The Message of the Betrayal in Figurative Language of the Song “Your Betrayal”

Total Page:16

File Type:pdf, Size:1020Kb

The Message of the Betrayal in Figurative Language of the Song “Your Betrayal” PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE MESSAGE OF THE BETRAYAL IN FIGURATIVE LANGUAGE OF THE SONG “YOUR BETRAYAL” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements For the Degree of Sarjana Sastra in English Letters By YOHANES MARTIN NUGROHO SAPUTRO Student Number: 104214060 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Never retreat vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI I dedicate this thesis to my awesome parents Paulus Sri Iriyanto & Lusila Kurniawati Also my beloved friends & family of B-10 SASING viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS My highest gratitude goes to my savior and guidance, Jesus Christ. I would also like to thank to my best thesis advisor Adventina Putranti, S.S., M.Hum. for her guidance in finishing my study and to my thesis co-advisor Arina Isti’anah, S.Pd., M.Hum for her important suggestion on this study. I also would like to thank Anna Fitriati S.Pd., M.Hum., Ni Luh Putu Rosiandani S.S., M.Hum., Francisca Kristanti S.Pd., M.Hum., and all the supporting units at Sanata Dharma University who have assisted me in finishing my study. I will not complete my education unless my family support me along the way here. Mr. Irianto and Mrs. Irianto, you are my greatest parents. Also I would like to thank my beautiful auntie Fira for her support and especially to my adorable niece whose smile always inspires me. I would also give my deepest gratitude to Antonia Dumasari Putrianti who never gives up on me. My special & greatest thanks go to my friends in crime: Anto, Rama, Hans, Matheus, Dita, and Qee. My hero who are all of my friends and family of B-10 Sasing: Daniel, Nino, Joe, Albert, Moko, Widya, Icha, Rosa, Danis, Yanis, Anang, Andrew, Nia, Tia, Kons, Vania, Hugo, Wiwik, Dona, Danti, Lita, and Marsha. My deepest thanks also goes to my supporting team of Lectio St. Hieronimus Wedi and OMK paroki Wedi. ix PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE ........................................................................................... ii APPROVAL PAGE ................................................................................. iii ACCEPTANCE PAGE ............................................................................ iv STATEMENT OF ORIGINALITY ........................................................ v LEMBAR PERNYATAAN PERSETUJUAN ........................................ vi MOTTO PAGE ........................................................................................ vii DEDICATION PAGE .............................................................................. viii ACKNOWLEDGEMENTS ..................................................................... ix TABLE OF CONTENTS ......................................................................... x ABSTRACT .............................................................................................. xiii ABSTRACT .............................................................................................. xiv CHAPTER I: INTRODUCTION ........................................................... 1 A. Background of the Study ................................................................. 1 B. Problem Formulation ....................................................................... 3 C. Objectives of the Study ................................................................... 3 D. Definition of Terms ......................................................................... 3 CHAPTER II: REVIEWS OF RELATED LITERATURE ................ 5 A. Review of Related Studies .............................................................. 5 B. Review of Related Theories ............................................................ 6 1. Theory of Semantics .................................................................... 6 2. Theory of Figurative Language ................................................... 7 . a. Simile ...................................................................................... 8 b. Metaphor ................................................................................. 8 c. Personification ......................................................................... 8 d. Synecdoche ............................................................................. 9 e. Metonymy ............................................................................... 9 f. Hyperbole ................................................................................. 10 g. Irony ........................................................................................ 10 h. Paradox .................................................................................... 10 i. Dead Metaphor ......................................................................... 11 j. Allusion .................................................................................... 11 3. Types of Meaning ........................................................................ 11 a. Conceptual Meaning ................................................................ 12 b. Connotative Meaning .............................................................. 13 c. Social and Affective Meaning ................................................. 13 d. Reflected and Collocative Meaning ........................................ 14 e. Thematic Meaning ................................................................... 