The Inventory of the Michael Blankfort Collection

Total Page:16

File Type:pdf, Size:1020Kb

The Inventory of the Michael Blankfort Collection The Inventory of the Michael Blankfort Collection #24 Howard Gotlieb Archival Research Center Blankfort Inventory NOVELS Box 1 1. BEHOLD THE FIRE, New American Library, 1965 1/1 A. Notes and fragmentary drafts, ca. 1962 1. Holograph notes ca. 100 p. 2. Letter 12/18/62 lp - research TLS 3. Typescript w/holo corr. ca. 115 p. 1/2 B. Research - Printed Matter 23 pieces, ca. 50 p. 1/3 C. Research - Documents/history re: Palestine 1910s - 20s 1. Typescript copy - Anita Engle on Palestine, 14 p. 1960 2. Hebrew typescript, 8 p. 3. Typescript copies - verse A~ Nauman 1910 4. Typescript with holo notes, 9 p. 5. Typescript copy letter (French language), 30 p. 1915 6. Bio. Aaron Aaronsohn by H.R. Oppenheimer Bulletin de la Societe Botanique de Geneve 1930, 4 p. 7. Facsimile letters 14 p. 8. Bio of Aaron Aaronsohn by Alex Aaronsohn 32 p. :r.; Typescript copy, n.d. :; ,' 9. Facsimile letters ca. 1919, 7 p. 10. Holograp~ notes 2 p., n.d. I:, 11. Hebrew typescript 14 p·., n.d. ' 12. Fascimile letter, French language, n.d. 10 p. 13. Mimeograph reports on Palestine ca. 1921, 26 p. 1/4 D. Research - documents re: Palestine 1917-1921 1. Anita Engle - excepts/reviews Wili Spies 8 p. typescript, 5 p. n.d. 1 Box 1 2. Anita Engle - 1960 typescript 8 p. on Aaronsohn. I , 1/4 3. Background on Palestine carbon typescript, 21 p. n.d. 4. Plot synopsis Iraq Adventure Y. Avidnov typescript 4 p. nd. 5. Photocopy diplomatic documents 1917, 10 p. 6. Photocopy translated letter 1917, 5 p. 7. Misc. document copies 1919, 4 p. 8. Holo. notes, 2 p. n.d. 9. Except Iraq Adventure Y. Avidnov 22 p. ' ' ' ' 10. Typescript copy, first chapter of Sarah - The Flame of Nile by A Simple Soldier 26 p~ -- 1942(?"f="holo. notes 11. Typescript notes 5 p. n.d. 12. Hebrew typescript n.d. 1 p. 1/5 E. Research & notes, typescript with holo corr. 82 p. ca. 1961? 1/6 1. Early notes typescript, holograph 3 p. n.d. 1/7 2. Variant draft, 132 p. n.d. Box 2 3. Variant draft typescript with holo corr., 107 p. n.d. 2/1 2/2 4. Variant draft typescript with holo corr., 143 p. n.d. 2/3 5. Variant draft typescript with holo corr, 91 p. n.d. I :· ,1·: 2/4 6. Variant draft typescript with holo. corr., 276 p. n.d. Box 3 7. Variant draft typescript with holo corr., 190 p. n.d. 3/1 Box 4 BEHOLD THE FIRE 3/1-4/1 Typescript draft with hole corr. 656 p. total. 1964 3/2 p. 1-138 3/3 p. 139-257 3/4 p. 257A-417 4/1 p. 418-544 2 Box 4 BEHOLD THE FIRE 4/2 p. 545-656 (cont. from Box #4) 4/3 Typescript with holo corr. 1 .