges and the longing for absolute knowledge ABSTRACT: Philosophy finds in Borges’ literature a unique place to reflect on its own problems. In this essay, I shall examine the tensions and contradictions that arise from a metaphysical paradigm of immediacy and intuition. Reading the story «Funes, el memorioso», I will show that a system of signs and a perceptive faculty that ignores the necessary difference between the real and the representation is impossible for men. Human life is unhuman if it is affirmed in its ideal of an absolute knowledge, of an uninterrupted vision. Man live in between mediations and interruptions; human beings remember because they forget, awakens because they sleep, know because they ignore, look because their eyes have also eyelashes. -
Abismo Logico.Pdf
Otros títulos de esta Colección EL ABISMO LÓGICO MANUEL BOTERO CAMACHO Este libro explora un fenómeno que se mencionar filósofos y escribir cuentos (BORGES Y LOS FFFEILOSOFEOS F DE LAS IDEAS) Doctor en Filología de la Universidad Complu- repite en algunos textos del escritor argen- acerca de una realidad imposible tense de Madrid con Diploma de Estudios Avan- tino Jorge Luis Borges (1899-1986). Está siguiendo sus filosofías, de mostrar algo MANUEL BOTERO CAMACHO GÉNESIS Y TRANSFORMACIONES MANUEL BOTERO CAMACHO zados en Filología Inglesa y en Filología Hispa- DEL ESTADO NACIÓN EN COLOMBIA compuesto por nueve capítulos, que acerca de sus creencias, sería precisa- noamericana. Licenciado en Literatura, opción UNA MIRADA TOPOLÓGICA A LOS ESTUDIOS SOCIALES DESDE LA FILOSOFÍA POLÍTICA corresponden al análisis de la reescritura mente su escepticismo respecto de en filosofía, de la Universidad de Los Andes, de nueve distintas propuestas filosóficas. dichas doctrinas. Los relatos no suponen Bogotá. Es profesor en la Escuela de Ciencias ADOLFO CHAPARRO AMAYA Las propuestas están cobijadas bajo la su visión de la realidad sino una lectura Humanas y en la Facultad de Jurisprudencia CAROLINA GALINDO HERNÁNDEZ misma doctrina: el idealismo. Es un libro de las teorías acerca de la realidad. (Educación Continuada) del Colegio Mayor de que se escribe para validar la propuesta Nuestra Señora del Rosario. Es profesor de de un método de lectura que cuenta a la El texto propone análisis novedosos de Semiología y Coordinador de los Conversato- COLECCIÓN TEXTOS DE CIENCIAS HUMANAS vez con una dosis de ingenio y con los cuentos de Borges y reevalúa y rios de la Casa Lleras en la Universidad Jorge planteamientos rigurosos, permitiendo critica algunos análisis existentes elabo- Tadeo Lozano. -
Poetry As Correspondence in Early Modern England
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Unfolding Verse: Poetry As Correspondence In Early Modern England Dianne Marie Mitchell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Mitchell, Dianne Marie, "Unfolding Verse: Poetry As Correspondence In Early Modern England" (2017). Publicly Accessible Penn Dissertations. 2477. https://repository.upenn.edu/edissertations/2477 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2477 For more information, please contact [email protected]. Unfolding Verse: Poetry As Correspondence In Early Modern England Abstract This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making lyric verse more accessible to a reading public than ever before, writers and correspondents created poetic objects designed to reach individual postal recipients. Drawing on extensive archival research, “Unfolding Verse” examines versions of popular poems by John Donne, Ben Jonson, Mary Wroth, and others which look little like “literature.” Rather, these verses bear salutations, addresses, folds, wax seals, and other signs of transmission through the informal postal networks of early modern England. Neither verse letters nor “epistles,” the textual artifacts I call “letter-poems” proclaim their participation in a widespread social -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background