15 4. Contextual meaning ..................................................................... 16 a. Local Context .......................................................................... 16 b. Sentential Context ................................................................... 17 c. Topical Context ....................................................................... 17 x PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI d. Global Context ........................................................................ 18 C. Theoretical Framework ................................................................... 19 CHAPTER III: METHODOLOGY ....................................................... 20 A. Object of the Study .......................................................................... 20 B. Approach of the Study ..................................................................... 20 C. Method of the Study ........................................................................ 21 1. Data Collection ............................................................................ 21 2. Data Analysis ............................................................................... 21 CHAPTER IV: ANALYSIS RESULT .................................................... 23 1. Analysis on the Figurative Language ............................................... 23 a. Metaphor ................................................................................. 25 1. An Evil Feeling Attacks (Line 3) ........................................ 25 2. My body's shaking, there's no turning back (Line 4) .......... 26 3. Don't take your eyes off the trigger (Line 5) ...................... 26 4. So here we are, I'm in your head (Line 9) .......................... 26 5. Pay the price for your betrayal (Line 13) ........................... 26 6. My heart is pounding as I say goodbye (Line 20) .............. 26 7. How could you kill me and lie to my face? (Line 24) ........ 27 b. Dead Metaphor ........................................................................ 27 1. You were told to run away (Line 11) ................................. 27 2. Your betrayal, your betrayal (Line 14) ............................... 27 3. I was told to stay away (Line 15) ....................................... 27 4. Now that we can't be together (Line 25) ............................ 27 c. Hyperbole ................................................................................ 28 1. Am I going insane? (Line 1) ............................................... 28 2. My blood is boiling inside of my veins (Line 2) ................ 28 3. I'm not to blame if your world turns to black (Line 6) ....... 28 4. As your eyes start to blister (Line 7) .................................. 29 5. There's just no hope for a final embrace (Line 8) ............... 29 6. Is it my turn to die? (Line 19) ............................................. 29 7. So now I dance in the flames (Line 21) .............................. 29 8. You said that we'd be forever (Line 23) ............................. 29 d. Irony ........................................................................................ 30 1. I love you crying and screaming my name ......................... 30 2. The Message of Betrayal Conveyed Through the Figurative of Speech “Your Betrayal” Song Lyric a. Contextual Meaning ................................................................ 30 i. Metaphor ............................................................................ 31 ii. Dead Metaphor ................................................................... 34 iii. Hyperbole .......................................................................... 37 iv. Irony .................................................................................. 39 CHAPTER V: CONCLUSION ..............................................................
Recommended publications
  • River Voices Spring 2020 River Voices Cover Artist Statement
    River Voices Spring 2020 River Voices Cover Artist Statement The piece is titled “Society’s Puppet.” This piece is important to each one of us because each of us relates to a category of the LGBTQ+ and felt it was vital that we send a message to people who are both part of the community and those who are bystanders. We have all had our personal experiences and stories about coming to terms with who we are. The internal struggle we face can feel as if you are at war with yourself. We often ask the question: “Can I live this life, love myself and go into the world this way? Or, would it just be easier simply to let society treat me like a puppet, and hide behind the veil of normality?” It’s a battle that may feel never ending, even when you finally can look at yourself and say, “This is me!” The world around us is not always as accepting. But each day that you get up, you are facing the world and showing them that you cannot be turned into a “puppet” any longer. We hope that when you see this photo, you know that no matter how much you battle your inner demons, or the demons of the world around us, you can rise from the ashes and speak your truth. To help you through your story, and to express it to the world, we have created what we hope to be an artistic outlet for LGBTQ+ people every- where. We call it Studyingjupiter; it is an Instagram page where we hope to recreate stories about who you are, your journey of self-discovery, and anything else that you would like to send, through photography and special effects makeup.