• Dedication/Postscript 18 p. 1965 2. Draft 134 p. n.d. (ca. 1965) 4/4 Typescript draft continuing from 5/2 p.134-290 4/5 Draft continuing from above p. 291-499 Box 5 BEHOLD THE FIRE 5/1 Draft continuing from 5/2-5/4 p. 500-691 5/2 Author's clean copy typescript p. i-iii, 1-viii, 1-44 3/6/1964 5/3 Author's clean copy typescript p. 145-305 5/4 Author's clean copy typescript p. 306-503 Box 6 BEHOLD THE FIRE 6/1 Author's clean copy typescript, p. 504-678 3/6/64 6/2 Carbon typescript, postscripts 17 p. 3/6/64 6/3 Page proofs with holo corr. 12/23/64 6/4 Page proofs - British edition with holo corr. 2/24/65 signed typescript corr. BOX 6,7 BEHOLD THE FIRE • :· i i : I 6/5 Research notes for BEHOLD THE FIRE as film - 1960-1961, 165 p~ 'i '.. Typescript with holo. corr. ' '; .. I . i. 7/1 Notes F. Screenplay BTF 1961, 165 p. Typescript I j I' 150 p. w/holo corr. ; !! 7/2 Reviews - 4 pieces 1965 7/3 News Clippings Re: BTF & Aaronson Family objects to the novel 12 pieces, 1965 : .. 3 ---- Box 7 7/4 Research BTF Photos of Hedeva ca. 1912 14 photos+ 1 TLS 10/4/61 from Isaac Feinblatt, 1 TLS 10/9/61 from Ebria Feinblatt 7/6 Research BTF Photos of Jaffa Harbor, Experimaental Station taken in 1961 ¼by MB?½ 22 photos. •,. : :l ..! '! r : i:., Box 7,8 2. THE BIG YANKEE - Little Brown, 1947 Evans Carlson materiali,! I ti, ·; ; d·i ::1.: j ! : ,,,: i ~ I I 7/7 Notes on Makin Raid typescript with holo corr. hologr~ph I, TLS 9/25/45 Evans Carlson 97 p. ca. 1945 ': ::'. '.:• I 7/8 Printed Matter on Makin Raid, 9 pieces Dec. 1943 : 'L 7/9 Notes & Clippings re: China & Chiang Kai-Shek. Holograph notes, typescript notes, & fragments 46 p. mid '40s clippings, various papers, magazines, 9 pieces ca. 1941. 7/10 Reseach, clippings re: Carlson visits to sites 1943-1945 13 pieces. 7/11 Research- Carlson clippings re: advice on China 4 pieces 1945-46 7/12 Research- Clippings re: Carlson's Raiders. 14 pieces "Gung Ho" talks & clippings 1944-45 Box 8 8/1 Research- Clippings on Carlson's father 6 pieces 1939-43 + HLS 5/21/44 from Inez C. Stuart to Ida C. McCracken+ HLS 6/11/44 from Ida C. McCracken to~ Thomas Carlson. 8/2 Chicago Sunday Times 2/18/45 Carlson featured 4 pieces 8/3 Research- notes, printed matter (damaged) ca. 1944 clippings, holograph notes, typescript, fragments 65 p. 8/4 Research- Marine Corps. documents/interviews with Carlson re: Nicaragua. 71 p. 1942-45 Box 8 THE BIG YANKEE 8/5 Research- Marine memorabilia, eulogies, notes, poems Carlson collected - typescript, holograph (. mss. 25 p. n.d. (except eulogy dated 12/42) 8/6 Research- Hollywood Independent Citizens concert programme letter from Carlson p. 7-8, 8/3/46 4 Box 8 8/7 Research- printed matter "The Leatherneck" 12/43 "Liberty" 11/43 + clippings from Sat. Evening Post & pamphlet "LA. , against Gerald K.K. Smith" 1945 8/8 Research- Printed Matter - Marine Corps Plans .! and orders 1944 + T.O. 1942 8/9 Research- Printed Matter - Mills College Int. of International Relations 1939 8/10 Carlson's correspondence (not to/from MB) 1. HLS - Carlson to Father 9/29/19 2. Rationing Application+ envelope to Thomas Carlson 6/11/43 3. HLS Carlson to father 10/3/12 4. CTL - Carlson to General Vogel 3/9/43 5. TLS - Carlson to father/Karen n.d. 6. TLS - Carlson to Gordon Williams 10/10/46 8/11 Research- Notes - Holograph, typescript 173 leaves n.d. pub cc. 1945 Box 9 THE BIG YANKEE 9/1 Research- notes (damaged) - typescript, holograph, fragments 120 leaves ca. 1945 9/2 Notes, outline for ms. holograph, typescript with halo. corr. 37 leaves 9/3 Clippings re: Carlson's death 5/1947 7 pieces 9/4 Testaments to Carlson - all written by MB - 1·: 1 clippings, typescript drafts, mimeograph 19 pag~s. I:':' I 9/5 Reviews and press release - 3 pages. l' i:! ; 9/6 1. Carlson family photos - 3 7 pieces incl. j; • photos of Carlson, Carlson's Father, Mother,:n: friends, colleagu~s, wife, children. Various'4ates: 1 1 · 1910s - 40s \ •1' 2. News clippings - 6 pieces re: Carlsons wedding, career ca. 1944 •, .,:J.I . ' 3. Holograph notes re: photos 3 p. n.d. I \· i ; 9/7 Photographs - Carlson in China - 13 pieces n.d. pho~os ot· Chiang Kai-Shek, Edgar Snow, etc, ca 1933 I ,, :·,, ,!;: ,1 I ·;I. i 5 . ' Box 9 9/8 Photographs - 34 pieces incl. p~otos of Carlson, Fath~r, Carlson with Eleanor Roosevelt, etc. ca. 1944 ;1 9/9 Photograph-2 pieces Carlson, Carlson with family ·I (11Xl4) n.d. r I i: I I' Box 9 THE BIG YANKEE/ BRAVE & THE BLIND, Bobbs-Merrill 1940 / i. iii I! ; I : . i: ! l' 9/10 Miscellaneous Service photos - some w/Carlson 51 & 1 envelope to B from Thomas Hermuneh 3/31/45 pieces' I·', n.,_r-1. i: !.l I 1" 1 ,,f : I ·, 9/11 Photo "Index" of Tarawn Island 1/26/43 . I - !1, i : • ~ 9/12 Sketches of Carlson by Earlson, charcoal, 2 pieces one =: : L.1 ~ ~ j ! signed "To Mike with affectionate regard - Evans .' .. ;·1 Carlson" n.d. 9/13 Cartoon - "Rivets" depicts Carlson's Raiders (11X14) n.d. THE BRAVE & THE BLIND - NOEL - Bobbs-Merrill, 1940 Box 10 10/1 Carbon typescript, with holo corr. 169 p. ca. 1940 10/2 Carbon typescript, with holo corr. 153 p. ca. 1940 10/3 Carbon typescript 112 p. ca. 1940 CRY FROM A RED FIELD/AN EXCEPTIONAL MAN, Atheneun 1980 10/4 Outline for unpublished novel "CRY FROM A RED FIELD," (ms title "The Terrorist") photocopy, typescript, typescript photocopies with holo corr. 44 p. 1981 10/5 Research for AN EXCEPTIONAL MAN, reprint monograph 1 "lessons form Watergate" Leo Rangel 1, Psychoanalytic • Quarterly 1976 · 10/6 Partial Draft - AN EXCEPTIONAL MAN photocopy typescript 75 p •• holograph 2 p. n.d. But ca. 1980 10/7 AN EXCEPTIONAL MAN - notes & early drafts holograph, carbon typescript with holo. corr. ca. 190 leaves, n.d. Box 11 11/1 Variant typescript draft with holo corr. ca 230 p., 1979 (also in 11/2) 6 Box 11 ·AN EXCEPTIONAL MAN 11/2 Variant typescript draft with holo corr. (continued from 11/1) 1979 11/3 Typescript with hole. corr. (Title.- "A Hero of Our Time")'. l, 119 p. 1979 : : j .