    [Show full text]
  • Rebuilding Trust in the Workplace: Seven Steps to Renew Confidence, Commitment, and Energy
    An Excerpt From Rebuilding Trust in the Workplace: Seven Steps to Renew Confidence, Commitment, and Energy by Dennis & Michelle Reina Published by Berrett-Koehler Publishers Contents Preface xi Introduction: Betrayal Is Universal 1 The Betrayal Continuum 2 The Impact of Betrayal 4 Betrayal: A Gift and a Teacher 6 The Three Vantage Points 8 The Seven Steps for Healing 9 Step 1: Observe and Acknowledge What Happened 15 When You Have Been Betrayed 17 When You Have Betrayed Others 22 When You Want to Help Others Rebuild Trust 27 Step 2: Allow Feelings to Surface 31 Ways to Surface Your Feelings 34 When You Have Been Betrayed 39 When You Have Betrayed Others 41 When You Want to Help Others Rebuild Trust 43 Step 3: Get and Give Support 47 Ways to Get Support 49 When You Have Been Betrayed 54 When You Have Betrayed Others 56 When You Want to Help Others Rebuild Trust 58 vii viii Rebuilding Trust in the Workplace Step 4: Reframe the Experience 63 See the Bigger Picture 64 Focus on Choices and Opportunities 69 Identify the Lessons 69 When You Have Been Betrayed 73 When You Have Betrayed Others 75 When You Want to Help Others Rebuild Trust 77 Step 5: Take Responsibility 81 Determine What Part You Own 82 Take Action 83 Realize What You Gain 84 When You Have Been Betrayed 86 When You Have Betrayed Others 90 When You Want to Help Others Rebuild Trust 95 Step 6: Forgive Yourself and Others 99 Forgive Yourself 101 Forgive Others 103 When You Have Been Betrayed 104 When You Have Betrayed Others 111 When You Want to Help Others Rebuild Trust 113 Step
    [Show full text]
  • An Introduction to BETRAYAL
    An Introduction to BETRAYAL There are times in the life of any individual or organization when they are challenged by events entirely beyond their control. One such event happened in the life of our Goodwill that challenged us to our very core. That event was the fraud committed by Carol Braun. We take pride in our corporate values and our integrity. We were exposed and vulnerable. The real mark of an organization's strength is its capacity to weather the most difficult storms. I believe that "Betrayal" is a testament to the strength and integrity of our Goodwill. It is a living testament to our capacity to learn from our hardships and mistakes. The book has found its way to every corner of America and has served to comfort and inform others who have faced similar circumstances. This book is dedicated to the men and women of Goodwill, our "People". We are stronger, more resilient and more compassionate as a result of this experience. We hope that Betrayal will, in some small way, ease any personal or professional challenges the reader may face and we stand ready to help. Bob Pedersen Chief Visionary & Storyteller Goodwill NCW BETRAYAL by Jed Block and the people of Goodwill Industries of North Central Wisconsin, Inc. © 2004 by Goodwill Industries of North Central Wisconsin, Inc., Menasha, Wisconsin 1 TABLE OF CONTENTS Foreword……………………………………………………………..Page 1 Chapters 1-30………………………………………………...……………..5 Epilogue…………………………………………………………………….74 Postscript……………………………………………………………………78 Appendix Mission, Vision, Values…………………………………………….81 Who’s Who
    [Show full text]
  • HISTORICAL ANALYSIS – Comparing / Contrasting …Imperialists & Anti-Imperialists
    Unit 6, Period 7 Part 1 HISTORICAL ANALYSIS – Comparing / Contrasting …Imperialists & Anti-Imperialists From the 2015 Revised Framework: COMPARE & CONTRAST… 1. Compare diverse perspectives represented in primary and secondary sources in order to draw conclusions about one or more historical events. 2. Compare different historical individuals, events, developments, and/ or processes, analyzing both similarities and differences in order to draw historically valid conclusions. Comparisons can be made across different time periods, across different geographical locations, and between different historical events or developments within the same time period and/ or geographical location. From the 2015 Revised Content Outline Key Concept 7.3: Participation in a series of global conflicts propelled the United States into a position of international power while renewing domestic debates over the nation’s proper role in the world. I. In the late 19th century and early 20th century, new U.S. territorial ambitions and acquisitions in the Western Hemisphere and the Pacific accompanied heightened public debates over America’s role in the world. A) Imperialists cited economic opportunities, racial theories, competition with European empires, and the perception in the 1890s that the Western frontier was “closed” to argue that Americans were destined to expand their culture and institutions to peoples around the globe. B) Anti-imperialists cited principles of self-determination and invoked both racial theories and the U.S. foreign policy tradition of isolationism to argue that the U.S. should not extend its territory overseas. C) The American victory in the Spanish–American War led to the U.S. acquisition of island territories in the Caribbean and the Pacific, an increase in involvement in Asia, and the suppression of a nationalist movement in the Philippines.