Recommended publications
  • Llyn Foulkes Between a Rock and a Hard Place
    LLYN FOULKES BETWEEN A ROCK AND A HARD PLACE LLYN FQULKES BETWEEN A ROCK AND A HARD PLACE Initiated and Sponsored by Fellows ol Contemporary Art Los Angeles California Organized by Laguna Art Museum Laguna Beach California Guest Curator Marilu Knode LLYN FOULKES: BETWEEN A ROCK AND A HARD PLACE This book has been published in conjunction with the exhibition Llyn Foulkes: Between a Rock and a Hard Place, curated by Marilu Knode, organized by Laguna Art Museum, Laguna Beach, California, and sponsored by Fellows of Contemporary Art, Los Angeles, California. The exhibition and book also were supported by a grant from the National Endowment for the Arts, Washington, D.C., a federal agency. TRAVEL SCHEDULE Laguna Art Museum, Laguna Beach, California 28 October 1995 - 21 January 1996 The Contemporary Art Center, Cincinnati, Ohio 3 February - 31 March 1996 The Oakland Museum, Oakland, California 19 November 1996 - 29 January 1997 Neuberger Museum, State University of New York, Purchase, New York 23 February - 20 April 1997 Palm Springs Desert Museum, Palm Springs, California 16 December 1997 - 1 March 1998 Copyright©1995, Fellows of Contemporary Art, Los Angeles All rights reserved. No part of the contents of this book may be reproduced, in whole or in part, without permission from the publisher, the Fellows of Contemporary Art. Editor: Sue Henger, Laguna Beach, California Designers: David Rose Design, Huntington Beach, California Printer: Typecraft, Inc., Pasadena, California COVER: That Old Black Magic, 1985 oil on wood 67 x 57 inches Private Collection Photo Credits (by page number): Casey Brown 55, 59; Tony Cunha 87; Sandy Darnley 17; Susan Einstein 63; William Erickson 18; M.
    [Show full text]
  • ^ Exhibition Advisory
    ^ Exhibition advisory Exhibition: Los Angeles to New York: Dwan Gallery, 1959–1971 On View: March 19–September 10, 2017 Location: Resnick Pavilion (Image credits on page 6) (Los Angeles—March 6, 2017) The Los Angeles County Museum of Art (LACMA) presents Los Angeles to New York: Dwan Gallery, 1959–1971, an examination of the storied history of Dwan Gallery, one of the most important galleries of the postwar period in the United States. Virginia Dwan (b. 1931), gallery owner, art patron, and collector, was one of the greatest champions of avant-garde art and artists of the mid-20th century. During her more than 11 years as a gallerist, Dwan’s Los Angeles and New York galleries were among the first bicoastal spaces dedicated to showcasing contemporary art in America. As an arts patron, Dwan was a pivotal figure in the Los Angeles art scene, often providing artists with stipends, studio space, and housing, in addition to giving many artists their first solo shows. At the time, the exhibitions presented at Dwan Gallery were at the forefront of postwar avant-garde art. Dwan organized one of the first Pop art exhibitions in the United States, My Country ’Tis of Thee (1962), and she was one of the earliest and most ardent supporters of Minimal Art and Earthworks. Founded in 1959, Dwan Gallery first opened in a storefront in Westwood, Los Angeles. The gallery presented groundbreaking exhibitions of New York artists such as Philip Guston, Franz Kline, Claes Oldenburg, Robert Rauschenberg, Ad Reinhardt, and Larry Rivers as well as the Los Angeles-based artist Edward Kienholz.
    [Show full text]
  • ABSTRACT Title of Document: from the BELLY of the HUAC: the RED PROBES of HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philos
    ABSTRACT Title of Document: FROM THE BELLY OF THE HUAC: THE RED PROBES OF HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philosophy, 2009 Directed By: Dr. Maurine Beasley, Journalism The House Un-American Activities Committee, popularly known as the HUAC, conducted two investigations of the movie industry, in 1947 and again in 1951-1952. The goal was to determine the extent of communist infiltration in Hollywood and whether communist propaganda had made it into American movies. The spotlight that the HUAC shone on Tinsel Town led to the blacklisting of approximately 300 Hollywood professionals. This, along with the HUAC’s insistence that witnesses testifying under oath identify others that they knew to be communists, contributed to the Committee’s notoriety. Until now, historians have concentrated on offering accounts of the HUAC’s practice of naming names, its scrutiny of movies for propaganda, and its intervention in Hollywood union disputes. The HUAC’s sealed files were first opened to scholars in 2001. This study is the first to draw extensively on these newly available documents in an effort to reevaluate the HUAC’s Hollywood probes. This study assesses four areas in which the new evidence indicates significant, fresh findings. First, a detailed analysis of the Committee’s investigatory methods reveals that most of the HUAC’s information came from a careful, on-going analysis of the communist press, rather than techniques such as surveillance, wiretaps and other cloak and dagger activities. Second, the evidence shows the crucial role played by two brothers, both German communists living as refugees in America during World War II, in motivating the Committee to launch its first Hollywood probe.
    [Show full text]
  • Exhibition Advisory
    ^ Exhibition advisory Exhibition: Los Angeles to New York: Dwan Gallery, 1959–1971 On View: March 19–September 10, 2017 Location: Resnick Pavilion (Image credits on page 6) (Los Angeles—March 6, 2017) The Los Angeles County Museum of Art (LACMA) presents Los Angeles to New York: Dwan Gallery, 1959–1971, an examination of the storied history of Dwan Gallery, one of the most important galleries of the postwar period in the United States. Virginia Dwan (b. 1931), gallery owner, art patron, and collector, was one of the greatest champions of avant-garde art and artists of the mid-20th century. During her more than 11 years as a gallerist, Dwan’s Los Angeles and New York galleries were among the first bicoastal spaces dedicated to showcasing contemporary art in America. As an arts patron, Dwan was a pivotal figure in the Los Angeles art scene, often providing artists with stipends, studio space, and housing, in addition to giving many artists their first solo shows. At the time, the exhibitions presented at Dwan Gallery were at the forefront of postwar avant-garde art. Dwan organized one of the first Pop art exhibitions in the United States, My Country ’Tis of Thee (1962), and she was one of the earliest and most ardent supporters of Minimal Art and Earthworks. Founded in 1959, Dwan Gallery first opened in a storefront in Westwood, Los Angeles. The gallery presented groundbreaking exhibitions of New York artists such as Philip Guston, Franz Kline, Claes Oldenburg, Robert Rauschenberg, Ad Reinhardt, and Larry Rivers as well as the Los Angeles-based artist Edward Kienholz.