    [Show full text]
  • Brief Betrayal Trauma Scale
    The Brief Betrayal Trauma Survey (BBTS) !uthor(s) of Instrument: Lewis R; Goldberg Jennifer J; Freyd Key References: Publications related to this instrument Freyd, J; J; & Goldberg, L; R; (2004); Gender difference in exposure to betrayal trauma; Presentation at the 20th !nnual Meeting of the International Society for Traumatic Stress Studies, New Orleans, L!, November 14-18, 2004; Goldberg, L; R; & Freyd, J; J; (2006); Self-reports of potentially traumatic experiences in an adult community sample: Gender differences and test-retest stabilities of the items in a brief-betrayal- trauma scale; Journal of Trauma & Dissociation, 7(3), 39-63; Primary Use/Purpose: This section describes what this instrument was designed to measure; This survey was developed as a modification of the Betrayal Trauma Inventory (BTI)1, which is an event history measure that looks at various types of traumas experienced and their impact; Trauma related to a betrayal of trust, such as abuse by a caregiver, has a different impact than trauma that does not involve a betrayal of trust, such as a natural disaster; Betrayal trauma causes more severe and lasting consequences than other forms of trauma; This means that differentiating betrayal trauma from other forms of trauma is important to treatment, however, the utility of the BTI is limited by the fact that it takes an average of 45 minutes to complete; The goal of the Brief Betrayal Trauma Survey (BBTS) was to keep the instrument as short as possible while still including as many different types of trauma as possible;
    [Show full text]
  • Guitar Magazine Master Spreadsheet
    Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros.
    [Show full text]
  • The Betrayal Free Ebook
    FREETHE BETRAYAL EBOOK Mary Hooper | 288 pages | 12 Oct 2010 | Bloomsbury Publishing PLC | 9780747599104 | English | London, United Kingdom The Betrayal - Official Path of Exile Wiki See more The Betrayal from the same year Dictionary Entries near betrayal Betoyan betrample betray betrayal betrayed betray nothing betray someone's friendship. Accessed 21 Oct. Keep scrolling for more More from Merriam-Webster on betrayal The Betrayal All synonyms and antonyms for betrayal Nglish: Translation of betrayal for Spanish Speakers Britannica English: Translation of betrayal for The Betrayal Speakers Comments on The Betrayal What made you want to look up betrayal? Please tell us where you read or heard it including the quote, if possible. Test Your Knowledge - and learn some interesting things along the The Betrayal. Subscribe to America's largest dictionary and get thousands The Betrayal definitions and advanced search—ad free! You can never have too much storage. What Does 'Eighty-Six' Mean? We're intent on clearing it up 'Nip it in the butt' or 'Nip it in the bud'? We're gonna stop you right there Literally How to use a word that literally drives some pe Is Singular 'They' a Better Choice? Name that government! Or something like that. Can you spell these 10 commonly misspelled words? Do you know the person or title these quotes desc Login or Register. Save Word. Definition of betrayal. First Known Use of betrayalin the meaning defined at sense 1. Keep scrolling for more. Learn More about betrayal. Time Traveler for betrayal The first known use of betrayal was in See more words from the same year.
    [Show full text]
  • Narrative Complexity in Television
    Jason Mittell 29 JASON MITTELL Narrative Complexity in Contemporary American Television longside the host of procedural crime tended Bordwell’s approach to television, suggesting that dramas, domestic sitcoms, and reality com- programs like Twin Peaks and The Singing Detective might petitions that populate the American televi- be usefully thought of as “art television,” importing norms A sion schedule, a new form of entertainment from art cinema onto the small screen.2 Although certainly television has emerged over the past two decades to both cinema influences many aspects of television, especially critical and popular acclaim. This model of television concerning visual style, I am reluctant to map a model of storytelling is distinct for its use of narrative complexity storytelling tied to self-contained feature films onto the as an alternative to the conventional episodic and serial ongoing long-form narrative structure of series televi- forms that have typified most American television since sion and thus believe we can more productively develop its inception. We can see such innovative narrative form a vocabulary for television narrative in terms of its own in popular hits of recent decades from Seinfeld to Lost, medium. Television’s narrative complexity is predicated West Wing to The X-Files, as well as in critically beloved on specific facets of storytelling that seem uniquely suited but ratings-challenged shows like Arrested Development, to the series structure that sets television apart from film Veronica Mars, Boomtown, and Firefly. HBO has built its and distinguish it from conventional modes of episodic reputation and subscriber base upon narratively com- and serial forms.
    [Show full text]
  • Ken Magazine, the Consumer Market, and the Spanish Civil
    The Pennsylvania State University The Graduate School Department of English POLITICS, THE PRESS, AND PERSUASIVE AESTHETICS: SHAPING THE SPANISH CIVIL WAR IN AMERICAN PERIODICALS A Dissertation in English by Gregory S. Baptista © 2009 Gregory S. Baptista Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2009 ii The dissertation of Gregory S. Baptista was reviewed and approved* by the following: Mark S. Morrisson Associate Professor of English Graduate Director Dissertation Advisor Chair of Committee Robin Schulze Professor of English Department Head Sandra Spanier Professor of English and Women’s Studies James L.W. West III Edwin Erle Sparks Professor of English Philip Jenkins Edwin Erle Sparks Professor of the Humanities *Signatures are on file in the Graduate School iii ABSTRACT This dissertation explores the presentation of the Spanish Civil War in selected American periodicals. Understanding how war-related works functioned (aesthetically and rhetorically) requires a nuanced view of the circumstances of their production and an awareness of their immediate cultural context. I consider means of creation and publication to examine the complex ways in which the goals of truth-seeking and truth-shaping interacted—and were acted upon by the institutional dynamics of periodical production. By focusing on three specific periodicals that occupied different points along a line leading outward from the mainstream of American culture, I examine the ways in which certain pro- Loyalist writers and editors attempted to shape the truth of the Spanish war for American readers within the contexts and inherent restrictions of periodical publication. I argue that responses to the war in these publications are products of a range of cultural and institutional forces that go beyond the political affiliations or ideological stances of particular writers.
    [Show full text]
  • ETHICAL DESIRE: BETRAYAL in CONTEMPORARY BRITISH FICTION a Dissertation by SOO YEON KIM Submitted to the Office of Graduate
    ETHICAL DESIRE: BETRAYAL IN CONTEMPORARY BRITISH FICTION A Dissertation by SOO YEON KIM Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Major Subject: English ETHICAL DESIRE: BETRAYAL IN CONTEMPORARY BRITISH FICTION A Dissertation by SOO YEON KIM Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee David McWhirter Committee Members Mary Ann O’Farrell Theodore George Elizabeth Ho Head of Department M. Jimmie Killingsworth May 2010 Major Subject: English iii ABSTRACT Ethical Desire: Betrayal in Contemporary British Fiction. (May 2010) Soo Yeon Kim, B.A., Seoul National University; M.A., Seoul National University Chair of Advisory Committee: Dr. David McWhirter This dissertation investigates representations of betrayal in works by Hanif Kureishi, Salman Rushdie, Irvine Welsh, and Alan Hollinghurst. In rethinking “bad” acts of betrayal as embodying an ethical desire not for the good but for “the better,” this dissertation challenges the simplistic good/bad binary as mandated by neo-imperialist, late capitalist, and heteronormative society. In doing so, my project intervenes in the current paradigm of ethical literary criticism, whose focus on the canon and the universal Good gained from it runs a risk of underwriting moral majoritarianism and judgmentalism. I argue that some contemporary narratives of betrayal open up onto a new ethic, insofar as they reveal the unethical totalization assumed in ethical literary criticism’s pursuit of the normative Good.