    [Show full text]
  • Read Ebook {PDF EPUB} Behold the Fire by Michael Blankfort User Search Limit Reached - Please Wait a Few Minutes and Try Again
    Read Ebook {PDF EPUB} Behold the Fire by Michael Blankfort User Search limit reached - please wait a few minutes and try again. In order to protect Biblio.com from unauthorized automated bot activity and allow our customers continual access to our services, we may limit the number of searches an individual can perform on the site in a given period of time. We try to be as generous as possible, but generally attempt to limit search frequency to that which would represent a typical human's interactions. If you are seeing this message, please wait a couple of minutes and try again. If you think that you've reached this page in error, please let us know at [email protected]. If you are an affiliate, and would like to integrate Biblio search results into your site, please contact [email protected] for information on accessing our inventory APIs. Can you guess which first edition cover the image above comes from? What was Dr. Seuss’s first published book? Take a stab at guessing and be entered to win a $50 Biblio gift certificate! Read the rules here. Behold the Fire ( 1914-1918 London, Cairo, Constantinople, Jerusalem, Palestine ) Behold the Fire ( 1914-1918 London, Cairo, Constantinople, Jerusalem, Palestine ) , Michael Blankfort tarafından kaleme alınmıştır. Kitap 1966 yılında A SIGNET BOOK tarafından [ AMERİKA ] yayınlanmıştır. Behold the Fire ( 1914-1918 London, Cairo, Constantinople, Jerusalem, Palestine ) adlı eser İngilizce dilindedir. Kitap BEZ CİLTLİ cilt bilgisi ile yıllar önce eklenmiştir. Behold the Fire ( 1914-1918 London, Cairo, Constantinople, Jerusalem, Palestine ) adlı eser, Kitap > Edebiyat, Kurgu > Roman > Dünya Edebiyatı bölümünde İkinci El olarak satıştadır.
    [Show full text]
  • Vol. XIV, No. 1 CONTENTS JANUARY 1, 1935 Editorial
    VoL. XIV, No. 1 CONTENTS JANUARY 1, 1935 Editorial Comment • • • • • • • • • • • • • • • • .. ..• 3 Correspondence • . • • . • • . • • . • • • • • • . • . • • 34 Keeping the Banks Solvent.............. 6 Review and Comment Americanism .•.••••. Henry George Weiss 6 Revolutionary Literature of 1934 The Fight For Social Insurance. • • • . • • • • 8 Granville Hicks 36 One Year of the Weekly New Masses A Prospect for Edna Millay A Statement to Our Readers and an · Stanley Burnshaw 39 Appeal • • ••••• ••••••. .• • • • . • • ••• 9 New Documents on the Bolshevik Father Coughlin's Army .••.. A. B. Magi! 11 Revolution ...•..••.•.•• Sam Darcy 40 Gagging The Guild •••• William Mangold 15 The Unheard Voice Life of the Mind, 1935 Isidor Schneider 41 Genevieve Taggard 16 Music .................... Ashley Pettis Will the Farmer Go Red? The Theatre 5. The Dark Cloud ...... John Latham 17 The Innocent Propaganda of Maxwell Take This Hope .......•... Richard Giles 19 Anderson ••....• Michael Blankfort 44 In the Nazis' Torture House Other Current Shows .•.••••.••••..•• 45 Karl Billinger 20 Disintegration of a Director ••. Peter Ellis 45 The Man at the Factory Gate Between Ourselves • • • • • • • • . • • • . • • • • . • • . 46 Charles Henry Newman 27 Drawings by H. R. 7598-A Debate on Social Insurance William Sanderson, Mackey, Crockett Mary Van Kleeck ,ys. I. M. Rubinow 28 Johnson, Phil Wolfe, Phil Bard. VoL. XIV, No. 2 CONTENTS JANUARY 8, 1935 Editorial Comment . • . • . • • . 3 Arming the Masses .••.••••. Ben Field 25 Betrayal by the N.A.A.C.P. •. • . • 6 American Decadence Mapped Terror in "Liberal" Wisconsin........... 8 .Samuel Levenson 25 The Truth About the Crawford Case Fire on the Andes •••... Frank Gordon 26 Martha Gruening 9 Brief Review ••••••••••••••• , • • • . • • 27 Moscow Street. ....... Charles B. Strauss 15 Book Notes •••••••••••••••.••.•••••• 27 The Auto Workers Face 1935 Art A.
    [Show full text]
  • Writers Guild of America Oral History Collection
    http://oac.cdlib.org/findaid/ark:/13030/c84f1xzb No online items Writers Guild of America Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2020 Writers Guild of America Oral WGF-WGA-001 1 History Collection Descriptive Summary Title: Writers Guild of America Oral History Collection Dates: 1978-1979 Collection Number: WGF-WGA-001 Creator/Collector: Extent: 95 interviews Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: This collection consist of 95 audiotaped interviews with screenwriters, WGA board members and WGA executive leadership. Most audiotapes have accompanying typed transcripts as well. Topics discussed by interviewees concern Screen Writers' Guild organizing as a labor union in 1933, the screenwriting profession, the Hollywood Blacklist and the Hollywood Ten, and Guild achievements and goals from the 1930s to the 1970s. Language of Material: English Access Open for qualified researchers. Available by appointment only. Publication Rights The responsibility to secure copyright and publication permission rests with the patron. Preferred Citation Writers Guild of America Oral History Collection. Writers Guild Foundation Archive Acquisition Information Transferred from WGA to WGF on an unknown date. Biography/Administrative History The Writers Guild of America West is the labor union that represents writers who write for film and television. In 1978, the WGA formed a History Committee and conducted audiotaped interviews with screenwriters important to the history of the Guild and the profession. The audiotapes and transcripts were subsequently transferred to the Writers Guild Foundation.
    [Show full text]
  • Professor John P. Bakke
    Men at War: Early Lessons at "The Town" Professor John P. Bakke Last spring I finally got the courage to teach a seminar in rhetoric and popular war films, especially those made during or shortly after World War II. As the bombing of Pearl Harbor is my earliest memory, I was literally weaned on such movies and made no distinction between what I saw on the screen and the war itself. Like Jeanine Basinger confesses in the introduction to her admirable study of World War II combat films, I expected the enemy in my backyard everyday. Why? In her words, "I went to the movies . .. and God knows, there they were."1 Oh, I remember blackouts, shortages, and rationing. And I remember neighbors going to war and occasional talk of someone not coming home. But those memories are no more real to me than those black and white images I saw in the Town Theatre in Waukon, Iowa. I never had any interest in the history of any war. I don't care if there was or was not a "Tanaka Plan." I don't care what the real turning point was in "The Battle of the Bulge" or even if Der Feuhrer is alive and well and living in Argentina. I care about war "films" because I learned from them values, senses of right and wrong, and notions about patriotism and freedom and courage and manliness. They placed images in my head of strange looking people from such far away places as Brooklyn and Tennessee, England and France, and, oh yes, from Germany and Japan.
    [Show full text]
  • Literature and Rare Books a Miscellany
    Literature And Rare Books A Miscellany. 1502 - 2000 Catalogue 298 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and Fax machines for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • Sunshine and Shadow: Recent Painting in Southern California Exhibition Dates: 15 January-23 February 1985
    Sunshine and Shadow: Recent Painting in Southern California Exhibition Dates: 15 January-23 February 1985 2500 copies printed on the occasion of the exhibition, Sunshine and Shadow: Recent Painting in Southern California, at the Fisher Gallery, University of Southern California, Los Angeles, California. Catalog design: Nancy Zaslavsky, Ultragraphics, Venice, California Design assistant: Lupe Marmolejo Assistant to the curator: Joanne Rattner Catalog editor: Jeanne D ’Andrea Photography: Damian Andrus - pp. 17, 43; Art Documentation - pp. 15, 23, 2 7 . -29. 33. 37. 45. 53. 59, 61, 67; J. Felgar - pp. 47, 5.; L.A. Louver - pp. 55, 71; Barbara Lyter - p. 35; Modernism - p. 39; Douglas M. Parker Studio - pp. 21, 37; Ernest Silva - p. 69. Typographer: Mondo Typo, Santa Monica, California Typography: Garamond with small caps; Univers 85 Lithography: Southern California Graphics, Culver City, California Text paper: 100 pound Centura Cover paper: .018 pt. Carolina © 1985 by the Fellows of Contemporary Art, Los Angeles, California All rights reserved Printed in the United States of America No part of this catalog may be reproduced in any form by any electronic or mechanical means without permission in writing from the Fellows of Contemporary Art, except by a reviewer who may quote brief passages in a review. Published by the Fellows of Contemporary Art, 333 South Hope Street, 48th Floor, Los Angeles, California 90071. Library of Congress Catalog Card Number 84-73006 isbn 0-911291-10-5 Sunshine and Shadow: Recent Painting in Southern California Susan C. Larsen An exhibition and catalog initiated and sponsored by the Fellows of Contemporary Art, Los Angeles, and organized by the Fisher Gallery, University of Southern California.