    [Show full text]
  • Literature's Loyalty to Betrayal
    AIC nr. 21 1/2018 Literature’s Loyalty to Betrayal ©2018 AIC DRAGOŞ AVĂDANEI Universitatea „Alexandru Ioan Cuza” din Iaşi This idiosyncratically titled paper is motivated by an attempt to answer the unexpectedly difficult question about betrayal as a fun- Keywords damental theme or motif in literature—literature in general, from the first known such work, Gilgamesh, through Greek and Roman betrayal; identity; mythology, fairy tales and folk tales, medieval romances, Dante, communication; Cervantes and Shakespeare, to Goethe, Tolstoy and Joyce, to evil; conflict; Anne Sexton and Philip Levine. Our tentative answers: betrayal cognitive may represent the fundamental human conflict, as it undermines dissonance. two of man’s essential claims to existence—identity and commu- nication; evil is more powerful than good; betrayal is a prominent form of cognitive dissonance; and all of these are “illustrated” in five betrayal poems by William Stafford, Anthony Hecht, Frank O’Hara, Anne Sexton, and Philip Levine. Betrayal seeps through literature like a dark stain… (Karin Altenberg) Altenberg’s statement is chosen as an epigraph here both because of its relevance to the topic and because “seeps” and “dark stain” are not—as our text will most likely prove—quite appro- priate. That betrayal and/or treason is part of the human condition can be sustained with another quote: “Throughout recorded human history, treachery and betrayal have been considered among the very worst offences people could commit against their kith and kin” (Julie Fitness); while the “dark stain” part may be argued for through the authority of Malcolm X/Little (Alex Haley— “the thing that is worse than death is betrayal… I could conceive of death, but I could not con- ceive of betrayal”).
    [Show full text]
  • Applying Insights from Cultural Studies to Adult Education: What Seinfeld Says About the AERC
    Kansas State University Libraries New Prairie Press Adult Education Research Conference 1999 Conference Proceedings (DeKalb, IL) Applying Insights from Cultural Studies to Adult Education: What Seinfeld Says About the AERC Nod Miller University of East London, UK Follow this and additional works at: https://newprairiepress.org/aerc Part of the Adult and Continuing Education Administration Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Recommended Citation Miller, Nod (1999). "Applying Insights from Cultural Studies to Adult Education: What Seinfeld Says About the AERC," Adult Education Research Conference. https://newprairiepress.org/aerc/1999/papers/30 This is brought to you for free and open access by the Conferences at New Prairie Press. It has been accepted for inclusion in Adult Education Research Conference by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Applying Insights from Cultural Studies to Adult Education: What Seinfeld Says About the AERC Nod Miller University of East London, UK Abstract: The zany adventures of a glamorous British professor who goes to an important international conference but spends most of her time searching for a TV in order to watch her favourite sitcom. Despite her commitment to "no hugging, no learning", she gains some profound insights into mass culture, adult education, friendship and postmodernity as a result. Parental guidance suggested. Prologue: The Convergence This paper has grown out of a critical incident in my own learning biography, where a convergence of two cultural events brought together several discrete elements of my personal and professional identity and led me to reflect on aspects of relationships between the mass media and adult education.
    [Show full text]