    [Show full text]
  • Scientific and Cultural Conference for World Peace
    REVIEW OF THE SCIENTIFIC AND CULTURAL CONFERENCE FORWORLD PEACE ARRANGED BY THE NATIONAL COUNCIL O~ THE ARTS, SCIENCES AND PROFESSIONS AND HELD IN NEW YORK CITY ON MARCH 25, 26, and 27, 1949 APRIL 19, 1949 Prepared and released by the COMMITTEE ON UN-AMERICAN ACTIVITIES, U. S. HOUSE OP REPRESENTATIVES WASHINGTON, D. C. COMMITTEE ON"UN';A:MERICAN' ACTIVITIES, UNITED STATES HOUSE OF REPRESEKTJ\TIVES JOHN B.WOOD, Georgia, Chairman FRANCISE. WALTER, Pcnnsyivanla J. PARNELL THOMAS, New]ersey BURR P. HA.RRISON,Virglnin RICHARD M. NIXON, California JOHN McSWEENEY, Ohio FRANCIS CA.SE, SouthDakota MORGAN M. MOULDER, Missouri HAROLD H. VELDE, illinois LOUIS J. RUSSELL, Senior. IflIJe&tioatoT :attNl~~nNMANDEL, Direclor: Of lU8earch JOlIN W. CARRINGTON, Olerk Of Comrn!t(ie II ~ ... " :... X" ~.~ ...... \" .', - . / A REVIEW OF THE SCIENTIFIC AND CULTURAL CONFERENCE FOR WORLD PEACE ARRANGED BY THE NATIONAL COUN­ CIL OF THE ARTS, SCIENCES, AND PROFESSIONS AND HELD IN NEW YORK CITY ON MARCH 25, 26,. AND 27, 1949 Parading under the imposing title of the Scientific and Cultural Conference lor World Peace the gathering at the Waldorf~A~toria 'Hotel in New York City on 1tlarch 25, 26, and 27, 1949, was actually a supermabilization of the inveterate wheelhors~s and supporters of the Communist Party and' its auxiliary organizations. It was in a sense a glorified pyramid club, pyramiding into one inflated front the names which had time and again been used by the' Communists as. decoys for the entrapment of innocents. The Communist-front connections of these sponsors, as reflected by the tabulation in this report, are very extensive.
    [Show full text]
  • Stanley Kramer Papers, 1945-1984
    http://oac.cdlib.org/findaid/ark:/13030/ft2x0nb09b No online items Finding Aid for the Stanley Kramer papers, 1945-1984 Processed by Charlotte Payne; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 1999 The Regents of the University of California. All rights reserved. Finding Aid for the Stanley 161 1 Kramer papers, 1945-1984 Finding Aid for the Stanley Kramer Papers, 1945-1984 Collection number: 161 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Contact Information Manuscripts Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Charlotte Payne, October 1974 Encoded by: Caroline Cubé Online finding aid edited by: Josh Fiala, July 2002 Text converted and initial container list EAD tagging by: Apex Data Services © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Stanley Kramer Papers, Date (inclusive): 1945-1984 Collection number: 161 Creator: Kramer, Stanley Extent: 316 boxes (158 linear ft.)37 cartons (37 linear ft.)28 oversize boxes 2 oversize Folders Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Abstract: Stanley Kramer (1913- ) was born in New York City.
    [Show full text]